| Papers [1-15] of 100 :: [Page 1 of 7] | | Go to page : 1 2 3 4 5 6 7 —> | Search results on "LIVING COLOR": |
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"Night of the Living Dead", 2004.
An analysis of the final sequence of George Romero?s 1968 film, "Night of the Living Dead".
3,500 words (approx. 14.0 pages), 0 sources, $ 98.95
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Abstract
This paper examines how George Romero?s "Night of the Living Dead" (1968) is not only the single-most influential zombie movie of all time, it is also reputed to be one of the first movies to employee color-blind casting. In particular, it looks at how, though the entire movie was revolutionary for its time and genre, the final sequence in which the final main character (the black lead, Ben) is mistaken for a zombie and killed by his long-awaited rescuers is shocking and challenging even to modern film-goers. The sequence analyzed for five characteristics, including the plot significance of this segment, the implications of the sequence for the genre, the use of film technique to build and guide the horror, the use of coloration and lighting for narrative purposes, and the various additional methods of manipulating audience sympathies and responses.
From the Paper
"The plot of Night of the Living Dead is relatively straightforward. For some unknown reason, perhaps due to radiation from space, the dead are coming back to life animated by the desire to devour flesh. There are six significant living characters trapped in a single house, which belongs to none of them. The lead female Barbara, has come there fleeing from the zombies who ate her brother in a cemetery -- in the end her brother is the one who eats her, as she hesitates to run from him. Ben, the lead male who survives to the end, has come there after a series of misadventures on the road, and has learned a great deal about dealing with the zombies."
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Color in Graphic Design, 2005.
This paper is a literature review studying the effect of color, primarily in print media, on the way people feel when they see an advertisement or some other kind of information in the media.
29,980 words (approx. 119.9 pages), 53 sources, APA, $ 249.95
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Abstract
This paper explains that there is evidence that color, especially the viewer's favorite colors, plays an important role in graphic design, especially print media and advertising. The author points out that color has symbolic meaning, which differ culturally: in western societies, white is seen as the traditional color for weddings but, in the Chinese culture, white is used for funerals; and, in America, red is often associated with rage or anger but in China red is used for happiness. The paper relates (1) the importance of graphic designers to study the role of color, how it makes people feel and why this is so significant and (2) the need for more research to understand this phenomena.
Table of Contents
Introduction
Background
Statement of the Problem
Research Questions and Hypotheses
Research Questions
Hypotheses
Importance of the Study
Significance of the Study
Rationale for the Study
Definition of Terms
Limitations of the Study
Validity and Uniqueness of the Data
Summary
Review of Related Literature
Literature on Color in Print Media
History of the Psychology of Color
What Is Your Favorite Color?
The Perception of Color
Color in Graphic Design
Case Study: British Telecom
Case Study: British Gas
Case Study: MacDonald's
Summary of the Literature Review
Methodology
Research Design and Rationale
Data Collection
Data Analysis
Summary
Analysis of the Data
Summary, Recommendations, and Conclusion
Summary
Recommendations
Conclusion
From the Paper
"The favorite color that an individual has is considered to say a great deal about them. It is important here to look at the most popular colors briefly and what they say about individuals. Black is considered to be a color of power and authority. It is also very popular and fashionable because many people that wear black look thinner. Black is considered to be timeless and very stylish, but it also implies submissionFor example, priests wear black to signify that they are submissive to God There are those in fashion that indicate women who were black imply that they are submissive to men but many black outfits are also utilized for aloofness or evil, such as those traditionally worn by villains in many television shows and movies."
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Two Kinds of Color, 2002.
Explores the distinction between phenomenal and physical color, using the views of philosophers.
4,634 words (approx. 18.5 pages), 6 sources, APA, $ 119.95
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Abstract
This paper advances the argument that the colors we consciously experience are not the same as whatever colors may exist in the external world/ This means that even if color is a real physical property of things in the world, the colors objects ?actually? have are not the same as the colors we experience them as having. This is not to say that things we see as being red may actually be blue, but rather that red, blue, and all of the other colors that comprise human color experience do not exist outside of that experience, regardless of whether there is an objective property of color in the world. This paper uses considerations put forward by George Berkeley and John Locke as well as current philosophers, neuroscientists and physicists. It approaches the topic from both a scientific standpoint as well as a philosophical one, though more emphasis is put on the latter.
From the Paper
"Berkeley simply extends this argument to additionally cover Locke?s primary qualities, which he argues are likewise only known to us through our senses and perceptions. If colors, smells, tastes, etc., do not exist objectively in the world because they are not independent of the senses, then, by Berkeley?s reasoning, nothing can exist independently of perception because our knowledge of everything in the world ? including the primary qualities, which are the basic entities of all objects ? also stems entirely from our senses. Berkeley?s argument is largely based on the false reasoning that physical things in the world could not possible cause ideas in us , so his conclusion is easy to shrug off. But there is something very intriguing in the points he makes leading up to that misstep: We are indeed limited in our knowledge of the world by our inability to observe external things independent of our senses."
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"The Color of Water", 2002.
A review of James McBride's book "The Color of Water".
1,091 words (approx. 4.4 pages), 1 source, MLA, $ 38.95
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Abstract
This paper examines James McBride's book "The Color of Water" and how the leaving of home by both Ruth (the author's mother) and James (the author) is an event full of mixed causes, motivations and effects. It analyzes how both are leaving unpleasant home and family environments and how both are frightened and hopeful about finding a new and better life. It evaluates how Ruth's own leaving home and her forcing her children to leave the nest, were vital parts of their success later in life and how the life lessons learned by James were difficult since he easily could have succumbed to a life of crime, but he and her other children proved her right by living independent and successful lives.
From the Paper
"In fact, it was one of Ruth's habits to push her children out of the nest as soon as possible, to allow them and/or force them to learn to live independent and self-sufficient lives. Ruth herself had experienced the repression and oppression of a dysfunctional family, and she had fled that family despite the fact that her mother needed her. She had seen for herself that one can be trapped by family obligations and that one can lose one's own life by trying to fulfill those obligations. In addition, she must have sensed in some way that she would not be able to save her mother from her father, and that she would likely lose her own self in the process of trying. She saw that one must save oneself and that the way to save oneself is to get away from the family life which would otherwise drain one's spirit sooner or later."
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Colours: Red and Orange, 2005.
A review of colour and the role it has played in human life, culture and practices over thousands of years.
2,700 words (approx. 10.8 pages), 6 sources, $ 106.95
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Abstract
This paper takes a look at the concept of colour and how humans have used colour for thousands of years. Colour has been employed by humans for many a purpose. Humans have used colour to dye clothing, to paint their bodies and dwellings, and in various religious rituals and regal ceremonies.
From the Paper
"Color is a concept that, as many commentators have observed is inherently paradoxical: color is at once both easily understandable and yet resistant to analysis, rooted in scientific research and yet shaped by cultural and psychological interpretations (Westphal, 1-2). For thousands of years humans have employed color for a wide range of purposes - from dyes in clothes to its use in paints - which often reflect the particular cultural predispositions of the society in which the colors are used. However, it has only been in the past few centuries that scientists have systematically explored the nature of color and how and why humans perceive distinct colors."
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The Color Semiotics of Power, 2004.
An analysis of semiotics, the study of signs, signifiers, and the signified, as it is used in conjunction with the color theory to determine power.
3,829 words (approx. 15.3 pages), 10 sources, MLA, $ 105.95
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Abstract
This paper contends that the primary discussion of communication in any management theory involves power. One of the most theoretical tools to determine this is semiotics. The study of signs, signifiers, and the signified, semiotics intertwines with color theory to produce two colors that symbolize power more than any others, red and yellow. The paper explains that, by establishing that colors can be viewed as signs, signifieds, and signifiers, humanity has been opened up to the interpretation of colors. By examining the tendencies, histories, and general uses and interpretations of all of the colors of the spectrum, this paper determines that red and yellow are by far the most powerful colors of the spectrum.
From the Paper
"In semiotics, textual analysis reaches its peak. Authorial intent in all communication is distinguished from the communication itself, and the communication is asked to stand alone. For instance, as Chandler writes, a text can exist in any medium, whether verbal or non-verbal, and once it has been recorded, it is devoid of any intent infused in it by the "author." For our purposes, the colorer applies color to her painting, presentation, graphics module or sculpture, and she may have intended that color to symbolize either power or lack thereof, or specifically a certain type of power, but her designs over her designs simply matter not. Instead, our own interpretations of her work, our own decisions and inferences regarding her choices of colors are the true indicators of power or a particular type of power in the work."
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The Color Purple, 2007.
A summary and review of "The Color Purple" by Alice Walker.
1,929 words (approx. 7.7 pages), 0 sources, APA, $ 61.95
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Abstract
The paper discusses Alice Walker's widely-acclaimed novel "The Color Purple", which recounts the lives and struggles of African-American female characters in the early 1900s in Georgia. The paper comments that the book focuses on the important issues pertaining to the lives of blacks in the United States during the early twentieth century. The paper also comments that it is an intricate examination of the role that African-American women played in society, illustrating, the discrimination they faced due to their race and gender. The paper states that the book's most prominent thematic ideas are directly related to the importance of freedom, redemption, and the power of the individual.
From the Paper
"The book is largely feministic in its message, and could even be criticized for portraying black males badly and stereotypically. In general, though, it is the life and journey of an African-American woman in the South in the early twentieth century. Her saga is chronicled through her own letters, and she develops as an immensely poignant, powerful character who commands the attention of the reader throughout the novel. She learns to overcome the submission and the weakness that had come upon her as a result of her constant abuse, and she comes out as a confident and self-assured woman, though it is not until many years later."
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?Faculty of Color in Academe?, 2002.
A review of the book ?Faculty of Color in Academe? by Caroline Sotello Viernes Turner and Samuel L. Myers Jr.
1,769 words (approx. 7.1 pages), 2 sources, MLA, $ 57.95
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Abstract
This paper discusses how in their book, "Faculty of Color in Academe", Caroline Sotello Viernes Turner and Samuel L. Myers Jr. address the ongoing shortage of colored teachers in the colleges and universities of America. It examines how, as America enters the 21st century, the racial divide and problems of the 20th century continue to be a problem. It looks at how colored people who are hired at colleges and universities face many of the same kinds of discrimination and false expectations facing colored people in other areas of work life, from institutional discrimination to expectations that they are less qualified than they should be. It also shows how they experience more occupational stress because they feel isolated and lack the mentoring opportunities enjoyed by white hires. It examines how the authors offer a good overview of the research and of the problems faced by the modern faculty of color and make good recommendations as to some of the actions that can be taken to correct the problems.
From the Paper
"As defined in Title VII, an unlawful employment practice is any such practice by the employer which is motivated, premised, or conditioned upon the sex of an employee, or any seemingly neutral practice with an adverse effect on one sex. The educational field has not been an exception when it comes to evidence of discrimination against women. A wide disparity exists in the educational field in terms of the total number of women who have attained higher-level positions, and this is strong evidence of discriminatory practice. Title VII itself recognizes that there are two types of discrimination in operation. The first of these is intentional discrimination, meaning that an employer consciously and willfully made an employment decision strictly on the basis of sex. While it is easy to define this sort of discrimination, it can be difficult to prove because it is almost impossible to prove the intent or state of mind of the employer making the decision. Employers know that there are many laws on this subject, so they have become less open about such discriminatory practices. Unintentional discrimination is the second type and stands today as the basis for the majority of complaints filed by women. Such discrimination persists because of seemingly unintentional policies and practices that in effect perpetuate the effects of past discriminatory acts. Such a case is easier to prove because what is necessary is to prove the effect and consequences of the discrimination rather than the intent of the employer."
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Color and Emotion, 2008.
This paper discusses the effects of color on human emotions.
1,939 words (approx. 7.8 pages), 9 sources, APA, $ 61.95
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Abstract
In this article, the writer notes that the importance of color is undeniable. The writer points out that it is an essential part of daily life and it is prevalent in everything individuals perceive. Even at night, many people dream in color. The writer discusses that many studies have recognized that colors have also a strong impact on emotions and feelings. Further, the writer points out that numerous studies conducted by those in the field of psychiatry have concluded specific facts about human color likes and dislikes. The writer concludes that clearly there is a close link between colors and emotions.
Outline:
Hypothesis
Method
Results
Discussion
From the Paper
"The study of color and emotion originated very early. Jaensch determined the distinction of red yellow versus blue green. He concluded that all people can be grouped in a way that was the same as the red-green color blind subjects, that is, either into the more sensitive zone at the warm end of the spectrum or at the other end of the zone in the more sensitive cold end. The subjects at the warm color dominance end are characterized by an intimate relationship to the world of visual perception. They are receptive and open to outside influences. They appear to immerse themselves quite freely in their social environment. Emotionally, they are characterized by feelings of warmth, suggestibility, and strong concerns. In the subject-object relationship, the emphasis is on the object rather than the subject."
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Color Deficiency, 2005.
A look at the causes, diagnosis and types of color blindness.
2,250 words (approx. 9.0 pages), 6 sources, $ 89.95
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Abstract
This paper discusses the issue of color deficiency in the eye. It addresses the causes of color blindness, the types of color blindness and how the deficiency is detected by doctors. It further discusses tests for color deficiency as well as research that has been ongoing in the area of color deficiency. The paper then looks at the future of research that will address this issue.
From the Paper
"Until recent years those who have suffered from color deficiencies of the eye had to find creative methods of living with the disorder. Little research was developed to aid those with this complication to life, and very few in society truly had an understanding of what was involved in the physical malfunction of the eye. Yet, scientists and doctors are now examining many methods of understanding color deficiency, and are beginning to be able to provide long needed answers to those who have contended with the problem throughout their lives. Color deficiency, or color blindness, is a "malfunction of the retina" of the eye (Heath, n.d.). Light that is transmitted to the retina can be affected by two elements. These two elements are rods and cones. Rods are less complicated, and affect the brightness of an object."
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Color Symbolism in "The Great Gatsby", 2003.
An analysis of the symbolism of the color white in F. Scott Fitzgerald's novel "The Great Gatsby".
738 words (approx. 3.0 pages), 0 sources, $ 26.95
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Abstract
This paper reviews the novel "The Great Gatsby" by F. Scott Fitzgerald.
It discusses how although the color white is commonly associated with purity and innocence. In "The Great Gatsby", Fitzgerald conversely gives the color white a darker connotation by associating it with morally corrupt characters like Daisy and Jordan. It looks at how to some characters in the novel, especially the West Eggers, objects or people connected with the color white still represent moral perfection and social superiority. It shows how the color white, in reality, is only an outward representation of beauty, wealth and perfection, void of any intrinsic goodness, although some characters may believe it has deeper value.
From the Paper
"Jordan and Daisy, who throughout the novel are often wearing white dresses, seem to be as righteous as they are beautiful when Nick, our narrator, first sees them. Jordan and Daisy are the objects of Nick and Gatsby?s desire, respectively, but in the end, class differences and moral standards prove stronger. As the novel progresses, Nick?s opinions of both women deteriorate as he uncovers their immorality and irresponsibility which leads to the failure of Nick and Jordan?s relationship. Gatsby also fails in winning Daisy?s affection, even though he has seemingly risen in social standing and has accumulated enough wealth to support both of them. Daisy and Jordan are both careless and insensitive people, unlike the thoughtful Nick and romantic Gatsby."
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Color Genetics in Horses, 2003.
An essay that explores the genetics of equine coloring.
2,648 words (approx. 10.6 pages), 7 sources, MLA, $ 79.95
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Abstract
This paper provides an explanation of the genetics involved in breeding a certain color horse. Colors covered include black, chestnut, Mealy/Pangare, the dilutes, mixed patterns and the white patterns. The paper includes many photographs.
From the Paper
"The Classic Roan gene affects all the bases, modifiers and dilutes but can be masked by other white pattern genes. Roan is a color pattern caused by white hairs mixing with colored hairs. There are no "Roan" hairs on a Roan horse. The resulting physical colors are usually blue or rose (black base and chestnut base) but less common colors are pale gold and almost white. The Roan gene however will usually not affect the points."
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The Color Violet, 2006.
A look at the color violet and the violet plant.
1,350 words (approx. 5.4 pages), 6 sources, $ 53.95
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Abstract
This paper takes a look at the color violet, a dye derived from the primary color found in the plant of the same name. According to the paper, violet flower, that exists in over 500 varieties, may grow on bushes or be found growing low to the ground. In some cases violet flowers will grow on a stem without leaves, as the leaves grow on separate stems beside the flowered stem. The paper further discusses how most people consider the violet to consistently be of the same color, whereas in reality, many violet plants produce multiple colored flowers dependant upon the time of the year in which they bloom ("Violet").
From the Paper
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The Colour Green, 2006.
A discussion regarding the perception and symbolism of the colour green.
1,575 words (approx. 6.3 pages), 4 sources, $ 62.95
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Abstract
This essay explores the cultural and social dimensions of the color green. The color green is often associated with sensations that could be described as soothing, healing, leisurely, and peaceful. This paper goes on to discuss how symbolically, green can also be a mixed metaphor of sorts in that, while someone can use it to say they are in the money, it can also be indicative of a lack of experience, rage, hate, or envy.
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The Role of Color Vision in Cockatiel Behavior, 2002.
A look at color vision in cockatiels and the role it plays in cockatiel behavior.
900 words (approx. 3.6 pages), 9 sources, MLA, $ 31.95
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Abstract
This paper discusses color vision in cockatiels. A clinical trial is conducted to determine the presence or absence of color vision in cockatiels. Habitat and social behavior of the cockatiel is discussed, including the role that color vision plays in that behavior.
From the Paper
"Birds communicate with each other and with the world around them mainly through hearing and vision. Because of this, birds? sight and hearing are their most important ? and most sensitive ? senses. Birds? sense of smell and taste are poorly developed in comparison to humans?. This experiment is designed to examine the ways in which birds see colors and how this is useful to their survival."
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