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Masculinity in "Jane Eyre.", 2007.
This paper analyzes Franco Zefferelli's 1996 production of Charlotte Bronte's "Jane Eyre."
846 words (approx. 3.4 pages), 1 source, MLA, $ 30.95
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Abstract
The paper examines the characters of Jane and Rochester as portrayed in Franco Zefferelli's 1996 production of "Jane Eyre." The paper contrasts Rochester's power with that of Jane Eyre. The paper explains that the fact that being a man in the 19th century was sufficient to give Rochester the power to define rationality and sanity, while at the same time allow him to behave abominably towards women.
From the Paper
"Charlotte Bronte published her novel Jane Eyre in 1847. Men in this time period had complete control of all aspects of society, including money, education, commerce, politics, and inheritance. The character Edward Rochester, after a difficult start, has become the epitome of this kind of powerful man, and indeed he may be said to embody the kind of rationality and power we associate with Enlightenment era men. Yet of course this power and rationality was a product of the intensely patriarchal society that shaped it. Rochester's power, and his ability to define what is rational and sane, may thus be said to be at the expense of women such as Jane Eyre, who are eminently rational, yet who lack power."
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Charlotte Bronte's "Jane Eyre", 1990.
This paper discusses the inner conflict experienced by Jane Eyre in her unique way of showing love toward Mr. Rochester in the novel "Jane Eyre" by Charlotte Bronte: Self-control, desire, male dominance and spiritual and moral values.
1,350 words (approx. 5.4 pages), 7 sources, $ 47.95
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From the Paper
"This paper will discuss the inner conflict experienced by Jane Eyre in her unique way of showing love toward Mr. Rochester in the novel Jane Eyre by Charlotte Bronte. It can be seen that there are three basic levels on which Jane's inner conflict takes place. These are: (1) the struggle between her self-control and her desire to express her emotions of love; (2) the struggle between the male dominance of her time and her desire to be free and equal; and (3) the struggle between her spiritual and moral values and her desire for a physical relationship with Rochester. Through the resolutions of these conflicts, Jane Eyre experiences a sense of growth by the end of the novel. Therefore, rather than being a simple love story, Jane Eyre expresses the theme of an "inner evolution of the true self, and the full nature of the free individual in relationship"."
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Charlotte Bronte's "Jane Eyre", 2006.
This paper discusses the theme of masculinity in Charlotte Bronte's "Jane Eyre".
1,840 words (approx. 7.4 pages), 0 sources, $ 59.95
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Abstract
This paper explains that, although masculinity is not a central theme in Charlotte Bronte's "Jane Eyre", it is important, as seen in the two main male characters - Edward Rochester and St. John Rivers. The author points out that, when Bronte wrote the novel, her image of masculinity was men who were rough around the edges, mysterious, gruff and in need of reformation. The paper compares the villain and dark character, Edward Rochester with the hero, St. John Rivers, examines how they interact with Jane and looks at the issue of masculinity.
From the Paper
"It is unfortunate that Mr. Rochester so often strays from the moral path, because Jane obviously goes through a lot of emotional pain from all of the problems that he causes her. Even though she suffers, though, she does not complain. She simply accepts her lot in life and goes one with what she should be doing. In many ways, she is very admirable, and she is stronger than Mr. Rochester. She has more self-control than Mr. Rochester as well, and she sees where her moral duty lies."
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The Characters of "Othello" and "Jane Eyre" as 'Other', 2002.
Shows how William Shakespeare in "Othello" and Bronte in "Jane Eyre" reflect certain characters as disadvantaged others in their works.
1,400 words (approx. 5.6 pages), 2 sources, $ 53.95
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Abstract
Both Shakespeare's "Othello" and Bronte's "Jane Eyre" feature the theme of the treatment of the 'other - ' a theme that situates the protagonist, in both of these texts, in a disadvantaged position vis-a-vis the dominant culture. In varying ways, the characters of Othello and Jane Eyre both experience the difficulties of being different, or apart from the status quo. Othello's color sets him notably apart from those around him. For Jane Eyre, it is her low social status, at least at the novel's beginning, although Jane is doubly disadvantaged being both impoverished and female. In both cases, the protagonists are treated with contempt, as if their status of 'other' renders such behavior on part of the dominant culture acceptable. But beneath this theme of marginalization and otherness that manifests itself in both of these texts is a journey into the self: a journey that ends in tragedy for Othello, as his is a path to self-deception, but one of self-discovery and maturation for Jane Eyre.
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"Jane Eyre", 2005.
Discusses the timeless popularity of the novel, "Jane Eyre" by Charlotte Bronte.
2,503 words (approx. 10.0 pages), 10 sources, MLA, $ 76.95
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Abstract
More than a century ago, Charlotte Bronte wrote a story about the life of a penniless orphan struggling to survive while growing up in the world of Victorian England. Her novel, "Jane Eyre", is heavily influenced by events from Bronte's own life and is exceptionally realistic in it's depiction of life in Victorian England, including portrayals of social norms, class structures, economics, morality and gender roles. This paper shows that after it's publication in 1847, "Jane Eyre" was resoundingly heralded for its realism and authenticity relative to contemporary life. At the same time, images of Bronte's personal experiences in the mid-1800s dominate the story. The paper shows that "Jane Eyre", although distinctively set in the bygone world of Victorian England and scrupulously based on Charlotte Bronte's life, is a remarkably poignant tale of a destitute waif and her life's struggles that effortlessly transcends time and touches hearts today with its timeless message of courage, hope, and love in the face of injustice and persecution.
From the Paper
"Finally, and perhaps most significantly, the gender roles relative to this historical period are exposed with complete authenticity and in exceptional detail, particularly in regards to employment, social conduct, and human sexuality. In Victorian England, in Jane Eyre, and in Charlotte Bronte's own experience, disparate expectations and opportunities for men and women were significant. Fiction and reality converged in their portrayals of socially acceptable roles and conduct and in marked contrast to contemporary society. However, both Jane Eyre and Charlotte Bronte also expressed the same frustrations and bitterness toward those standards."
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Femininity in "Kubla Khan" and "Jane Eyre", 2006.
This paper illustrates the feminine projections in "Kubla Khan" by Samuel Taylor Coleridge and "Jane Eyre" by Charlotte Bronte.
1,619 words (approx. 6.5 pages), 2 sources, MLA, $ 52.95
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Abstract
The paper discusses Samuel Taylor Coleridge's poem "Kubla Khan" and Charlotte Bronte's novel "Jane Eyre" and highlights how ideas of the masculine and feminine are used to help create meaning. This paper describes these two works and their use of the feminine archetype. In "Jane Eyre," ideas of masculinity and femininity are used to show that individuals are made up of both feminine and masculine traits. A similar use of the feminine archetype is seen in "Kubla Khan" where the opposites of the feminine and masculine archetype are used to represent good and evil.
From the Paper
"The poem "Kubla Khan" is about a vision of heaven on earth. The poet imagines this heaven on earth, but on creating it on earth it is seen that it can never be a true paradise. The problem is that there are forces of evil on earth that alter the paradise and make it less than all good. In this way, the paradise can only ever be a dream and can never be realized. While the dream is the subject of the poem, it is also saying a lot about the nature of reality and life on earth. It is showing that there exists both good and evil and that these must remain in balance. The feminine archetype is used as a way of representing the two opposites that have to be in balance, where the feminine archetype must be balanced with the masculine archetype. In the vision of the poem, this balance is not present and the world presented is strongly female. At the same time, the female archetype represents everything that is good. However, in reality the world is strongly masculine, which is why heaven cannot exist on earth."
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Poetry in "Jane Eyre", 2005.
An analysis of the classic novel, "Jane Eyre" written by Charlotte Bronte.
845 words (approx. 3.4 pages), 0 sources, $ 30.95
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Abstract
This paper discusses Charlotte Bronte's classic novel, "Jane Eyre". The paper presents the poem Bessie sings to the youthful Jane Eyre, after which Jane sobs uncontrollably and is unable to eat. The paper analyzes the poem and examines how the language of the poem reflects Jane's progress toward independence. The paper illustrates the parallels in Bessie's song and Jane's rocky road toward independence.
From the Paper
"Jane Eyre is a gothic romantic tale of a young orphan girl's youth and young adulthood. From her lowly beginnings as the tormented ward of a sadistic aunt, Jane's internal strength allows her to evolve through into a self-sufficient and independent woman despite the many obstacles placed in her path. Soon after releasing Jane from the Red Room, Bessie-one of Jane's aunt's servants-sings her a "really doleful ballad." The language of the song Bessie sings to Jane reflects in many ways Jane's progress toward independence."
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Jane Eyre?s Search for Freedom and Equality, 1999.
A discussion of how Charlotte Bronte's "Jane Eyre" searches for freedom and equality leading her to true love and happiness.
3,475 words (approx. 13.9 pages), 0 sources, MLA, $ 97.95
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Abstract
This paper discusses Jane Eyre's need for freedom and equality in the book 'Jane Eyre'. At the start of the story, Jane is thought of as being simply a dependent, and therefore is neither free nor equal to those around her. Throughout the novel Jane experiences various degrees of freedom and various forms of equality, but it is not until she finds both simultaneously, and under her own terms, that can she be truly content with her life. By the end of the book she has found all she needs in life.
From the Paper
"In the book 'Jane Eyre', by Charlotte Bront?, the title character undergoes a lifelong struggle to find freedom and equality in Victorian society. Throughout the novel Jane experiences various degrees of freedom and various forms of equality, but it is not until she finds both simultaneously, and under her own terms, can she be truly content with her life. Jane?s dilemma stems from her expanding definitions of freedom and equality, for due to her restless nature, each new taste of independence soon leaves her hungry for more."
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Charlotte Bronte's "Jane Eyre", 2005.
This paper discusses the role that religion plays in the Bildungsroman novel "Jane Eyre" by Charlotte Bronte.
3,540 words (approx. 14.2 pages), 10 sources, MLA, $ 99.95
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Abstract
This paper explains that gothic novels often establish a sense of mystery which is aided, to a greater or lesser extent, by some involvement with supernatural forces, often relying on religious
conventions for expression in the text. In Charlotte Bronte's "Jane Eyre", this sense of religious or supernatural mystery allows Jane to expostulate from her double-narrative point of view on the suspicious happenings at Thornfield House, where Jane is employed as a governess. The author points out that the role of religion can be seen in many ways in the novel using the characters Mr. Brocklehurst, St. John Rivers, Jane (the protagonist) and Rochester as the opposite of the role of religion. The paper relates that "Jane Eyre" takes place in a
society plagued by situations in which women are regarded as religious angels who are kept in a state of either decorative consumption or holistic servitude.
From the Paper
"When Jane is relating to Mr. Brocklehurst at the school, he is a religious figure who gives mandates and constantly draws attention to the faults of others. Like St. John Rivers later in the novel, this character represents what Jane sees to be religious authority, and its goal towards her life is apparently repressive in nature. "And I was placed there, by whom I don't know: I was in no condition to not particulars; I was only aware that they had hoisted me up to the height of Mr. Brocklehurst's nose, and that a spread of shot orange and purple silk pelisses, and a cloud of silvery plumage extended and waved
below me. (He said) 'You see she is yet young... Who would think that the Evil One had already found a servant and agent in her?'" (Bronte). It can be seen therefore that Brocklehurst represents a sort of oppression over Jane in terms of influencing perceptions of her early in the novel."
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"Jane Eyre", 2004.
An historical and cultural reflection of Charlotte Bronte?s "Jane Eyre".
1,236 words (approx. 4.9 pages), 1 source, MLA, $ 42.95
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Abstract
This paper explains how Bronte describes the society of the time in her famous novel. It states that, of all the obstacles for Jane Eyre to overcome, the crude Victorian society is the hardest, and Bronte pits her character against the many Victorian taboos and religious fervor that she, herself, must have witnessed in her own life. It shows the reader how Jane Eyre fights against extraordinary odds to find happiness and, eventually, love in 19th century England.
From the Paper
"Jane Eyre was an orphan in Victorian England who went to live with her uncle and his family in Gateshead. Before she does, she contemplates the possibility of being sent to a ?poorhouse?. ??You ought to be aware, Miss, that you are under obligations to Mrs. Reed: she keeps you: if she were to turn you off, you would have to go to the poorhouse? (Chapter2, pg7). Poorhouses were notorious for their ill-treatment and diseases that spread through these institutions designed to tuck away the socially unacceptable and poor away from the rest of society."
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"Jane Eyre", 2004.
An analysis of the themes of rebellion and conformity in "Jane Eyre" by Charlotte Bronte.
1,464 words (approx. 5.9 pages), 1 source, MLA, $ 48.95
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Abstract
This paper examines Charlotte Bronte's "Jane Eyre" and looks at how it contains those first few sparks of rebellion, which later resulted in an active feminist movement in England. It shows that, while the novel itself is not free from Victorian strictures, there are certain moments when an independent, rebellious voice surfaces and takes hold of the very proper and logical Jane Eyre. It also explores how the novel itself is not about rebellion or conformity, as are some novels of early 20th century, but does contains thought-provoking instances, which allow the readers to get a glimpse of a repressed feminist streak of the novelist.
From the Paper
"There are also some instances in the novel when the author inclined towards conformity and obedience and quietly accepted societal norms. Especially in her relationship with Rochester, we notice that Jane refuses to develop an illicit relationship with her master. This shows that even when Jane had been a rebel all her life, there were some occasions when she obediently observed religious restrictions. At this particular occasion, she measures the pros and cons of the offer made by Rochester, "'[who in the world cares for you? or who will be injured by what you do?'," but then silenced such thoughts with intelligent and logical reasoning and decided not to give up religion for the sake of love, "'I care for myself. The more solitary, the more friendless, the more unsustained I am, the more I will respect myself. I will keep the law given by God...'" (XXVII: 279)."
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"Jane Eyre", 2004.
A review of Charlotte Bronte's classic novel, "Jane Eyre".
2,112 words (approx. 8.4 pages), 4 sources, MLA, $ 66.95
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Abstract
This paper discusses Charlotte Bronte's classic novel, "Jane Eyre". The paper explains the problem of modern literary criticism being the interjection of modern ideals and morals upon the past. The paper contends that feminism in the context of Bronte?s time and the coincidence of the publishing of Jane Eyre is the feminism of the Victorian Era, fighting against convention and for self-determination, not the feminism of today, which would pit women against nearly all pretenses of morality and freedom of will.
From the Paper
"The single most dangerous trap of modern literary criticism is interjecting modern ideals and morals upon the past. Gilbert and Gubar discuss Jane Eyre's ?rebellious feminism? and see her narrative as ?a story of enclosure and escape.? Though there are some concepts, such as feminism that simply have no other word to describe the relative phenomena of a social ideal they must be used sparingly and only in context to the nature of the society which originally received the works. Feminism in context of Bronte?s time and the coincidence of the publishing of Jane Eyre is the feminism of the Victorian Era, fighting against convention, and for self-determination, not the feminism of today that would pit women against nearly all pretenses of morality and freedom of will."
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Jane Eyre's Struggle Between Conscience and Passion, 2005.
An examination of Jane's internal struggle in the final section of "Jane Eyre" by Charlotte Bronte.
890 words (approx. 3.6 pages), 0 sources, $ 31.95
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Abstract
The final portion of the novel "Jane Eyre" presents the protagonist with a number of choices where she is forced to weigh matters of conscience versus her passions. This paper considers the last few chapters and discusses whether conscience or passion wins. It also analyzes how her fight between conscience and passion contributes to the novel as a whole.
From the Paper
"Feeling her perception of Rochester's voice to have had some mystical provenance, Jane immediately returns to Thornfield, discovering only a burnt-out ruin where the beautiful manor once stood. Once she finds Rochester-who was injured in the fire which killed Bertha and now lives in a smaller house in the woods-he confirms the supernatural nature of what she heard just before rejecting St. James' proposal. Rochester proposes marriage to her, and she accepts. Now that Bertha is gone, there is no impediment to Jane's and Rochester's marriage. They are married in a quiet ceremony and live as equals. As was her decision to share her inheritance with her cousins, this decision is one where her passion and her conscience coincide."
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Feminism in "Jane Eyre", 2005.
This paper considers the way Charlotte Bronte's autobiographical details allow for a feminist message in her novel, "Jane Eyre."
2,025 words (approx. 8.1 pages), 6 sources, MLA, $ 71.95
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Abstract
This paper considers the way in which Charlotte Bronte's autobiographical details allow for a feminist message in her novel, "Jane Eyre." The paper contends that Jane's true ambition is to overcome the repression of the male-dominated society of the 19th Century.
From the Paper
"In many ways Charlotte Bronte's "Jane Eyre" may be read as one of the earliest feminist texts in English literature. While Bronte employs many of the standard elements of the Gothic novel, it is clear that her true ambition is in her depiction of the title character, a woman who endures great trials in order to overcome repression in the male-dominated society of the nineteenth century."
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"Jane Eyre", 2007.
This paper examines the relationship between physical being and moral virtue in Charlotte Bronte's "Jane Eyre."
988 words (approx. 4.0 pages), 5 sources, MLA, $ 35.95
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Abstract
The paper discusses Jane's tendency to conflate physical appearance with the inner virtues or vices of a human being. The paper examines four characters in "Jane Eyre" which are turned by Jane into physical symbols of human wrong-doing or, in the case of Rochester, into an ambivalent physical symbol of male virtue. The paper portrays Jane's resentful nature and her need to anathematize those she feels have done her wrong.
From the Paper
"To begin with, there is John Reed, Jane's fourteen year-old nemesis. According to the young narrator, John is defined chiefly by his physical ugliness: he is "stout, with a dingy and unwholesome skin"; furthermore, John's lineaments are described as "thick" and his extremities, we are told, are "large" and his limbs "heavy" (Bronte, 3-4). Perhaps none of this should be surprising: in addition to habitual gorging and biliousness, John is - according to the narrator, of course - a perfect terror, tormenting Jane at every opportunity (Bronte 4). In a very real sense, there is no distinction to be made between his unappealing outer appearance and his inner lack of grace; indeed, they way he looks is precisely because of the way he is within - or at least so it seems to Jane."
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