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Marlowe vs. Shakespeare, 2004.
A comparative analysis of the work of Christopher Marlowe compared to that of William Shakespeare.
1,307 words (approx. 5.2 pages), 7 sources, MLA, $ 44.95
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Abstract
This paper examines how the Elizabethan dramatists Christopher Marlowe and William Shakespeare were contemporaries and how, for the latter part of Marlowe?s dramatic career, they were rivals as well. It looks at how Marlowe?s career as a playwright was cruelly cut short after the author was murdered in a tavern brawl, probably the result of his political intrigues. The paper shows that regardless of the reasons for Marlowe?s untimely demise, the difference between the older Marlowe and the young Shakespeare had already become manifest in the characterization of the main protagonists of the two men?s plays. It explores how Marlowe clearly influenced Shakespeare?s early writings and how, while Marlowe used broad character brushstrokes to create a vivid narrative and caricature of human character and morality, Shakespeare created a new way of dramatically rendering the human character in shades of gray. In particular, it examines how both men used similar themes, such as the presence of ?Jewish? values in a money-grubbing 'Christian' society.
From the Paper
"All of Marlowe?s protagonists are larger than life, from Barabas to Faustus and lastly to Tamburlaine, in the scope of their desires. They are both sustained and destroyed by their respective evils. Barabas? poisoning reflects the Jewish dietary laws that Shylock merely tacitly refers to, ?I will not eat with you,? in Act I of ?The Merchant of Venice.? Faustus is destroyed by his love of knowledge and power, just as Tamburlaine is destroyed by his desire to conquer the world.? All of these men stand outside of their societies, and reflect what is wrong with their societies?an over emphasis on money, scholasticism, and power respectively."
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Marlowe And Shakespeare, 2002.
Examines the theory that Christopher Marlowe was actually the writer of all William Shakespeare's works.
1,650 words (approx. 6.6 pages), 2 sources, $ 62.95
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Abstract
Could Shakespeare's works actually be Christopher Marlowe's? This is discussed with a comparison of Marlowe's works with Shakespeare's. Many have argued that Shakespeare's works have been fakes and believe that Marlowe could be the possible writer. How do they compare is a question that will be addressed in this paper.
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William Shakespeare and Christopher Marlowe, 2000.
This essay compares the themes and styles
William Shakespeare's "Sonnet 29" and Christopher Marlowe, "The Passionate Shepherd to his Love".
3,460 words (approx. 13.8 pages), 0 sources, $ 97.95
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Abstract
The following paper compares and contrasts the themes, poetic techniques, choices of description and unique individual styles of the following poets and poems: William Shakespeare's 'Sonnet 29' and Christopher Marlowe's, 'The Passionate Shepherd to his Love', Michael Drayton's 61 and Sir Philip Sidney's 20,William Shakespeare's, Sonnet I and Walter Raleigh's, A Farewell to False Love,Sir Philip Sidney's 7 and William Shakespeare's, Sonnet 18,William Shakespeare's, Sonnet 55 and William Shakespeare's, Sonnet 71.
From the Paper
"These two poems share one common theme, the happiness that their love brings them. But these two poems achieve this in very different ways. Marlowe?s poem reads as a love poem. He is addressing his love and telling her how good life will be if she will be his love. At the same time he is also telling himself how much he needs her love. Marlowe does this simply by focusing on what life would be like. He focuses on all the pleasures that will come. In the first section he says that they will gather all the pleasures that are offered. He is referring here to how his life is not complete without her love and how everything will be more beautiful and more appreciated if she is there. He describes everything as perfect and calm. Phrases such as ?melodious birds?, ?fragrant posies?, ?pretty lambs? and ?silver dishes? all add to the feeling of contentment. The lines ?a gown made of the finest wool, which from our pretty lambs we pull? is very meaningful. The fact that he describes the lambs that the wool will come from as ?pretty? is interesting, as is the choice of the word ?pull?. Pull does not reflect the same contentment as it is a more forceful term....."
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The Man Who Was Not Shakespeare, 2002.
A biography of the comedic and tragic life of the playwright Christopher Marlowe with comparisons to William Shakespeare.
1,370 words (approx. 5.5 pages), 4 sources, MLA, $ 45.95
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Abstract
This paper looks at the life of the Elizabethan playwright Christopher Marlowe. It discusses how, unlike Shakespeare ,the other main playwright of the time has plays which tend to be character-driven. The author finds that Marlowe wrote extremely rhetorical, highly poetical works with elevated language and elaborate feats of stagecraft. It analyzes how Marlowe?s concern with power and society?s elite is reflected not only in the language of his plays, but also in terms of his play?s subject matter. This is reflected in his most famous works, such as ?Dr. Faustus? and ?Tamburlaine.? It looks at how Marlowe is often studied as an example of a literary influence upon the early Shakespeare but because Marlowe?s style is so different in tone and so divergent in subject matter, he exists more as an interesting historical curiosity in his own right, as an individual playwright of note, outside of Shakespeare?s own theatrical history.
From the Paper
"The fascination with Catholicism evident in ?Dr. Faustus? should not come as much of a surprise, even despite Marlowe?s avowed atheism. Catholicism was a despised and outlawed religion in the England of his time. But Marlowe did not contemplate converting to the faith. Rather, in one parodic document he wrote, he stated that Catholicism was a good religion, ?merely because it embraces the fictions of ceremony rather than indulging in the Protestant hypocrisy which pretends to a literalism it will not see through.? In other words, Catholicism is a better religion because it pretends the ?bell, book, and candle? of exorcism and the physical rites of the mass do have supernatural powers. This is unlike Protestantism which avows itself as a more spiritual, ascetic faith, stating that humanity will not be saved by physical acts, but by a system of theology and belief alone. Marlowe thus embraced the theatrical nature of religion, while defying the central tenants of religion itself, much like his great hero."
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Shakespeare, 2006.
A discussion on the true identity of William Shakespeare.
1,853 words (approx. 7.4 pages), 4 sources, MLA, $ 59.95
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Abstract
This paper introduces the notion that the famous William Shakespeare was writing under a pseudonym. The paper explores how Shakespeare may have been Edward De Vere, Francis Bacon or Christopher Marlowe. It offers clues, insight and reasoning for each alleged identity.
From the Paper
"The question is an astounding one and there are many theories as to why De Vere would not write under his own name. Gibson contends, "It would have been unseemly, his advocates point out, for a courtier to attach his name to public wares. And De Vere was a truly uncommon nobleman: he was the hereditary Lord Great Chamberlain and a sometime favorite of Elizabeth I's" (Gibson). According to Gibson, the man had his reasons and they were clearly connected with his nobility. Despite this fact, Gibson and others are convinced that De Vere did "leave clues" (Gibson). For example, his copy of the Geneva Bible has been discovered in the Folger Shakespeare Library in Washington and "to the delight of advocates, words are underlined that reappear in the masterpieces" (Gibson). Among these little treasures are "I am that I am" from the book of Exodus. This passage is found in a letter that De Vere "wrote to his father-in-law in 1584 but also in 'Sonnet 121.'" Gibson also states that among De Vere's clues in the Bible are the words "weaver's beam" from the book of II Samuel, which appear in The Merry Wives of Windsor as well as one of Falstaff speeches. According to Gibson, other examples of De Vere's clues exist as well."
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Marlowe's versus Goethe's "Faust", 2007.
This paper contrasts Christopher Marlowe's "Tragical History of Doctor Faust" and Johann von Goethe's "Faust".
985 words (approx. 3.9 pages), 5 sources, MLA, $ 34.95
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Abstract
This paper explores the story structure, the role of Gretchen and theological presuppositions in Marlowe's play "Tragical History of Doctor Faust" and Goethe's play "Faust", separated by approximately two hundred years and by two different languages and cultures, English and German. The author points out that, while both Marlowe's and Goethe's plays are tragedies, Goethe's ends on an optimistic note. The paper relates that Goethe's play is a longer and more complex work with many more episodes of varied style. The author states that the Gretchen episode, which is prominent in Goethe's "Faust", is not found at all in Marlowe's play. The paper concludes that, what to Marlowe was basically a foreign story, which he imported for his own ends, was to Goethe a part of his own nation's cultural tradition and was more familiar to people as a folk tale.
Table of Contents:
Summary
Structure
Gretchen
Theology
Discussion
Structure
Gretchen
Theology
Conclusion
From the Paper
"The Gretchen (Margarete) episode is a very prominent and well-known one in Goethe's Faust but is not found at all in Marlowe's play. In the last part of Part I, the role of Gretchen comes to the forefront of the story, even putting Faust himself into the background for a while. Despite her tragic, Ophelia-like demise, the voice from above which proclaims her redemption at the very end of Part I ends that part of the poem on a highly optimistic note, and foreshadows Faust's own redemption at the end of Part II."
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Chaucer vs. Marlowe, 2006.
This paper reviews and analyzes the similarities and differences in Geoffrey Chaucer's "The Franklin's Tale" and Christoper Marlowe's "Hero and Leander."
1,820 words (approx. 7.3 pages), 0 sources, $ 58.95
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The writer of this paper contends and explains how both authors use familiar images and themes to tackle complicated questions. This paper discusses the fact that both works of writing deal with the issue of marriage and the role of women, albeit in different contexts. This paper analyzes the manner in which both authors use historical mythical themes to illustrate and examine the concerns of the present day. Chaucer's writings occurred during a time when the relationship between men and women were often plagued by infidelities, due to the frequent absences on the part of the husbands, from their wives, while Marlowe's poem portrays marriage in a more romantic light. This paper discusses Marlowe's use of Greek mythology to address concerns of what constitutes an appropriate marriage. While Marlowe questions if and when young people should marry, Chaucer is far more concerned with who is the more dominant partner. This paper also analyzes Chaucer's use of personal narratives and prologues throughout his writings.
From the Paper
"The intertextual use in Chaucer is more thematic than verbal. Chaucer calls upon the myth of the unavailable maiden not to defend virginity, as the woman is already married. Nor does she wish to transgress-rather, the idea of a woman attempts to get rid of him through the demanding of great tasks is combined with the convention of courtly love, where the common event of a military knight being called away from his wife and castle leaves her heart and body open to impingement by other men, usually of slightly lower orders such as squires, as in the case of "The Franklin's Tale." Like Marlowe deploys later with his use of Greek mythology, Chaucer deploys ancient myths and themes to illustrate 'real' truths, of the inevitable conflicts of divided loyalty between the genders bound by marital and feudal obligations."
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Marlowe's Mephistopheles, 2004.
An examination of the various modern treatments of Marlowe's character Mephistopheles.
1,808 words (approx. 7.2 pages), 8 sources, MLA, $ 63.95
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Abstract
This paper presents an examination of the various modern treatments and productions of Marlowe's character Mephistopheles, and how this affects the tone of the play as a whole. The paper looks at the plot and symbolism.
From the Paper
"We know that classic plays are reinterpreted multiple times throughout history. In recent years we have seen modern interpretations of a number of Shakespearean dramas on stage and film. These include but are not limited to the modern renderings of Romeo and Juliet Hamlet and Othello. Certainly we can agree that Marlowe's Doctor Faustus is a classic in its own rite and thereby worthy of such reinterpretation. No matter the version of the play that we see however the story remains the same ..."
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Christopher Marlowe's "The Tragical History of Dr. Faustus", 2002.
Analysis of the character of Dr. Faustus in Chrisopher Marlowe's play "The Tragical History of Dr. Faustus" and its theme of damnation.
1,400 words (approx. 5.6 pages), 5 sources, $ 53.95
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Abstract
Pride, anger, avarice, gluttony, sloth, lust, and envy all manifest themselves in Dr. Faustus throughout the play. Not only do they manifest themselves within the psychological understanding of the play, but the seven deadly sins also appear as characters in the plot. Through his use of the seven deadly sins, then, Marlowe is demonstrating the path to damnation in relation to the developing Christian theology of his day.
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Morality by Marlowe and Wilde, 2008.
A comparison of immorality and hypocrisy in the main characters of "The Tragical History of Dr. Faustus" by Christopher Marlowe and "The Importance of Being Ernest" by Oscar Wilde.
1,561 words (approx. 6.2 pages), 2 sources, APA, $ 51.95
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Abstract
This paper discusses the portrayal of morality in the plays, "The Tragical History of Dr. Faustus" by Christopher Marlowe (1995) and "The Importance of Being Ernest" by Oscar Wilde (1985). More specifically, the paper looks at the plots of the plays and then compares and contrasts immorality and hypocrisy in the main characters of these two works.
From the Paper
"These plays address morality from the mores of their own times. Marlowe did not permit Faustus to be redeemed. Faustus' lack of moral insight was, perhaps, as great a factor in his condemnation as his lack of soul. His inability to change and mature, as evidenced by his petty tricks and lack of success despite his power, left Faustus with no recourse other than damnation. Jack, however, was able to change his life, learning the importance of being "earnest" in his dealings. It is through this insight and through his maturation as a moral human being that he is worthy of redemption, while Faustus is not."
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The Death of Christopher Marlowe, 2002.
This paper explores the many theories behind the death of the famous playwrite Christopher Marlowe.
2,007 words (approx. 8.0 pages), 6 sources, MLA, $ 63.95
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Abstract
This paper discusses Christopher Marlowe, the famous playwrite, whose death is an unsolved mystery. It discusses the many different theories formed to explain his sudden death. The most likely possibility or reason for his death is explained in great detail.
From the Paper
"Theatre is a very popular entertainment in today?s world. Without the contributions of many phenomenal playwrights, theatre would not consist of what is does today. One of these great playwrights who greatly contributed to the world of theatre was Christopher Marlowe. Christopher Marlowe is remembered for not only his great works, but for his short life and sudden death. There is much debate over the death of Christopher Marlowe, and several theories have been created to try and explain the historic event. To fully understand and appreciate the impact of Christopher Marlowe?s death, it is necessary to look at his life, death, and theories to explain his death."
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Prospero and Doctor Faustus, 2004.
Examines and compares the main characters in plays by Christopher Marlowe and William Shakespeare.
937 words (approx. 3.7 pages), 4 sources, MLA, $ 33.95
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Abstract
In both William Shakespeare?s play, "The Tempest", and Christopher Marlowe?s play, "Doctor Faustus", the principal characters, being Prospero and Doctor Faustus, respectively, equally employ elements of magic, conjuring, and the black arts to achieve the ends that they desire. This paper shows that, while Prospero is clearly reclaimed and ennobled at the end of Shakespeare?s work, Faustus, on the other hand, is seemingly damned to hell and certainly does not experience the esteemed return to power that Prospero enjoys. The paper explains that the difference has much to do with the genres of the plays and the positions of the characters. "The Tempest" is, by nature, a romance, which means that it is a fantastical work with a basically comedic ending, whereas Marlowe?s 'Doctor Faustus" is more properly considered a tragedy.
From the Paper
"Also, at the end of The Tempest, Prospero ultimately lays his use of the black arts aside, for they have already served his purpose, saying ?Now my charms are all o'erthrown,/And what strength I have's mine own? (Shakespeare V, I). Indeed, part of the thing that makes Prospero a redemptive character is that he ultimately seeks to end his use of his objectionable powers, because he doesn?t need them now that the wrong that was done to him has been righted. Unlike Faustus, he does not cling to his powers for the purposes of status and exploitation once his goal of just vengeance has been achieved."
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Nature in Poems by Frost, Marlowe and Thomas, 2001.
A description of how nature is used and to what effect in poems by these poets.
780 words (approx. 3.1 pages), 3 sources, MLA, $ 27.95
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Abstract
This paper looks at three poems by three different authors ?Fern Hill? by Dylan Thomas, ?Birches? by Robert Frost, and Christopher Marlowe?s ?The Passionate Shepherd to His Love.? The writer looks at the use of nature in each poem and shows that while each poet has a different purpose, all three choose in their poems to focus on joy in life rather than despair, and use the beauty of nature to justify their optimism.
From the Paper
"Robert Frost is perhaps the most obvious of the deliberate optimists. He looks at birch trees that have nearly been killed by ice storms and instead sees the beauty. He knows logically that the trees are gracefully curved to the ground by nature?s destructive forces. He says, ??They are dragged to the withered bracken by the load, And they seem not to break; though once they are bowed So low for long, they never right themselves: You may see their trunks arching in the woods Years afterwards, trailing their leaves on the ground??
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Sherlock Holmes and Philip Marlowe, 2001.
A comparison of literary detectives.
635 words (approx. 2.5 pages), 0 sources, $ 22.95
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Abstract
This paper compares the two detective characters of Sherlock Holmes and Philip Marlowe which were created by Arthur Conan Doyle and Raymond Chandler respectively. The paper examines their characters and shows how they are different but how the authors styles are similar.
From the Paper
"The Wrong Pigeon is taken from Chandlers story the Matita One and its story is self evident through the name. Obviously about the syndicate going after the wrong man who is symbolically represented in slang with the word 'pigeon'. It is a carefully crafted tale that evokes the ambiance of Chandler's tales.
"Two of the most fascinating detectives that have been penned are Sherlock Holmes and Philip Marlowe. One can't help but be impressed by the characteristics that are unique go both men and sigh over their dynamic feats. Created by Arthur Conan Doyle and Raymond Chandler respectively these two have caught the imaginations of most of the readers that followed their feats. Yet, the two could not be more different."
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Christopher Marlowe's "Doctor Faustus", 2000.
A look at the struggles of faith, power, and knowledge as embodied in this English Renaissance play.
1,670 words (approx. 6.7 pages), 0 sources, $ 54.95
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From the Paper
"The protagonist, Dr. Faustus, is a well-learned man that purposefully, systematically rejects belief due to a nagging desire to know the world?s forbidden secrets. The solutions he seeks are only granted by God or Lucifer, the polar duality of good versus evil. Faustus has a choice of two paths that will determine his post mortem existence; either willingly believe in the unexplainable, or, sacrifice eternity to know the answers he craves. Understanding the physical consequences of both possibilities, Faustus chooses the latter, manifesting his inability to devote himself to ideas outside his realm of comprehension."
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