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"Merchant of Venice" and "The Lord of the Flies", 2002.
A character sketch of Shylock from William Shakespeare?s" Merchant of Venice" and Jack from William Golding's "The Lord of the Flies".
1,095 words (approx. 4.4 pages), 2 sources, MLA, $ 38.95
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Abstract
A brief examination of the main characters of these two classical works. Their characters are discussed relating to excerpts from the play and novel and then compared to each other. The writer concludes that both Shylock and Jack embody the malicious nature of mankind and are both are power hungry.
From the Paper
""I like not fair terms and a villain's mind". (Shakespeare 1979)
The Merchant of Venice is one of the best comedies written by William Shakespeare and it has become famous because of its character Shylock the Jew. Shylock is perhaps the first character created for Elizabethan audience with anti-Semitic overtones and portraying Jews as comic foils for Christian heroes. Although most famous for his wickedness many modern interpretation have elevated Shylock's energy and eloquence to the height of a tragic hero."
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William Golding?s ?Lord of the Flies?, 2004.
This paper discusses the censorship of William Golding?s ?Lord of the Flies?.
2,010 words (approx. 8.0 pages), 11 sources, APA, $ 63.95
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Abstract
This paper argues that ?Lord of the Flies", which is no different from any other work that has been considered controversial throughout time, should not be censored nor should any other literary works. The author stresses that, just as Christian-themed works have the right to express their views of society and what is correct behavior so, too, should works like ?Lord of the Flies? be permitted to express their sentiment freely. The paper relates that a theme of the book includes the notion that evil is a necessary part of human nature, which is considered by the censors to be demoralizing as it implies that a man is little more than an animal.
Table of Contents
Introduction
Overview of Censorship
Censorship and ?Lord of the Flies?
Conclusions
From the Paper
"Censorship is not a foreign concept in the world of literature. In fact, for centuries books have been banned at various points of society. There are many circumstances under which books might be banned. Censorship actually happens even in modern times. Censorship is generally inspired for a variety of reasons. In the case of the "Lord of the Flies" censorship is usually cited based on the notion that the book is violent and oppressive, goes against religious ideals and expresses the notion that man is by nature evil and savage."
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Shakespeare?s ?The Merchant of Venice? and ?Julius Caesar?, 2002.
This paper compares Shakespeare?s view of women and of masculine activity in two of his plays, "The Merchant of Venice" and "Julius Caesar".
1,655 words (approx. 6.6 pages), 2 sources, $ 53.95
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Abstract
This paper states that, in these Shakespeare?s plays, women are equal to men and are not excluded when it comes to love and Christianity, but they are lesser than men and are excluded when it comes to politics and power. The author explains that ?The Merchant of Venice? women are portrayed as being equal to men and as having as much power as men; but, in ?Julius Caesar?, women are portrayed as being lesser than men and as having little power. The paper concludes that, in ?The Merchant of Venice?, masculine activity is limited and does not exist to isolate women; but, in ?Julius Caesar", masculine activity is large and exists to exclude women.
From the Paper
"This difference in subject and theme explains why Shakespeare offers two very different views in the two plays. These different views do not represent that Shakespeare has a view of women that is really any different in either play. Instead, it represents that Shakespeare regards women differently depending on the subject and theme to which he is applying his ideas. The differences in the play in regards to women and the sphere of masculine activity will now be described by illustrating the differences and relating them to the themes and subjects of the plays."
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Irony in "Lord of the Flies", 1999.
This paper looks at " Lord of the Flies", and William Golding's introduction of the savage side of human nature through irony as he develops the characters, the discovery of the beast, and the final rescue of the children.
1,700 words (approx. 6.8 pages), 6 sources, $ 55.95
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Abstract
This essay examines the dark view of human nature in William Golding's novel, "Lord of the Flies". The author discusses Golding's recurrent theme of his fiction, the conflict between humanity's innate barbarism and the civilizing influence of reason. The paper focuses on the ironies in Lord of the Flies through the characters, the discovery of the beast, and the rescue of the boys.
From the Paper
"The end of the novel hints that under such circumstances it is possible for humans to follow a course of action that will eventually result in its own destruction. Irony plays an important role in the rescue of the children because they leave one corrupt society to return to another. Against all expectations, the children in Lord of the Flies repress all noble instincts and embrace a life of savagery. Golding uses irony to demonstrate that humans are capable of intense evil as a result of their own natures and not because of any outside factors. His book suggests that civilization is the only thing that restrains mankind from a life of barbarism, but savagery also exists in civilization. After all, the children are stranded on the island as a result of a nuclear war and are rescued by a warship engaged in its own savage manhunt."
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"1984" and "Lord of the Flies", 2005.
A discussion on abused ruling power in "1984" by George Orwell and the "Lord of the Flies" by William Golding.
1,021 words (approx. 4.1 pages), 2 sources, MLA, $ 36.95
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Abstract
In the novels "1984" by George Orwell and the "Lord of the Flies" by William Golding, the ruling parties experience virtually no consequences from the populous for their actions. In "1984" this is done by design, but in the "Lord of the Flies" it comes about through natural human impulses. The paper explains how in both cases, however, the competing human drives for order and for random gratification come to rest upon forms of social organization that satisfy certain basic desires of mankind while sacrificing power to a small group of individuals.
From the Paper
"In Golding's novel the struggle between order and chaos are most clearly exemplified through the characters of Jack and Ralph. The power that Ralph wields over the other boys is sustained by their young understandings of justice and the difference between right and wrong. Ralph is willing to delegate duties and confer some of his power upon others in the hopes of eventual rescue; this is his primary objective. Jack, on the other hand-obtaining only a taste of power-craves more, and takes every opportunity to undermine Ralph's authority. The notion of civilization and a return to the rest of the world are completely lost within Jack's base aims for supremacy. When Jack finally comes to power his rule has no objective other than self perpetuation."
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"Lord of the Flies", 2002.
A literary review of William Golding's "Lord of the Flies".
1,150 words (approx. 4.6 pages), 4 sources, $ 44.95
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Abstract
This paper describes "The Lord of the Flies" by William Golding as the essence of the struggle of human nature as it gives in to the basic instincts that separate them from animals.
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'Lord of the Flies', 2004.
This paper serves as an analysis of William Golding's book 'Lord of the Flies'.
900 words (approx. 3.6 pages), 1 source, $ 31.95
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Abstract
In this article the writer examines William Golding's novel 'Lord of the Flies'. The writer portrays Golding's notion from the book, that focuses on how humankind is its own worst enemy. Further, the writer discusses the many perspectives of the novel.
From the Paper
"William Golding's 'Lord of the Flies' can be viewed from many perspectives from a religious analogy to a mirror of civilization at large. Whichever perspective one views the novel from however, one central theme remains pervasive throughout the novel. The central theme is how human beings are often their own worst enemy causing chaos and destruction even in the midst of a tropical paradise. The ending of the novel involves the rescue of a group of stranded boys from an island ... "
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"Lord of the Flies", 2004.
An analysis of William Golding's "Lord of the Flies" that includes a thesis of the author.
1,800 words (approx. 7.2 pages), 5 sources, MLA, $ 63.95
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Abstract
The paper analyzes William Golding's novel "Lord of the Flies" and discusses the author's thesis. The paper discusses the struggle between order and chaos, offers a summary of the novel and examines the setting, symbolism, theme, characters and other aspects of the novel.
From the Paper
"Developing Flies. Thesis Statement. One of the perspectives of William Golding's "Lord of the Flies" focuses on the conflict between social order and chaos. Though each of the boys stranded on the island exhibits different aspects of social order and/or different forces of destruction, Ralph's tears at the end of the novel represent the lost illusions of civilized society in the face of nuclear annihilation. Introduction. "Lord of the Flies" embodies multiple themes and might be interpreted from a political, social and/or religious perspective."
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"The Merchant of Venice", 2007.
An analysis of the money-conscious attitudes of the various characters in William Shakespeare's play, "The Merchant of Venice."
750 words (approx. 3.0 pages), 1 source, MLA, $ 26.95
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Abstract
This paper discusses whether Shylock the Jew is the most money-hungry character in William Shakespeare's play, "The Merchant of Venice." The paper analyzes the plot and some of the scenes in the play in order to compare the different character's views on money. The paper concludes that it is the Christian Bassanio who is the most money-conscious of all of the persons in the play and explains why this is so.
From the Paper
"It is the Christian Bassanio, ironically, who is the most money-conscious of all of the persons in the play. Bassanio chooses lead, when asked to select from the three caskets that Portia offers to test her suitors. She is happy that he wins, and the lead is supposed to be the correct choice, for the person who chooses lead is supposed to be a man who has hazarded all he has, to win Portia. But in truth, Bassanio has hazarded nothing and desires Portia's gold. It is Antonio who has taken the risk in lending money for his friend. Now that Shylock is angered because of the loss of his daughter, he resolves to call upon the bond Antonio made in jest, a pound of flesh. The jest-like nature of the false bond was reflected when Antonio said that: "The Hebrew will turn Christian: he grows kind." (I.2) In other words, Shylock asked for no interest or money upon the loan in an effort to cement his relationship with Antonio (another example of how Shylock does not always put money before relationships). However, Shylock's kindness turns to cruelty, because a Christian has sundered his relationship with his beloved daughter--a Christian, incidentally, in need of money that willingly spends the ducats stolen by his stolen bride from Shylock's coffers."
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Tragedy and Fate in "Of Mice and Men" and "Lord of the Flies", 2002.
Examines the way two famous novels, "Of Mice and Men" and "Lord of the Flies" use a combination of symbolism and conflict to make a statement about human character and society.
2,650 words (approx. 10.6 pages), 2 sources, $ 97.95
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Abstract
Steinbeck's "Of Mice and Men" and "Golding's Lord of the Flies" are both prophetic novels that depict highly symbolic characters in excessively conflicted situations. This essay analyzes how these dramatic couplings of symbolism and conflict represent a larger social philosophy. Through character analysis, it is revealed how each hero of these different stories is forced to reconcile with his opposite, an enemy, a counter-force who prevents moral progress from taking place and who condemns the novel's outcomes to particular tragedies. Each author thus makes a statement about human character in a social world that is doomed to tragic ends.
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"Lord of the Flies" and "1984", 2008.
A discussion of two books dealing with the bleakness of human nature -"Lord of the Flies" by William Golding and "1984" by George Orwell.
794 words (approx. 3.2 pages), 3 sources, MLA, $ 28.95
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Abstract
This paper examines how both William Golding in "Lord of the Flies" and George Orwell in "1984" present a grim view of human nature, a view that indicates that humanity has an irresistible tendency to fall into an abyss of depravity and oppression. The paper explains that at first, Golding seems to offer a less pessimistic view of human nature than Orwell does but in the end their views are nearly identical. The paper looks at how Golding's boys begin free from the oppressions of society, but fall into savagery and how Orwell's society has already fallen before the novel opens, and escape is out of the question. The writer concludes that, in the end, it is harder to say whose vision is more negative, and a reader can do little more than hope that neither author is correct in his bleak vision.
From the Paper
"Orwell presents a society already fallen. The Party controls every aspect of life, especially through the control of the constant propaganda that is bombarded on the inhabitants of Oceana, in which London is located. With the telescreens that watch every person (Orwell 2, 5-6, 9, 11, 27, 97, 148), the "two-minutes hate" each day, to the monthly public hangings (Orwell 23-4, 49-50, 57), the constant fear of the thought police (Orwell 4-5, 62, 101), grim depravation in which goods are always in short supply (Orwell 49, 162), and everything from cigarettes (Orwell 5), to gin (Orwell 5, 77, 150) to housing (Orwell 20-21), is of such poor quality that there is no possibility of joy in life (Orwell 41, 49, 60-61), this is a totalitarian society."
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The Use of Rhetoric in "The Merchant of Venice", 2006.
An analysis of the use of language to modify and influence events in William Shakespeare's "The Merchant of Venice".
1,300 words (approx. 5.2 pages), 1 source, MLA, $ 43.95
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Abstract
This paper examines numerous examples of rhetoric in William Shakespeare's play "The Merchant of Venice". This paper focuses on two characters and their use of language to persuade others to act in a certain way, as well as on Shakespeare's use of those characters to sway the reader. The author first explores Portia's character and her use of rhetoric for control. Next he studies Shakespeare's use of rhetoric for mercy, as seen through the character of Shylock.
From the Paper
"Let's evaluate the scene where Portia and Bassanio are before the caskets where Bassanio must make his choice. The dialogue directly proceeding the finding of the casket is basic lover's speech, but wait! Listen carefully to what Portia says: "If you do love me, you will find me out" (III ii 41). Portia leads Bassanio to believe that the choice he makes in the caskets his own. She leads the reader to believe that Bassanio's love for her is the only force which leads to the discovery of the correct casket. However, earlier when Portia is speaking of the preparations for the casket choice, she speaks of music which is to be played while Bassanio makes his choice. Ok, this seems innocent enough; but examine the song -- the first two lines of the song rhyme with lead. It doesn't take long for the subliminal message to be absorbed in Bassanios brain, and the lead casket is chosen. This manipulative device is an indication to me that Portia has a need to make things go her way. She is afraid that Bassanio will make the wrong choice, and therefore assists him."
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Love in "The Merchant of Venice", 2005.
An examination of the theme of love in Shakespeare's play "The Merchant of Venice".
690 words (approx. 2.8 pages), 1 source, MLA, $ 23.95
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Abstract
This paper looks at Portia's true love for Bassanio in Shakespeare's play, "The Merchant of Venice" and contrasts it with Antonio's self-serving, obsessive love for the same man. Reflections on Shakespeare's insights on true love are offered.
From the Paper
"The Merchant of Venice like all of his plays is full of meaning on many levels. One of the predominant themes in this play however is that of love. A number of people in the play either love each other or claim to.."
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William Golding's "The Lord of the Flies", 2007.
This paper analyzes the themes of good and evil in William Golding's "The Lord of the Flies".
1,585 words (approx. 6.3 pages), 8 sources, MLA, $ 51.95
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Abstract
This paper explains that William Golding's "The Lord of the Flies", which recounts the survival instincts of a group of school boys deserted on an uninhabited tropical island, depicts what could happen if man lived without laws, moral codes, ethics, and established religion. The author points out that Golding believed that, because morals come directly from one's environment, without the presence of civilization in this environment, man is doomed to lose any moral values. The paper discusses Golding's use of allegories, themes, symbols and metaphoric language to convey his morality tale. The paper includes some long quotations.
Table of Contents
The Sinful Nature of Man
The Descent into Savagery
A Telling Tale
From the Paper
"The island itself is represented by a microcosm that portrays the world; while the "scar" is the mark of man's sin, depicting the capacity of man's 'destructive forces'. Ralph and the conch, both symbolized democracy and justice; Jack represented savagery and anarchy. Roger, the second-in-command of the hunters, depicted pure evil and Satanist tendencies; Piggy's glasses portrayed power. In the character of Simon, we see an image of the Christ; whereas, sinfulness and the dark nature of man is depicted through the Beast. And, the Lord of the Flies is Satan himself."
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"The Merchant of Venice", 2007.
This paper analyzes the character of Portia in Shakespeare's "The Merchant of Venice."
2,831 words (approx. 11.3 pages), 0 sources, $ 84.95
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Abstract
This paper provides a description of the casket scenes in Shakespeare's "The Merchant of Venice." The paper looks at Portia, one of Shakespeare's more willful and determined women, and explains how the lottery system devised by Portia's father sheds light on her character. The paper also compares Portia's character at the casket scenes with that at the court scene.
Outline:
Introduction
The Casket Scenes
The Court Scene
Conclusion
From the Paper
"First of all, it is interesting to note that the lottery system that Portia's father had construed consisted of caskets instead of any other available objects. In a system that was devised to find Portia a husband, it is almost macabre that caskets be used to symbolize her impending marriage. It is almost as if hinting that her father knew how much she would dread a chance marriage as much as death itself. The lottery system hides a Christian bias (Sparknotes.com) where it also resembles Venice of the play. The caskets are gold, silver and lead and each with its own inscriptions. According to Christian teachings, humans should resist the idea of desire as it is unreliable. There is also the matter of appearances being deceiving and that humans should not only trust their senses."
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