| Papers [1-15] of 100 :: [Page 1 of 7] | | Go to page : 1 2 3 4 5 6 7 —> | Search results on "ITALIAN SLUMS BOSTON 1930S 40S": |
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Italian Slums in Boston in the 1930s-40s, 2008.
A review of William Foote Whyte's book "Street Corner Society: The Social Structure of an Italian Slum".
744 words (approx. 3.0 pages), 1 source, MLA, $ 26.95
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Abstract
This book review analyzes the premise of social organization that is represented within William Foote Whyte's social analysis of Italian culture in North Boston in his book "Street Corner Society: The Social Structure of an Italian Slum". The paper points out that, although the premise of Whyte's study focuses on the lower class ethnic community of the Italian immigrant culture, he invariably provides an unbiased view of both the educated and uneducated classes within this socially organized, tightly knit social group. In conclusion, the paper maintains that Whyte provides an innovative sociological perspective in his study of sociological cluster groups that dispels the stereotypical dualism of the educated and the uneducated that were far more intermixed in these diverse social strata.
From the Paper
"A common misperception of the poor is that they have little social organization or that they are not part of the majority of Americans that partake in social organizational processes. Whyte was a pioneer in the 1930s and 1940s at providing an unbiased social analysis of the Italian slum culture, which provided a wide variety of social organization within gang culture, as well as clubs that were formed to bring cultural unity to North Boston. Whyte actually lived amongst these peoples, and provides direct evidence of these types of organizations, such as Doc's gang in section I. Doc is an uneducated young man in Whyte's (1993) research that had control over the Norton Gang in the area."
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"Slums in Manchester", 2002.
A review of Friedrich Engles' article "Slums in Manchester".
900 words (approx. 3.6 pages), 2 sources, $ 35.95
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Abstract
This paper is an analysis of Engles' article "Slums in Manchester", which is taken from his larger work entitled "The Condition of the Working Class in England in 1844."
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Book Review - "Planet of Slums.", 2008.
A book review of "Planet of Slums" by Mike Davis.
1,979 words (approx. 7.9 pages), 3 sources, MLA, $ 62.95
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Abstract
This paper reviews the book by Mike Davis entitled "Planet of Slums" which critics describe as "groundbreaking, mind-stretching stuff." The writer describes Davis as a "social geographer", provides an in-depth account of the book and, while admitting that it could be depressing for some to read, recommends it highly.
From the Paper
"The hard cover copy of Planet of Slums that I reviewed is a compact, well-written 228 pages of academic argument. Unlike all too many treatises in this genre, the reader is not left to drown in jargon - Davis writes in a style that is accessible to most people, not just to subject specialists. This is appropriate, as he clearly means to speak to the everyman (or everywoman). This book appears intended to warn anyone who will listen of the unpleasant fate we are heading towards at unprecedented speed - a future in which most of the planet is swallowed by ever-spreading slums, and the majority of human beings are fated to live in festering squalor, rather than in the brave new world previously envisaged by more optimistic prophets. In Davis's words:"
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The Holocaust and the Cambodian and Rwandan Genocides, 2006.
A comparison of the Holocaust in Europe in the 1930s and 40s with the genocides in Cambodia and Rwanda.
2,927 words (approx. 11.7 pages), 20 sources, APA, $ 86.95
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Abstract
This essay compares the Cambodian and Rwandan genocides to the Holocaust in Europe in the 1930s and 40s. The paper examines who the victims were in each instance as well as whom the perpetrators were that committed these heinous acts. The paper then looks look at the methods and mechanisms used to kill the victims and their degree of efficiency and how they differed in each instance compared to the Holocaust. The paper discusses the time frame and geographic locations, in order to understand the killings better. The paper also tries to explain why these genocides occurred. In conclusion, this paper shows that through methods such as fear and death, all three genocides accomplished the murder of the innocent for the ultimate goal of power none more then the Nazi Holocaust in Europe.
From the Paper
"Throughout the twentieth century, many atrocities have been committed against various ethnic groups throughout the world. Some have been on a large mass scale, with extreme precision and efficiency, others were more primitive. These various scales can be looked at by means of the total number of people killed, the time span it took to kill and dispose of the bodies and the number of people removed forcibly from their homes and taken to other counties to be exterminated. The Holocaust in Europe was the most unique genocide in history. There have not been any other genocides that have been the same since the 1930/40s' massacres on the level of scale or precedence. The killing efficiency that was experienced in the Nazi death camps throughout Europe that claimed the lives of countless victims has not been seen since."
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Italian-American Women in Literature, 2005.
This paper discusses the evolving and multifaceted roles of Italian-American women in literature through the eyes of Italian-American male and female authors.
2,110 words (approx. 8.4 pages), 9 sources, MLA, $ 66.95
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Abstract
This paper explains that stereotypes from whores to the Holy Madonna incarnation encompass the multi-faceted and contradictory roles of Italian-American women in Italian-American literature written by both Italian-American men and women. The author points out that the literature relates that social class, differences in religiosity, the American tradition and construction of success and the often contradictory ways the familial and immigrant experience, have come into conflict with the female experience in American. The paper reviews Pietro di Donato's relatively early novel "Christ in Concrete", Mario Puzo's "The Godfather", Helen Barolini's novel "Umbertina" and her collection of personal and scholarly entitled essays "Chiaroscuro" and Evidge Giunta's text "Writing With an Accent" to demonstrate that beneath these narrow stereotypes more complex and individuated roles of Italian-American women's life do emerge.
From the Paper
"These images emerge in the depicted reality of nonfiction as well as fictional life come forth, as these women are seen engaged in child rearing, showing impressive work ethics to enable their families to survive, laboring as well as suffering in the role of daughter, and as these women show their strength in their roles of mother as well as their silent compassion. Gradually, as Italian women themselves began to speak, Italian women and authors have grown fluent at showing female Italian working and middle-class sexuality as well as images of long-enduring Mediterranean fortitude, women alone in the role of a wife bent over a stove bubbling with red hot gravy and meatballs smelling of garlic and onions."
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Boston and the Breach with England, 2005.
A complete discussion of the prominence of Boston in the eventual breach with England.
3,680 words (approx. 14.7 pages), 14 sources, APA, $ 127.95
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Abstract
A complete discussion of the prominence of the city of Boston in the eventual breach and Colonial rebellion with England, including some of the important personages of Boston, and traditions and qualities of Boston that contributed to the break is provided in essay format. The paper looks at the impact of the Boston Massacre and Boston Tea Party.
From the Paper
"The breach with England that preceded the American Revolution fomented primarily in Massachusetts and New England particularly Boston..."
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Boston Past and Present, 2002.
A discussion of the significance of three sites in Boston's social history, the Second Church in Boston, the old Scollay Square and the modern City Hall Plaza.
2,400 words (approx. 9.6 pages), 5 sources, $ 89.95
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Abstract
This paper will examine the history and significance of the Second Church in Boston; the old Scollay Square and the modern City Hall Plaza built on the same site; and the John Hancock Tower. All three sites embody the theme of change, which has dominated the architectural history of the city. Each, in its own way, represents a window upon Boston's history and the social forces that shaped the fabric of the city.
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Italian-American Women in Cinema, 2002.
A compare and contrast analysis of the role of Italian-American women and American women in cinema.
1,373 words (approx. 5.5 pages), 5 sources, MLA, $ 45.95
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Abstract
This paper discusses the role of the Italian-American women in American cinema and the functions that they fulfill within the Italian-American community and draws a comparison between Italian-American female roles and the parts played by American actresses. It examines some of the more famous Italian-American female characters in films such as cinematic masterpieces such as ?The Godfather" and ?True Love? and how they are usually portrayed as working class and victims of violence. It shows how both Italian-American and American female characters in movies are challenged by a patriarchal society. The only difference is that the American character is free to do something about it even if all odds are against her whereas the Italian-American female characters on the other hand do not possess that luxury because their cultural norms do not allow such liberties.
From the Paper
"Then there are directors such as Martin Scorsese and Francis Ford Coppola who have made powerful Mafia movies ?Goodfellas? and ?The Godfather? respectively. Even though the main theme of their movies is the havoc that the mafia wrecks in the lives of Italian-American immigrants there always exists a strong underlying theme that relates the role of the mothers, daughters and wives of these mafia members. In short the role of the ?family?. For example in a comic scene in the ?Goodfellas? Scorsese makes a connection between food and death when Tommy?s mother serves them a mouth-watering meal just after her son and his friends have returned from trying to commit murder."
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The Italian Renaissance, 2005.
A summary of the Italian Renaissance and its influence on Italian society.
1,855 words (approx. 7.4 pages), 7 sources, MLA, $ 59.95
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Abstract
This examines the early stages of the Renaissance. It shows how the Black Death ironically played an important role in its development. The paper also provides an overview of famous figures during the time, including Lorenzo Medici, Dante Alighieri and Michelangelo .
From the Paper
"Thanks to benevolent people such as the Holy Roman Emperor and princes, artists were able to devote their time to art, and not have to worry about supporting themselves. This helped art flourish even more as artists could be entirely dedicated to their work. Without this support from both the clergy, and townspeople buying and supporting art and artists, the era would have failed to produce works of the caliber that it did."
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The Canadian Italian Migration, 2007.
This paper describes various stages of the migration of Italians into Canada.
2,660 words (approx. 10.6 pages), 10 sources, MLA, $ 79.95
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Abstract
This paper explains that the Italian immigrants migrated in various waves of various sizes throughout the last century. The author points out that the early wave of Italian immigration, mostly crossing from the U.S., virtually ceased at the start of World War I and did not pick up again until the late 1920s. The paper relates that, during the 1920s, Italian immigration to Canada expanded so rapidly that Mussolini, the fascist dictator in Italy, attempted to halt immigration completely. The author states that, just prior to World War II, Canada began to curtail or even roll back immigration. The paper stated that, following Italy's entry into World War II, hundreds of Italian men were interned in camps while their families were left to fend for themselves. The author concludes that, continuing after WWII, the large number of Italian immigrants was largely responsible for providing Canada with the necessary labor and tax pool it required to re-establish its economic activity.
From the Paper
"The result was that by the 1960s Italian culture and heritage, sometimes with the assistance of Hollywood in America, became vogue to some degree. This period of consolidation allowed a new era of commerce where Italian markets, delis, and stores flowered across Toronto, Quebec and other regions where the Italian population was significant. One important factor during this era of consolidation was that Italian immigration virtually reached a standstill by the late 1960s. Italy had managed to substantially rebuild its post-War economy and the mass immigration out of the country ceased with the rebirth of its own robust economic growth in tandem with a healthy tourism industry."
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Americanization of Italians, 2006.
An assessment of cultural assimilation of Italian Americans, as demonstrated in literature and film.
1,600 words (approx. 6.4 pages), 4 sources, MLA, $ 52.95
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Abstract
This paper examines the Americanization of Italian immigrants, as seen in
the novels "All the Nations Under Heaven" by Kenneth Jackson and "The Fortunate Pilgrim" by Mario Puzo and the films "Goodfellas" and "Raging Bull", directed by Martin Scorsese. By analyzing these works, the paper attempts to demonstrate that the immigration of Italians to America caused a dramatic shift in their sense of family values and relationships. The paper explains that the Italian family was once the basis of the collective society within traditional Italian culture, but in America the family dissolved into its respective parts -- i.e. the individuals. The paper goes on to show how these individuals interacted with American ideals and morals to establish a new way of life for their progeny, the American-born Italians.
From the Paper
"Traditional Italian households centered on the family rather than the individual pieces of the family. This type of collective culturalization tended to express gratifying feelings toward the family rather than personal feelings. However, as the immigration process initiated, the family bond began to weaken in Italian culture as the male patriarchs transcended the seas, leaving behind their cherished families. "Unlike Jews, who came largely as families, and the Irish immigration, in which women were in the majority for many years, Italian newcomers were at first mostly young men who often emigrated with the intention of making enough money in America with which to return home and purchase land."(ANUH , 135-136) With the money they received from work, the Italian men would then bring their kin over The Italian males received the first taste of independence that has lingered throughout their lives and led to the dissolving family values system."
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Boston, 2007.
An analysis of the economic, educational and cultural resources available in Boston, Massachusetts
987 words (approx. 3.9 pages), 4 sources, MLA, $ 35.95
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Abstract
This paper discusses the historical roots and evolution of the city of Boston, Massachusetts. It describes Boston's economic climate, its transition from manufacturing to high technology and defense and, most recently, to healthcare and biotechnology. The paper then describes the availability of educational and cultural activities and centers in Boston.
From the Paper
"Boston and its surrounding suburbs make it the leading center of higher education in the United States. The number of universities is extraordinary. The two largest universities directly within the city are Boston University and Northeastern University. Other Boston suburban schools include Boston College, Brandeis University, Emmanuel College, Emerson College, Harvard University, Massachusetts Institute of Technology, Simmons College, Suffolk University, Tufts University, the University of Massachusetts, and Wellesley College. On the positive city, students at these universities keep the atmosphere in Boston young and invigorating relative to stodgier New England areas. However, Bostonians have a tendency to place too much emphasis on where you went to school before focusing on who you are as an individual and what you have to offer. This bias permeates throughout social circles and businesses seeking qualified job applicants. Yet, Boston's strong economy accommodates growth for anyone who is motivated to succeed."
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The Italian Renaissance, 2006.
This paper explores the Italian Renaissance's Asian influences as opposed to Western or European.
1,350 words (approx. 5.4 pages), 3 sources, $ 53.95
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Abstract
The paper examines how the Italian Renaissance is often discussed as the start of Modernism, which is regarded as a Western development. However, the paper explains that when the Italian Renaissance's arts are explored, they often show Asian and Islamic influences in forms, textiles, borrowed methods, pigments and styles. The paper refers to Rosamund Mack's volume and other articles to discuss Italian borrowings from Asia and Asia Minor. The paper provides a last note on just how 'Western' modernism is, as a movement through centuries that has European roots and carried on through the West.
From the Paper
"Modernism is discussed as an European or Western phenomenon. Much stress is placed on the Italian Renaissance. However, one sees that this period had much Asian and Islamic influence. The weight put on Renaissance painting may detract notice of the Italian city-states as trading centres. Naturally, they knew many products and ideas from abroad. Muslim Influence in Italy: This section will give varied examples of art, products and methods that came from Asia Minor and East Asia, by way of the Silk Route or maritime trade to the East."
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Italian-American Women, 2002.
A discussion of how films reflect the characteristics of Italian-American women.
1,738 words (approx. 7.0 pages), 4 sources, MLA, $ 56.95
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Abstract
This paper reviews two films by Italian-American directors, focusing on their portrayal of Italian-American women. The paper illustrates how Francis Coppola's "The Godfather" accepts the general parameters of family and of the place of women in the Italian-American family and community, while Martin Scorsese's "Who's That Knocking at My Door?" delves more deeply into the effects certain myths have on that community.
From the Paper
"The roles allotted for women in society enable both men and women to know where they fit in society and provide an area of comfort within which they know who they are, what they are to do in support of their families, and how they are viewed by every other member of society. There are cultural differences as to how women are viewed by different groups. Italian women have a different view of themselves than do American women because of cultural differences, and Italian-American women are in some ways between two cultures, embodying elements of both. Film reflects how different groups see themselves, and films by Italian-American directors like Martin Scorsese and Francis Coppola reflect some of the characteristics of Italian-American women and some of the tensions that these differences can create."
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Botticelli and the Italian Renaissance, 2004.
An examination of how Botticelli's painting, "Mars and Venus", is characteristic of the early Italian Renaissance period.
777 words (approx. 3.1 pages), 3 sources, MLA, $ 27.95
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Abstract
"Mars and Venus" by Sandro Botticelli is a typical example of the art of the Early Italian Renaissance. The writer explains how the painting depicts the relaxed goddess of love, Venus, looking over the sleeping form of Mars, the god of war, showing the power of love to conquer violence and war. It points out that "Mars and Venus" falls neatly within the themes of the Italian Renaissance, which focused on the classical works of both Greek and Roman material. The painting also illustrates Botticelli?s ability to capture muted skin tones and create a fantastic and dreamlike atmosphere.
From the Paper
"Born Alessandro di Mariano Filipepi in 1445 in Florence, Italy, Sandro Botticelli became one of the most noted artists of the Early Italian Renaissance. Botticelli was known for his commissions for major churches in Florence, as well as his famed wall frescos on the Sistine Chapel of the Vatican in Rome. He painted a number of famed religious paintings, including "The Adoration of the Magi", "Madonna of the Pomegranate", "The Cestello Annunciation", as well as a number of paintings that depicted Roman and Greek legends, including "Primavera", "The Birth of Venus", "Mars and Venus" (WebMuseum)."
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