| Papers [1-15] of 100 :: [Page 1 of 7] | | Go to page : 1 2 3 4 5 6 7 —> | Search results on "LE COLONEL CHABERT": |
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"Le Corbusier" and "Master Builders", 2002.
A paper which reviews and analyzes the architecture books "Le Corbusier" and "Master Builders".
1,690 words (approx. 6.8 pages), 4 sources, MLA, $ 54.95
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Abstract
The paper explores and compares two books on architecture, "Le Corbusier" by Kenneth Frampton and "Master Builders" by Peter Blake. The paper shows that both books discuss the life and works of architect Le Corbusier, although they differ in that Frampton's book focuses mainly on Le Corbusier while Blake studies equally the works of Le Corbusier, Ludwig Mies van der Rohe and Frank Lloyd Wright.
From the Paper
"According to Frampton, Corbusier was most likely the most famous and certainly the most controversial architect of the twentieth century. His impact on the urban fabric and the way all have lived has been enormous due to the richness and diversity of his work as well as his fervently expressed philosophy of architecture. Thus, the author weaved through his long and prolific life that was recurrent themes, his permanent drive towards new types of dwelling, from the early white villas to the U'it? d'Habitation at Marseille. Furthermore, he detailed his evolving concepts of urban form, which included the Plan Vision of 1925 along with its cruciform towers that were imposed on the city of Paris and finally his work at Chandigarh in India; and his belief in a new technocratic order (Barnes and Noble)."
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The Innovative Ideas of Le Corbusier, 2005.
A look at the architectural vision of Swiss architect, Le Corbusier.
2,357 words (approx. 9.4 pages), 15 sources, MLA, $ 72.95
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Abstract
This paper presents an overview of Le Corbusier's contribution to modern architecture, as well as his role in the larger Modernist movement in contemporary art. The paper contends that the influences that affected Le Corbusier's style and vision in architecture were related to events in history as well as contemporary art and philosophy. In other words, Le Corbusier's architectural vision was part of the artistic movements and milieu of his era and this forms part of the understanding of his influence on architecture.
From the Paper
"Le Corbusier was attracted to the visual arts from an early age. The earliest houses that he designed were similar in design to the vernacular architectural styles popular in the Alps. Later he expanded his artistic horizons and traveled to Europe where he was employed in the offices of the pioneer of reinforced concrete, Auguste Perret. Between October 1910 and March 1911 he worked for the renowned architect Peter Behrens near Berlin. All of these influences were to have an impact on the development of his style and architectural philosophy."
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Le Corbusier: From the Parthenon to Modernism, 2002.
A biography of the life, work and influences of the architect Le Corbusier.
2,400 words (approx. 9.6 pages), 5 sources, $ 89.95
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Abstract
This paper looks at the life and the effects that we feel today of Corbusier. This biographical paper looks at his beginnings and early influences to understand this genius. For better or worse, the architect known as Le Corbusier changed the face of our cities. Along with Mies van der Rohe, Walter Gropius and Frank Lloyd Wright, Corbusier epitomizes modernism. Can, however, the future be built without standing on the shoulders of the past? Corbusier was a devotee of the esthetic of the machine and still he regarded the Parthenon as a pinnacle of architectural achievement. He believed in the Renaissance notion of man being at the center of creation and yet, built houses that men could not live in. Le Corbusier may have been designing square pegs for round holes but in the end, there was a direct line, for him, between the Parthenon and modernism.
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Le Corbusier, 2005.
A look at the architect, Le Corbusier, and whether he is a modernist or post-modernist.
1,875 words (approx. 7.5 pages), 7 sources, MLA, $ 59.95
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Abstract
This paper examines whether the French architect, Le Corbusier, was modernist or post-modernist in his style. The writer explains and analyzes the definition of these styles and concludes that Le Corbusier's style of architecture in essentially modern in that it adheres to the foundational concepts of modernism. It explains that his emphasis on functionality is particularly modernist in that it subverts and reshapes the past, but still adheres to the principles of form, functionality, and order.
From the Paper
"Basically, the design of the ground floor is quite similar to the Villa Savoye. This can be seen in that the design uses massive pilotis to make the whole building distanced from the ground as well as creating a free place for other uses such as a car park. The free area underneath the house was used for circulation and parking, as well as the entrance, elevators, and janitor's closet. (Alexander Tzonis, 2001) Also, no historical precedents and ornaments were used. The building was constructed mainly out of reinforced concrete, ...the Unite revealed its cellular structure through the use of concrete sun-baffle balconies and canopies projecting from the main body of the building. (Kenneth Frampton, 1992) large windows were installed in every apartment, giving a full view of the landscape. "Unspoiled views of the unfolding grounds, light breezes blowing freely over the soil without being blocked and sustained ecological conditions were also required." (Alexander Tzonis, 2001)"
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Le Corbusier's "Villa Savoye", 2008.
A review of the design of "Villa Savoye" by Le Corbusier, the 20th century French architect known for his style referred to as "modern architecture."
784 words (approx. 3.1 pages), 2 sources, MLA, $ 27.95
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Abstract
The paper discusses an example of the "international style" of architectural modernism in Le Corbusier's "Villa Savoye", situated in Poissy, France. The paper notes that the "Villa Savoye" is considered to be Le Corbusier's masterpiece, as it was the first building to fully realize all five points of his architectural aesthetic, as elucidated in his landmark work, "Towards A New Architecture". The paper investigates these five points and analyzes the ways in which they contribute to the formal accomplishment of the building.
From the Paper
"He felt that architecture was more than just an engineering feat - it was also an excursion into the realm of visual art, and one that, as such, should uphold the human spirit and the ideals of an era. At the same time, he was against the idea of pure ornamentation in architecture. If a building is merely beautiful and nothing else, chances are great that it will not be useful. To this degree, Le Corbusier emphasized functionality, as well. Both of these realms - functionality and aesthetic pleasure - come to the forefront in Villa Savoye."
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Ursula K. Le Guin, 2004.
A biography of the life and work of the author, Ursula K. Le Guin.
852 words (approx. 3.4 pages), 2 sources, MLA, $ 30.95
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Abstract
This paper examines how Ursula K. Le Guin is one of the most prolific writers of our time and how her works of fiction have long gained her status as a literary legend. It explores the life and times of Ursula K. Le Guin, focusing on her early life, educational experiences, academic contributions, literary works, awards won, and her reasons for writing science fiction.
Outline
Introduction
Early Life
Educational Experiences
Academic Contributions
Literary Works
Awards
Why She Chose Science Fiction
From the Paper
"Ursula K. Le Guin was born in 1929 in Berkeley, California. Theodora Quinn was her mother and the writer of children?s stories. (Ursula K. Le Guin) Her father was Dr. Alfred Quinn and head of the Department of Anthropology at UC-Berkley. (Ursula K. Le Guin) As a child she was surrounded by academia and her parent sparked her interest in Science fiction with stories about mythology and various legends. (Ursula K. Le Guin) Of course, her parents encouraged her to read and her mother?s literary background proved useful in uncovering Le Guin?s own writing ability. In later years the desire and the wherewithal to nurture this ability was evident."
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John Le Carre?s Perception of International Affairs, 2006.
An examination of author John Le Carre's view of international affairs through an examination of two of his novels.
1,177 words (approx. 4.7 pages), 2 sources, MLA, $ 40.95
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Abstract
This paper analyzes the characters and plots in John Le Carre's novels, "The Honourable Schoolboy" and "The Little Drummer Girl" to shed some light on the author's view of international affairs. The paper explains that, from Le Carre's point of view, international affairs are dehumanizing from all sides concerned and offer no justice.
From the Paper
"John Le Carre's perception of international affairs is one of intense disillusionment. Through the novels, The Honourable Schoolboy and The Little Drummer Girl, Le Carre shows the reader that the world is devoid of a political ideology. In these novels, international affairs arise from the encounters between Smiley and Charlie and the raging forces of international affairs. These encounters resonate a sadness and empathy for the human condition. A few critics have labeled Le Carre's view of international politics as "baroque." With his character George Smiley, Le Carre holds a clean mirror to the face of the secret intelligence agency, illuminating a turmoil. George Smiley tries to uphold a degree of principles as does Charlie, but they are no match for the rising flood that pushes them toward losing their principles. Both Smiley and Charlie are the outsiders, who continually attempt to do the right thing. Since there have been many times duty to country or group beliefs have caused many atrocities, Le Carre makes clear that it is more important to have individual principles than any duty to anyone or anything. Through Smiley and Charlie, Le Carre shows how international affairs are demoralized and perilous."
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Marx and Le Bon, 2002.
Compares the theories of Karl Marx and Gustave le Bon on 19th cenutry society.
1,150 words (approx. 4.6 pages), 6 sources, $ 44.95
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Abstract
This paper examines the social criticism and commentary of Karl Marx and Gustave le Bon. Both critiqued the urbanized, industrialized society of the late nineteenth century. However, Marx envisaged logical and inevitable economic revolution while Le Bon had a conservative and organic view of society.
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"Le Bassin des Nympheas", 2007.
A look at the painting by Claude Monet entitled "Le Bassin des Nympheas".
940 words (approx. 3.8 pages), 5 sources, MLA, $ 33.95
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Abstract
The paper discusses one of the most impressive pieces shown in the Denver Art Museum, Claude Monet's 1904 painting, "Le Bassin des Nympheas". The paper relates that this painting may not be the most famous, but it carries all Monet's trademarks and is just as beautiful as any other painting of his. The paper portrays how, as with other impressionist works, the striking element remains the brushwork and the way in which the mixing of vibrant colors on the canvas creates such shapes and feelings inside the viewer.
From the Paper
"The painting in discussion is more than a century old, having been done in 1904. Proportionately it is a square and, as the title suggests, the painting is a landscape whose main "character" are some water lilies of different colours, floating on the water that reflects the landscape around. The view is concentrated on the water surface, and the surrounding landscape can only be quested by its reflection, thus pointing out to the subject of the painting. The reflection in the water is hazy, so you can't really see what it is that is reflecting, so by contrast the water lilies appear clearly, even though they aren't more clearly painted, the brushwork hasn't been changed."
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"No One Writes to the Colonel", 2006.
A review of Gabriel Garcia Marquez's "No One Writes to the Colonel".
1,307 words (approx. 5.2 pages), 1 source, MLA, $ 44.95
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Abstract
This paper reviews one of Marquez's many short stories, "No One Writes to the Colonel". The paper, using examples from the text, reviews the main themes, characters and statements in the story. The author also puts allusions and hints from the story into historical context.
From the Paper
"Throughout the story, we see the colonel steadfastly sticking with a routine. He goes to check his mail every Friday and takes the rooster for trials at a local pit. The rooster is cheered like an icon or idol would be and everyone expects him to win the big upcoming fight. Colonel believes that in the absence of his pension which he knows he will receive one day, there best chance of survival lies with the rooster winning the fight. His wife however remains skeptical and shouts "and meanwhile what do we eat?" (181). to this, the colonel calmly replies "Shit" (181). "
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"La Nuit et Le Moment", 2004.
This paper explores the specific meaning of libertinage in the work of Crebillon's "La Nuit et Le Moment."
1,350 words (approx. 5.4 pages), 3 sources, MLA, $ 47.95
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Abstract
This paper discusses the specific meaning of libertinage in the work of Crebillon's "La Nuit et Le Moment," especially in regard to the character of Cidalise. The paper is in English with quotes in French.
From the Paper
"The libertine is an essential character of the French literary world of the eighteenth century, a character that we all recognize both in the original from his and sometimes her many descendants in post-Enlightenment literature."
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Wallace Stevens' "Le Monocle", 2007.
This paper analyzes the poem "Le Monocle" by Wallace Stevens.
2,039 words (approx. 8.2 pages), 5 sources, MLA, $ 64.95
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Abstract
In this article, the writer notes that like much of Stevens' poetry, "Le Monocle" is a challenging poem for readers and scholars to define and explicate. This poem was published as part of a book of poetry in 1923 called Harmonium. The writer points out that the title of the poem, which indicates the speaker, previews the problems that the reader faces from this modernist viewpoint. The writer notes that the author plays with different strands of thought throughout the poem that sometimes interact and sometimes are antithesis of each other. The writer concludes that ideas about love and language dominate this poem, but leave the reader to wonder exactly how Stevens would define either or both of those terms.
From the Paper
"The shifting meaning and problematic relationships haunt the entire poem. The separation of the poem into twelve distinct stanzas causes problems for the continuity of language. The blank space that appears between the sections makes the reader believe that something has completed and a new idea will be introduced. This is not the case. Stevens intentionally does not complete ideas within stanzas. He frequently introduces an idea or parable that remains unresolved in that stanza and in the poem itself. Stevens may be commenting on the disjunctive nature of modern life through his form. He does toy with certain motifs across the poem, but does not allow the reader to really draw conclusions about his intention."
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"Le Suicide", 2007.
An analysis of Emile Durkheim's theories on suicide, as presented in his book, "Le Suicide".
754 words (approx. 3.0 pages), 7 sources, MLA, $ 26.95
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Abstract
This paper discusses "Le Suicide," Emile Durkheim's reportedly "flawed masterpiece" on suicide which was published in 1897. The paper describes Durkheim's theories on anomic suicide and egoistic suicide and discusses how they differ. The paper discusses Durkheim's comparison of the relation to marriage's effect on suicide's frequency to anomic and egoistic suicides.
Table of Contents:
Introduction
Flawed Masterpiece
Durkheim's Explanations
A, if not "The" Central Theme
In Light of Suicide's Darkness
Conclusion
From the Paper
"In Le Suicide, Durkheim purported that anomic suicide transpires when a person's existence is destitute of restrictions and recognition and by other individuals in society. "Anomic suicides, as Durkheim described them, destroy themselves in remorse over their abandonment by society, for they cannot support the loneliness of anonymity." (Siebers)"
"Durkheim contended that egoistic suicide evolves from a person no longer being able to conclude he/she has a reason for living. Egoistic suicides radically reject society, as they are dramatically removed from the "normal social justifications of existence." Egoistic, as well as, anomic suicides reportedly stem from society's inadequate presence in a person or their larger persona. "'Egoistic suicide,'" Durkheim concludes, "'results from man's no longer finding a basis for existence in life'." (Ibid)"
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"Le Morte D'Arthur", 2002.
A Freudian analysis of Sir Thomas Malory's "Le Morte d'Arthur".
4,150 words (approx. 16.6 pages), 10 sources, $ 151.95
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Abstract
This paper analyzes Sir Thomas Malory's "Le Morte d'Arthur" using common Freudian techniques, linking symbolism in the text with cultural and psychoanalytic symbolism. Particularly attentive to family relationships in the epic poem, the paper presents a fresh reading of the text itself in the context of established psychological literature.
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"Le Chien Andalou" -The Movie, 2004.
An analysis of the film "Le Chien Andalou" using Freud's psychoanalytic theory of subjectivity.
1,066 words (approx. 4.3 pages), 4 sources, APA, $ 37.95
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Abstract
This paper analyzes the film "Le Chien Andalou", in the light of Freudian psychoanalytic theory of subjectivity. The paper notes that the film emphasizes the relationship between the rational and the irrational, the conscious and the unconscious. The symbolic representations of the battle between the conscious and the unconscious, which constructs human subjectivity according to psychoanalytic theory is analysed through some scenes of the film.
From the Paper
"The symbols that can be found in the film derive from the unconscious/irrational, rather than the conscious/rational. The deliberate abandon of temporal and spatial coherence creates a dream-like context. Like the workings of unconscious, as in dreams , the film does not follow a logical time sequence, starts with 'Once upon a time' continues with 'Eight years later', 'Sixteen years ago' and so on. The spatial logic of the conscious is disfigured as well. For instance, when the woman changes the room by going through a door, again she gets into the same room. Yet in another scene, the appearance of a beach just out of the door does not fit into the spatial limits of the reason. Incongruent jumps in space abound, like when the man is shot in an apartment room, the falling motion ends up in a park, briefly clutching the shoulder of a statue-like woman. "
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