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Italian Neorealistic Film, 1997.
Analyzes three major films: Rossellini's "Open City", De Sica's "Bicycle Thief" and Visconti's "Obsession". Examines style, themes and social messages.
2,700 words (approx. 10.8 pages), 9 sources, $ 95.95
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From the Paper
"Italian neorealism developed under onerous circumstances and became a form by which Italian filmmakers could express themselves in a new way. Essentially, the early neorealist filmmakers were doing what they could with the tools at hand and doing it under the watchful eyes of an antagonistic ruling class, From the tensions this arrangement produced, they created something distinctive, allowing them to develop ideas and to do so in a new cinematic style. At the time, Italy was ruled by fascists, who viewed art as valuable only to the degree it was useful. Yet, these films were not made in service of fascist ideas but as a counter to them. The forces that helped shape these films, the style that was produced by these tensions, and some important examples demonstrate the vitality achieved by Italian directors as World War II ended."
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Italian Neorealistic Cinema, 1996.
Innovative styles & social themes in Rossellini's [Open City], De Sica's [Bicycle Thief] & Visconti's [Obsessione].
1,575 words (approx. 6.3 pages), 6 sources, $ 55.95
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From the Paper
"Italian neorealism developed as a particular form of cinematic expression during the period when Italy was ruled by the Fascists. One of the best-known of what would be called the neo-realist approach to film was Roberto Rossellini's Open City (1945), and many of the characteristics of the movement were evident in this film. These films had an anti-establishment, revolutionary attitude. They had an extemporaneous, documentary quality enhanced in the early era by the materials from which they were made--war-time film stock, cobbled-together equipment, non-professional actors, and location shooting. Open City is a good example of this early period in neorealism, while Vittorio De Sica's The Bicycle Thief (1948) is an expression of the fully developed tradition from the period after the expulsion of the fascists and after the end of World War II. Luchino Visconti's..."
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Italian-American Women in Literature, 2005.
This paper discusses the evolving and multifaceted roles of Italian-American women in literature through the eyes of Italian-American male and female authors.
2,110 words (approx. 8.4 pages), 9 sources, MLA, $ 66.95
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Abstract
This paper explains that stereotypes from whores to the Holy Madonna incarnation encompass the multi-faceted and contradictory roles of Italian-American women in Italian-American literature written by both Italian-American men and women. The author points out that the literature relates that social class, differences in religiosity, the American tradition and construction of success and the often contradictory ways the familial and immigrant experience, have come into conflict with the female experience in American. The paper reviews Pietro di Donato's relatively early novel "Christ in Concrete", Mario Puzo's "The Godfather", Helen Barolini's novel "Umbertina" and her collection of personal and scholarly entitled essays "Chiaroscuro" and Evidge Giunta's text "Writing With an Accent" to demonstrate that beneath these narrow stereotypes more complex and individuated roles of Italian-American women's life do emerge.
From the Paper
"These images emerge in the depicted reality of nonfiction as well as fictional life come forth, as these women are seen engaged in child rearing, showing impressive work ethics to enable their families to survive, laboring as well as suffering in the role of daughter, and as these women show their strength in their roles of mother as well as their silent compassion. Gradually, as Italian women themselves began to speak, Italian women and authors have grown fluent at showing female Italian working and middle-class sexuality as well as images of long-enduring Mediterranean fortitude, women alone in the role of a wife bent over a stove bubbling with red hot gravy and meatballs smelling of garlic and onions."
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Italian-American Women in Cinema, 2002.
A compare and contrast analysis of the role of Italian-American women and American women in cinema.
1,373 words (approx. 5.5 pages), 5 sources, MLA, $ 45.95
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Abstract
This paper discusses the role of the Italian-American women in American cinema and the functions that they fulfill within the Italian-American community and draws a comparison between Italian-American female roles and the parts played by American actresses. It examines some of the more famous Italian-American female characters in films such as cinematic masterpieces such as ?The Godfather" and ?True Love? and how they are usually portrayed as working class and victims of violence. It shows how both Italian-American and American female characters in movies are challenged by a patriarchal society. The only difference is that the American character is free to do something about it even if all odds are against her whereas the Italian-American female characters on the other hand do not possess that luxury because their cultural norms do not allow such liberties.
From the Paper
"Then there are directors such as Martin Scorsese and Francis Ford Coppola who have made powerful Mafia movies ?Goodfellas? and ?The Godfather? respectively. Even though the main theme of their movies is the havoc that the mafia wrecks in the lives of Italian-American immigrants there always exists a strong underlying theme that relates the role of the mothers, daughters and wives of these mafia members. In short the role of the ?family?. For example in a comic scene in the ?Goodfellas? Scorsese makes a connection between food and death when Tommy?s mother serves them a mouth-watering meal just after her son and his friends have returned from trying to commit murder."
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The Canadian Italian Migration, 2007.
This paper describes various stages of the migration of Italians into Canada.
2,660 words (approx. 10.6 pages), 10 sources, MLA, $ 79.95
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Abstract
This paper explains that the Italian immigrants migrated in various waves of various sizes throughout the last century. The author points out that the early wave of Italian immigration, mostly crossing from the U.S., virtually ceased at the start of World War I and did not pick up again until the late 1920s. The paper relates that, during the 1920s, Italian immigration to Canada expanded so rapidly that Mussolini, the fascist dictator in Italy, attempted to halt immigration completely. The author states that, just prior to World War II, Canada began to curtail or even roll back immigration. The paper stated that, following Italy's entry into World War II, hundreds of Italian men were interned in camps while their families were left to fend for themselves. The author concludes that, continuing after WWII, the large number of Italian immigrants was largely responsible for providing Canada with the necessary labor and tax pool it required to re-establish its economic activity.
From the Paper
"The result was that by the 1960s Italian culture and heritage, sometimes with the assistance of Hollywood in America, became vogue to some degree. This period of consolidation allowed a new era of commerce where Italian markets, delis, and stores flowered across Toronto, Quebec and other regions where the Italian population was significant. One important factor during this era of consolidation was that Italian immigration virtually reached a standstill by the late 1960s. Italy had managed to substantially rebuild its post-War economy and the mass immigration out of the country ceased with the rebirth of its own robust economic growth in tandem with a healthy tourism industry."
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The Italian Renaissance, 2005.
A summary of the Italian Renaissance and its influence on Italian society.
1,855 words (approx. 7.4 pages), 7 sources, MLA, $ 59.95
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Abstract
This examines the early stages of the Renaissance. It shows how the Black Death ironically played an important role in its development. The paper also provides an overview of famous figures during the time, including Lorenzo Medici, Dante Alighieri and Michelangelo .
From the Paper
"Thanks to benevolent people such as the Holy Roman Emperor and princes, artists were able to devote their time to art, and not have to worry about supporting themselves. This helped art flourish even more as artists could be entirely dedicated to their work. Without this support from both the clergy, and townspeople buying and supporting art and artists, the era would have failed to produce works of the caliber that it did."
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Americanization of Italians, 2006.
An assessment of cultural assimilation of Italian Americans, as demonstrated in literature and film.
1,600 words (approx. 6.4 pages), 4 sources, MLA, $ 52.95
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Abstract
This paper examines the Americanization of Italian immigrants, as seen in
the novels "All the Nations Under Heaven" by Kenneth Jackson and "The Fortunate Pilgrim" by Mario Puzo and the films "Goodfellas" and "Raging Bull", directed by Martin Scorsese. By analyzing these works, the paper attempts to demonstrate that the immigration of Italians to America caused a dramatic shift in their sense of family values and relationships. The paper explains that the Italian family was once the basis of the collective society within traditional Italian culture, but in America the family dissolved into its respective parts -- i.e. the individuals. The paper goes on to show how these individuals interacted with American ideals and morals to establish a new way of life for their progeny, the American-born Italians.
From the Paper
"Traditional Italian households centered on the family rather than the individual pieces of the family. This type of collective culturalization tended to express gratifying feelings toward the family rather than personal feelings. However, as the immigration process initiated, the family bond began to weaken in Italian culture as the male patriarchs transcended the seas, leaving behind their cherished families. "Unlike Jews, who came largely as families, and the Irish immigration, in which women were in the majority for many years, Italian newcomers were at first mostly young men who often emigrated with the intention of making enough money in America with which to return home and purchase land."(ANUH , 135-136) With the money they received from work, the Italian men would then bring their kin over The Italian males received the first taste of independence that has lingered throughout their lives and led to the dissolving family values system."
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Italian-American Women, 2002.
A discussion of how films reflect the characteristics of Italian-American women.
1,738 words (approx. 7.0 pages), 4 sources, MLA, $ 56.95
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Abstract
This paper reviews two films by Italian-American directors, focusing on their portrayal of Italian-American women. The paper illustrates how Francis Coppola's "The Godfather" accepts the general parameters of family and of the place of women in the Italian-American family and community, while Martin Scorsese's "Who's That Knocking at My Door?" delves more deeply into the effects certain myths have on that community.
From the Paper
"The roles allotted for women in society enable both men and women to know where they fit in society and provide an area of comfort within which they know who they are, what they are to do in support of their families, and how they are viewed by every other member of society. There are cultural differences as to how women are viewed by different groups. Italian women have a different view of themselves than do American women because of cultural differences, and Italian-American women are in some ways between two cultures, embodying elements of both. Film reflects how different groups see themselves, and films by Italian-American directors like Martin Scorsese and Francis Coppola reflect some of the characteristics of Italian-American women and some of the tensions that these differences can create."
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The Italian Renaissance, 2006.
This paper explores the Italian Renaissance's Asian influences as opposed to Western or European.
1,350 words (approx. 5.4 pages), 3 sources, $ 53.95
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Abstract
The paper examines how the Italian Renaissance is often discussed as the start of Modernism, which is regarded as a Western development. However, the paper explains that when the Italian Renaissance's arts are explored, they often show Asian and Islamic influences in forms, textiles, borrowed methods, pigments and styles. The paper refers to Rosamund Mack's volume and other articles to discuss Italian borrowings from Asia and Asia Minor. The paper provides a last note on just how 'Western' modernism is, as a movement through centuries that has European roots and carried on through the West.
From the Paper
"Modernism is discussed as an European or Western phenomenon. Much stress is placed on the Italian Renaissance. However, one sees that this period had much Asian and Islamic influence. The weight put on Renaissance painting may detract notice of the Italian city-states as trading centres. Naturally, they knew many products and ideas from abroad. Muslim Influence in Italy: This section will give varied examples of art, products and methods that came from Asia Minor and East Asia, by way of the Silk Route or maritime trade to the East."
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Italian Slums in Boston in the 1930s-40s, 2008.
A review of William Foote Whyte's book "Street Corner Society: The Social Structure of an Italian Slum".
744 words (approx. 3.0 pages), 1 source, MLA, $ 26.95
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Abstract
This book review analyzes the premise of social organization that is represented within William Foote Whyte's social analysis of Italian culture in North Boston in his book "Street Corner Society: The Social Structure of an Italian Slum". The paper points out that, although the premise of Whyte's study focuses on the lower class ethnic community of the Italian immigrant culture, he invariably provides an unbiased view of both the educated and uneducated classes within this socially organized, tightly knit social group. In conclusion, the paper maintains that Whyte provides an innovative sociological perspective in his study of sociological cluster groups that dispels the stereotypical dualism of the educated and the uneducated that were far more intermixed in these diverse social strata.
From the Paper
"A common misperception of the poor is that they have little social organization or that they are not part of the majority of Americans that partake in social organizational processes. Whyte was a pioneer in the 1930s and 1940s at providing an unbiased social analysis of the Italian slum culture, which provided a wide variety of social organization within gang culture, as well as clubs that were formed to bring cultural unity to North Boston. Whyte actually lived amongst these peoples, and provides direct evidence of these types of organizations, such as Doc's gang in section I. Doc is an uneducated young man in Whyte's (1993) research that had control over the Norton Gang in the area."
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Italian Writers, 2002.
An essay on the literary styles of three Italian writers.
900 words (approx. 3.6 pages), 3 sources, $ 35.95
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Abstract
This paper discusses three Italian writers and their literary styles. All three have been renowned novelists while Pasolini was a multi-talented person who was more popularly known as a filmmaker. The paper focuses on the radical views and unorthodox approach of the three Italian authors.
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Italian Renaissance Theatre, 2002.
A discussion of the Commedia Del Arte Theatre and contributions of Italian Renaissance theatre to Western theater.
1,453 words (approx. 5.8 pages), 8 sources, MLA, $ 48.95
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Abstract
This paper is in two parts. The first part discusses the Commedia Del Arte or drama that employs comedy and has a happy ending, which began during the Italian Renaissance. It examines its origins and its popularity as well as its methods of acting. It evaluates its effect on modern comedy such as the concept of slapstick, timing in the repartee and romantic comedy. The second part outlines the other contributions of Italian Renaissance theatre to Western theater such as the introduction of the profession of acting and theatre and set design.
From the Paper
"Commedia Del Arte made many contributions to modern comedy. First, timing was important in the repartee and has been in comedy ever since. Second, slapstick comedy, such as that practiced by Chaplin, Keaton, and Lloyd is a direct descendent of Commedia Del Arte. Third, modern romantic comedy had it origins in the plots and characters of Commedia Del Arte. Finally, both situation comedy and animated cartoons employ elements of Commedia Del Arte (Suzuki; Commedia Dell?Arte)."
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Italian Opera, 2001.
This paper examines, in brief, the history of Italian opera, focusing on opera in the 19th century, and the ways in which opera has become a part of American culture and influenced American music.
1,235 words (approx. 4.9 pages), 4 sources, MLA, $ 42.95
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Abstract
The following paper examines the history of Italian opera focusing particularly on how Italian singers and composers helped to transform opera in the United States from an art form that was something that only the elite followed to something approaching a truly popular art.
From the Paper
"Opera is simply the Italian word for work and describes a piece of drama set to music, distinguished from plays in which music is merely incidental. Although there are certainly distant antecedents to opera in the music of Greek tragedy and Medieval European miracle-plays, it begins as a distinct art form (as dramas that were set to music in order to be produced as musical works of art) at the beginning of the 17th century. Kimbell, 1994, p. 11)."
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The Objectives of the Italian States during the Social War, 2001.
A discussion of whether the Italian states sought independence from Rome rather than equality with her during the Social War in the year 90.
1,650 words (approx. 6.6 pages), 5 sources, APA, $ 53.95
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Abstract
This essay argues that at the beginning of the Social War, the Italian states only sought citizenship; it was Rome's stubborness to grant citizenship which encouraged the Italian states to increase their aims and seek complete independence. It explores the contrasting viewpoints of the two main sources of the time, Appian and Posidonius.
From the Paper
"The outbreak of war between Rome and her Italian allies was due to a build-up of tensions caused by Rome?s refusal to treat the Italian states as her equals. Willing allies at the end of the third century, a gradual cultural assimilation of the Roman and Italian peoples suggested that a social and political assimilation would follow. The building of roads, the creation of Roman colonies and joint military service had seen cultural distinctions between the Italians and Romans decrease. Indeed, Latin had become a universal language in Italy to such an extent that a large proportion of Latin poets were of Italian heritage. Eventually, this assimilation was recognised by Rome, to the extent that in the early second century Arpinum, Formiae, Fundi and other cities received promotion from the status of half-citizenship to full. However, this process was not continued, and many Italians began to resent the refusal of Rome to treat them as equal citizens. The list of grievances was long, and grew over time. Italians had to provide troops for the Roman army, yet received an unequal proportion of the war-booty, even though in the second century Rome?s allies would provide more than half of her troops. Italian armies were further restricted from plundering foreign lands themselves. Italians were part governed by a democratic state, yet could not partake in the democratic process, as suffrage was restricted to those with full-citizenship. Romans, unlike her allies, could appeal arbitrary justice. Italians who had settled in Rome and had acquired citizenship caused a major drop in population in many Latin cities, yet they still had to provide the same number of troops for the army. In 187 and 177 Rome enforced the repatriation of thousands of Italians to solve this problem; this served to antagonise many Italians further, as their rights as citizens were suddenly revoked. The Italian aristocracy were aggrieved as their powers over their own people were restricted, and subjugated to the rule of Rome. Over a period of time, these grievances would formulate into a general appeal for the granting of full-citizenship to Rome?s Italian allies."
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The Italian Renaissance, 2005.
Comparison of two works by Italian Renaissance artist, Sandro Botticelli: Venus and Mars and The Story of Nastagio degli Onesti."
2,510 words (approx. 10.0 pages), 0 sources, MLA, $ 76.95
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Abstract
The Italian Renaissance artists were a very influential group in the history of mankind, and their work continues to entertain art lovers and connoisseurs all around the world. This report is a summary and comparison of two of Sandro Botticelli's works from the Italian Renaissance period.
From the Paper
"Renaissance is French and was coined as a term in the late 19th century. In regard to art movements like the Italian Renaissance, the word is used to illustrate an intellectually based artistic revival that has been inspired by the study of existing Classical literature or art. The entire Renaissance movement originated in Italy around the beginning of the fourteenth century. The movement ran through the beginning of the sixteenth century after making its way through various other European countries.
The origins of the Renaissance can be tied to social and political movements of the time. Italy from a historical point of view in the fourteenth and fifteenth centuries can be traced back to unique occurrences in specific cities. The period was full of turmoil as there were many minor wars for internal or external commercial control as well as many political expansion attempts."
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