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"The Joy Luck Club", 2002.
A review of the "The Joy Luck Club" by Amy Tan.
3,210 words (approx. 12.8 pages), 6 sources, MLA, $ 92.95
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Abstract
This paper provides a biography of the novelist Amy Tan born on February 19, 1952, in Oakland, California, to Chinese parents. It examines how her novel, "The Joy Luck Club", is, in many ways, a biography of Tan?s life. It discusses how like the main character, Tan did not learn that she had half-sisters from her mother?s previous marriage until she was older. It evaluates many other parallels between her life and the book such as how she describes her pain from her father and brother?s deaths, through Suyuan Woo?s loss of her twin daughters and her death. It also shows how like the main character of ?The Joy Luck Club?, Tan resented her mother when she was younger for being so controlling.
Outline
Introduction
A Biography
The Joy Luck Club
Generation Gaps in the Joy Luck Club
Cultural Differences
Chinese American Life
Conclusion
From the Paper
"One of the major themes in Tan?s ? The Joy Luck Club? is a constant quest for identity. Tan?s eight main characters all face the challenge of defining themselves while they are undergoing some sort of personal conflict. Lindo Jong?s early marriage into an unreceptive family caused her to become a stronger woman and made her vow to never forget her roots. Ying-ying St. Clair became a sort of ?ghost? as the result of betrayal and loss in her life. Rose Hsu Jordan repeatedly tried to get her self-confidence back to standup to husband. June Woo narrates much of the story, telling of her quest to China, which was orchestrated by her Joy Luck Club aunties. June tries to understand her mother's tragic past, while realizing her own personal and ethnic identity. "
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"The Joy Luck Club", 2005.
An analysis of the mother-daughter relationships in "The Joy Luck Club" by Amy Tan.
1,391 words (approx. 5.6 pages), 1 source, MLA, $ 46.95
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Abstract
This paper examines how "The Joy Luck Club," a novel by Amy Tan, explores the complex, multifaceted relationships between four sets of Chinese-American mothers and daughters. The novel centers on the members of the "Joy Luck Club" and their monthly mahjong games. It looks at how Tan's method of writing and storytelling untangles the messy knot of the relationships, showing readers the differences that divide the characters from one another.
From the Paper
"The first character readers meet is Jing-mei Woo, daughter of Suyuan Woo. Jing-mei, or, by her American name June, begins telling the story of her mother and how she traveled to America so many years ago. The recent death of Jing-mei's mother has caused Jing-mei to reevaluate her life and wonder about what her mother had wanted in her own life. Jing-mei is haunted by a story Suyuan told Jing-mei once, about her life in China and how she came to America. The story told by Suyuan, is the first example of the cultural differences faced by the generations of mothers and daughters."
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?The Joy Luck Club? by Amy Tan, 2002.
This paper analyzes Amy Tan's "The Joy Luck Club" as it sets its narrative against the backdrop of the key historical events of the middle of the 20th century.
1,526 words (approx. 6.1 pages), 4 sources, MLA, $ 50.95
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Abstract
This paper examines the ways in which the mother-child relationship is negotiated and continually reconstructed in "The Joy Luck Club" and the endlessly complex ways in which mothers and daughters love each other and can so easily destroy each other. All of this takes place in the context of families of Chinese-Americans in California.
From the Paper
"When political barriers began to fall in the 1970's, older emigrants welcomed the chance to end their long and agonizing exiles. But their children looked with a deep ambivalence on the idea of having to awaken a dormant Chinese side in themselves. And so, as the exterior world went about recognizing China, re-establishing diplomatic relations and initiating trade and cultural exchanges, these young Chinese-Americans found themselves wrestling with a very different and infinitely more complicated interior problem: how to recognize a country to which they were inextricably bound by heritage, but to which they had never been. For Tan?s daughters, this meant coming to terms with themselves as independent of their mothers and yet inextricably a part of the same heritage."
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"The Joy Luck Club", 2002.
Comparison and contrast of two stories from the book "The Joy Luck Club".
650 words (approx. 2.6 pages), 5 sources, $ 26.95
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Abstract
This paper compares and contrast two stories from the book "The Joy Luck Club" by Amy Tan. The two stories discussed below are "Double face" and "A Pair of Ticket" and will be supported by quotations and explanations.
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"The Joy Luck Club", 2007.
A discussion of Amy Tan's "The Joy Luck Club".
1,560 words (approx. 6.2 pages), 6 sources, MLA, $ 51.95
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Abstract
This paper discusses the main theme of "The Joy Luck Club", the quest for identity. It explains how the discovery of one's identity may be achieved by exploring the mother and daughter characters in her work. The paper also expands on Tan's unique writing style. The author of the paper offers quotes from the text to quantify points made.
From the Paper
"In the short story, "The Joy Luck Club," we see the mothers change from being passive and meek to confident and strong women. Through remembering, they understand the difference that exists between who they are and who they thought they should be. Xu's example of Suyuan Woo illustrates this point when she forms the joy luck club. Suyuan is firm when it comes to making the best life for herself. Through this type of determination and memory, she copes the best way she can. For instance, she says, "What was worse, we asked among ourselves, to sit and wait for our own deaths with somber faces? Or to choose our own happiness?" (Tan 12). This scene allows us to see that she is taking what she knows from the past and applying it to her present situation to make a decision that will improve her life."
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Mothers and Daughters: "The Joy Luck Club".
Describes the complex relationship between the mothers and daughters in Amy Tan's novel, "The Joy Luck Club".
1,541 words (approx. 6.2 pages), 4 sources, MLA, $ 50.95
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Abstract
This paper explains the prevailing theme of mother-daughter relationships in Amy Tan's novel, "The Joy Luck Club," and looks at the novel's focus on the need for Asian-born mothers and their daughters to reconcile the past with the present.
From the Paper
"One way Tan came to terms with this was embracing multiple perspectives and dual identities, Chinese and American. "I think that the other reason that I've become a storyteller is that I was raised with so many different conflicting ideas that it posed many questions for me in life, and those questions became a filter for looking at all my experiences and seeing them from different angles. That's what I think that a storyteller does, and underneath the surface of the story is a question or a perspective or a nagging little emotion, and then it grows." (Giles, 1995) The multi-layered narrative structure of The Joy Luck Club generated by this upbringing is striking, as it alternates past and present, between the different perspectives of the members of the club and their daughters."
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?The Joy Luck Club?, 2004.
An analysis of the novel, ?The Joy Luck Club?, by Amy Tan and the subsequent film version.
1,462 words (approx. 5.8 pages), 4 sources, MLA, $ 48.95
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Abstract
This paper reviews the novel, ?The Joy Luck Club? by Amy Tan, the story of four Chinese women in San Francisco who come together to play mah-jong and invest in stocks. It looks at how the story in the novel is not linear, since it involves memory, recollections, and anecdotes told by the women who meet each week and how one generation speaks to another and is able to do so across the gulf that usually separates the generations. It also discusses how the film version is a fair and expressive representation of the novel that makes changes in narrative flow in order to match the different methods of filmmaking.
From the Paper
"The theme of the novel is clearly indicated in the opening passage as the old woman remembers a swan she bought in Shanghai and remembers her arrival in America, which was not as liberating as she had hoped: "And then she had to fill out so many forms she forgot why she had come and what she had left behind" (Tan 17). This was in the past, and now the woman faces her memories and the reality of her daughter and seeks to bring the two into juxtaposition and understanding. Now that she is old, she thinks about her daughter "who grew up speaking only English and swallowing more Coca-Cola than sorrow" (Tan 17)."
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"The Joy Luck Club", 2002.
Analyzes the generational conflicts portrayed in the novel "The Joy Luck Club".
1,900 words (approx. 7.6 pages), 8 sources, $ 71.95
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Abstract
This paper analyzes the novel "The Joy Luck Club" by Amy Tan focusing on some of the major conflicts that were experienced by the characters of the novel. The conflicts are more or less based on the two different generations of parents and their children i.e. the grandparents, parents and finally the children.
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"The Joy Luck Club", 2002.
A critical review of the film "The Joy Luck Club".
900 words (approx. 3.6 pages), 2 sources, $ 35.95
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Abstract
A review of the thematic progress of the story in the film the "The Joy Luck Club".
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"The Joy Luck Club", 2002.
An analysis of Amy Tan's famous novel "The Joy Luck Club".
1,858 words (approx. 7.4 pages), 3 sources, MLA, $ 59.95
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Abstract
This paper focuses on the mother-daughter narratives in "The Joy Luck Club". It focuses in particular on the mothers? side of the narratives. It shows how Tan successfully subverts stereotypes about Chinese and Asian women to reveal a fierce inner strength.
From the Paper
"The Joy Luck Club is a rich lyrical novel that weaves 16 stories and seven viewpoints into a narrative tapestry. This review focuses on the effectiveness of Tan?s multiple viewpoint narrative technique and on her subversions of the submissive Chinese woman stereotype.
One unusual feature of The Joy Luck Club is Tan?s explicit inclusion of the mother?s perspective. Even as the daughters tell their stories, the voices of the mothers shine through. For literary critic Marina Heung, Tan?s depictions of matrilineage include her in the growing canon of writing that addresses the intersections of race, class and gender. This canon includes works by several important women of color, such as Alice Walker and Zora Neale Hurston (Heung)."
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"The Joy Luck Club", 2007.
An analysis of the character of Jing Mei Woo in the novel, "The Joy Luck Club," written by Amy Tan.
776 words (approx. 3.1 pages), 1 source, MLA, $ 27.95
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Abstract
This paper describes the story presented within the novel, "The Joy Luck Club," written by Amy Tan. It discusses the character of Jing Mei Woo and how she developed throughout the novel. It specifically focuses on her relationship with her dead mother and how this relationship affected many of the things that she did throughout her life.
From the Paper
" At the end of the novel, Jing Mei comes to China and meets the twins that her mother thought were dead. Although they do not speak one another's language, the three can comprehend one another, across time and space, just as Jing Mei and her mother were eventually able to do before her mother died. Jing completes her mother's mission to save the twins and the girls feel "as if she [their mother] is among us" (331). Family feeling, love, and trust have overcome cultural and linguistic barriers. Now Jing knows why her mother was so desperate for her American daughter to succeed, and now she has succeeded in understanding her mother and finding the twins."
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Amy Tan's "The Joy Luck Club", 2005.
This paper discusses the use of two forms of vision--mirrors and storytelling--in Amy Tan's "The Joy Luck Club" in relationship to the mother-daughter legacy.
1,390 words (approx. 5.6 pages), 3 sources, MLA, $ 46.95
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Abstract
This paper explains that, in Amy Tan's "The Joy Luck Club", the mothers use the oral tradition of story-telling to cement, ameliorate or transform the trauma of their past lives in China to their daughters as a method for rewriting these stories of oppression and victimization into parables of self-affirmation and individual empowerment. The author points out that the motif of the mirror is a form of vision used often by Tan to allow the mothers and daughter to communicate. The paper concludes that this novel clearly demonstrates the usage of storytelling and mirrors as effective tools in creating bonds between mothers and daughter of each generation, which is self-perpetuating, even if unintentional.
From the Paper
"In another story involving a mirror, mother is shocked to see that her married daughter has placed a mirrored armoire at the foot of the bed. This is bad feng shui. In feng shui, the Eastern art of placement, harmony must be created in an environment and any bad angles must be "cured". Sleeping with a mirror at the foot of your bed is said to frighten your essence and create bad energy. She is certain that the mirror will deflect all happiness from her daughter's marriage, so she "cures" the situation by giving her daughter a mirror to hang above the bed. This will reverse the bad luck and bring good "peach-blossom luck," the mother says. Such luck, she adds, will ensure a grandchild."
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?The Joy Luck Club?., 2002.
A discussion of the concept and theme of luck and happiness in the movie ?The Joy Luck Club?.
1,630 words (approx. 6.5 pages), 2 sources, MLA, $ 53.95
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Abstract
This paper reviews the movie adaptation of Amy Tan?s ?The Joy Luck Club?, produced by Oliver Stone and looks at how it is a almost similar version of the novel, wherein numerous themes are interweaved into the scenes in the movie version. It examines how these themes include conflict between mother-daughter relationships as a result of cultural orientation differences and the theme of the eternal pursuit for luck and happiness among the characters in the novel. In particular, it analyzes the use of the themes of luck and happiness in the movie by focusing on two different scenes.
From the Paper
"The second scene that is significant to the concept of luck and happiness in he movie was An-Mei Hsu?s experience as a daughter of a wealthy Chinese man?s concubine. Her mother, as the movie narrated, was raped by a married Chinese man, and made her a concubine ever since An-Mei?s mother was banished by her own family. The death of An-Mei?s grandmother reunited her once again with her mother, and they lived together in the wealthy Chinese man?s house, Wu Ching. Living with her mother, An-Mei described her life to be happy and lucky, stating that she thought she ?had become so happy, so important.? Upon Wu Ching and his wives? arrival from a vacation, An-Mei realizes that her and her mother?s luck is temporary, since she discovers the lowly status of her mother in Wu Ching?s family, further worsened by the fact that Wu Ching?s second wife?s son is actually her (An-Mei) mother?s son."
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"The Joy Luck Club:" Mothers and the Motherland: Languages of Relation., 2002.
"The Joy Luck Club" is analyzed in this essay as a portrait of complex relations between families, cultures, and identities
1,150 words (approx. 4.6 pages), 9 sources, $ 44.95
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Abstract
In the setting of Chinese mothers and their bi-cultural Chinese-American daughters, stories are told by the characters reflexively, and as parables for their daughters to understand. Language is a key relation between the two, as are the cultural differences that different social structures produce. This essay considers the importance of language, and of social relations, in expressing the mother-daughter relations in this novel. An outline is included with this paper.
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"Two Kinds" and "The Joy Luck Club", 2002.
This paper examines the characters of Amy Tan depicted in "Two Kinds" and other stories in The Joy Luck Club.
1,400 words (approx. 5.6 pages), 6 sources, $ 53.95
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Abstract
The characters - mothers and daughters - in the books are unity of opposites and represent conflicts in beliefs and expectations. The conflicts between characters also reveal a conflict between the high-context Chinese culture of mothers and low context American culture of the daughters.
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