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Latin Jazz, 2002.
An analysis of Latin Jazz music.
650 words (approx. 2.6 pages), 3 sources, $ 26.95
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Abstract
This paper gives a persuasive paper on the positive aspects of Latin Jazz music, considering it holistically from a musical perspective including rhythmically, tonally and its evolution into popular culture.
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20th Century Latin Music, 2005.
A technical analysis of the Noro Morales piece, "110 St. and 5th Ave."
810 words (approx. 3.2 pages), 2 sources, MLA, $ 28.95
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Abstract
This paper analyzes the Latin-jazz piece "110 St. and 5th Ave" by Puerto Rican composer, Noro Morales, in terms of texture, metre, timbre and various other musical qualities. The paper includes background information on the emerging Latin scene in 1940s New York City, as well as traditional instruments used in Latin music.
From the Paper
"Noro Morales' piece, "110th Street and 5th Avenue" was created in the 1940's amid a thriving Latin music scene in New York City. Morales was born in San Juan, Puerto Rico to a family of prominent musicians (Morales). He achieved success as a composer and musician in his homeland, then later moved to New York in 1935. During this time period, many now-famous Latin musicians such as Tito Puente and Morales composed and experimented with various forms of Latin music. These forms included salsa, meringue, mambo, and rumba. These forms of music incorporated brass and woodwind instruments, mostly in minor keys such as the Cuban tres, above percussion. These forms of music were also lively, up-tempo, and heavily rhythmic, essentially meant for dance (Mambo). Mambo, as well as its predecessors, danzon and salsa, was derived from Afro-Cuban rhythms (Mambo). These sounds and rhythms can be heard in this piece."
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Jazz Music, 2001.
This paper examines the history of American jazz music, various jazz artists, cultural, and musical influences.
2,200 words (approx. 8.8 pages), 13 sources, $ 68.95
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Abstract
This paper provides an in depth look at the history of jazz, the early development of the music style, through African American musicians trying to create music that was uplifting; the direct opposite of the blues. The author discusses rhythm and instrumentation, numerous jazz artists and popular tunes.
From the Paper
"Jazz is associated with the African American people and this is an influence unequaled in the field of music. The true spirit of jazz arises from a revolt from convention, custom, authority, and boredom, even sorrow, from everything that would confine the soul of man. The blacks that invented it called their songs the blues, and they weren't capable of satire or deception. Jazz was their explosive attempt to cast off the blues and be happy, carefree happy, even in the midst of sordidness and sorrow. Jazz is a release of all the suppressed emotions at once. Jazz is a part of the direct process of African American music. In rhythm it goes directly back through ragtime, through the minstrel period, through the spirituals and dances to its African origin."
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Race and Jazz Music, 2004.
An historical and cultural exploration of the roots of the debate over whether jazz music is exclusively "black" music.
3,320 words (approx. 13.3 pages), 6 sources, MLA, $ 94.95
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Abstract
Jazz is a music that belongs to all races. This paper argues that, even though there have been a majority of African-American musicians in the jazz community, anyone can play it, write it, and express their feelings through it. There was music being played at the same time jazz began by other people who had a big influence on jazz, however. This paper shows that there have also been many white musicians who have made important and influential contributions to jazz. Over the last few decades, many jazz artists and critics have become vocal about their opinion about jazz and race because there are so many strong opinions about it. The writer concludes that this issue has been discussed privately since jazz became popular and that the connection between jazz and race continues to be a widely discussed topic in the jazz community.
From the Paper
"The connection between jazz music and race has been discussed since jazz first became a genre one hundred years ago. Over the last four decades, many jazz artists have become more vocal about the idea that jazz is a black music. The argument is not that all good jazz musicians are black, but that the most immediate and significant ancestors have been black. Some of the major jazz innovators such as Louis Armstrong, Duke Ellington, Charlie Parker, Miles Davis Thelonious Monk, and John Coltrane have been black. The view of jazz as a black music, however, is controversial. There are many that believe that jazz is not the property of just one racial group. Artists who are or were not black such as Benny Goodman, Artie Shaw Stan Getz, Bix Beiderbecke, Gerry Mulligan, Dave Brubeck, Frank Trumbauer, and Charlie Haden have also left distinguished marks on jazz. At the turn of the century, when jazz first became popular, white and black musicians were playing very similar, though not identical, forms of music. Some artists and critics claim that the jazz expression of black Americans is a creative reflection of the black experience, however, most artists see jazz as a way to express personal experience, no matter what race they are. Though the first innovative jazz musicians were black, jazz is a music that belongs to all races."
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The Development of Jazz in the U.S., 1991.
This paper analyzes the development of jazz in the United States: Early influences, Ragtime, Blues, New Orleans Jazz, Big Band Jazz and Bebop, Scott Joplin, Jelly Roll Morton, King Oliver, Louis Armstrong, Bix Beiderbedke, Charlie Parker, Thelonious Mon
2,025 words (approx. 8.1 pages), 10 sources, $ 71.95
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From the Paper
"This paper will provide an analysis of the development of jazz in the United States. After a brief overview of the history of the art form, the paper will turn to an analysis of some of the major types of early jazz--ragtime, blues, New Orleans jazz, the Big Band, and Bebop. Finally, the paper will conclude with some of the personalities that made jazz such a vital and exciting art form: Scott Joplin, Jelly Roll Morton, King Oliver, Louis Armstrong, Bix Beiderbecke, Charlie Parker, and Thelonious Monk.
During the 1920s, while European classical music was being "turned upside down" by such composers as Arnold Schoenberg and Igor Stravinsky, the United States was quietly, developing its own distinct and separate musical form with a decidedly unclassical name--jazz. At this point, jazz was not the product ... "
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Jazz, 2005.
An overview of the definition and origins of jazz.
1,214 words (approx. 4.9 pages), 7 sources, MLA, $ 41.95
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Abstract
Jazz is described as a form of musical improvisation that combines both organization and spontaneity. It is the spontaneous improvisation that separates it from traditional Western music, which is written down in notation as carefully as possible, in order to make sure that it is performed as closely to the composer's intentions as possible. This paper provides a definition of jazz before exploring the origins of this musical genre. The paper examines what makes certain music be regarded as jazz and explores the influence of jazz on other music.
Paper Outline:
Introduction
The Origins of Jazz
What Makes it Jazz?
The Influence of Jazz
Conclusion
Bibliography
From the Paper
"Even though jazz is a rich mixture of melody, rhythm, harmony and inventive improvisation based on those basics, it has always not been treated with respect by music historians and other experts. For instance, in his book An Illustrated History of Music, the author does not even give jazz a mention. Marc Pincherle seems to have a bias toward traditional Western European styles of music, but Gerard (p. 12) states, "Music does not have to be totally predictable to be beautiful." Jazz may suffer because it is often not written down in notation, and because much of its history is recorded informally."
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Jazz: The American Heritage, 2002.
Looks at the origins, history, and composition of American jazz.
1,774 words (approx. 7.1 pages), 8 sources, MLA, $ 57.95
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Abstract
This paper delves into the indigenous, American creation of jazz music. It looks at the relationship between the origins of jazz and the history of African-Americans, the main characteristics of jazz music, and the instruments originally used for playing jazz. The beginning of jazz music in New Orleans is discussed, as well as some of the influences on the music and the different types of jazz that evolved over time. Famous jazz musicians and singers are also mentioned.
From the Paper
"A significant relationship exists between the origins of jazz and the history of African-Americans. To entertain themselves and get through the grueling days, plantation slaves would perform music that would remind them of their African homeland. Their songs, sounds and compositions would be on the wide variety of singing, rhythms and melodies that ranged throughout the continent."
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Latin America, 2007.
A discussion of economic and political interests in Latin America and a history of the Latin American revolutionary movements.
1,498 words (approx. 6.0 pages), 1 source, MLA, $ 49.95
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Abstract
This paper discusses the history of Latin American revolutionary movements and the circumstances that have shaped Latin America since the arrival of the Europeans. It discusses the role of the United States in Latin America, particularly its economic and political interests. The paper ends by discussing, briefly, the role of women in the Latin American revolutions.
From the Paper
"The history of Latin American revolutionary movements is one of repeated social and political fragmentation. Of course, this is true of most revolutionary movements in world history; however, the unique circumstances that have shaped Latin America since the arrival of Europeans have placed their independence movements in the midst of heated struggles between the imperial powers of the world. As a result, the varied socioeconomic structure of many Latin American nations has generated intense hostility between the social elites, the working class, as well as outside political and economic forces. Nevertheless, one of the recurring themes in Latin American history is the emergence of a powerful labor movement; far more influential than those in the United States, and accordingly, threatening to American business interests."
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The Latin American Women?s Movement, 2006.
An look at the Latin American women's movement from 1970 until present day.
4,625 words (approx. 18.5 pages), 17 sources, MLA, $ 119.95
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Abstract
This paper examines how although most Latin American countries were given suffrage as early as 1940, 30 years later, by 1971 women were still locked into a culture of Catholicism, control and machismo. The paper discusses the many aspects of women's rights that need to be addressed in order for women to be truly accepted as equals.
Table of Contents:
General Suffrage
Latin American Suffrage
Human Rights/Women's Rights
Women and Employment
Employment and Working Conditions
Argentina and Mexico
Latin American Women Reproductive and Health Issues
Latin American Women's Health Issues
Latin American Women in Politics
Human Rights Issues for Women in Latin America
Legal Protection for Latin American Women
Latin American Women and Violence
Conclusion
From the Paper
"The Roman Catholic Church has a strong political hold on the hearts and minds of Latin American and the influence of the Roman Catholic Church has kept a majority of Latin American women chained to the cycle of childbirth. Despite the fact that a majority of Latin American women have been the "beneficiaries" of universal suffrage since World War II, family planning that was not in accordance with the Roman Catholic Church's edicts has been severely limited. A woman who is unable to obtain or hold a job because of her constant gravid state is unlikely to put emancipation before basic survival. Unfortunately Latin American's economic condition has suffered because of as burgeoning uncontrollable population explosion which compromises the health and welfare not only of the women large numbers of children but the children themselves."
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Jazz in the Twenties, 2005.
This paper discusses the history of jazz in the twenties as it developed in two centers, Chicago and New York.
2,635 words (approx. 10.5 pages), 14 sources, MLA, $ 79.95
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Abstract
This paper explains that, with the closing of the Storyville seaports in New Orleans and increased discrimination in the south, numerous musicians began to venture to Chicago and New York with hopes of finding prosperity in their field of business--jazz. The author points out that, in Chicago, the four main styles of jazz were Boogie Woogie, Chicago Jazz, Society Jazz and Urban Blues and the major innovators were Bix Beiderbecke and Benny Goodman. The paper relates that, in New York's Harlem area, which did more for the Jazz age then any other town in the world, jazz flourished in the different styles of bands from big band to spasm bands and in innovators such as Paul Whiteman, James Reese Europe and Fletcher Henderson, which resulted in the Harlem Renaissance that opened the eyes and the mouths of African-American public.
From the Paper
"Bandleader Paul Whiteman was another major New York Jazz figure of the era. He was especially famous for introducing jazz into the mainstream audience of the decade. Not only was he a great performer of the day, be he also gave back to the jazz community as an avid listener and audience member himself. For instance, Duke Willington stated, "no one could fault Whiteman for his generosity of spirit." In 1924, after finishing his evening at New York's Palais Royal, he would stop by around the corner at the Kentucky Club to soak up the sounds of Duke Ellington and his Club Serenaders."
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Latin America and the United States, 2002.
Looks at communism in Latin America and U.S. involvement in Latin American politics.
900 words (approx. 3.6 pages), 5 sources, $ 35.95
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Abstract
The following paper describes the history of communism in Latin America and the United States involvement in Latin American politics.
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Race, Gender, and Latin American Eugenics, 2008.
This essay discusses Nancy Leys Stepan's "The Hour of Eugenics: Race, Gender, and Nation in Latin America" and evaluates how theories of "racial improvement" aided modernization in Latin America.
1,185 words (approx. 4.7 pages), 1 source, APA, $ 40.95
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Abstract
This paper discusses the conceptualization of 'science' as purely objective and entirely distanced from the influences of politics. Specifically, this paper looks at the science of eugenics as extremely popular in many nations from the turn of the century until the 1940's. Instead of being purely 'science', as many conceptualized, eugenics was used to justify racial segregation and oppression, in Europe, North America and also in Latin America. According to Nancy Leys Stepan, simply because Latin American eugenics was not used as a tool of state policy on the same level of brutality as in Nazi Germany, does not mean that it was not still deployed by scientists and state officials alike to control human behavior.
From the Paper
"Latin American eugenics was driven by the desire to purify the physical appearance and morality of the nation. Gender, and the presumed inferior place of women also fueled the structure of the health policy, as monitoring the female body and creating the perfect mother was the justification for the compulsory registration of pregnant women and enforced medical exams for the 'good' of the baby and future citizen. Within the bodies of mothers, the new nation would be born, thus (as in Nazi Germany, but with a different scientific justification and emphasis on propagation rather than annihilation) the state 'owned' the body of the woman."
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Income Disparities in Latin America, 2002.
This paper discusses income disparities in Latin America: The history, main causes, the different countries, high-income disparities, ethnicity and gender, and possible solutions.
5,725 words (approx. 22.9 pages), 12 sources, MLA, $ 138.95
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Abstract
This paper states that, although inequality and high levels of income disparity represent major challenges confronting economists and leaders in many parts of the world, the problem is particularly severe in the Latin American countries. The author believes that the root of this phenomenon lies in the region's colonial history and the exploitation of the indigenous population as slave labor for agriculture and tapping the mines. The paper concludes that these stubborn patterns of inequality can be overcome if determined efforts are made to open political and social policies to all and to provide access by the poorer sections to social services. Footnotes.
Table of Contents
Income Disparities in Latin America
Measuring Inequality: Some Recent Studies
Latin America: How Unequal?
Income Disparity in Latin America: Getting Worse?
Is Poverty and Income Disparity Related?
Historical Roots of Inequality in Latin America
Comparison with Colonization of North America
Persisting Patterns of Inequality
Social, Economic and Political Changes in the 20th Century
Roles of Race, Ethnicity and Gender in Income Disparities
Racial Identification
Ethnic Identification
Identity Formation and Discrimination
Assets of Households
Access to Services
Average Incomes
What do the Race and Gender-Related Income Statistics Mean?
The Consequences of Inequality
Considered Unfair
Results in Greater Poverty
Affects Economic Growth
Current Backlash
Solutions for Reducing the Inequality in Latin America
More Open Political and Social Institutions
More Equitable Economic Institutions and Policies
Conclusion
From the Paper
"Poverty and income disparity are not the same concepts. Poverty may decline in a country or region where income disparity is increasing. However, experience has shown that such a situation occurs rarely and inequality and poverty are closely related. This is because in a growing economy with stable levels of inequality, poverty invariably falls. As a result the Latin American region showed significant reduction in poverty levels in the 1970s, when its economies were growing with a corresponding drop in inequality. On the other hand, the 1980s saw a fall in incomes and more unequal income distribution?resulting in accelerated increase in poverty."
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Market Analysis of the Internet Industry in Latin America, 2002.
A thorough and in-depth report of the internet industry in Latin America, focusing on knowledge needed by the potential investor.
16,587 words (approx. 66.3 pages), 48 sources, MLA, $ 249.95
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Abstract
The paper begins with a review of the history and development of the internet. This review deals with the technological development of the internet, as opposed to the applications of the technology. In the second section, the internet is reviewed as an industry. The essential structure of the industry, the functioning of electronic commerce (e-commerce) within this structure, and variations in the Internet industry among global regions and countries are covered. The following section looks at information on and analysis of the region itself and the internet industry in Latin America. Information on and analysis of those internet companies already active in the Latin American internet industry are found in presentations in this following section. In the next section, data relevant to firms participating in 2000 in the internet industry in Latin America are presented. Firms are discussed within the context of their industry participation: (1) ISPs and horizontal portals, (2) vertical portals, and (3) e-commerce firms. The major emphasis, however, is placed on the ISPs and horizontal portals group, as it is this group within which most of the publicly traded internet industry companies in Latin America are to be found.
Introduction to the Report
Report Contents
Introduction to the Internet
Section Preview
History of the Internet
Development of the Internet
Section Notes
The Global Internet Industry
Section Preview
The Structure of the Industry .
E-Commerce
Industry Variations by Global Region
Section Notes
The Latin American Internet Industry
Section Preview
Development of the Industry
Issues Relevant to Future Growth
Industry Variations by Country
Section Notes
Players in the Latin American Industry
Section Preview
ISPs and Horizontal Portals
Vertical Portals
E-Commerce Firms
Section Notes
Bibliography
From the Paper
"This report is designed to provide the investor considering entry into the Internet industry in Latin America with the information needed to make an informed decision on the issue. To provide a logical flow of information to support an integrated assessment process by an investor, this report is structured in major sections, each of which provides information relevant to the investment decision in a sequence that leads from a basic familiarity with the Internet and the Internet industry to an in-depth review of the major players in the Internet industry in Latin America. To facilitate an investor?s review and analysis of the information provided in this report, major sections and their sub-sections are identified both textually and numerically in the Report Contents page which follows this Introduction to the Report. Sources of information presented in this report are identified through the use of a notation system. For the convenience of the reader of the report, notes are located at the end of each major section of the report and are identified as Section Notes. A Bibliography of all sources cited in the report is presented at the end of the report."
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The Latin American Recording Industry, 2004.
A research paper examining the effect of the Latin American music industry on national culture.
3,100 words (approx. 12.4 pages), 10 sources, MLA, $ 90.95
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Abstract
The Latin American recording industry has always been a unique industry that blends economics, entertainment, and culture. The majority of its entertainers depict the variety of ethnicity that is part of Latin American culture. This paper investigates the Latin American recording industry, the genres of music and hybrid styles, and the role label companies play in producing and managing the artists. It also looks at how music interacts culturally, politically, and economically, affecting social identity Research in this paper shows that there is a complex relationship between the industry itself and the development of pan-Latin identities, as well as a more intricate relationship between economics and culture. In addition, the research demonstrates that the Latin American recording industry is a powerful medium for creating images among consumers, which impacts the desire to be like their idol. Finally, this paper summarizes the potential changes created by a new business model for the Latin American recording industry.
From the Paper
"Aside from the confusion between Latin American and Latino music, the U.S. Latino market is undergoing a crucial transformation, perhaps more in taking stock of reality than in reality itself. It is no secret that U.S.Latino music has largely meant the kind of pop associated with Jennifer Lopez, Marc Anthony, Ricky Martin and the like, or with so-called tropical music (salsa and kindred genres). New York and Miami are the capitals of this kind of pop and tropical, but when the Recording Industry Association of America (RIAA) ?the music industry's trade organization ? began dividing Latin music sales by genre in 2000, they discovered the overwhelming sales dominance of the Mexican regional market, which is based in California and the Southwest, particularly Texas, and generates 60 percent of the US$640 million market for Latin music sales."
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