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"The Left Hand of Darkness", 2005.
This paper discusses that Ursula K. Le Guin's "The Left Hand of Darkness", a fictional novel of the future, for which LeGuin won the Hugo and Nebula awards in 1969.
845 words (approx. 3.4 pages), 1 source, MLA, $ 30.95
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Abstract
This paper explains that Ursula K. Le Guin's "The Left Hand of Darkness" confronts the complex philosophical issues of gender and individuality through the obligations of friendship and patriotism between two characters, who share an exhausting journey across a frozen world where loyalty and trust become the fundamental components for survival. The author points out that "The Left Hand of Darkness" is a concept that means that there cannot be light without dark; it is the balance between all things including male and female, positive and negative and opposing forces, which best represent the symbolic struggle between society and mankind within the novel. The paper concludes that this novel profoundly exhibits that men owe patriotism not to a nation or planet but to a humanity, which is built on the ideologies of trust, loyalty and truth.
From the Paper
"This novel is set on a primitive planet named Gethen located on the outskirts of discovered space. Genly Ai is an ambassador from Human Ekumen, one of some eighty human worlds in existence at the time, that travels to Gethen to trade knowledge and create better communication between these and other foreign worlds. Gethen is a harsh cold world where snow falls everywhere and only the regions closest to the equator are habitable."
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"The Left Hand of Darkness", 2006.
An analysis of the theme of gender roles in the novel "The Left Hand of Darkness" by Ursula K. LeGuin.
1,009 words (approx. 4.0 pages), 0 sources, $ 35.95
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Abstract
This paper examines how "The Left Hand of Darkness" explores the inhabitants of the planet Winter, whose inhabitants are a race of hermaphrodites and how author Ursula K. LeGuin creates cultures that are as rich as our own. It discusses how the history, mythology and traditions of the people of the planet Winter make it easy to imagine what a world might be like that truly has no differences between the sexes. It analyzes how the tension created by the absence of gender roles makes us realize how much we unknowingly depend on them and how their removal is not enough to solve man's general dissatisfaction.
From the Paper
"The implications of Le Guin's story are numerous. For one, the reader is forced to examine a society free of gender stratification. Certainly the absence of gender roles eliminates the problems we currently face as a society with gender roles, but we soon see that other problems arise. For every problem absent because of no gender, another one is present to ensure the struggle of human beings. Le Guin shows the obvious benefits of gender-free society, but does not let the reader bask in the warmth of this pleasantry, for we see a society that is plagued by problems. Winter is immersed in a fierce political war - problems do not disappear with the removal of gender. "
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"Left Hand of Darkness" and "The Time Machine", 2001.
This paper examines two works ? H.G. Wells? "Time Machine" and Ursula K. LeGuin?s "The Left Hand of Darkness" ? as exemplars of works in which human nature is changed nearly beyond our ability to recognize it.
1,363 words (approx. 5.5 pages), 4 sources, MLA, $ 45.95
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Abstract
The following paper explores the way in which these authors manipulate the role of gender in human life, thus undercutting one of the most important markers we each have for self-identification. This essay examines these two works and the way gender is constructed and reconstructed within them by providing a very brief summary of each to provide the groundwork for analysis.
From the Paper
?Both of these works fall within the mainstream of science fiction, which is not to say that they are not deeply original works but rather that they engage themselves with the core questions of the genre. Science fiction is simply the fictional treatment in a variety of media (including books, magazines, movies, television, CDs and the Internet) of the effects of science or future events on human beings. Science fiction deals with events that did not happen, may have happened, or have not yet happened, mixing speculation with rational consideration of events and is primarily concerned with the impact of change on people (Wayne 19).?
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"The Left Hand of Darkness", 2002.
Introduces and analyzes this science fiction book by Ursula Le Guin.
1,063 words (approx. 4.3 pages), 4 sources, MLA, $ 37.95
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Abstract
Ursula Le Guin's book, "The Left Hand of Darkness", won the Nebula and Hugo awards for science fiction and many critics have praised the prose and sensuality of the book, which tells the tale of the planet Winter, and the Gethenians who populate the planet. Specifically, this paper looks at the book from a critical feminist approach. The paper shows that the Gethenian society seems perfect at first, but the lack of warmth in this cold world is a sad statement about relationships and the lack of them.
From the Paper
"What would society be like if we did not relate to each other as men and women, but only as beings? Much of the way we see ourselves and others is dependent on our sex. Men are supposed to be strong wage earners who protect their wives and children. Women are supposed to be nurturing lovers who care about their family and how they appear to others. In Winter, the residents do not have to concern themselves with stereotypes and images; they can simply be whoever they are. Le Guin writes of how our world should be, and how she pictures a world without sexual stereotypes and dominance."
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The Question of 'Should We' in Science Fiction, 2002.
An analysis of how far one can go in science fiction writing through a review of "The Invisible Man" by H.G. Wells and "The Left Hand of Darkness" by Ursula K. Le Guin.
900 words (approx. 3.6 pages), 2 sources, $ 35.95
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Abstract
This undergraduate paper examines the concept often used in science fiction: "should we" writing. The paper looks at "The Invisible Man" and "The Left Hand of Darkness", exploring how each author creates a tale of caution against science going too far. The paper concludes that these and many other such stories exist not as tributes to scientific advancement, but as warnings. Sources.
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Different Yet Similar, 2007.
This paper analyzes the characters in Ursula Le Guin's novel "The Left Hand of Darkness" and Mark Twain's novel "Huckleberry Finn".
1,296 words (approx. 5.2 pages), 2 sources, MLA, $ 43.95
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Abstract
The paper compares and contrasts Ursula Le Guin's characters Ai and Estraven in "The Left Hand of Darkness" with Mark Twain's characters Huck and Jim in "Huckleberry Finn". The paper argues that while both sets of characters seem very different from one another, their similarities and ability to complement and complete one another become apparent as the novels progress.
From the Paper
"In Ursula Le Guin's science fiction novel The Left Hand of Darkness, the main character, and frequent first-person viewpoint character, is Genly Ai a young, innocent, and seemingly inexperienced envoy, who also happens to be black. Ai has been sent alone, from Earth, to an unfamiliar perpetually cold and snowy planet called Gethen, meaning (appropriately) "Winter". As Le Guin tells us, of this freezing planet, and, by implication, the values of those who live there: "The death-sentence is rare in Karhide. Life on Winter is hard to live and people there generally leave death to nature or to anger, not to law" (p. 41)."
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Joseph Conrad's "Heart of Darkness", 1973.
This paper explains Joseph Conrad's metaphorical use of light & darkness in his novel "Heart of Darkness": Light is viewed as symbolizing life, passion and hope, darkness as symbolizing mystery, ignorance and despair.
1,125 words (approx. 4.5 pages), 1 source, $ 39.95
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From the Paper
"The novel, "Heart of Darkness", by Joseph Conrad, makes great metaphorical use of light and darkness. Properly analyzing these metaphors requires being aware of what they have symbolized in the past. Light has often been used as a symbol of life, passion (fire), knowledge (seeing the light), hope and the future. Dark-ness has often been used to symbolize death, mystery, ignorance and despair. Thus, light has very positive associations, and darkness has very negative ones. Readers bring these associa-tions with them as they read Heart of Darkness.
Conrad's use of metaphor, especially in the first few pages, reveals his great love of the sea. He describes a ship,sitting in the harbor with canvas gleaming with varnished spirit. The ship is surrounded by a haze that is emanating from the land near it: "The air was dark above Gravesend, and farther back ... "
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"Heart of Darkness", 2006.
This paper reviews and analyzes Joseph Conrad's literary classic "Heart of Darkness" as well as the author's use of dark imagery throughout his novel.
1,989 words (approx. 8.0 pages), 4 sources, MLA, $ 63.95
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This paper examines British writer Joseph Conrad's "Heart of Darkness" as well as the novel's primary theme of darkness, which the author maintains that each person contains within himself. This well-written paper clearly details the setting of the novel, which originally appeared in serial form in "Blackwood's Magazine" in 1899, as well as the plot and main characters. This paper analyzes Conrad's placement of his characters in the face of European imperialism and the colonization of Africa which results in giving even more depth to the concept of darkness. The author suggests that darkness is hidden deep within every person, yet he does not make an overt attack on the business of imperialism itself that acts as a catalyst for that darkness, as depicted in this particular novel.
From the Paper
"The trip up the Congo when the ship is finally repaired further evinces a criticism of the company. Natives are employed and "educated" for menial tasks and no native receives any respect or much attention at all in Marlow's story. Marlow considers the humanity of the native voices he hears along the shore and he thinks about "principles" and "acquisitions," but then concludes "Fine sentiments be hanged! I had no time...There was surface-truth enough in these things to save a wiser man." Work and duty saved Marlow from letting his sanity be compromised by the forces at work in the Congo. A sinister fear is attached to the sightings of natives along the shore which culminates in the attack of Marlow's boat when it has nearly arrived at its destination: the ivory outpost where the legendary Mr. Kurtz is the lone person in charge."
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"Araby" and "Heart of Darkness", 2008.
This paper compares the imagery of light and darkness in James Joyce's short story "Araby" and Joseph Conrad's work, "Heart of Darkness".
1,300 words (approx. 5.2 pages), 2 sources, MLA, $ 43.95
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The paper looks at James Joyce's short story "Araby" and Joseph Conrad's "Heart of Darkness" and the important role of light and dark imagery in both texts. The paper shows how, while the authors of "Araby" and "Heart of Darkness" use this imagery to very different effects, in both works images of light and dark are central devices employed to convey meaning and illustrate themes.
From the Paper
"As the title of Conrad's novel would suggest, imagery of light and darkness is of great importance in this narrative. From the opening of the novel, the text and its characters seem to exist in a permanent twilight. The narrative of Heart of Darkness is a tale told by Marlow to a number of listeners aboard a boat on the river Thames around sunset: "The air was dark above Gravesend, and farther back still seemed condensed in a mournful gloom, brooding motionless over the biggest, and the greatest, town on earth" (Conrad 7). The imagery of darkness is thus employed to establish a reflective mood from the outset of Conrad's narrative. Clearly, the imagery of twilight - at the close of the day, and when the promise of the day has been realized or not - is conducive to reflection."
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"The Heart of Darkness", 2002.
A review of the book "The Heart of Darkness" by Joseph Conrad, focusing on the symbolic search for light in the midst of the darkness.
1,223 words (approx. 4.9 pages), 0 sources, $ 41.95
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This paper analyzes the literary work by Conrad, "The Heart of Darkness", illustrating important and interesting themes and symbolism. The paper discusses the book and the main characters of the story, and describes the lead protagonist's quest for light, for inner peace.
From the Paper
"Joseph Conrad, author of the Heart of Darkness creates the idea of nihilism. Darkness created a fascination resulting to an obsession with Marlow, the main protagonist in the story. He is on a quest for some shimmer of light in the heart of darkness, the African Congo. Kurtz, a man with no morals or any self-restraint intrigues Marlow by his abrupt change in lifestyle. Marlow hopes to find a glimmer of light in Kurtz, but shockingly fails to do so. In the acceptance of darkness, Marlow is desperate in finding some glimmer of light, but in the end only attains inner peace instead of finding the light itself."
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Nature and Hearts of Darkness, 2002.
This paper discusses the role that images of nature play in three novels of clashing cultures: Tayeb Salih?s 'Seasons of Migrations to the North', David Malouf?s 'Remembering Babylon', and Joseph Conrad?s 'Heart of Darkness'.
4,175 words (approx. 16.7 pages), 3 sources, MLA, $ 111.95
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This essay discusses the following three novels: Tayeb Salih?s 'Seasons of Migrations to the North', David Malouf?s 'Remembering Babylon', and Joseph Conrad?s 'Heart of Darkness' . All of these novels reveal the shadow side of the human soul, the dark, forbidden side that most of us don?t want to admit exists and show how it manifests in relationship to the unknown. When humans come into contact with something other than that which they know well, they often react out of fear which springs from the depths of their own hidden inner selves. Joseph Conrad?s The Heart of Darkness is the classic on this theme to which the other two are compared. In these novels human life is represented as a duality hovering between light and darkness. All three writers use nature extensively to symbolize this duality. In these books most often nature is evil and dark, though now and then we catch a glimpse of beauty and light.
From the Paper
"This study will explore the role that images of nature play in three novels of cultural conflict. Tayeb Salih?s Seasons of Migrations to the North, and David Malouf?s Remembering Babylon, will be discussed using Conrad?s Heart of Darkness as the standard by which all such works are measured.In addition to being about clashing cultures, these novels are about the shadow side of the human soul, the dark, forbidden side that most of us don?t want to admit exists and how it manifests in relationship to the unknown. When humans come into contact with something other than that which they know well, they often react out of fear which springs from the depths of their own hidden inner selves. Joseph Conrad?s The Heart of Darkness is the classic on this theme. In these novels human life is represented as a duality hovering between light and darkness. All three writers use nature extensively to symbolize this duality. In these books most often nature is evil and dark, though now and then we catch a glimpse of beauty and light."
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The Darkness Within: Imagining Edgar Allen Poe, 2002.
A review of the theme of darkness in the novels "The Fall of the House of Usher", and "The Pit and the Pendulum" and the poem "For Annie" by Edgar Allen Poe.
2,400 words (approx. 9.6 pages), 13 sources, $ 89.95
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This paper explores two stories by Edgar Allen Poe, "The Fall of the House of Usher", and "The Pit and the Pendulum". These stories are considered in relation to a poem Poe wrote called, "For Annie", a verse written for a friend of his, Annie Richmond. The theme of this paper is about "darkness," where darkness is a metaphor that imbues Poe's horror stories with themes of consciousness and experiences with terror. Because Poe was especially interested in the susceptibility of the imagination, this paper attempts to "imagine" Edgar Allen Poe in relation to varying metaphors of darkness that characterize the author's life and literature.
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Heart of Darkness, 2007.
This paper analyzes the book 'Heart of Darkness' by Joseph Conrad.
997 words (approx. 4.0 pages), 2 sources, MLA, $ 35.95
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In this article, the writer points out that Joseph Conrad's 'Heart of Darkness' draws a parallel between the physical journey of the main character, Marlow, and his mental or spiritual journey as he travels more deeply into the physical darkness of the African continent. The writer notes that the physical journey is then indicative as he becomes increasingly aware of the darkness in the human soul, which culminates in the character of Kurtz. Further the writer notes that when Kurtz dies, the darkness reaches its ultimate level, and for Marlow, there is no return. The writer discusses that in terms of point of view, the novel is structured in an interesting way.
From the Paper
"This indicates a gradual shift of viewpoint from the Western, or civilized, to the uncivilized. In this, Marlow's viewpoint shift foreshadows his meeting with Kurtz. The latter is iconic of the completion of this viewpoint. The reader is therefore prepared for an increased contact with darkness as Marlow travels deeper into the physical darkness of Africa towards the ultimate heart of the matter personified in Kurtz. The decay of Kurtz's station indicates not only his absence, but also his lingering influence during the time when he was present at the station. It is central to the novel to note that the barbarian nature of the natives influenced the Western-born Kurtz and Marlow to a greater degree than their civilization. The novel closes with the indication that barbarism waits just beneath the surface of even the highest civilization. In this, Conrad makes his point regarding the true nature of humanity."
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Joseph Conrad's "Heart of Darkness", 2006.
This paper explores the concepts of good and evil in Joseph Conrad's "Heart of Darkness".
1,250 words (approx. 5.0 pages), 2 sources, MLA, $ 42.95
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This paper explains that the darkness in Joseph Conrad's "Heart of Darkness" represents an illusion in which certain people are not able to grasp the understanding of life and other human beings. The author points out that it is this inability that makes civilization and the development of society evil. The paper relates that, from this novel, the evil atrocities committed during the white European businessmen's enslavement of native Africans in their search for ivory , are results of being smothered in "the darkness". The author uses the thoughts in Friedrich Nietzsche's "Beyond Good and Evil", to understand the experiences of the character Kurtz to create nothing more and nothing less. The paper concludes that the darkness can be seen as the ultimate origin of evil.
From the Paper
"Kurtz is a man that started as the best trading post manager the Europeans had. He was determined and took control to get the job done better than anyone else, which led him to bring in as much ivory as all the others combined. When Marlow reaches him, Kurtz is no longer affiliated with not only the conquest, but European thought and values altogether. He takes control of a local tribe and in the eyes of the Europeans turns into a savage. Kurtz abandons the values and ideals of European colonial conduct because he is starting to figuratively see the light in the darkness."
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?Darkness?, 2002.
A review of the poem ?Darkness? by Lord George Gordon Byron and a comparison to his poem ?She Walks in Beauty? .
877 words (approx. 3.5 pages), 8 sources, MLA, $ 31.95
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This paper discusses how in contrast to the pleasant and romantic world depicted in ?She Walks in Beauty,? Byron illustrates a dark, cold, and hopeless world in ?Darkness.? It analyzes how ?Darkness? is an elaborately detailed poem that remains a testament to Byron?s flexibility as a poet. By considering the personal and external forces at work in Byron?s life at the time, it attempts to understand how he could so masterfully create a world that was full of despair and so far removed from the world he illustrated in ?She Walks Like Beauty.?
From the Paper
"In addition, Byron's poem "Darkness," written in 1816 after a volcanic eruption temporarily altered the world?s weather patterns. ?Byron seems not only a poet of his past and present, but of our terrifying future glimpsed by Thomasina as well? (Cox). This is verified in Robock?s account of volcanic eruptions (Robock) In fact, Robock goes on to explain that he believes that the first fifteen lines of the poem deal specifically with the effects of what the eruption (or a similar one) would produce. In addition, Mary Shelley?s novel, Frankenstein, speaks of the gloomy weather that persisted for days as well. (Shelly xxii). This is particularly fascinating as I consider what message Byron must have been trying to convey in ?Darkness.? It is also important to note that Byron was going through a separation with his wife at this time, which could partially explain Byron?s desolate picture of the future. Due to growing rumors and constant hounding by the press, Byron fled England. (Martin 209)."
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