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?Media/Society: Industries, Images, and Audiences?, 2002.
Analyzes this book by D. Croteau and H. Hoyneson on the role of the media in society.
2,057 words (approx. 8.2 pages), 4 sources, APA, $ 64.95
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Abstract
D. Croteau and H. Hoynes?s 1997 "Media/Society: Industries, Images, and Audiences" reminds us of a number of truths by examining the institutional structures of mass media organizations, including the role that we as an audience serve. The paper shows that the book's goal is not to blame the mass media for every ill in society, nor to hold them up as bright shining beacons. Instead the goal of the book is to demystify the media, to remind us that television, no less or more than Congress or churches or rap music, is part of a cultural whole that is constantly changing. The paper shows that the authors continually argue for the importance of studying the mass media on the grounds that these are indeed fundamentally important institutions to our society and that no holistic or thorough understanding of contemporary American society is possible without an understanding of the structures and roles of the mass media.
From the Paper
"And yet most Americans are also probably oblivious at some level to the ways in which their sources of entertainment are funded, possibly because we find all those ads annoying, possibly because we would all just rather not think about how much influence is being bought along with airtime or advertising space (Robinson and Kohut, 1988, p. 174). The relationship between people who produce the content of a mass medium ? writers, reporters, graphic artists, website designers ? and those who pay for it in terms of their advertising dollars is an uneasy one and reputable mass media fight constantly for editorial independence (Croteau and Hoynes, 1997, p. 61)."
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"Say it Loud! African American Audiences, Media and Identity", 2003.
A review of "Say it Loud! African American Audiences, Media and Identity" by Robin Coleman.
690 words (approx. 2.8 pages), 1 source, MLA, $ 23.95
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Abstract
This paper discusses Coleman's book and the African American audience response to various media treatment. The paper explores specific TV shows. It explores the themes of the 10 essays of the book. The author also mentions images of African American culture and their social context of meaning.
From the Paper
""Say it Loud! African American Audiences, Media and Identity," edited by Robin R. Means Coleman is an up to date published in examination of African American audiences and their response to how the various media, TV, movies, music, radio, comics, print, cyberspace ..."
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Images of Women in the Media, 2002.
An analysis of the sexist way women are still portrayed in media, particularly in magazines despite their changing cultural status.
1,150 words (approx. 4.6 pages), 5 sources, $ 44.95
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Abstract
This paper will explore some of the images of women in the media. It will concentrate on the images of women as presented in print; particularly in magazines. The thesis is that, despite the many changes in the social, legal, and cultural status of women that have brought women more and more equity in relation to men, women are still portrayed in sexually objectified ways. The thesis will go into some detail as to the origin and meaning of such portrayals where women are reduced to what is considered sexually desirable. This occurs in a large number of advertisements in all types of magazines.
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Sexual Images in the Media, 2002.
A study of the effect of watching sexual images on TV.
900 words (approx. 3.6 pages), 2 sources, $ 35.95
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Abstract
A paper about the effects of sexual images on people, exposed to them in the media.
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TV Audiences and Media Theory, 2008.
This paper provides a case study of a television audience at Bloor & Lansdowne, Toronto.
3,516 words (approx. 14.1 pages), 7 sources, APA, $ 98.95
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Abstract
In this article, the writer notes that the study of the mass media and notably television continues to involve a great deal of theory-building. The writer remarks that as Ien Ang points out, much that is theorized or assumed features a large cultural and conceptual gap between television audiences and observing scholars or others to analyze them. The writer maintains that one also needs to bear in mind the care that should be taken to examine particular phenomena, ensuring that one's assumptions are not wholly shaped by theory. The writer further reveals that Ulf Hannerz pointed out how the day of globalization has prompted approaches that are global and also local, in term of continuity and change. Perhaps at no time has it been so important to ensure that one does observe what one is discussing, in terms of local and particular phenomenon. The writer notes that this is played out in this paper's case study.
Outline:
Introduction
An Ethnography of Public TV Viewing
Reflections on TV Audience Freedom
'The Heavy Viewer'
Concluding Remarks
From the Paper
"In a somewhat shabby area, Ciro's offers a kind of oasis in a well-run, almost upscale facility of reasonable prices. The premises have involved a tavern of some kind for many years catering to a working class area of much early 20th century row housing, most of it quite simple, streets of less costly detached housing and few amenities of kinds appealing to upscale consumers. It is a neighbourhood beset by visible petty crime but also an array of churches, mosques and temples, a low-cost area chosen by diverse new Canadians and others since the 1980s. The management of Ciro's welcome customers of every imaginable social class and background providing that patrons are agreeably behaved, distinct from the same areas large crack cocaine culture whose members are catered to by other drinking establishments. Ciro's was chosen for observation for its feature of both educated and uneducated patrons and for its eternal television screen, forever on, at all hours, usually showing news-feeds or other material of local interest. Large TV screens are situated behind the bar that takes up the establishment's east wall and suspended from the ceiling at the centre of the area used by customers who both stand or make use of tables. The culture of Ciro's is remarkably democratic apart from firm rules against customers who are rude, potentially dangerous, apt to conduct drug deals on site or who otherwise cannot participate in the friendly cooperative attitude that is shared by customers."
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Media Images of Shrinks, 2002.
How the media views psychologists.
650 words (approx. 2.6 pages), 3 sources, $ 26.95
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Abstract
This paper discusses the media and the field of psychology. It addresses the media's attitude about the field as well as the way it handles the field from a media standpoint. The author of this paper presents discussions about whether or not the media presents a distorted view of psychology and whether it prefers to use professionals or self proclaimed experts in its work.
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Mass Media Images of Heroes, 2001.
This paper examines how the mass media influences popular perceptions of heroes.
1,450 words (approx. 5.8 pages), 8 sources, APA, $ 48.95
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Abstract
The paper scrutinizes how mass media affects the public perception of heroes and heroism. The paper first describes immense power of mass media through the example of the American television being regarded as a powerful force strengthening the presidential system. The paper argues that mass media enables public opinion to spread over wider geographic area. The paper demonstrates the popularity of sports heroes and explains the correlation the entertainment media has with fictional heroes in literature.
From the Paper
"What is a hero? And what has one got to do with television? The answer to that question ? which is really the question of how the mass media influence popular perceptions of the heroic and the Hero ? is a complex one as are any significant questions that examine the relationship between mass media and the culture that produces, absorbs, reflects and reifies them."
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Contemporary Art And Its Relationship To Its Audience And Society, 2002.
Discusses the arts since 1945.
1,800 words (approx. 7.2 pages), 4 sources, $ 63.95
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Abstract
Discusses the arts since 1945. Wide-ranging styles of artists. Innovative and creative breakthroughs. Emergence of concept of social relativity and a pluralistic society. How the Postmodern world and plurality have redefined the role of the artist. Pluralism of art styles reflecting society. The New Realism as a cumulative creative systhesis. The pluralistic way contemporary artists engage in with their audience.
From the Paper
"The picture of the arts since 1945 is extremely complex with trends toward fragmentation on one the side and multimedia unifications on the other. Radical changes have come about in science, technology, politics, economics, and the arts. Social relativity and the pluralistic society are replacing absolute values and uniformity; and artists are working in styles that vary from wide-ranging freedom to strict formalism, from imaginative abstraction to stark realism, from detached objectivity to passionate expressionistic involvement.
All this has shown that no one approach, solution, attitude, technique, or..."
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Media Images of Women, 2002.
Examines various aspects of the presentation of women in the media.
1,150 words (approx. 4.6 pages), 5 sources, $ 44.95
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Abstract
The primary focusof this paper is on television. Evidence indicates that women are stereotyped, particularly in advertising and implicitly 'fed' the dominant ideology through media. This involves their portrayal in stereotypical and grossly simplified manners.
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Chinese Media Industry, 2004.
A comparison of the Western media to the media industry in China.
1,290 words (approx. 5.2 pages), 15 sources, MLA, $ 43.95
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Abstract
This paper documents the shifts and changes that have shaped the media industry as to societal, political, organizational, or national influences in the formation, governance and processes within the media industry in China. Further, the paper focuses on elements, both in the historical sense and that of the present day, and attempts to determine what influences the political economy of the media industry. The paper examines the theories surrounding the political economy of communication and the culture industry in a theoretical framework. The paper explores the theories of political economy in media communications, while contrasting and comparing the Western media industry with that of the media industry in China.
From the Paper
"China entered into the World Trade Organization and gave rise to speculations that the world's largest media market might be much more easily accessible to publishers in the international media industry. The market economy in China is making gains however the media industry including the print remains in the governments hands which results in a product that is "forced-fed to all levels of governments offices, at a cost ultimately assumed by the taxpayers" (China Daily 2003) . In fact estimates for the taxes in China's media market are stated to be "16 to 20 billion a year. " (China Daily, 2003) Government spending pays approximately "6 to 10 billion Yuan" of that amount. (China Daily 2003) The media industry in China is under total government control with a very few foreign investors as well as private investors involved on the retail side of business."
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Women's Body Image in the Media, 2000.
How the influx of images from mass media serves to construct gender images, particularly women's body image.
3,730 words (approx. 14.9 pages), 20 sources, $ 103.95
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Abstract
This paper focuses on the representations of women's body image in the media and asks how these representations affect women?s self-image and behavior.
From the Paper
"The images of the media surround us constantly. According to Peach (1998): ?We are exposed to over 2,000 ads a day, constituting perhaps the most powerful educational force in society. The average adult will spend one and a half years of his/her life watching television commercials?. (p. 128). Leafing through the morning paper we unconsciously take in adverts and photographs. Going to work we pass billboards, signs on bus stations and busses, company logo?s on clothing and merchandise. At home relaxing in front of the television we are bombarded by images. What are the main messages that are conveyed by this unstoppable deluge of the media?"
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Self-Image and The Media, 2006.
A discussion regarding the effect of perfect images presented by the media on the viewers' self-image.
1,125 words (approx. 4.5 pages), 5 sources, $ 44.95
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Abstract
This paper discusses how the media can have negative effects on the body image of almost any individual, male or female. It further discusses how women are more prone to the effects of this kind of media image and reviews research that indicates, in its early stages, that these effects can be countered by intervention.
From the Paper
"Every day the general public is subject to unrealistic body images portrayed by the media. On television, hypersexual teens worry more about losing their virginity than about a humongous pimple shining like a blinking beacon. In both print and electronic media, women with prominent collarbones and 15-inch waists advertise everything from fast food to pain- and weight loss medication, while men with "ripped" abs drink beer with their buddies in front of the television. In the movies, even the pets are beautiful and gaze at their perfect owners with love from the elegant couch in their perfectly maintained homes. How is the average individual supposed to compete with this flawless worldview? Does the average viewer compete with it at all or is it accepted as the depiction of the American dream?"
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| Term Paper # 105146 |
temporarily unavailable
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The Internet and the Media Industry, 2005.
An analysis of the internet's impact on mass communication systems and businesses with a focus on the media industry.
3,050 words (approx. 12.2 pages), 11 sources, MLA, $ 89.95
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Abstract
This paper discusses the impacts of the internet on existing communication channels, media industry and media giants. It investigates how media giants made use of internet to become global businesses. At the end of the paper, a brief discussion is made on the legal framework regarding Internet and how governments can deal with Internet in terms of legal issues.
From the Paper
"Technological developments in the field of communications and other areas are profoundly changing traditional media business as well as the broader media and communication industries. With the advent of digitized information it is now possible to exchange digital information over the same networks instantaneously on a global scale. According to Murphie and Potts (2003) the advantage of digitisation include: the speed with which huge volumes of digital information may be processed and manipulated; the ready convergence of diverse information types into digital data; and the speed and flexibility with which this data may be compressed and distributed through information networks. Internet is the main digital communications network through which digital information is exchanged today."
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Body Image and the Media, 2005.
This paper examines the negative impact of the media on a woman's self esteem and body image.
1,765 words (approx. 7.1 pages), 9 sources, MLA, $ 56.95
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Abstract
The writer of this paper details the symptoms as well as the media's contribution to body dysmorphic disorder, also known as distorted body image. Body dysmorphic disorder has become a tremendous problem in today's society due to the barrage of negative messages sent to women by the media. This paper discusses the effect of the media, in all its forms - television, radio, print advertising, internet, etc., which has an enormous influence on what people deem as attractive in today's society. The unnecessary emphasis the media places on appearance tends to adversely affect the mental and physical health of those it comes in contact with. Body dysmorphic disorder can lead to damaged self-esteem, depression, and eating disorders such as anorexia and bulimia. This paper details the manner in which advertisers place heavy emphasis on physical appearance as a means of selling products. Too often in doing so, unnecessary pressure is placed on women to conform to unrealistic and oftentimes, unhealthy standards of beauty.
From the Paper
"Women want someone they can relate to. The Body Shop, a supplier of natural beauty products, offered a much-needed change from the typical message provided by advertisers; "There are three billion women who don't look like supermodels, and only eight who do. The Australian magazine New Woman included a picture of a heavy-set model on its cover recently. This action produced a lot of positive comments from the magazine's female readers. Despite this fact, advertisers threatened to pull their sponsorship. This shows that advertisers know what they are doing when they include a woman whose body is unattainable to society at large."
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