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Love in Shakespeare's "Much Ado About Nothing", 2000.
An examination of the different types of love in this play, and the difference between public and private love.
1,556 words (approx. 6.2 pages), 1 source, $ 51.95
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From the Paper
"The characters in Shakespeare?s play, Much Ado About Nothing, act as stereotypes of different ways of pursuing love, deceit and deception. They show two very different ways of wooing, one of superficiality and one of true, genuine feeling. The relationship between Beatrice and Benedict starts out almost child-like and ends on a note of true love and happiness. On the opposite pole, Claudio and Hero symbolize the superficiality behind wanton love. Both couples are pillars of how lovers, past and present, handle their relationships."
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Shakespeare's Much Ado about Nothing: The 'Low' Characters, 2005.
An explanation of the 'low' characters in "Much Ado about Nothing" by William Shakespeare.
1,693 words (approx. 6.8 pages), 2 sources, APA, $ 54.95
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Abstract
This paper introduces the 'low' characters in William Shakespeare's play, "Much Ado about Nothing" and explains and discusses their function and relationship in and throughout the play.
From the Paper
"Nearly each of Shakespere's plays has so called 'low' characters, characters of lower birth that use a minor language and have got a specific function in the play. In Much Ado about Nothing, these characters are represented by Dogberry, his neighbour Verges, and three Watches. Dogberry is the chief constable of Messina, a wealthy town in the south of Italy, where the wealthier part of the population has their resedencies, and so does Leonato, in and around whose house the action takes place. In Kenneth Branagh's Hollywood version from 1993, the setting is picturesque. A white villa in the middle of Messina, surrounded by a huge garden with a dwell, dates, wine and with the so typical red earth for the region of Tuscany. In this rich setting we find well educated, sophisticated people of high birth and virtue. There is Leonato, father to Hero, uncle to Beatrice, there is Don Pedro, the prince and leader, accompanied by Claudio, a young soldier, and Benedick, the old witty bachelor. There is also Don John, the bastard, the villain of the play, who comes with his small cortege Borachio and Conrade. Don Pedro, Benedick, Don John and Claudio come home from war and stay in Leonato's house in Messina, where Claudio falls in love with Hero and asks Don Perdo to woo for him. Further, Don Pedro sets up a matchmaking plan to make Benedick and Beatrice, a lovely semi-belligerent couple, fall in love with each other, and Don John, who hates his half brother Don Pedro tries to axe his brothers love plans by setting up an intrigue that defames Hero and anticipates her marriage. And in between this virtuous and moral bunch, apart from Don John, of course, there is Dogberry and his neighbour Verges, who are both not of high birth, who are simple men respecting the law and responsible for the adherence of the same, who appear to be a little dumb even, due to their special language use, but who, however, play a decisive role in the end as they are the ones who detect the intrigue and thus save the life of the heroin Hero and restore peace in Messina. Their function and relationship in and throughout the play will be discussed in this essay."
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Love in "Much Ado About Nothing"', 2002.
A discussion on the presentation of love in William Shakespeares "Much Ado About Nothing".
2,544 words (approx. 10.2 pages), 1 source, MLA, $ 77.95
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Abstract
This paper examines William Shakespeare's play "Much Ado About Nothing" and in particular, analyzes Shakespeare's portrayal of the theme of love. It covers ideas about heroism and heroines, the shrew and the beautiful Venetian lady and ideals of real and superficial love in reference to the characters, particularly, Claudio, Hero, Benedick and Beatrice. Tools such as foreshadowing, exposition and mirroring are also discussed.
From the Paper
"While Shakespeare is disagreeing with the social ideals of his time in terms of courtship and romance, he is promoting the concept of real love. Shakespeare shows the audience the ?true love? of Benedick and Beatrice in a positive light, highly trusting of one another, and loyal to the end ?Enough, I am engaged; I will challenge him?. Though their relationship started on bad terms, perhaps with a previous courtship that failed ?he lent it (his heart) me a while, and I gave him use for it, a double heart for his single one. Marry, once before he won it of me with false dice?, with the couple snarling and sneering at one another ?Scratching could not make it worse an ?twere such a face as yours were?, and brought together by comic deception ?to bring Signor Benedick and the Lady Beatrice into a mountain of affection th?one with th?other?, they end up with a love that far exceeds that of Hero and Claudio?s."
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Shakespeare at the Movies, 2004.
A discussion on the recent adaptations of Shakespeare's plays, "Much Ado About Nothing" and "A Midsummer Night's Dream," directed respectively by Kenneth Branagh (1993) and Michael Hoffman (1999).
1,694 words (approx. 6.8 pages), 5 sources, MLA, $ 54.95
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Abstract
This paper reviews the adapted film versions of two of William Shakespeare's plays, "Much Ado About Nothing" and "A Midsummer Night's Dream". The paper explains that both the directors, Branagh and Hoffman, suitably altered the original setting of Shakespeare's plays. Though the scenery and settings are beautiful and picturesque, there are deeper and more purposeful reasons for this change, only one of which is merely to decorate. This can be seen in "Much Ado About Nothing" and more evidently in "A Midsummer Night's Dream". The paper explores the changes made to the modern versions of the plays, claiming that, for the 1990s audience, they offer a more accessible and comprehensible viewing.
From the Paper
"Love, romance and sensuality combine and are fore grounded in the lush and verdant settings of Tuscany in the recent adaptations to Shakespeare's plays Much Ado About Nothing and A Midsummer Night's Dream directed respectively by Kenneth Branagh (1993) and Michael Hoffman (1999). The two directors have purposefully abandoned the original settings of Sicily and Athens to create their versions of the film. They have intentionally used the Tuscan setting for various purposes, such as to enhance the viewer's association and understanding of the film, to portray an atmosphere of gaiety and romance, to subtly reflect issues of the time, to allow them to include certain cinematic elements (such as music of the era) and also to merely decorate."
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The Course of True Love Never Should Run Smooth, 1997.
An analysis of Shakespeare's "Much Ado about Nothing" using love relationships expressed in "Sonnet 116".
1,425 words (approx. 5.7 pages), 1 source, $ 47.95
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Abstract
Using Shakespeare?s thoughts and feelings regarding love expressed in the 116 Sonnet, this paper analyzes the love relationships in "Much Ado About Nothing". The play paints a clear picture of the thoughts and opinions Shakespeare expresses in the sonnet. When a reader compares the foil love relationships of Benedick and Beatrice to that of Hero and Claudio, Shakespeare?s meaning of a love that doesn?t ?alter when it alteration finds? can be truly appreciated. This paper is filled with many textual examples of ways that Claudio and Hero both fail to build the kind of love that Shakespeare admonishes lovers to have. It also examines the inconvenience and pain of Benedick and Beatrice?s love, which at times seems to be ?against their will?.
From the Paper
"Here [quote from Sonnet 116] Shakespeare express his feelings about true love and the elements that need to be included in a loving relationship. Love should not be a mere infatuation that is easy to overcome, but rather a long-lasting relationship that can never be broken. This was not a conventional idea in Shakespeare?s time, where the woman?s dowry, not her love, was the prize most sought by suitors. Shakespeare gives a wonderful example of what he thinks true love should be in Much Ado About Nothing in Benedick and Beatrice?s relationship. In the play, he also offers a relationship foil to Benedick and Beatrice, that of Claudio and Hero. This foil compares the traits Shakespeare feels need to be included in true love with the conventional ideas about love of his day."
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Themes in Shakespeare's Plays, 2004.
An in-depth paper discussing common themes throughout Shakespeare's plays. The themes of love, jealousy, and power are examined in "Romeo and Juliet", "Othello", "Much Ado About Nothing", and "Midsummer Night?s Dream."
5,210 words (approx. 20.8 pages), 6 sources, MLA, $ 129.95
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Abstract
This paper analyzes the writings of Shakespeare and identifies the related themes of his plays, such as love, power, and jealousy. The historical evidence and research are presented in each chapter so as to give the readers the real meaning of these themes, which are used by Shakespeare. The initial chapters of the research paper introduce the writings of Shakespeare and the era of Shakespeare. These chapters describe the topic related to Shakespeare and his plays. The entire discussion is based on the description of the plays and the description of the scenes, as well as speeches, which are illustrated in the plays of Shakespeare.
Outline
1. Statement of the Hypothesis
2. Review of Prior Works on the Subject and Related Subjects
3. Identification of the Methodology
4. Analysis of the Problem
5. Summary of Findings and Conclusions
From the Paper
"William Shakespeare and his plays are the main topic of discussion in this paper. William Shakespeare is one of the greatest names whose literary contributions and writings are considered as assets for the literary world. Shakespeare?s plays and writings are of considerable importance for the readers all around the world because his writings and power of expression are unmatchable. William Shakespeare and his plays have in fact formed the foundation of the English literature and therefore, William Shakespeare is still read by the students of English literature. The paper will be divided into five chapters, the analysis and observation of these chapters will help the reader to understand the paper?s main topic of discussion."
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Film: ?Much Ado about Nothing?, 2005.
This paper analyzes the problems of transforming Shakespeare to film, especially character portrayal, as demonstrated in Kenneth Branagh's 1993 film adaptation of William Shakespeare's "Much Ado about Nothing".
2,490 words (approx. 10.0 pages), 6 sources, MLA, $ 75.95
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Abstract
This paper explains that Kenneth Branagh's adaptation of Willam Shakespeare's "Much Ado about Nothing" is an enchanting world filled with believable drama and mostly solid acting; moreover, Branagh was extremely successful in allowing contemporary audiences an aperture by which to understand Shakespeare by weaving the original text into the film in such a way that it becomes both intelligible and unobtrusive. The author points out that the sacrifices in Branagh's adaptation is the play's subtle theme of appearance versus reality; wherein, whether through his addition of new material for the screen or his partial omissions of Shakespeare's text, Branagh has eliminated all of the mystery and ambiguity that Shakespeare crafted into his characters. The paper analyzes the portrayal of the characters Benedick, Beatrice, Claudio and Branagh.
From the Paper
"Branagh's Don Pedro, however, lacks this ambiguity. Another creative liberty with Shakespeare's text is the addition of Denzel Washington's ever-stylish and ever-fearless persona to Don Pedro. As the veteran American actor is cast for the role, he seems slightly out of place. His attitude is always cautious and carefree; the actor easily brings his effortless delivery and commanding persona to the role. This is not always a good thing, however: when Don Pedro offers his hand in marriage to Beatrice, Washington says his lines coolly and nonchalantly, and the delivery offers no possibility that Don Pedro might seek Beatrice for himself. Branagh also diffuses the mystery behind Pedro's wooing of Hero through his directorial choices. When Don Pedro and Claudio walk through the garden, they address each other as equals, wear the same clothing, and talk openly."
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"Much Ado about Nothing", 2007.
This paper discusses the tragedies that never happened in Shakespeare's "Much Ado about Nothing."
1,298 words (approx. 5.2 pages), 2 sources, MLA, $ 43.95
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Abstract
The paper relates that there are no real events in Shakespeare's "Much Ado about Nothing", or any real action; nothing happened in the play although many tragic things might have. The paper shows how the play can be considered tragic because the characters simulate and dissimulate, manufacture plots out of "nothing" and play with reality in a dangerous way that could have serious consequences for everyone.
From the Paper
"Shakespeare's play Much Ado about Nothing effectively combines the comic and tragic elements in its structure. The title is the point where the reading should begin: Shakespeare himself indicates that the play is about "nothing", that is, there are no real events in the text, no real action, only deceiving and misprision. The plot focuses on the two couples that are the main protagonists: Berenice and Benedick, Hero and Claudio. The dissembling, deceiving and misprisions in the play seem endless and are directly related to the tragic undertones of the text."
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"Much Ado About Nothing", 2004.
This paper examines Shakespeare's play "Much Ado About Nothing" and maintains that Beatrice and Bendick will have a much happier marriage than Hero and Claudio.
900 words (approx. 3.6 pages), 5 sources, MLA, $ 31.95
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Abstract
The paper examines Shakespeare's play "Much Ado About Nothing" and presents the argument that Beatrice and Bendick will have a much happier marriage than the one between Hero and Claudio, even though they move toward their love slowly.
From the Paper
"Shakespeare's "Much Ado About Nothing" illustrates the haziness and trials of true love. In the play we are presented with two very different sets of lovers. Beatrice and Benedick insult and tease each other mercilessly, all the while proclaiming that marriage is not for them. Hero and Claudio fall instantly in love, however, their love is easily disrupted by the forces of rumor, gossip and mistrust."
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"Much Ado About Nothing", 2002.
A review of Shakespeare's play "Much Ado About Nothing".
1,150 words (approx. 4.6 pages), 7 sources, $ 44.95
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Abstract
A paper on Shakespeare's play "Much Ado About Nothing" supporting the thesis that the plot is a complicated network of schemes and tricks.
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Kenneth Branagh's Version of "Much Ado About Nothing", 2006.
An analysis of Kenneth Branagh's film adaptation of William Shakespeare's "Much Ado About Nothing".
1,380 words (approx. 5.5 pages), 5 sources, APA, $ 46.95
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Abstract
This paper describes and summarizes the plot and characters in the film adaptation of William Shakespeare's "Much Ado About Nothing". The paper also explains the play's theme that something so innocent can be quickly turned into woe by deceivers.
From the Paper
"The idyllic scene contrasts sharply with the next scene, where the MEN enter, galloping atop of fierce, snorting steeds that thunder down the hill side, the men sweaty, disheveled uniforms sport triumphant smiles or stern determined gazes, as the prince's army returns from a successful battle. Pure animal testorone, in the most positive sense, that gets the blood circulating and makes the women swoon, even in this day."
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?Much Ado About Nothing?, 2002.
This paper is a review of the Pittsburgh Public Theater's performance of Shakespeare's comedy, "Much Ado About Nothing".
760 words (approx. 3.0 pages), 5 sources, MLA, $ 27.95
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Abstract
This essay is a critical review of the Pittsburgh Public Theater's performance of Shakespeare's "Much Ado About Nothing". Many of the positive aspects are highlighted, such as the liveliness and fun of the ensemble and the lighting, atmosphere, music and dancing. At the same time the flaws of the play are also mentioned such as the relationship between Beatrice and Benedick.
From the Paper
"?Much Ado About Nothing? performed at the Pittsburgh Public Theater was a lively and entertaining performance of Shakespeare?s play with this the main feature that stood out. Overall, all the aspects of the play worked together to make this a fun version. The one flaw that was apparent occurred in the relationship between Beatrice and Benedick, the pair never seeming to have enough chemistry together to pull off their relationship of trading insults."
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Shakespearean Studies: Understanding the Theme of Disguise in Romeo and Juliet and the Film Shakespeare in Love, 2005.
An analysis of the theme of disguise in "Romeo and Juliet" by William Shakespeare and the film "Shakespeare in Love", directed by John Madden.
675 words (approx. 2.7 pages), 2 sources, $ 26.95
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Abstract
This paper looks at how the play "Romeo and Juliet" by William Shakespeare and the film "Shakespeare in Love", directed by John Madden, utilize disguise as the key to romance and intrigue. It looks at how "Shakespeare in Love" displays the theme of disguise as an equal response to the trickery and guise found in "Romeo and Juliet" and how in "Romeo and Juliet" the theme of disguise through the masquerade ball is important in Romeo realizing his love for Juliet.
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William Shakespeare, 2003.
Examines the influence of William Shakespeare on drama and theatre.
9,454 words (approx. 37.8 pages), 28 sources, APA, $ 194.95
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Abstract
This paper discusses the influence of William Shakespeare on twenty first century theatre. Shakespeare was a great English playwright, dramatist and poet who he lived during the late sixteenth and early seventeenth centuries. He is considered to be the greatest playwright of all time. The paper shows that no other writer's plays have been produced so many times or read so widely in so many countries as his. Shakespeare had a tremendous influence on culture and literature throughout the world and he contributed greatly to the development of the English language. The paper examines how many words and phrases from Shakespeare's plays and poems have become part of our speech. It shows that Shakespeare's ideas on subjects such as romantic love, heroism, comedy and tragedy have helped shape the attitudes of millions of people. His portrayals of historical figures and events have influenced our thinking more than what has been written in history books. The world has admired and respected many great writers, but only Shakespeare has generated such enormous continuing interest. The paper discusses his different works for theatre. Costumes trends, audiences and sets are also discussed. It also discusses the formation of Globe theatre by Shakespeare.
Outline:
Abstract
Background
Life of Shakespeare
Shakespeare Career
Shakespeare's Influences on Theatre
Costumes and Sets
Audience and Plays
Globe Theatre
Structure of the Globe
Shakespeare and the End of the Globe
Development of Theatre
Conclusion
From the Paper
"Everything had to be conveyed to the audience through words and there is little doubt that the audience had better memories and perhaps higher powers of attention than people do today, so that they took in and retained the information given to them. The majority people in Shakespeare's day could not read or write so they had to rely on word of mouth and on memory; this is in evidence in Romeo and Juliet when the Servant is sent to bid Capulet's guests to dinner. He can't read the list which he has been given and he asks Romeo to read it to him; he hears it read once and then goes off to find the guests; yet, there are well over thirteen people on the list so his memory must have been extremely retentive."
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"Much Ado About Nothing", 2004.
An analysis of the underlying significance of the word "nothing" in William Shakespeare's "Much Ado About Nothing".
2,368 words (approx. 9.5 pages), 1 source, MLA, $ 72.95
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Abstract
This paper examines how during Shakespeare's time, the word "nothing" would have been pronounced "noting" and how in his play "Much Ado About Nothing" Shakespeare brilliantly plays on the meanings and pronunciation of the word. In order to better understand the underlying significance of "noting" in this play and how it relates to the nature of society it discusses and analyzes the various references to it.
From the Paper
"So, what is it that Shakespeare had to say about notes, noting, and nothing that makes this play so interesting? Well, it is most definitely a comment on one of the problems with any society of any time, which is modern day gossip and rumors. Every reference to a noting in the play leads to an inevitable conflict and misjudgment. Certainly the audience can see what Shakespeare saw as too many people to quick to place judgment on others according to words. While it might seem like words can't do much harm, it is words that put Hero's entire future, and life for that matter, at risk of being destroyed. It was those same untrue words that had Benedick ready to kill Claudio in order to avenge Hero and prove his love to Beatrice."
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