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Magic Realism In Photography, 2008.
An analysis of how magic realism can be applied to the medium of photography.
2,127 words (approx. 8.5 pages), 7 sources, MLA, $ 66.95
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Abstract
This paper discusses the history of the definitions of magic realism. It specifically focuses on magic realism within photography and if the term can be applied to specific forms of photography. The paper discusses the medium of photography and how the writer uses this medium. It also looks briefly at digital photography, as well as black and white photography.
From the Paper
" It is very difficult to apply the term magic realism to photography of any kind; perhaps because it seems that every kind of photography may be capable of being magic realism. Since the meaning of the term has come to encompass so many definitions, there is an argument for many kinds of photographs to be considered as magic realist photographs. In my photography, I truly want to infuse the logical even "normal" world with something as illogical as a state of mind, an imagination. By still using a representational language to do so, I believe my photographs can fit into the Roh and Hartlaub description of magic realism as well as the Carpentier and Uslar-Pietri description. It is possible to use objectifiable or representational art rather than abstract art to express a part of human reality. It may seem that the objective world is "crystallized" by a photograph, but the crystalline structure of a real external situation is easily fractured by the tiniest suggestion of an internal or psychological reality; the latter is in fact strengthened by the cold and certain detail of the former."
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Magical Realism, 2004.
A comparative analysis of the magical realism of Isabelle Allende?s "The House of the Spirits" and Garcia Marquez?s "One Hundred Years of Solitude".
2,927 words (approx. 11.7 pages), 6 sources, MLA, $ 86.95
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Abstract
This paper examines different definitions of magical realism in literature and, in particular, compares and contrasts the magic realism aspects of Isabelle Allende?s "The House of the Spirits" and Garcia Marquez's "One Hundred Years of Solitude". The books are analyzed within the context of plot, setting, characters, style, and narrative structure. It shows how Garcia Marquez takes his themes and his use of devices to explore these themes to such exquisite heights that the comparison between the two books is really an unfair one and how there really is no comparison between the masterpiece of Garcia Marquez, and Allende?s rather one-dimensional, poor attempt at magic realism.
From the Paper
"Bell-Villada (2002) acknowledges that magic realism is not an original construct of Garcia Marquez, that, rather, it came from Kafka (Garcia Marquez continually acknowledges the great impact The Metamorphosis had on his writing), and from Faulkner, and that Garcia Marquez took the ideas from these authors, and built on them to give the world his complex, enchanting magic realist masterpiece. This view, of Bell-Villada (2002), differs from the euro-centric view of Zamora and Faris? (1995) book Magic Realism: Theory, History and Community, by putting Garcia-Marquez?s achievement in its rightful place as the masterpiece of magic realist fiction, rather than downplaying this achievement, through analysis, interpretation and presentation of worldwide, magic realist texts (such as those by Toni Morrison, and Rushdie, most of which were written post-One Hundred Years of Solitude)."
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Magic Realism, 2002.
A discussion the magic realism literary style of Cristina Garcia's novel "Dreaming in Cuba".
1,575 words (approx. 6.3 pages), 2 sources, $ 55.95
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Abstract
Discusses the magic realism literary style of Cristina Garcia's novel DREAMING IN CUBA. Traces concept of magic realist to Cuba and Cuban novelist Alejo Carpentier. Critical review of characters, and their interaction in Cuba and New York. Themes of family, politics, love, dreams, visions, memory. Author's attitude toward magic realism.
From the Paper
"It is altogether fitting that Cristina Garcia should plunge us into a world defined by the always shifting definitions of the world of magical realism, for Garcia?s books are essentially Cuban, and the concept of magical realism itself was born in Cuba. Although this style of writing is perhaps best known through the work of Argentine writers like Jorge Luis Borges, the term itself and the literary style that this sometimes elusive phrase refers to were the children of Cuban novelist Alejo Carpentier. Carpentier was seeking for a literary style (and concept) broad enough to accommodate both the events of everyday life as he saw it unfolding before him in the years after World War II in Cuba and the fabulous nature of Latin American geography and history (Zamora and Faris, 1995, p. 36).
Carpentier?s ideas about the kind of writing that could span such..."
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Latin American Magical Realism, 2007.
This paper provides a contrasting study of the role of women in Latin American magical realism in 'The House of the Spirits' by Isabel Allende and 'One Hundred Years of Solitude' by Gabriel Garcia Marquez.
1,255 words (approx. 5.0 pages), 2 sources, MLA, $ 42.95
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Abstract
In this essay, the writer discusses that in both 'The House of the Spirits' by Isabel Allende and 'One Hundred Years of Solitude' by Gabriel Garcia Marquez, females figure prominently in the authors' narratives of magical realism. The writer notes that in both novels, the struggles of the main female protagonist exist on a literal level of story and have a symbolic level of significance beyond the story, about the nature of politics or the nature of women, respectively. The writer concludes that Allende ultimately seeks to question the reasons for man's inhumanity to men, and women, in a political reality, and uses magical realism to heighten the consequences of her character's actions and cruelties, while Marquez relates his tale of a fictional village and family exclusively in the register of the fantastic and the surreal.
From the Paper
"True, some of the actions of Allende's characters may be heightened by supernatural narrative motifs such as the matriarch Clara's ability to see into the future, but these plot points have ramifications beyond those of the psychological, symbolic, or merely mystical. For example, in a parallel of the terror that will come to Chile, Esteban hits his wife, and Clara takes a vow of silence, and never speaks to him until he dies. This act of defiance, although taken to an extreme in the novel, can also be read as a heightened example of a difficult relationship between husband and wife, and how the oppression within a patriarchal family structure mirrors the politics of the land."
"In contrast, Marquez's female archetypes lack the complex psychology of Allende's females, existing in the material dimension alone rather than on simultaneous spiritual and material planes."
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Gabriel Garcia Marquez and Magical Realism, 2007.
Examines Gabriel Garcia Marquez uses magical realism in his works.
853 words (approx. 3.4 pages), 6 sources, MLA, $ 30.95
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Abstract
Gabriel Garcia Marquez and his works are inextricably linked to a style of literature known as magical realism, which is a type of literature that is usually characterized by elements of the fantastic woven into the story with a serious presentation. This paper examines how Garcia Marquez uses this element in his works, such as in "One Hundred Years of Solitude" and "Leaf Storm".
From the Paper
"In his 1955 book, "Leaf Storm," Marquez set a new direction to Colombian literature by experimenting with linear time (Cohn). He suspended the forward movement of time through the experiences of the individual characters and of the town itself (Cohn). His use of time reduplicates at the level of form the historical and social situations in a town where the flow of time is no longer significant."
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Esquivel's and Borges' Modes of Magical Realism, 2002.
Compares the modes of magical realism used by Laura Esquivel to those used by Borges.
2,900 words (approx. 11.6 pages), 4 sources, $ 106.95
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Abstract
This twelve page undergraduate paper compares the modes of magical realism used by Laura Esquivel to those used by Borges. While there are similarities, the attitudes of the authors result in profound contrasts, primarily in terms of gender and philosophical outlook.
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Magic Realism, 2002.
Comparison and contrast of the elements of magic realism in two famous works of literature.
2,867 words (approx. 11.5 pages), 6 sources, APA, $ 85.95
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Abstract
This paper compares and contrasts the magic realism aspects of Isabelle Allende?s "The House of the Spirits" and Garcia Marquez?s "One Hundred Years of Solitude". The following elements of each of these books are analyzed within the course of the analysis: plot, setting, characters, style, and narrative structure.
From the Paper
"Before beginning the analysis of magic realism as presented within these two books, the term magic realism will be defined. It can, and often is, argued that Gabriel Garcia Marquez, the Colombian Nobel Prize winner, is the father of magic realism. As Flores (1995) argues in Zamora and Farris? 1995 book, Magical Realism: Theory, History and Community, ?In magical realism we find the transformation of the common and the everyday into the awesome and the unreal. It is predominantly an art of surprises. Time exists in a kind of timeless fluidity and the unreal happens as part of reality. Once the reader accepts the fait accompli, the rest follows with logical precision? (Flores, 1995)."
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Magical Realism, 2002.
A study of Magical Realism in Juan Rulfo's "Pedro Paramo" and Gabriel Garcia-Marquez's "Death Constant Beyond Love".
585 words (approx. 2.3 pages), 0 sources, $ 20.95
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Abstract
The paper discusses how the use of Magical Realism, as a technique, in "Pedro Paramo" by Juan Rulfo and "Death Constant Beyond Love" by Gabriel-Garcia Marquez, is essentially one whereby elements of the unreal are inextricably woven into real life to question the difference, if any, between illusion and reality. The paper shows how the use of the technique is apparent in the overall story as well as in the way the principal protagonists are shown dealing with life.
From the Paper
"Similarly, in Death Constant Beyond Love, Gabriel Garc?a-M?rquez?s story of Senator Onesimo Sanchez?s continual quest for life in the face of imminent death, the question of illusion and reality is highlighted through the Senator?s continued campaigning and his indulgence in an affair that ultimately causes his downfall. Was the Senator deluding himself with the only reality being death or was the Senator only continuing to live what had always been his reality as in the false make-believe world of politics and in fact, being realistic, by making most of the time he had left with Laura (?he found the woman of his life?: 2430)? Thus, the lines between illusion and reality begin to blur depending on the perspective from which it is considered ? the Senator?s or the reader?s."
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Wedding Photography, 2004.
An analysis of the changing trends of wedding photography.
5,457 words (approx. 21.8 pages), 18 sources, MLA, $ 133.95
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Abstract
While marriage seems to be exceptionally popular, it is surprising that the primary means of documentation - namely, wedding photography - has received little formal study. To the author's knowledge, no studies exist that indicate the percentage of couples that hire wedding photographers - or in the days before photography, portrait artists. This paper addresses the inception of wedding photography, describes its development and provides a description of recent industry changes including the changes due to digital technology and how other developments have altered the industry.
Outline
Introduction
Inception of Wedding Photography
Traditional Style
Wedding Photojournalism
Black and White Photography
The Artistic Style
Fashion Style
The 35mm Camera Versus the Hasselblad
Digital Photography and the Internet Revolution
The Wedding Album
Conclusion
From the Paper
"Throughout history, the cultural and sacred traditions of marriage have been honored and recorded by most cultures, regardless of religious, political, or geographic differences. It is a relationship that plays an important role in the definition of what a family truly is. Although precise definitions may vary depending on historical era and culture, the concept of marriage typically is a socially sanctioned bond between two people, a bond that unites two people into one ("Marriage", 2004). Given that marriage is universally considered the foundation of family and society, it is not surprising that the documentation of the marriage ceremony and associated celebrations has become an important part of the ritual."
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Photography as Art, 2006.
A review of photography as an art form.
1,250 words (approx. 5.0 pages), 3 sources, MLA, $ 42.95
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Abstract
This paper studies photography as an art form -- from the mundane, such as photojournalism, to the fantastic, i.e. interpretative artistic photographs. The author briefly reviews the history of photography, before delving into the scientific details of the art form. The paper then explores photography as an expressive art form, which does not require literal interpretation of subject matter.
The Science and the Art of Photography
Contemplative Photography
Photographic Presentation
Artistic Expression
From the Paper
"According to U.K. scientist and photographer, Mike Ware (1993), the photograph is a way of enhancing observation. The viewer is presented with a view of a world that is seldom noticed. A moment is taken from time and frozen for the viewer to study and react to. This could be a scene as mundane as a street filled with businesses, or as fantastic as a complicated collage, with a profusion of images assaulting the eye. The artistic purpose remains to make the viewer see what the photograph represents and to bring an individual interpretation to it. Hidden beauty is exposed to the eye of the camera and thus to the eye of the viewer. In this way the mundane and the fantastic become one. Perhaps one could say that the mundane in photography could also be compared to its scientific aspect, whereas the fantastic parallels the final artistic product."
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Western Photography's Perception, 2006.
Examines how societies and cultures are perceived by Western photography.
3,172 words (approx. 12.7 pages), 33 sources, MLA, $ 91.95
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Abstract
Photography is an art form that is constituted by culture and society. At the same time photography is also an important element in shaping cultural realities. It is this complex interrelationship between the photographic image and cultural motivation that forms the basic subject of this essay. The relationship between photography and culture is outlined with reference mainly to American nation building and imagery around the turn of the century. Furthermore, the essay discusses the ways in which western forms of nation building interacted with the problem and perception of the "other" and the way images of "the other" are mediated though photographic images of the period. The paper includes photographs.
Paper Outline:
Introduction
Understanding Anthropological Photography
The Cultural Role of Early Photography in America and Nation Building
Francis Johnston
Conclusion
Bibliography
From the Paper
"The gaze implies a separation and a sense of domination and power that relates to various aspects, including alienation and
"otherness" This also refers to the "patriarchal" gaze: and the gaze from the standpoint of colonial culture. "The majority of anthropological photographs consists of non-Westerners looking away from the photographer, who were mostly white, upper class males, or posed to be in action as to appear candid and natural. " (Tanjuakio J. 2003) This view leads to various other aspects of post-colonial and postmodern theory; such as the assertion that photography is means of "capturing" the non-westerner in terms of control and power."
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Civil War Photography, 2002.
This paper discusses photography during the Civil War period, when the craft of photography had just begun.
1,730 words (approx. 6.9 pages), 12 sources, $ 55.95
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Abstract
The paper discusses the types of equipment used the Civil War period. The paper presents photographers: Mathew Brady, Alexander Gardner, Timothy O'Sullivan, Andrew Joseph Russell and Jay Dearborn Edwards. The author pointed out that the study of their portraiture offers an in-depth look at the men and women who made a significant contribution to the development of the United States.
From the Paper
"Although photography had existed for only two short decades when the War broke out, from the start, the pictures the early photographers created fascinated the public. Their images seemed, unlike drawings and paintings, to capture reality. When the war began, hundreds of photographers began to cover the conflict. In both their studios and in the field, they took numerous portraits of common soldiers and then sold them in a popular card-size format. The Civil War photographers traveled to Army field headquarters and returned with images of the war's heroes. When they went into the field to take their photographs, they carried not only a camera, but also a portable darkroom that was used for the delicate process of wet-plate photography."
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Digital Black and White Photography, 2008.
An analysis of the history of digital photography and a comparison of its results with those of analog cameras, focusing on black and white developments.
1,353 words (approx. 5.4 pages), 7 sources, MLA, $ 45.95
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Abstract
This paper argues that digital cameras are better than analogue cameras. Specifically, the paper looks briefly at the history of digital photography, at its utility in matters such as record-keeping and crime-fighting and at some noteworthy instances of digital photography producing impressive and compelling works. Finally, the paper looks at all of the various reasons why it may be said that digital black and white photography is better than analog black and white photography.
From the Paper
"More than that, the technology that makes digital black and white photographs possible always runs the risk of becoming obsolete. For instance, the old Epson 2200, 7600, 9600 printers have been pushed aside by Epson Stylus Pro 4800, by the Epson Stylus Pro 7800, and by the Epson Stylus Pro 9800 (FLAAR Network, para.8); simply put, unlike the fairly low-maintenance prints rendered by analog cameras, the "splashy" digital B&W prints of today place photography enthusiasts in the uncomfortable position of seeking out new technological tools that have a (quite literally) a built-in obsolescence factor. Be that as it may, though, most photographers will gladly accept this trade-off if it means the chance to be more creative."
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The Concept of Magic, 2006.
This paper discusses Robertson Davies' novel that portrays a world of magical realism.
1,350 words (approx. 5.4 pages), 5 sources, $ 53.95
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Abstract
The paper illustrates how Robertson Davies created a novel that was engulfed in memories of his childhood and that focused on the magic that exists in life in many ways. The paper looks at how Davies allowed the characters of Fifth Business to examine the magic of religion, the belief in saints, the concept of magic itself and the spiritual belief that each individual has a clear role to play throughout life.
From the Paper
"His main character, Dunstan, serves as a guide for the novel, because it is through this character that the reader is capable of comparing fantasy to reality, and entering the world that Davis has created. Wendy Faris and Lois Zamora contend that this element is important to magical realism because the author constructs his world in such a way that regardless of how unbelievable the world may be outside of the book, within the book it possesses perfect logic to the reader."
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Documentary Photography, 2004.
A review of the history of documentary photography and Dorothea Lange, the photographer.
1,980 words (approx. 7.9 pages), 5 sources, MLA, $ 62.95
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Abstract
This paper presents the background history of photography, in general, and the evolution of documentary photography. Documentary photography is described in the paper, illustrating its important role in documenting history. A biographical history of the photographer, Dorothea Lange, is provided in the paper. Some of her works are introduced and analyzed.
From the Paper
"Life is documented daily, whether in newspaper photographs of world events, in feature magazines of faraway places and in photo albums of family snapshots. Essentially, all photography is a documentary of whatever is being photographed for whatever reason. However, traditionally, the mention of documentary photography brings up familiar images from a few twentieth century photographers, such as Ansel Adams, Walker Evans, Roy Stryker, Arthur Rothstein and Dorothy Lange, whose photographs have not only documented culture but has become a part of the culture itself."
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