| Papers [1-15] of 23 :: [Page 1 of 2] | | Go to page : 1 2 —> | Search results on "ISADORA DUNCAN": |
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Isadora Duncan:A Pioneer of Dance, 2002.
Examining the life and work of Isadora Duncan and how her dance style developed over the years.
1,412 words (approx. 5.6 pages), 5 sources, MLA, $ 47.95
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Abstract
This paper looks at the life of Isadora Duncan, a pioneer in modern dance. It discusses her early life, personal life and education. The paper then addresses how her dance style was influenced by various elements such as Greek influence and American culture. It looks at Duncan's education and how this impacted her art. The paper concludes with the status of Duncan's dance style today and the existance of the Isadora Duncan Dance Ensemble.
From the Paper
"Isadora Duncan is recognized as one of the pioneers of modern dance as it is known today. Since childhood she had loved poetry, beauty and rhythm. She had a large amount of practical common sense juxtaposed with a dreaming quality, inherited from her father. As her childhood was marked by poverty, Duncan hated reality, and was a rebel (Dickson, 2001). This was all worsened by her parents? divorce and her mother?s insistence that her father was practically subhuman. Furthermore Isadora?s mother disavowed their faith and accepted atheism. The child?s confusion was heightened by the fact that when she met her father, he was a charming, lovable man. This resulted in the fact that Isadora never lost her contempt for the institution of marriage as she had grown up with it."
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Isadora Duncan, 2002.
A biography of the life and career of the American dancer, Isadora Duncan.
1,572 words (approx. 6.3 pages), 4 sources, MLA, $ 51.95
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Abstract
This paper reviews the life of the artist, dancer and teacher Isadora Duncan born in 1878 and discusses her contribution to American dance. It examines how Isadora Duncan is largely credited with establishing what we now know as modern dance and how she infused the accepted dance modalities of her day with ideas old and new. It analyzes how Duncan?s attitudes and approaches came from her native America and how these ideas involved a stress upon unfettered athleticism for both men and women. Duncan wished to develop the body?s capacity for jumping, stretching and expressing emotions rather than pure excellence and form in isolation.
From the Paper
"Thus, although she lived and traveled extensively in Europe, it is important to remember Duncan?s origins in the United States and subsequent influence upon American dance?s cavalier attitude towards formulaic traditions. ?Born in 1878 in San Francisco, Isadora Duncan grew up in a childhood filled with imagination and art. Her mother introduced her four children (Isadora was youngest) to classical music, as well as Shakespeare, poetry, literature and art. Isadora spent many hours playing and dancing upon the beach, and even taught dance classes to younger children as a way to earn a little extra money for the struggling family. In her teenage years, Isadora traveled to Chicago and New York with some of her family members, working and performing in various productions such as Mme. Pygmalion, Midsummer's Night Dream or vaudeville shows with limited success."
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Isadora Duncan, 2002.
Biography of the dancer, Isadora Duncan.
1,572 words (approx. 6.3 pages), 4 sources, MLA, $ 51.95
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Abstract
This paper presents a brief biography of the dancer, Isadora Duncan, as well as a description of her philosophy of the dance form. The paper also discusses her influence on and contribution to modern dance.
From the Paper
"Duncan?s personal success as a dancer should not diminish what is perhaps her greater contribution, her success as a teacher and a creator of her own tradition. She began her first school in Grunewald, Germany in 1904, selecting children from the poorer classes and providing completely for all their physical and materials need from her own pocket. Later, she established schools in both Russia and Paris. Interestingly enough, these schools are proudly proclaimed as providing an unbroken legacy of tradition with their founders. ?The existence of Isadora's dances lies in the transmission of the choreographies from one dancer to another in an unbroken line of generations of Duncan dancers,? writes Lori Belivoe in the periodical and press release of the foundation that bears Isadora?s name. (Belivoe, Isadora Duncan Foundation for Contemporary Dance, ?Isadora Duncan Legacy and Schools?) Duncan?s indefinable, inexact balance between classicism and personal, inner artistic poetic expression manifested in dance thus became a ?tradition? in and of itself."
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Isadora Duncan, 2006.
A look at the contributions that Isadora Duncan had to the modern age of dance.
1,058 words (approx. 4.2 pages), 4 sources, MLA, $ 37.95
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Abstract
This paper looks at the life and works of dancer Isadora Duncan. It explains that Duncan was unknown as a classical ballerina, in which she trained, but became famous once her style changed into a free modern style, which became her trademark. The paper discusses how Duncan's free style impacted the modern dance industry today.
From the Paper
"At twenty, she arrived in London, having studied classical ballet in New York. She stayed in London one year, acted and danced in such plays as Shakespeare's "Midsummer Night's Dream" but she was restless, fame eluded her (she had then, and later, always expected that her every movement would win her applause and stardom). She started to learn about and love everything Greek. No wonder that, when she arrived in Paris, she utilized her version of a Greek dancing outfit: bare legs, a diaphanous long skirt, and grand gestures that defied the "classical" tradition. Her words were often as outrageous as her dancing. "Dance is a religion and should have its worshippers." (Terry, p. 27)."
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Isadora Duncan?s "My Life", 2005.
This paper discusses modern dancer Isadora Duncan's autobiography "My Life".
1,390 words (approx. 5.6 pages), 0 sources, $ 46.95
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Abstract
This paper discusses Isadora Duncan's book "My Life" and her life in relationship to 'Section I' of Walt Whitman's poem "Song of the Open Road", which Duncan professes to be her favorite poem, probably because it reveals Duncan's specific philosophies of freedom and dance. The author points out that, in her life as a mother, a lover and a wife and her work as a dancer, who developed modern dance, Duncan broke away from conventional views seeking freedom from social and professional taboos and constraints.
The paper stresses that nature is Duncan's source of technique and dance content in which she expresses unbound freedom through her use of arms and upper body movements combined with simple steps, a style which Duncan intended to be the divine expression through the body of the human spirit.
From the Paper
"The fourth stanza in "Open Road" moves on to a depiction of nature, as well as acceptance. The sufficiency that he finds in nature feeds the poet's freedom. Isadora Duncan finds in the freedom of nature the freedom of her inner expression. She was born at the seaside: "...I have noticed that all the great events of my life have taken place by the sea. My first idea of movement, of the dance, certainly came from the rhythm of the waves." Thus the freedom and movement that make up the radical free-form dance style that was Duncan's invention, are profoundly inspired by the sea. Again, the restriction placed upon her by the public school is sharply juxtaposed by the afternoons when she danced and played next to the sea. Duncan is also much influenced by the stars and astrology."
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"Isadora", 2002.
Uses the 1968 film, "Isadora" to discuss the life of non-conforming dancer, Isadora Duncan.
650 words (approx. 2.6 pages), 1 source, $ 26.95
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Abstract
Based on the film "Isadora", this paper describes the life and dancing tradition promoted by Isadora Duncan. The paper highlights her non-conformist position in art and life.
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Portrait of Women, 1996.
Compares portrayals of women's social, personal & artistic roles in dancer's autobiography & feminist writer's polemic in the two works "My Life" by Isadora Duncan & "Sexual Politics" by Kate Millet.
1,350 words (approx. 5.4 pages), 2 sources, $ 47.95
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From the Paper
"Isadora Duncan led a remarkable life that was atypical for women, even in modern society. Duncan eschewed conventions concerning motherhood and marriage, and travelled the world in her quest to perfect her art--the dance. Duncan exhibited both similarities and dissimilarities to Kate Millett's description of women in Sexual Politics.
Millett (1970) blames the patriarchal bias of society for the subordination of women, the family unit serving as the foundation of such beliefs. In her estimation, "Serving as an agent of the larger society, the family not only encourages its own members to adjust and conform, but acts as a unit in the government of the patriarchal state which rules its citizens through its family heads" (Millett, 1970, p. 33). Isadora Duncan's rebellion against traditional female roles perhaps..."
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Imperialism in the Works of Leacock, Duncan and Wilson, 2002.
Examines how authors Sara Jeannette Duncan, Ethel Wilson and Stephen Leacock portray imperial life in Canada through their works.
2,400 words (approx. 9.6 pages), 7 sources, $ 89.95
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Abstract
During its heyday, England flew the Imperialist flag over a number of nations--India and Canada being the two most significant perhaps--and in doing so, colonized literature. The notion of Empire and all it represented was both fervently embraced and just as fervently repudiated depending on where you stood. Canadian authors of the early twentieth century were either British born, or born of British parents on Canadian soil. Imperialism, then, in one way or another permeates the novels and short stories of such authors as Sara Jeannette Duncan, Ethel Wilson and Stephen Leacock. Duncan's attitude to Imperialism is mixed, Wilson's is innate while Leacock embraces it - showing that his writing is, what is regarded by many as a "quintessentially" Canadian work.
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"My Story as Told by Water", 2001.
A critical analysis of this collection of essays by David James Duncan and the role of nature in this work.
1,340 words (approx. 5.4 pages), 1 source, MLA, $ 45.95
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Abstract
This is a critical book review of "My Story as Told by Water" by David James Duncan which commends the author in his elaboration of the importance of the ecological system in lieu of our human needs. It examines the humor combined with serious message running through the novel and shows how Duncan is one of the few environmental writers who is capable of tempering his rage with humor.
From the Paper
"The words of one reviewer as she commended this book said, "I thank David James Duncan for putting into words the profound idea that the salmon's presence is a breathtaking reminder of the rightness of the earth's own plan." And theses words are thus the thesis of the narratives in "My Story as Told by Water" by David James Duncan.
As the human civilization progresses we see that the environment is being affected adversely. There are tens of instances where humans have polluted nature and the results can be seen in the greenhouse effect and extinction of various species. This raises the question of the relevance of nature to the human. Environmentalists are focusing on the concepts of sustainable progress and in such a scenario books, which relate to the issue become indispensable. Thus, the book "My Story as Told by Water" by David James Duncan is one such contribution to the world."
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"The Onondaga Madonna", 2006.
An analysis of the poem "The Onondaga Madonna" by Duncan Campbell Scott.
1,010 words (approx. 4.0 pages), 2 sources, MLA, $ 35.95
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Abstract
This paper examines the Duncan Campbell Scott poem "The Onondaga Madonna" about a native Canadian mother and child. Exploring Scott's cultural and historical background, the author explains that the poet served on Canada's Department of Indian Affairs and was well acquainted with the superstitions and myths of Canadian Indians. Yet despite this familiarity, the author maintains that Scott's description of the Indian community is heartless and cruel. The author therefore concludes that one must read between the lines of this short poem, realizing that the woman and the white man describing her can never learn any more about one another than the 'memories of savagery'.
From the Paper
"In looking at the opening lines of this short poem, one is struck by the insulting tone taken toward the Indians. It is meant, of course, to represent the white man's view of "this weird and waning race". And, despite being a woman, the poet marks her face as having a tragic savage lurking therein. Again, it is obvious that this is a bitter description of how the white man sees savagery even in a woman's face."
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Macbeth and Lady Macbeth, 2002.
Discusses how the contrast in the scenes leading up to and following Duncan's death enhances the characterizations of Macbeth and Lady Macbeth.
650 words (approx. 2.6 pages), 1 source, $ 26.95
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Abstract
This essay discusses how the characterizations of Macbeth and Lady Macbeth are enhanced by contrast in the scenes that precede and follow the murder of Duncan in Act 11. Macbeth undergoes a frightening change in his fortune -- a change for which he himself bears at least a partial responsibility. Lady Macbeth is directly involved in this transition.
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"Simplified Strategic Planning" ., 2002.
An analysis of the theories of strategy in "Simplified Strategic Planning" by Robert Bradford and Peter Duncan.
1,150 words (approx. 4.6 pages), 1 source, $ 44.95
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Abstract
This paper will give an over view of the book "Simplified Strategic Planning" by Robert Bradford and Peter Duncan. The basic outlines of the theories of strategy will be covered in this paper, and will uncover the meaning that the authors seek to make clear in their thesis. By understanding business in this manner, we can see the ways that a successful business can use strategy to make his way in the world.
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Nature in Poems, 2002.
This paper analyzes Duncan Campbell Scott's presentation of nature in poems about native people.
900 words (approx. 3.6 pages), 1 source, $ 35.95
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Abstract
This paper explores Duncan Campbell Scott's presentation of nature in his poems about the native people. Nature is celebrated for its own sake and nature also has a number of roles to play in human life.
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'Boys Don't Cry' and 'TransAmerica', 2006.
An analysis of the films, "Boys Don't Cry", directed by Kimberley Peirce, and "TransAmerica", directed by Duncan Tucker.
1,575 words (approx. 6.3 pages), 0 sources, $ 62.95
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Abstract
This paper examines the similarities in the films"Boys Don't Cry" and "TransAmerica". The paper explains that both films feature working class people, and the challenges of trailer park life--including the sexual stresses placed on vulnerable young people living in an environment where the walls, if they even exist, are thin. The paper also points out that both films are also both road movies, though this is more obvious with "TransAmerica" than with "Boys Don't Cry." Finally, the paper points out, what is most obvious about both films, that they are both films about transsexuals.
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The Evil of Lady Macbeth, 2007.
This paper examines the wicked character of Lady Macbeth in Shakespeare's "Macbeth."
1,355 words (approx. 5.4 pages), 1 source, MLA, $ 45.95
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Abstract
The paper analyzes Lady Macbeth and discusses how we see her evil throughout the play. The paper shows how she manipulates her husband and how she decides to murder Duncan and then plans the murder. The paper discusses how she is not willing to commit murder herself so that she does not need to take any responsibility and also examines how she responds to the murder. The paper highlights how she is more evil than her husband; while Macbeth completes an evil action, Lady Macbeth shows that she is evil in her actions and in her character. The paper discusses how this evil stems from her lack of regard for other people and her focus on what she wants at the expense of others.
From the Paper
"The first way that Lady Macbeth's evil is seen is in the way that she is willing to manipulate her husband. This occurs in Act 1, Scene 7, where she convinces Macbeth to commit the murder. At the start of the scene, Macbeth is applying reason to the situation and talking himself out of committing the murder. When Lady Macbeth enters he states his decision not to continue saying "We will proceed no further in this business" (I, vii). His reasons include that Duncan has been good to him. At this point, Macbeth seems like a good and reasonable man. Lady Macbeth then replies. Rather than acknowledge Macbeth's goodness, she chides him and calls him a coward."
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