| Papers [1-15] of 46 :: [Page 1 of 4] | | Go to page : 1 2 3 4 —> | Search results on "MADONNA": |
|
|
Raphael's "The Small Cowper Madonna" and Angelico's "Madonna and Child", 2002.
This paper analyzes the two paintings, comparing and contrasting the two from an art/history perspective.
1,030 words (approx. 4.1 pages), 0 sources, $ 36.95
»
Click here to show/hide summary
Abstract
The paper compares and contrasts these two Renaissance interpretations of the Madonna and Child. It looks at the differing stylistic elements and discusses why the paintings are significant works of art for their timeframe. The attempt to blend the real world with the spiritual is explored and the painters? different techniques in their quest to achieve that blending are studied. The paper concludes with a concise summary of the similarities and the differences between these two paintings.
From the Paper
"Raphael spent several years in Florence where he produced seventeen images of the Virgin Mary and Child. During that time, Leonardo da Vinci and Michelangelo were his primary teachers, which would account for his stylistic rendering of the Madonna and Child. The Small Cowper Madonna, which was done in oil on wood and was completed around 1505, reflects the innovations that he learned form his years with Leonardo. He mirrored the Florentine method of painting that concentrated on intimacy and simplicity of the setting."
| |
|
Madonna Perfume, 1991.
This paper is a marketing plan for a proposed perfume sponsored by actress-singer Madonna Ciccone, known simply as Madonna:
Industry outlook, advertising, naming scent and pricing.
1,575 words (approx. 6.3 pages), 6 sources, $ 55.95
»
Click here to show/hide summary
From the Paper
"Successfully launching a new perfume line requires a large amount of investment and a careful marketing plan. This paper presents the marketing plan for a perfume brought out under the auspices of actress-singer Madonna Ciccone, known simply as Madonna.
Analysis
Perfume and its related products are highly psychological. A scent which appeals to one individual will repel another. The power of scent has been called the "Proustian effect" since Proust's narrator, Marcel, needed only to smell the slightest hint of a perfume to be transported back to childhood. Perfumes trigger memories, both good and bad, in individuals.
While the scent itself ultimately is what entices a person to wear a given perfume (the term is used in this research to ... "
| |
|
"Madonna and Child", 2002.
A review of Francesco de Simone Ferrucci's "Madonna and Child".
1,400 words (approx. 5.6 pages), 5 sources, $ 53.95
»
Click here to show/hide summary
Abstract
This essay examines Francesco de Simone Ferrucci's famous art work the "Madonna and Child." In many respects, Ferruci's painting of the Madonna and child represented certain themes in late fifteenth-century Florentine art. The painting depicted the living body and represented the religious theme of what the Madonna and Child symbolized. More than anything else, Ferrucci focused on showing the loving nature of the Madonna herself.
| |
|
Madonna, 2002.
A discussion of Madonna and her controversial statements about the role of women.
4,850 words (approx. 19.4 pages), 12 sources, MLA, $ 123.95
»
Click here to show/hide summary
Abstract
This paper presents an examination of the entertainer Madonna?s videos and their statement about the societal role of women. It discusses the evolution of females in society over the years through the changes in Madonna?s released videos and focuses on her empowerment of women through her music and videos. It looks at how Madonna spent two decades tearing down preconceived notions of what women were expected to do and how she worked to re-instate the ability to be feminine and proved to the world it does not mean giving up the ability to compete in business.
From the Paper
"It has been said that music is the universal language. It is alleged to have the ability to calm savage beasts, make couples fall in love, and incite violence. Throughout the years music has also had a significant influence on the evolvement of women. The women?s rights movement of the 1960?s started the ball rolling toward equality but when it came to issues such as sexuality and the freedom of females to express themselves there was still a stigma about what ?kind? of woman expressed her sexuality. The entire issue of sexual openness and women in the music industry was taken by the horns and challenged by Madonna. The sexuality of women was not the only area in which Madonna broke through the glass barriers."
| |
|
Painting Madonna and Child, 2008.
This paper analyzes the formal, iconographic, and historical themes in the work 'Madonna and Child' by Duccio di Buoninsegna.
1,162 words (approx. 4.6 pages), 5 sources, APA, $ 40.95
»
Click here to show/hide summary
Abstract
In this article, the writer discusses the painting 'Madonna and Child' by Duccio di Buoninsegna. The writer notes that the Italian formalization of the Gothic style was implemented within the medium and stylistics of this medieval painting. The writer points out that Buoninsegna's style was part of the Sienese School, which held to the non-passive dictates of religiosity within the Christian iconography in the 13th and 14th centuries. The writer maintains that Buoninsegna was influential in creating a non-passive baby Jesus, which helped to transform the way that the Madonna and Child had been perceived earlier in Christine art. In essence, the formal, iconographic, and historical facets of 'Madonna and Child' by Duccio di Buoninsegna are analyzed in this study.
From the Paper
"The medium of the painting is the common usage of tempera on wooden panels. In the late medieval style it was common to use this form of paint to help bring about a lush and thick layer-based type of paint to bring out the varying contrasting hues. Also, the painting uses gold to help bring about the divine sunlight or religious light of Jesus, as he is reaching toward his mother's face. Mary is draped in a black gown as she looks down upon her divine child. Gold inner-fabric is surrounding her face, as the artist is clearing defining a demarcation of her face in contrast with her dark hood, as she is gazing downward in majesty. The composition has Mary centered in the painting, but has the baby Jesus set off the lower right side."
| |
|
"The Secret Life of Bees" and the Black Madonna, 2007.
An analysis of the use of the Black Madonna as an important symbol of women leadership within the "The Secret Life of Bees" by Sue Monk Kidd.
1,167 words (approx. 4.7 pages), 5 sources, MLA, $ 40.95
»
Click here to show/hide summary
Abstract
This paper discusses the symbolism of the Black Madonna as it is used in Sue Monk Kidd's novel "The Secret Life of Bees." The paper examines the history behind the Black Madonna and then discusses the plot of the book, showing how Kidd uses the Black Madonna as an important symbol of women leadership within the "The Secret Life of Bees."
From the Paper
"The Secret Life of Bees uses the Black Madonna as an important symbol of women leadership. As August tells Lily, "Our Lady is not some magical being out there somewhere, like a fairy godmother. She's not in the statue in the parlor. She's something inside you" (Kidd, 288). This statement is the most important words of wisdom Lily receives throughout the entire novel. The statue in the parlor of the Boatwright home is just that: a statue. Lily learns that it isn't the statue that she needs to give her strength, but the idea it represents. It tells the story of a woman who broke chains, who escaped fate and inspired generations to come. These are the exact things that Lily does to find her new family and break away from T. Ray. "I leaned into them, felt them close around me. One thing is beautiful beyond my words to say it; August holding you" (Kidd, 238). Lily spends the whole novel on a search for her mother's story, as well as her own. She wanted to know the reasons why her mother left, and realized how unprepared she was for the truth when August told her. Lily is too wrapped up in the idea of her biological mother, she forgets about what a mother really is. The Virgin Mary, the Black Madonna's other form, is history's example of a mother. She is sensitive and firm, relatable and Divine. The Black Madonna is who teaches Lily that she has mothers all around her. Rosaleen's protection, May's caring, and August's love, Lily finds a mother in everyone around her, including herself. As stated at the end of the novel, "She is a muscle of love, this Mary" (Kidd, 302)."
| |
|
"Madonna and Child", 2002.
Discusses the symbolism and representation of Francesco de Simone Ferrucci's sculpture "Madonna and Child".
1,400 words (approx. 5.6 pages), 5 sources, $ 53.95
»
Click here to show/hide summary
Abstract
This essay discusses Francesco de Simone Ferrucci's sculpture "Madonna and Child." It examines how the sculpture is a representation of the loving and empathetic virgin who merges physically with her child, Jesus Christ. The sculpture symbolizes the physical nature of the relationship between the Madonna and child and, in many respects, is connected to the emotional bonds between them.
| |
|
Madonna The Feminist, 2002.
Examines whether the character and actions of the pop-singer, Madonna, represents the future of feminism.
900 words (approx. 3.6 pages), 3 sources, $ 35.95
»
Click here to show/hide summary
Abstract
This paper takes an argumentative stance on the idea of Madonna as a feminist. It contends that while Madonna's outward behavior does not seem to be within the feminist vein, the fact that she maintains such a strong sense of herself and of her dedication to doing what she wants to do actually does represent the future of feminism.
| |
|
The Criticism of Madonna's Sex Book, 2001.
A critical review of Madonna's sex book and other related articles.
1,130 words (approx. 4.5 pages), 2 sources, $ 39.95
»
Click here to show/hide summary
Abstract
The author attacks reviewers criticisms of Madonna's sex book and general sex articles and books emphasizing the reason for these criticisms being the reviewers unfamiliarity with the subject. The author argues that Madonna's sex book is a way for readers to find out more about themselves.
From the Paper
"I remember the first time I discovered the wonder and joy of masturbation. I was a boy of thirteen and had heterosexuality pouring in and out of every orifice of my body. I can only imagine the new ideas and connections I would have made and the openness I would have achieved as a young member in sexual society had I the opportunity to read Madonna?s Sex and the criticism which followed."
| |
|
"Black Madonna", 2002.
A review of the novel "Black Madonna" by F.G. Paci with an emphasis on the themes of Italian-Canadian immigration.
1,150 words (approx. 4.6 pages), 1 source, $ 44.95
»
Click here to show/hide summary
Abstract
This essay provides a summary and discussion of the novel "Black Madonna" by F.G. Paci (1982). Using the novel as a reference, this paper evaluates the themes of Italian-Canadian immigration described in the book, and considers the characters' relations with gender, culture and community.
| |
|
Raphael's "Madonna and Child Enthroned with Saints", 2005.
Describes and analyzes Raphael's "Madonna and Child Enthroned with Saints."
900 words (approx. 3.6 pages), 2 sources, MLA, $ 31.95
»
Click here to show/hide summary
Abstract
This paper describes Raphael's famous painting "Madonna and Child Enthroned with Saints." The paper provides a history of the painting. The author analyzes its composition and colors as well as the conservative style of the painting and its classical details.
From the Paper
"Rafaello Sanzio, known as Raphael, painted the "Madonna and Child Enthroned with Saints" early in his career The painting was an altarpiece executed for the small Franciscan convent of Saint Antonio de Padova in Perugia and hung in the part of the church reserved for the worship of nuns. (Metropolitan Museum of Art) Also known as the Colonna Madonna or Altarpiece, a reference to Raphael's patrons, the powerful Colonna family the work consists of two main sections..."
| |
|
Black Madonna, 2002.
Analyzes the novel, "Black Madonna"
2,400 words (approx. 9.6 pages), 1 source, $ 89.95
»
Click here to show/hide summary
Abstract
This paper provides an analysis of the novel, "Black Madonna". This paper covers thematic issues that relate to the novel's significance, including cultural identity, feminist issues and memory.
| |
|
Pepsi and Madonna, 1999.
A case study of the Pepsi Corporation's use of pop star Madonna in their advertisement.
1,672 words (approx. 6.7 pages), 0 sources, $ 54.95
»
Click here to show/hide summary
Abstract
This paper examines the use of entertainment personalities in advertising commercial products through the example of Pepsi?s use of Madonna. It illustrates how companies try to tie the success of the artist to their product. The paper demonstrates the need for clear evaluation of the celebrity endorser, their public image, and if the relationship between the artist and the product applies to the advertising rules.
Table of Contents:
Summary of Major Points
Recommendation and Justifications
Implementation Requirements
Control
From the Paper
"Advertising has invaded fashion and politics; it has also invaded every facet of the entertainment industry. Commercials now use the best film directors, actors, and cinematography to create watchable miniature movies. In some instances, we have already reached the point where the quality of commercials outshines the quality of entertainment offered side by side on the same network. Meanwhile, recording artists have made the crossover. When Pepsi picked Madonna, the choice turned out to be too hot to handle. The $5 million campaign featuring the extravagant vocalist had to be scrapped because of its links to Madonna?s highly controversial ?Like a Prayer? music video."
| |
|
"The Madonna and Child", 2002.
Shows how both artists, Giovanni Bellini and Raphael represented the Madonna and Child through their works.
1,400 words (approx. 5.6 pages), 5 sources, $ 53.95
»
Click here to show/hide summary
Abstract
This paper will compare and contrast two representations of the Madonna and Child by two artists who have been particularly associated with the representation of this motif - Giovanni Bellini and Raphael.
| |
|
"The Onondaga Madonna", 2006.
An analysis of the poem "The Onondaga Madonna" by Duncan Campbell Scott.
1,010 words (approx. 4.0 pages), 2 sources, MLA, $ 35.95
»
Click here to show/hide summary
Abstract
This paper examines the Duncan Campbell Scott poem "The Onondaga Madonna" about a native Canadian mother and child. Exploring Scott's cultural and historical background, the author explains that the poet served on Canada's Department of Indian Affairs and was well acquainted with the superstitions and myths of Canadian Indians. Yet despite this familiarity, the author maintains that Scott's description of the Indian community is heartless and cruel. The author therefore concludes that one must read between the lines of this short poem, realizing that the woman and the white man describing her can never learn any more about one another than the 'memories of savagery'.
From the Paper
"In looking at the opening lines of this short poem, one is struck by the insulting tone taken toward the Indians. It is meant, of course, to represent the white man's view of "this weird and waning race". And, despite being a woman, the poet marks her face as having a tragic savage lurking therein. Again, it is obvious that this is a bitter description of how the white man sees savagery even in a woman's face."
|
|
|
