| Papers [1-15] of 100 :: [Page 1 of 7] | | Go to page : 1 2 3 4 5 6 7 —> | Search results on "JAMES DICKEY": |
|
|
Dickey's Poem "Kudzu", 2004.
This essay describes major themes in James Dickey's poem about kudzu. It explains how he uses these themes to personify the plant.
872 words (approx. 3.5 pages), 1 source, MLA, $ 31.95
»
Click here to show/hide summary
Abstract
Kudzu is a plant that was introduced into the South with hopes it would prevent erosion. It spread very rapidly and has become a pest. It explains how James Dickey personified this plant in his poem, "Kudzu". He uses several different themes to describe this pesky plant.
From the Paper
"James Dickey's "Kudzu" offers a quite untraditional view of a local southern pest. Generally speaking, Dickey describes the plant in its true form, a quick-growing plant that spreads so fast it is almost impossible for farmers to sleep for fear of it. Overall, Dickey uses several themes, including military, supernatural, and communication themes, to personify this very humanlike plant. Dickey develops these individual themes using personification, similes, and metaphors."
| |
|
Dickey's "Eagles", 2002.
A review of James Dickey's poem "Eagles".
1,244 words (approx. 5.0 pages), 0 sources, $ 42.95
»
Click here to show/hide summary
Abstract
This paper examines James Dickey's "Eagles" and in particular, how Dickey's narrator specifically expresses needs for belonging and freedom. It looks at how his desire for flight is born much more out of a desire to escape rather than to simply delight in the flying or to see the face of God and how unlike the eagles, his muscles aren't designed for escape. It discusses the theme of rejection that runs through the poem and how the narrator is not so afraid of rejection nor so prideful, that once he is shook off, he gives up the chase, nor is he put off by his conflicting desires for belonging and freedom.
From the Paper
"Despite the noble and brave way, the narrator starts out the poem -- pondering, actually claiming the possibility that he might know the "circular truth of the void" -- he gets caught up battling to satisfy his more personal needs. The narrator's desire for flight is born much more out of a desire to escape rather than to simply delight in the flying or to see the face of god. He doesn't even speculate what the heavens contain; no mystery is speculated upon, except to say that the eagle "moves through /Clouds that will open to nothing." Rather than pursuing in this poem a more sublime quest, such as the qualities of the void, the narrator of the poem is much more preoccupied with the mundane matter of his escape."
| |
|
James Scarth Gale, 2008.
An analysis of the life of James Scarth Gale and a review of the biography os his life, "James Scarth Gale and his History of the Korean People," written by Richard Rutt.
718 words (approx. 2.9 pages), 1 source, MLA, $ 25.95
»
Click here to show/hide summary
Abstract
This paper reviews Richard Rutt's biography of James Scarth Gale, entitled "James Scarth Gale and his History of the Korean People." The paper begins by providing a background of James Gale and his development into a missionary to Korea. It then review the style of Rutt's writing and the content of his work and concludes that Rutt's biography of James Scarth Gale makes for interesting reading.
From the Paper
"This book contains some additional vagaries, which in part took away from the overall experience of reading it. For whatever reason, Rutt chooses not to capitalize the names of religions, making them "presbyterian," "catholic," or "buddhist." He also refuses to capitalize the Roman numerals that he uses to identify Bible verses. In addition, after a certain point in the book, Rutt alternately refers to Gale as "Gale" and "Dr Gale." Although these things area all relatively minor, they are distractions that required the reader to adapt to reading Gale's biography, rather than allowing immediate immersion into the text."
| |
|
Irony in the Work of James Thurber, 2005.
An analysis of the irony used by James Thurber in his essay "The Secret Life of James Thurber."
675 words (approx. 2.7 pages), 1 source, MLA, $ 23.95
»
Click here to show/hide summary
Abstract
The paper analyzes the irony used by James Thurber in his essay "The Secret Life of James Thurber." The paper discusses how Thurber compares his own common sense with artist Salvador Dali's "nonsense."
From the Paper
"In a play on his most famous story "The Secret Life of Walter Mitty" American humorist James Thurber wrote an essay comparing his own common sense with the nonsense exhibited in the life and manners of Salvador Dali in "The Secret Life of James Thurber." In "The Secret Life of James Thurber" we see clearly demonstrated Thurber's penchant for humor and irony."
| |
|
William James, 2005.
This paper discusses the meaning of truth as presented by American psychologist and philosopher William James.
1,300 words (approx. 5.2 pages), 4 sources, MLA, $ 43.95
»
Click here to show/hide summary
Abstract
This paper explains that William James differs from other philosophers throughout history who seem to create a set of criteria for the establishment of truth; instead, James suggests the expediency of a true idea. The author points out that the fact that James discusses doubt and inquiry goes with his own overall pragmatic theories; therefore, any idea that "works" in any desired manner is to that extent true, which dissents from Aristotle's theory of truth. The paper stresses that there is no doubt that James in his own pragmatic and scientific way opened up a Pandora's Box of psychological views of reality, belief and truth.
From the Paper
"James seems to believe that it is the consequences, not past "truths" that determine the truth or falsity of a belief, a theory, or a statement. He contradicts the ages-old concept by arguing that "Those who contend that knowledge results wholly from the experiences of the individual, ignoring as they do the mental evolution which accompanies the autogenous development of the nervous system, fall into an error as great as if they were to ascribe all bodily growths to exercise, forgetting the innate tendency to assume the adult form." Does this mean that as we grow, as our emotions change, our truths change? For instance, if a little boy says his father is tall, but when the boy reaches adulthood and may be taller than his father, does that mean saying his father is tall is now no longer a truth? Perhaps."
| |
|
Confederate Outlaw Jesse James, 2005.
An examination of historical outlaw figure Jesse James from both a modern and historical perspective.
1,400 words (approx. 5.6 pages), 4 sources, APA, $ 46.95
»
Click here to show/hide summary
Abstract
This report examines newspaper articles written about Jesse James, from both modern and historical standpoints. The paper also looks at how politics affected the image of James and the cultural myth of James through sources like that of Stiles, author of The Last Rebel of the Civil War. The report also uses other sources, however, including sources that are critical of Stiles' work, to ensure objective perspectives in the paper.
From the Paper
"One newspaper article about Jesse James focuses on the legend and how it is still felt in the area. This shows a modern reflection to an assignment parameter that is perhaps lacking in modern sources for comparison, just to highlight historical sourcing exercises. The real interesting issues about Jesse James aside from the reprints of
secondary-sourced news articles are how the history maintains itself in terms of the present day. In an article in the St. Louis Dispatch, for example, the writer compares eerily the present state of a town called Liberty where James pulled robberies, including the infamous Liberty bank robbery mentioned in Stiles' The Last Rebel of the Civil War and other sources."
| |
|
Henry James' "The Jolly Corner", 2003.
A look at how Henry James uses literary images of New York in his short story "The Jolly Corner".
2,896 words (approx. 11.6 pages), 8 sources, MLA, $ 85.95
»
Click here to show/hide summary
Abstract
This paper analyzes Henry James' use of literary images of New York in his short story "The Jolly Corner". It combines extracts from the text with other of James' work (particularly "The American Scene") to show that "The Jolly Corner" may be seen as an autobiography of sorts and provides many deep insights into the life and works of James.
From the Paper
"The sense of eeriness that Henry James lets exude in The Jolly Corner is the same that one experiences when comparing it to The American Scene. Unlike Washington Square, where contrasts are much more prevalent than comparisons, The Jolly Corner is very nearly, eerily so, a "fictional mirror" of James' non-fictional travelogue. Comparisons can be made at every level with The American Scene: from the pervading themes to the images of New York. It is the intention of this paper to show that, to a very great extent, Henry James' images of New York in The Jolly Corner share the same style of his late period and, in particular, his work The American Scene. By extension, this paper will also contribute to the ongoing argument that The Jolly Corner may be seen as an autobiography of sorts by James."
| |
|
Messages from James and Paul, 2006.
This paper examines the different messages from James and Paul and Paul's ideas of resurrection.
900 words (approx. 3.6 pages), 2 sources, $ 35.95
»
Click here to show/hide summary
Abstract
The paper discusses how the relatively short chapter of James, when compared to the longer writings of Paul to the Romans, appears to illustrate many dividing messages from the early church. The more prolific author, Paul, conveys a much more political agenda, speaking decisively regarding Jews, Gentiles and the Law, while James instead focuses on the importance of actions in faith, writing for "all God's people scattered over the whole world." The paper explains that as these two authors are writing for different audiences, they write with particular purposes. The paper discusses how the letter of James looks closely at specific practices of the Christian beliefs, illustrating how faith is meant to properly be put into action.
| |
|
The James Ossuary, 2006.
This paper discusses the James Ossuary and the question of its authenticity.
775 words (approx. 3.1 pages), 4 sources, MLA, $ 27.95
»
Click here to show/hide summary
Abstract
This paper explains that an ossuary is a bone box, which is often used for the purposes of reburial; the James Ossuary, which was found in 2002, bore the inscription "James, son of Joseph, brother of Jesus". The author points out that, from the beginning, there was a great deal of controversy surrounding the discovery of this particular ossuary especially the fact that the James ossuary was not found by qualified archaeologists. The paper concludes that, while it was from the first century, the inscription on the ossuary was a forgery.
From the Paper
"The author [of "Jesus and the Ossuaries"] explains that, since the James ossuary was not found by archaeologists in a properly controlled environment and because of the historic inscription that it bore, there was a great deal of skepticism surrounding its authenticity. The author asserts that initially examinations of the ossuary by epigraphers, geologists, linguists and paleographers, found that the ossuary itself was probably an authentic first century artifact. In addition, they concluded that the inscription was also first century Aramaic."
| |
|
Success and Tragedy in Henry James' Writing, 2001.
An analysis of protagonists in three of Henry James' novels: "The Beast in The Jungle", "The Jolly Corner", and "The Portrait of a Lady".
878 words (approx. 3.5 pages), 4 sources, $ 31.95
»
Click here to show/hide summary
Abstract
This paper compares and contrasts the tendencies of Henry James in his writings. "The Beast in The Jungle", "The Jolly Corner", and "The Portrait of a Lady" are three of James' works that are examined in detail. In particular, this paper focuses on the protagonists of each of the writings respectively. A strong comparison is made between the three protagonists of these writings, and their miserable lives. On the other hand, the protagonist of James' story "The Tragic Muse" is shown to lead a life of happiness and success. The paper notes the clear differences between this story and the others, therefore explaining what leads the character on a different path.
From the Paper
"In contrast, Portrait of a Lady presents Ralph as an invalid who lives vicariously through a woman named Isabel Archer whom he leads to doom. He bestows upon her a large sum of money, despite his father's warning that fortune hunters will target her for it. Ralph replies, "That's a risk, and it has entered into my calculation...I'm prepared to take it" (p. 161). Ralph is financially generous to Isabel not out of love but out of a morbid fascination. He wants to see what she will do with it. When Isabel marries a gold-digger, she fulfills the victim role that Ralph's father had feared. Ralph's fascination with Isabel's life overcomes any concern he might have had for her welfare."
| |
|
James Meredith and Civil Rights, 2007.
A review of James Meredith's fight for civil rights.
2,313 words (approx. 9.3 pages), 11 sources, APA, $ 71.95
»
Click here to show/hide summary
Abstract
This paper introduces, discusses and analyzes the topic of James Meredith. Specifically, the paper discusses James Meredith's role in the Black Student Movement and the Civil Rights Movement. According to the paper, in 1962, James Meredith attempted to enter the University of Mississippi to study law. After a long and very bitter struggle he became the first black student in the history of the school.
From the Paper
"During Meredith's fight to enter Ole Miss, he became more involved in the overall fight for civil rights, as well. In 1966, his first memoir, Three Years in Mississippi was published, and he undertook the Meredith Mississippi March Against Fear from Memphis, Tennessee, to Jackson, Mississippi. After only two days, someone shot him and left him by the side of the road as dead. The attack so angered other black civil rights groups that they banded together and finished the walk in his honor. Stokely Carmichael, one of the marchers, came up with the term "black power" during the march, and this was the beginning of the term associated with the black struggle to end oppression and prejudice. Thus, many credit Meredith as the father of the movement, although he did not coin the phrase. Meredith rejoined the march for a few days, and has always been an outspoken critic of nonviolence. However, his civil rights activities waned after the march. Meredith went on to study and teach abroad for several years. He lectures, has taught, and is now the President of the Meredith Institute, Inc., a non-profit organization that teaches Black Americans the importance of language and how to read, write, and speak the English language. "
| |
|
James 2:1-12, 2002.
A review of James"2:1-12 on the equality of man.
650 words (approx. 2.6 pages), 2 sources, $ 26.95
»
Click here to show/hide summary
Abstract
This paper is on James 2:1-12. It discusses the outward appearance. The passage in James 2:1-12 begins by saying that all men should be treated equally, regardless of their dress or social status. A poor man should be treated with the same respect at a person who is wealthy. Dress should in no way impact the way that people are attended to.
| |
|
James Joyce, 2002.
A biograohy of the author James Joyce.
900 words (approx. 3.6 pages), 3 sources, $ 35.95
»
Click here to show/hide summary
Abstract
This paper is on the author "James Joyce". It compares the life and work of James Joyce. It includes brief introduction about his life, and work. It also includes how his life overseas formed the foundation for all of his work
| |
|
The James Maybrick Diary, 2002.
An analysis of the forensic evidence collected on the James Maybrick diary.
650 words (approx. 2.6 pages), 2 sources, $ 26.95
»
Click here to show/hide summary
Abstract
This essay examines forensic evidence gathered about the James Maybrick diary, and establishes that the empirical evidence available does not support any claims of authenticity. The diary is a fake, and there is no proof that James Maybrick was "Jack the Ripper."
| |
|
James and Oates, 2002.
A comparison of Henry James's novella "The Turn of the Screw" and Joyce Carol Oates' short story "The Accursed Inhabitants of the House of Bly".
1,400 words (approx. 5.6 pages), 0 sources, $ 46.95
»
Click here to show/hide summary
Abstract
This paper discusses how Oates' story is a compressed version of "Turn of the Screw". It explains how the setting and the names (or lack thereof) of the characters in question are the same. However, despite this initial sense of familiarity, the reader emerges with a very different ghost story when reading Oates' vision of James' world. It shows that Oates' story is comic in tone, rather than intent upon creating a sense of horror. Yet Oates' story also has far more subtlety than her predecessor James' story in its understanding of supposed female sexual repression.
From the Paper
"Re-envisioning James' story was an ambitious project upon Oates' part. James' story initially seems to completely depend upon its gothic environment and setting to generate its sense of suspense. The governess is anonymous. This is true both from the reader's point of view but also in terms of the way the other characters, except the children, envision her. She is alone. She is unable to articulate her most basic physical desires in her environment. The passions of the dead servants become articulated in the children in her charge. It is as if her own desires have now, against her will, become voiced in the innocent faces of Miles and Flora, whose characters gradually become twisted with an adult sexual awareness. The remoteness of the local and the woman's isolation cause the reader to question her sanity until the very end of the tale. How could someone not go mad in such an environment, in such circumstances? The sexual repression inherent in the narrative's setting seems to be necessary to believe in the ignorant character of the unnamed narrating governess. How could a modern reader believe in a woman who was so innocent to her own sense of sexual knowing and her charges' developing sexualized, alien personas?"
|
|
|
