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"Le Morte Darthur", 2001.
This paper is a review of Sir Thomas Malory's book, "Le Morte Darthur."
1,080 words (approx. 4.3 pages), 4 sources, MLA, $ 37.95
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Abstract
This paper looks at the Arthurian legend, and how Sir Thomas Malory's book stands out from the rest, and has become the authority on the period. The author takes a look at Sir Thomas Malory's life and influences and gives an overview of the events surrounding the publication of his book on King Arthur. The sources that were used are detailed, as are excerpts from the book itself in order to support the author's thesis that this publication is the most accurate. This particular version is important since it was one of the first to be published in English, rather than French or Latin.
From the Paper
"Malory's work - for we shall side with the majority of scholars here in attributing it to this writer - is a compilation and translation from old French sources (with additions from English sources and the compiler's own composition) of most of the tales about the semilegendary Arthur, king of the Britons, and his knights. The 21 books in Malory's work carry on the tradition of the medieval Arthurian romance, from French sources, in English prose of remarkable vividness and vitality. Malory loosely tied together stories of various knights of the Round Table, but most memorably of Arthur himself, of Galahad, and of the guilty love of Lancelot and Arthur's queen, Guinevere. Despite the great variety of incident and the complications of plot in his work, the dominant theme is the need to sacrifice individual desire for the sake of national unity and religious salvation, the latter of which is envisioned in terms of the dreamlike but intense mystical symbolism of the Holy Grail (Kennedy 119)."
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"Le Morte D'Arthur", 2002.
A Freudian analysis of Sir Thomas Malory's "Le Morte d'Arthur".
4,150 words (approx. 16.6 pages), 10 sources, $ 151.95
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Abstract
This paper analyzes Sir Thomas Malory's "Le Morte d'Arthur" using common Freudian techniques, linking symbolism in the text with cultural and psychoanalytic symbolism. Particularly attentive to family relationships in the epic poem, the paper presents a fresh reading of the text itself in the context of established psychological literature.
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Male Fantasy in "Le Morte D'Arthur", 2006.
Examines how Thomas Malory expressed male fantasy characteristics through the protagonist, Sir Lancelot in his book.
2,256 words (approx. 9.0 pages), 4 sources, MLA, $ 69.95
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Abstract
In order to analyze people's fantasies, Sigmund Freud says that we can look at their creative writing, thereby seeing the wishes and desires that they have. By approaching an analysis of the character Sir Lancelot in Sir Thomas Malory's "Le Morte D'Arthur" in this way, this paper provides insight on what was important to men in that society. Lancelot is made the primary hero of the story. The paper shows, therefore, that Lancelot becomes the vehicle through which Malory and male readers can stop being "ashamed" of their fantasies and find a release of tension through the adoration Lancelot receives from women and the excellence of Lancelot's fighting skills.
From the Paper
"Guenivere's desire for Lancelot throughout Malory's story shows us how Lancelot is the figure of a daydream. Guenivere is the wife of the king. This attribute of Guenivere's places her on a pedestal. She is the most important woman in the territory controlled by King Arthur. Having an affair with a married woman such as Guenivere would make the person having the affair seem important. Guenivere's actions toward Lancelot characterize her as someone who is in desperate need of the hero's love. When Lancelot is trying to draw attention away from his interest in Guenivere, Guenivere says, "Sir Lancelot, I see and feel daily that they love beginneth to slacken, for ye have no joy to be in my presence, but ever ye are out of this court (403). It makes a male feel good to have an important woman want his "love" and not want the "love" to "slacken.""
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"Le Morte D'arthur" by Sir Thomas Malory, 1992.
A look at the effects of love and loyalty in the humanistic portrait of the affair between Guenivere and Lancelot.
2,250 words (approx. 9.0 pages), 1 source, $ 79.95
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From the Paper
"This study will examine the effects of love and loyalty in Sir Thomas Malory's Le Morte D'Arthur.
The generally accepted thesis is that the fall of Camelot, the Kingdom of Arthur, was entirely caused by the love between Guenivere and Lancelot, and that this love was therefore an illicit affair, a sinful relationship which inevitably brought punishment upon all involved as well as on many innocent bystanders. The argument of this study will be that Malory intended to paint a humanistic and sympathetic portrait of the love between Guenivere and Lancelot, and in no way intended to paint a portrait of sinful lovers carried away mindlessly on the tide of illicit passion.
Malory shows that there were other causes for the downfall of the kingdom, such as pride and various jealousies and..."
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"Le Morte D'arthur" ( Sir Thomas Malory ), 1999.
Examines Sir Lancelot's quest for Holy Grail & its significance as focus of the tales of the Round Table.
1,575 words (approx. 6.3 pages), 3 sources, $ 55.95
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From the Paper
" This study will examine the significance and impact of Sir Lancelot's experiences in his quest for the Holy Grail in Sir Thomas Malory's Le Morte d'Arthur. The study will argue that the quest for the Holy Grail is most significant because it is a turning point not only for Lancelot, but for the entire focus and meaning of the tales of the Round Table.
Certainly romance (especially the liaison between Lancelot and Guinivere) and much jousting takes place after the quest begins, but the point has shifted from the physical to the spiritual, from the heroic to the mystical. The quest of Lancelot for the Holy Grail, after all, does not begin until the eleventh book of the Malory saga, after ten seemingly endless accounts of romance and jousts. As Scudder writes:
Weariness has descended on that adventurous life which.."
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Malory's Sir Tristram, King of Lyonesse, 2004.
This paper discusses the story of Sir Tristram, King of Lyonesse, as depicted in Sir Thomas Malory's "Le Morte Darthur: The Book of King Arthur and of his Noble Knights of the Round Table".
965 words (approx. 3.9 pages), 1 source, MLA, $ 34.95
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Abstract
This paper explains that Sir Thomas Malory's tale of Sir Tristram, King of Lyonesse, is memorable and unique in its depth of detail, which includes descriptions of his life from his noble origins to his truly tragic death. The author points out that the most unique aspect of this story is likely his passionate, consuming, ill-fated love affair with Isoud. The paper compares Tristram's tale with the tales of other "Knights of the Round Table", such as Lancelot and Galahad.
From the Paper
"Ultimately, the romances of both Sir Tristram and Isoud, and Lancelot and Guinevere are destined for tragedy. Lancelot and Guinevere suffer terribly for their love, and Tristram and Isoud also suffer. Sir Tristram, caught in his adulterous affair with Isoud, must leave his uncle's court in dishonor. He travels to King Howell's court in Brittany, where he fights bravely, and is offered the hand of the King's daughter in marriage (also named Isoud). Tristram pines terribly for his lover Isoud for the rest of his life, and eventually dies painfully and tragically in a heated battle. His lover Isoud commits suicide, and the two ill-fated lovers die without being reunited, as the formerly mighty kingdom of Lyonesse sinks into the sea, as a symbol of their lost love."
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King Mark, 2004.
Explores the character of King Mark in Sir Thomas Malory's "Le Morte D'Arthur".
923 words (approx. 3.7 pages), 2 sources, MLA, $ 32.95
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Abstract
King Mark of Cornwall, as depicted in Sir Thomas Malory's "Le Morte D'Arthur: The Book of King Arthur and of his Noble Knights of the Round Table", is a cowardly and generally unredeemed king. He repeatedly behaves in a cowardly and malicious way towards all of his subjects, including the nobles of his court and his knights. This paper examines the character of King Mark and shows how his negative traits contrast the positive ones of King Arthur.
From the Paper
"Further, while King Arthur inspires others to believe in the ideal of Camelot, King Mark has no such inspiring qualities on his knights and followers. King Mark rules by deception and manipulation, and thus leaves little to inspire his followers. His leadership is in many ways the antithesis of King Arthur's: while King Arthur is inspiring and leads by example, King Mark is not inspiring and leads through manipulation and force."
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Gawain Exposed, 2003.
A comparison of the character of Sir Gawain in "Le Morte d'Arthur" and "Sir Gawain and the Green Knight".
738 words (approx. 3.0 pages), 2 sources, MLA, $ 26.95
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Abstract
This paper compares the development of the character of Sir Gawain, one of the most influential figures in Arthurian legend, in two texts from different time periods and different authors. The paper presents Sir Gawain in "Le Morte d'Arthur" and "Sir Gawain and the Green Knight". The paper considers the style and contexts of the two works and their effects on the portrayal of Sir Gawain, both in terms of his humanistic qualities and those of the ideal knight.
From the Paper
"The importance of chivalry and the perfectionist edicts of knighthood are a central facet of the Arthurian Legend and the legends that stem from it. Such concepts are, in fact, what many claim to find as their original attraction to the subject matter. Reasons such as this lie behind the popularity of characters like Lancelot, Yvain, and even Arthur himself. When one delves deeper into the legend and mythology, however, it is impossible not to notice importance of the roles of other human traits, such as the capability to fall in love, and the conflict these traits invariably impose on the perfection of knighthood."
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Malory's Vision of Knighthood, 2003.
A close reading of Sir Arthur Malory's "Le Morte D'Arthur".
1,833 words (approx. 7.3 pages), 1 source, MLA, $ 58.95
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Abstract
Sir Arthur Malory's "Le Morte D'Arthur" presents, in one volume, a cumulative and syncretic vision of knighthood. A knight has several roles, and his worth depends on how well he fulfills them. Malory's knights are primarily defined by martial success, although the knights of the Grail Quest have a separate set of standards to live up to because of the spiritual component of their quest. This paper describes the defining characteristics of a Malorian knight and addresses apparent inconsistencies in the text. The knights' characteristics are prowess in feats of arms, lack of caution, courtesy and devotion to the fellowship and, by extension, to the state. Relationships with women are usually conducted along the lines of courtly love. The ascendancy in Book VI of "pure" knights like Galahad does not indicate inconsistency on Malory's part, but rather a change in the Arthurian world, a need for a new kind of knight for a new kind of quest.
From the Paper
"Many knights disobey some of the guidelines for knightly conduct, but the sympathetic ones usually have a reasonable excuse. Arthur orders young boys killed to avert the prophesy of his death but this is not strongly condemned. Tristram cannot ride to the aid of Lord Segwerdes' abducted wife until her husband has tried to free her or it will be too obvious that Tristram is having an affair with her. Lancelot shamefully rides in a cart because he is in a terrible rush to reach Guinevere. Tristram technically commits treason by cuckolding his king, but a chapter heading within the tale of Tristram de Lyones is entitled "Here Begynneth the Treson of Kinge Marke That He Ordayned Agayne Sir Trystram." Of all the knights, Sir Gareth is probably the one who lives most in accordance with the chivalric ideal."
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The Arthurian Legend, 1994.
This paper examines the continuation of the Arthurian tradition established in Malory's 14th Century "Le Morte d'Arthur", particularly in the story line dealing with the quest for the Holy Grail, in the post-medieval (1965) juvenile novel "Over Sea, Under
3,150 words (approx. 12.6 pages), 10 sources, $ 111.95
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From the Paper
"The purpose of this research is to examine the continuation of the Arthurian tradition established in Malory's "Le Morte d'Arthur", particularly in the story line dealing with the quest for the Holy Grail, in the post-medieval juvenile novel "Over Sea, Under Stone" by Susan Cooper. The plan of the research will be to set forth the Grail story line in Malory's work, and then to note similarities and differences in Cooper's treatment, with a view toward suggesting the purpose Cooper had in using the Arthurian legend in her book.
To discuss the quest for the Holy Grail in Malory is to discuss the principal feature of moral content in the narrative that legitimates the entire environment of chivalric adventurism. As Malory's tale makes plain, the pull of priorities among affairs of the heart, assorted court intrigues, ... "
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"Le Corbusier" and "Master Builders", 2002.
A paper which reviews and analyzes the architecture books "Le Corbusier" and "Master Builders".
1,690 words (approx. 6.8 pages), 4 sources, MLA, $ 54.95
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Abstract
The paper explores and compares two books on architecture, "Le Corbusier" by Kenneth Frampton and "Master Builders" by Peter Blake. The paper shows that both books discuss the life and works of architect Le Corbusier, although they differ in that Frampton's book focuses mainly on Le Corbusier while Blake studies equally the works of Le Corbusier, Ludwig Mies van der Rohe and Frank Lloyd Wright.
From the Paper
"According to Frampton, Corbusier was most likely the most famous and certainly the most controversial architect of the twentieth century. His impact on the urban fabric and the way all have lived has been enormous due to the richness and diversity of his work as well as his fervently expressed philosophy of architecture. Thus, the author weaved through his long and prolific life that was recurrent themes, his permanent drive towards new types of dwelling, from the early white villas to the U'ite d'Habitation at Marseille. Furthermore, he detailed his evolving concepts of urban form, which included the Plan Vision of 1925 along with its cruciform towers that were imposed on the city of Paris and finally his work at Chandigarh in India; and his belief in a new technocratic order (Barnes and Noble)."
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The Innovative Ideas of Le Corbusier, 2005.
A look at the architectural vision of Swiss architect, Le Corbusier.
2,357 words (approx. 9.4 pages), 15 sources, MLA, $ 72.95
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Abstract
This paper presents an overview of Le Corbusier's contribution to modern architecture, as well as his role in the larger Modernist movement in contemporary art. The paper contends that the influences that affected Le Corbusier's style and vision in architecture were related to events in history as well as contemporary art and philosophy. In other words, Le Corbusier's architectural vision was part of the artistic movements and milieu of his era and this forms part of the understanding of his influence on architecture.
From the Paper
"Le Corbusier was attracted to the visual arts from an early age. The earliest houses that he designed were similar in design to the vernacular architectural styles popular in the Alps. Later he expanded his artistic horizons and traveled to Europe where he was employed in the offices of the pioneer of reinforced concrete, Auguste Perret. Between October 1910 and March 1911 he worked for the renowned architect Peter Behrens near Berlin. All of these influences were to have an impact on the development of his style and architectural philosophy."
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Marx and Le Bon, 2002.
Compares the theories of Karl Marx and Gustave le Bon on 19th cenutry society.
1,150 words (approx. 4.6 pages), 6 sources, $ 44.95
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Abstract
This paper examines the social criticism and commentary of Karl Marx and Gustave le Bon. Both critiqued the urbanized, industrialized society of the late nineteenth century. However, Marx envisaged logical and inevitable economic revolution while Le Bon had a conservative and organic view of society.
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Ursula K. Le Guin, 2004.
A biography of the life and work of the author, Ursula K. Le Guin.
852 words (approx. 3.4 pages), 2 sources, MLA, $ 30.95
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Abstract
This paper examines how Ursula K. Le Guin is one of the most prolific writers of our time and how her works of fiction have long gained her status as a literary legend. It explores the life and times of Ursula K. Le Guin, focusing on her early life, educational experiences, academic contributions, literary works, awards won, and her reasons for writing science fiction.
Outline
Introduction
Early Life
Educational Experiences
Academic Contributions
Literary Works
Awards
Why She Chose Science Fiction
From the Paper
"Ursula K. Le Guin was born in 1929 in Berkeley, California. Theodora Quinn was her mother and the writer of children's stories. (Ursula K. Le Guin) Her father was Dr. Alfred Quinn and head of the Department of Anthropology at UC-Berkley. (Ursula K. Le Guin) As a child she was surrounded by academia and her parent sparked her interest in Science fiction with stories about mythology and various legends. (Ursula K. Le Guin) Of course, her parents encouraged her to read and her mother's literary background proved useful in uncovering Le Guin's own writing ability. In later years the desire and the wherewithal to nurture this ability was evident."
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Le Corbusier: From the Parthenon to Modernism, 2002.
A biography of the life, work and influences of the architect Le Corbusier.
2,400 words (approx. 9.6 pages), 5 sources, $ 89.95
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Abstract
This paper looks at the life and the effects that we feel today of Corbusier. This biographical paper looks at his beginnings and early influences to understand this genius. For better or worse, the architect known as Le Corbusier changed the face of our cities. Along with Mies van der Rohe, Walter Gropius and Frank Lloyd Wright, Corbusier epitomizes modernism. Can, however, the future be built without standing on the shoulders of the past? Corbusier was a devotee of the esthetic of the machine and still he regarded the Parthenon as a pinnacle of architectural achievement. He believed in the Renaissance notion of man being at the center of creation and yet, built houses that men could not live in. Le Corbusier may have been designing square pegs for round holes but in the end, there was a direct line, for him, between the Parthenon and modernism.
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