| Papers [1-15] of 100 :: [Page 1 of 7] | | Go to page : 1 2 3 4 5 6 7 —> | Search results on "ISLAMIC ART HISTORY": |
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Islamic Art History, 2005.
A study the influence of Roman Frescos on Islamic Art History.
1,575 words (approx. 6.3 pages), 5 sources, $ 62.95
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Abstract
In this paper, the comparison and contrasting artistic designs involved in both Roman and Umayyad fresco paintings are analyzed. It explains that the earlier Roman designs played a great part in influencing the Islamic peoples to use figural drawing and various decorative natural or organic themes. Much of this is seen within the context of the examples used in the paper, which conveys a large-scale influence of Roman Villa-styled fresco application and artistic design on various Umayyad palaces.
From the Paper
"This art study will examine how the Roman Fresco had influenced the Umayyad perspective on murals and fresco work in their mosaic design and symbolic meanings within these works. By providing examples from the various Umayyad frescoes that now exist in various levels of decay, one can realize how Roman frescoes had a major impact on how these latter works of art were achieved. In essence, this paper is to describe the influences that Roman frescos/wall painting had on Islamic fresco/ mosaic & wall-paintings in art history. The Umayyad choice of Syria as their power base had enormous effects on later Islamic art, as craftsmen from all over gathered together to learn compete and work on Islamic projects. The Umayyad art design was enhanced by the ideas and traditions of imperial Rome, incorporating ..."
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Symmetry in Islamic Art, 2008.
This paper explains how geometric concepts can be taught based on the symmetry found in Islamic art.
2,537 words (approx. 10.1 pages), 13 sources, MLA, $ 76.95
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Abstract
The paper looks at the extensive use of geometric and symmetrical patterns in Islamic art. The paper provides a definition of geometry and looks at translations, rotations and reflections in Islamic art. The paper then examines the mathematics of symmetry and how symmetry, as manifested in Islamic art, can be utilized to teach geometry in the contemporary classroom.
Outline:
Introduction
Symmetry in Islamic art, Part I
Symmetry in Islamic Art, Part II
Symmetry in Islamic Art, Part III
From the Paper
"Many civilizations have long used artistic designs for a variety of purposes. For instance, some civilizations have used artistic designs for emblematic purposes, while some have used artistic designs for ornamental and/or architectural purposes; still others, perhaps unsurprisingly, have used artistic designs for spiritual symbolism. Another thing that is not at all a surprise is that artistic designs almost invariably utilize mathematical concepts. Specifically, within the Islamic art tradition, there has long been the extensive use of geometric and symmetrical patterns - so much so that it may be put forward that one of the defining features of Islamic art is its ability to incorporate mathematical concepts and ideas in ways that are rich, vibrant and aesthetically pleasing."
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Islamic Art, 2007.
An examination of Islamic exhibits into Islamic ancient music, art and dance.
940 words (approx. 3.8 pages), 3 sources, MLA, $ 33.95
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Abstract
This paper discusses Islamic art, music and dance. It presents these three aspects of Islamic art in the form of an exhibition and details the history and practices of each art form. It begins by discussing five Islamic musical instruments, then goes on to discuss Islamic views on dance and finally looks at the different cultural influences that contribute to Islamic art.
Table of Contents:
Introduction
Music
Dance
Art
From the Paper
"Muslims have had different views about dancing. Throughout Islam history, there have been times of greater acceptance or rejection of dance. Some believed there should be no dancing. To others, folk dancing between the same sex is acceptable, but not between mixed couples. Also, some see dancing as a way to become closer to Allah. Sa'adi, a Persian poet wrote about a band of travelers who came upon a boy who danced beautifully. Everyone was amazed by his talents, except a man who complained that dancing was wrong. However, his camel lifted his feet in dance and threw the rider to the ground. Those around said that even God's creatures could enjoy the dance, so why not he?"
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"Islam and Art", 1999.
Examines the basic tenets of religion, based on the Quran and the impact on Islamic art and craft. Discusses the Quran as art and the view of Muslims toward art, architecture and calligraphy.
2,700 words (approx. 10.8 pages), 7 sources, $ 95.95
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Abstract
Art is influenced by a number of forces in society, in the environment, in the psychology of the people who produce and consume it, and in different institutions. Art is an expression of inner feel
From the Paper
"INTRODUCTION
Art is influenced by a number of forces in society, in the environment, in the psychology of the people who produce and consume it, and in different institutions. Art is an expression of inner feelings and beliefs and so naturally is influenced by religion in many societies. Some religious systems speak of art directly or have tenets which influence what can and cannot be depicted in art. The Quran is the theological basis for Islam and shapes the way people in Islamic societies express themselves, and this includes how they express themselves through art and architecture. The "rules" are not always followed and may not always be clear, and Islamic art has changed through the centuries, showing that the precepts in the Koran are flexible enough to allow for aesthetic development. Islamic society, however ..."
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Islam and Art, 1992.
Discusses the impact of the Islamic religion on its architecture, calligraphy and images.
1,125 words (approx. 4.5 pages), 4 sources, $ 39.95
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From the Paper
"This study will examine the ways in which the religion of Islam is clearly reflected in its arts.
At the heart of Islam is the same monotheism which marks Judaism, and it is no surprise to discover that, as Pal writes, there are important parallels between Islam and Judaism with respect to their views on art. Pal writes that "As a religion Islam did not develop an artistic or iconographic tradition as Christianity or Buddhism did, but rather remained closer to Judaism in its emphasis upon the abstract" (Pal, 1973, p. 9).
There has been some misunderstanding with respect to the Islamic attitude toward imagery in art. Richardson writes that "Decorations in mosques such as the Islamic Center are confined to calligraphy and geometric designs. Islam forbids any art that depicts the human figure including that of Prophet Muhammad. Any ..."
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Islamic History, 2005.
An examination of the most appropriate way to approach Islamic history.
900 words (approx. 3.6 pages), 1 source, $ 35.95
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Abstract
This essay explores the four major schools of thought in Western scholarly circles used in reconstructing Islamic history from the primary sources the Qur'an, akhbar and hadith. The essay opens with descriptions, in chronological order, of each of the four schools. Finally, it ends by concluding which of the schools is most appropriate for the process of reconstructing Islamic history.
From the Paper
"Approaching Islamic History: Choosing the Appropriate Methodology In the past three hundred years of serious scholarship on Islamic history, four major schools of methodological thought have emerged. In chronological order these are the Descriptive Approach, Source Critical Approach, Traditional Critical Approach and Skeptical Approach. Scholars of Islamic studies since the 1890s have not succeeded in establishing generally recognized methodologies and criteria for distinguishing historical material that rest on firm and objective foundations. Individual historians are known to switch methodologies in the course of their career. This paper will argue that the Traditional Critical Approach is the best approach to take, when bearing in mind some of the discourses from the Skeptical Approach."
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On The History Of Islam, 2002.
This junior level paper on sources on The History Of Islam focuses on the problems and threats imposed by many controversial sources on Islam.
1,400 words (approx. 5.6 pages), 3 sources, $ 53.95
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Abstract
This junior level paper on sources On The History Of Islam focuses on the problems and threats imposed by many controversial sources on Islam. This paper also reviews some of the false acquisitions made by these sources, which are set to ruin the image of Islam toward the modern world. This paper also gives an analysis of the history and events of Islam before and after its establishment.
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"Islam: A Short History", 2005.
This paper introduces, discusses and analyzes the book "Islam: A Short History" by Karen Armstrong.
2,102 words (approx. 8.4 pages), 1 source, MLA, $ 66.95
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Abstract
This paper includes a report of Armstrong's book which analyzes the history of Islam. It explains that Islam is little understood by many Christians in the world, and this succinct book helps make the religion more understandable and sympathetic. While illustrating the long history of the world's religions, this book looks at the long history of strife between them.
From the Paper
"The author of this book, Karen Armstrong is an ex-Catholic nun who writes on various religious issues. She spent seven years as a nun, and wrote a book about her experiences called Through the Narrow Gate (1982). She is an expert on religion, and has written numerous books on Christianity, Islam, and Judaism, along with her views of what the three religions have in common. She has won awards for her writing, and is viewed as an expert in attempting to show the commonality of the roots of religion. Some of these books include: A History of God (1993), Jerusalem: One City, Three Faiths, (1996) and The Battle for God, (2000). As such, she is exceptionally qualified to write this book on Islam. In addition, her books make it easy for the layman to read about religion and religious beliefs at an understandable level, and so, the author is not only qualified to write this book, she is an excellent choice as author because of her style, her background, and her writing ability. Often called the "runaway nun," her work is often controversial, but eminently readable and interesting. She is a professor of Christianity at Leo Baeck College for the Study of Judaism in London, England."
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The Nation of Islam: Are They Islamic?, 2002.
Compares the Nation of Islam with traditional Islam.
1,030 words (approx. 4.1 pages), 3 sources, $ 36.95
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Abstract
This paper examines the Nation of Islam as a social movement and tests whether its traditions and roots are really found in traditional Islam.
From the Paper
"The presence of God (Allah) is another and maybe the most critical difference between the Nation of Islam and traditional Muslims. The Nation of Islam was founded in the 1930?s by a man named W. Fard Muhammad. Fard Muhammad believed he was sent to wake ?the black nation to the full range of the black man?s possibilities in a world temporarily dominated by the blue eyed devils.?(5) It is the Nation of Islam who has since said, ? We Believe that Allah appeared in the Person of Master W. Fard Muhammad, July, 1930; the long awaited ?Messiah? of the Christians and the ?Mahdi? of the Muslims.?(6) Fard Muhammad taught that the African American culture was unique and separate from that of ?the Caucasian devils.?(7)
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Political Islam and Islamic Fundamentalism, 2002.
This essay describes how and when Islam made an impact as a political ideal as well as its repercussions leading up to today.
2,090 words (approx. 8.4 pages), 5 sources, APA, $ 65.95
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Abstract
This paper elaborates on Islam and its religious politcal history for the past 100 years, including the later part of this century. It offers some insights into what may have given rise to what is now known today as Islamic fundamentalism.
From the Paper
"While the roots of political Islam can be traced back to the time of Mohammed, the real impact of Islam as a political ideal came about with the Iranian revolution and the Ayatollah Khomeini. The new brand of political Islam that Khomeini brought to Iran was a new, more militant Islam than the world had previously been exposed to. During the time of the Ottoman Empire, Islam was spread as the ideal religion, however, there was room for both branches of Islam, Sunni and Shiite, to practice. There was also a place for Christians and Jews, although it was on the second class level. However, Khomeini?s brand of religious zealotry was harsh and dictatorially strict."
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Art and Pop Art, 2002.
A comparative analysis of art with pop art using the works of Andy Warhol and Leonardo Da Vinci.
1,150 words (approx. 4.6 pages), 6 sources, $ 44.95
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Abstract
This discusses art and pop art, and distinguishes between the two by noting the characteristics of each form. As examples of each, two works of Andy Warhol are compared and contrasted to Da Vinci's "Last Supper" and Rembrandt's "Syndic of the Clothmaker's Guild.
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The "Art" of Art Forgery, 2002.
Shows that forgery is more than just a copying process, involving complex techniques found in art.
2,900 words (approx. 11.6 pages), 5 sources, $ 106.95
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Abstract
This paper examines the skill involved in producing 'true' forgeries within the world of art. It is stressed that the forger is to be seen as an artist, in that he or she must sometimes enter the mind of the original artist, master his or her techniques,and otherwise execute works that can withstand the expert eye. Forgery is a normal aspect of the art world.
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History of Orientalism, 2006.
This in-depth paper examines the culture and history of eastern Islam, also known as Orientalism.
3,071 words (approx. 12.3 pages), 5 sources, MLA, $ 89.95
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Abstract
The writer of this paper defines the term Orientalism, which comes from the Latin word oriens, as the rising sun, which generally implies, 'the East.' This paper focuses on the culture, religion, art and history of Orientalism. This paper explores the European view of Islam throughout history. The writer explains that during the birth of Christianity and Islam there was a distinct difference between European Christian cultures and those of East and North Africa, which are detailed at length in this paper. During the Middle Ages the European Christians denounced the Islamic people as the enemies of Christendom, due to their lack of knowledge of Eastern culture. This paper discusses how the Enlightenment thinkers of the 18th century viewed the Eastern culture as being superior to that of the Christian west. This paper illustrates that Islamic societies were praised for their religious tolerance when compared with Christian west. This paper also delves into those who opposed the Orientalist culture, such as James Mill, who believed that Eastern civilizations were stagnant and corrupt and Karl Marx who believed that Eastern methods of production were static. Christian evangelists further maligned Eastern traditions as superstitious nonsense. This paper also examines the rich artistic history of the Oriental culture. Depictions of Islamic Moors were found in Medieval and Renaissance art, but it wasn't until the 19th century that Orientalism became recognized in the arts. This paper also details the outspoken views and opinions of political activist and author Edward Said.
Table of Contents:
Definition of Orientalism
History of Orientalism
Orientalism in the Arts
History of Orientalism in the Arts
Edward Said and Orientalism
References
From the Paper
"Photography was still in its infancy and did not allow for the capture of the sunlight, the colors and the mood in which a painter could. With the iconoclastic nature of Islam, and the forbidding of the depiction of the prophet Muhammad, there was little representational art in Islam. Most of their artwork was centered on pattern and design. For this reason, the Muslim world had very little visual record of their history, including the people and the cities that existed prior to modern photography. Today, still, the best visual record of exotic cities like Cairo or Damascus, prior to the advent of modern photography, exists in 19th century paintings by Europeans and Americans. In the mid to late 19th century, painters from every country in Europe and from across the oceans in America, came to the East."
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A History of Christianity, 2005.
This paper presents the history of Christianity, emphasizing art history, in a thumbnail sketch of each period.
3,740 words (approx. 15.0 pages), 6 sources, APA, $ 103.95
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Abstract
This paper explains that Christian art, evolving along with the church, began in the Near East, which was a vast religious and cultural melting pot where all the competing faiths, including Judaism, Christianity, Gnosticism and many others, tended to influence each other. The author points out that the oldest sizeable and coherent body of Christian art, which can be traced to no earlier than 200 AD, is the painted murals in the Roman catacombs and the underground burial places of the Christians. The paper relates that the halo around Jesus' head stems from pagan artists, who used a halo, usually of a gold color, to mark the chief of men and women in their pictures, and from the Romans, who associated it with the cult of light as a special gift from God. Chart. List of illustrations but no illustrations.
Table of Contents
The Early Christian Church - The Jews and the Greeks
Byzantine Art
The Christian Empire
Nuns, Monks, and Priests
Saints and Martyrs
The Virgin Mary
The Halo
The Conversion of the Northern Tribes
The Celts
The English
The Saxons
The Holy Roman Emperor
East Rome
Church of St. Sophia
The Icons, the Iconostasis, and Iconoclasm
Icons
Iconostasis
Iconoclasm
The Mystics
The Effect of Islam
A Comparison of Christianity East and West
Early Christian vs. Byzantine Art
Western Society in the Middle Ages
Popes
Society and Religion
Hell and Purgatory
Gothic Cathedrals and Stain Glass Windows
The Renaissance
Exploration
The Reformation
The Modern Age
From the Paper
"The first celibates in the early Christian church were women who lived lives of chastity and cleaned church buildings. These women also helped tend the sick. Many spiritually oriented celibate males started as hermits but eventually these men grouped together, elected an abbot, and agreed to abide by a set of rules. These first nuns and monks were called Benedictines. Priests were allowed to marry in the early church but the idea of a celibate priesthood was raised as early as 324 AD (Council of Nicene) but this was unenforceable. In the early church, a man could marry before he became a priest and still become a priest. He could not marry if he became a priest before marrying. The ideal of the totally celibate priesthood was not enforceable until the 11th Century. A man who wanted to become a bishop was not allowed to be married.
In the Eastern Orthodox Catholic Church, priests still are allowed to marry before taking final vows."
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Islam and Democracy: A Summation of Islamic Scholarship, 2005.
A discussion on the correlation between Islam and democracy.
3,375 words (approx. 13.5 pages), 3 sources, $ 133.95
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Abstract
This paper tries to determine the compatibility of Islam and democracy. It compares the works of three Muslim authors in the West, John L. Esposito, Ahmad Moussalli, and Abdulaziz Sachedina. It explains that the main objective for this comparative analysis is to gain a better understanding of how Western Muslim scholars conceptualize and utilize the concept of democracy in an Islamic framework.
From the Paper
"In order to determine the compatibility of Islam and democracy, I have compared the works of three Muslim authors in the West, John L. Esposito, Ahmad Moussalli, and Abdulaziz Sachedina. My main objective for this comparative analysis is to gain a better understanding of how Western Muslim scholars conceptualize and utilize the concept of democracy in an Islamic framework. In Islam and Democracy, John L. Esposito offers his readers the opportunity to acquire a better understanding of how democratic thought and practices can be incorporated into Islamic politics by examining the scope of democratic practices inherent within Islam, and discussing how the secular and the religious forms inform and reinforce the political discourse of democracy. In terms of how Islam can be incorporated in ..."
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