| Papers [1-4] of 4 | Search results on "KARAOKE": |
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"Karaoke Nights", 2006.
A book review of the popular book " Karaoke Nights" by Rob Drew.
966 words (approx. 3.9 pages), 1 source, MLA, $ 34.95
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Abstract
In this book review the author starts with a look at the background behind the writing of the book "Karaoke Nights" by Rob Drew. He highlights how Drew was originally drawn to the topic of his book as a research subject only but as he learned more, he elaborated on the karaoke phenomenon. The paper looks at how "Karaoke Nights" is an observation on the external behavior of deejays, performers, and audiences and an intimate portrait of the emotional roller coaster that is the internal life of a karaoke singer. The author also examines how Drew provides an analysis of the varied roles karaoke plays in popular culture and how karaoke can guide to an understanding of local music and culture. The book review concludes with a summary of how karaoke has had a great impact on the American culture at weekends giving people a motive to act out a part and have fun at the same time, as described in "Karaoke Nights".
Table of Contents
Introduction
History of Karaoke
Karaoke Nights
Conclusion
From the Paper
"Another point that Drew make in his book that American culture relies on a good time Saturday nights so that they relax after a hard week's work. And, ten years ago, karaoke caught on in America after being in Japan for many years before. Drew describes this craze from Japan a great way for people get together and live out some of their fears by singing songs in a public place where others could easily make fun of them. However, everyone in that local karaoke bar is feeling the same fears so they respect the person's feelings and not torment them while they are on stage singing out of tune. Most people do sing out of tune as Drew points out but karaoke is all about having fun and doing something some people would not normally do in front of others."
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Karaoke, 2004.
A look at the role of karaoke in Japanese culture.
846 words (approx. 3.4 pages), 2 sources, MLA, $ 30.95
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Abstract
This paper explores the role of karaoke in Japan as not only a form of entertainment, but a means for carrying out business. The paper contrasts Japanese perceptions of karaoke as a means to develop camaraderie to that of American perceptions, which view karoake as a form of entertainment and a way to establish one's self as a local talent.
From the Paper
"The differences in perception of Karaoke are due in part to the different socialization rituals that exist in Japan and among Americans. In Japan for example, typically individuals conduct a method of meetings referred to as ?ringisei? where each member attempts to ?achieve consensus rather than score points? (Shimatachi, 102). Consensus building is in fact a staple of solid relational building in the Asian culture. Part of the Karaoke process in Japan includes taking into account the musical preferences of guests, as a proper host would do, and sharing appropriate compliments or jokes after a performance to thank the host for entertaining appropriately (Shimatachi, 102)."
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Marketing Karaoke, 2002.
A marketing strategy proposal for a Karaoke club.
4,000 words (approx. 16.0 pages), 7 sources, MLA, $ 108.95
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Abstract
This paper enumerates upon the concept of experience marketing and focuses on a proposed Karaoke establishment. Details regarding demographics, the 4 P's of the marketing mix, and the experience aspect of the business are highlighted.
Table of Contents
Introduction
Current Environment
Celebrity Desire
Avenues to Pursue Dreams
Karaoke Outlets
Bars
Home
Home Party
Professional Recording Studios
The Experience
Concept
Benefits
Layout/Design
Marketing Mix
Product, Place, Price, Promotion
Conclusion Concept
Marketing Conclusion
From the Paper
"Do you want to be a star? Do you feel that you have an undiscovered musical talent and want to be discovered? Recent studies show the increased attention to celebrities and society?s infatuation with attaining 15 minutes of fame. ?Professionals in all sectors of business are becoming increasingly aware of the value of celebrity. The old saying says, ?Celebrity sells?. Show-business people have always understood this reality. Now, more and more professionals and academics are recognizing the value of celebrity. In the study Marketing to a Celebrity-Obsessed Culture, the authors concluded that ?the truth about celebrity is that it has more to do with strategic marketing than with ?irrepressible talent or accident.? It seems almost anyone can become famous ? perhaps even longer than the 15 minutes that Andy Warhol once predicted everyone would have.?1"
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The Spotlight Studios Experience, 2002.
This paper is a classroom presentation that describes a unique Karaoke start-up based on experience marketing.
3,600 words (approx. 14.4 pages), 7 sources, $ 100.95
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Abstract
This paper first explains experience marketing and then proceeds to the classical marketing presentation of the business: The Spotlight Studios Experience. The paper details the new company which will rely heavily upon this form of marketing, by presenting the essential 5 P's of the traditional marketing mix.
Table of Contents
Introduction
Current Environment
Celebrity Desire
Avenues to Pursue Dreams
Karaoke Outlets
Bars
Home
Home Party
Professional Recording Studios
The Spotlight Studios Experience
Concept
Benefits
Layout/Design
Marketing Mix
Product
Place
Price
Promotion
Conclusion
Concept Conclusion
Marketing Conclusion
Appendix
Cost of Karaoke Electronic Equipment
Arizona Mills Mall
From the Paper
"First, we will refer to our customers as ?artists.? This reinforces the ?star? notion and differentiates the experience from any other ?customer? service. Additionally the booths the artists perform in will be known as Studios One, Two, and Three, reinforcing the idea that they are in a studio-like setting. Time the artist is in the studio performing will be known as a session. This is industry jargon that is used by professional recording studios and supports the artists? dream and vision. When the artist is waiting for their session to begin, they will wait in the Green Room (a name commonly used for the room professional actors or musicians wait in before they go on stage)."
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