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"Who's Irish?" and "Grass Roof", 2007.
Comparison and contrast essay of the short story "Who's Irish" by Gish Jen and the novel "Grass Roof" by Dao Strom.
1,649 words (approx. 6.6 pages), 2 sources, MLA, $ 53.95
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Abstract
This paper compares and contrasts Gish Jen's short story "Who's Irish?" with Dao Strom's novel "Grass Roof." The reviewer describes how both works investigate the complex problems that arise from the clash between the Asian and Western cultures. The paper further discusses the authors' styles and also the conflicts found in both works. The reviewer concludes that both stories give a painful and complex account of identity loss, displacement and racial discrimination in the lives of their characters.
From the Paper
"Gish Jen's short story is narrated in broken English by a Chinese grandmother living with her daughter's family in the Unites States. Jen uses a multiple ethnic context, emphasizing the problems arising from the many cultural differences. The title of the short story, Who's Irish? directly questions identity and ethnicity. First of all, the story is about a Chinese American family who is now at the third generation of immigrants in the United States. Moreover, the family itself is a blend of ethnicities: the Chinese American daughter, Natalie is married to an Irish man, John Shea. The conflict in the story is thus a multiple one: there is an inner conflict between the Irish and the Chinese influences, repeatedly voiced in the Chinese grandmother's discourse. Sophie, Natalie and John's little girl, is obviously at the center of this conflict."
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Irish Folklore, 2004.
An examination of how Irish folklore and myth are an integral part of Irish culture.
1,855 words (approx. 7.4 pages), 6 sources, MLA, $ 59.95
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Abstract
Irish culture is centered upon the folklore and myths that have been a significant part of Irish traditions and history. When it comes to folklore and Gaelic culture, the Irish are proud of their history and often distinguish themselves from the rest of the European culture. This paper explores traditional Irish folklore and its significance on contemporary Irish culture customs and beliefs. It also outlines factors that have contributed to the development and reservation of the Irish folklore.
From the Paper
"In order to understand how Irish folklore has shaped the cultural beliefs, traditions and customs of the Irish people, it is important to understand how Ireland is culturally unique from the rest of Europe and how it differs in geography, history and tradition. The Irish people are known as some of the best storytellers in the world and their folklore is considered to be the strongest reflection of the Irish culture. In Sean O?Sullivan?s work, The Folklore of Ireland, he describes Irish folklore as ?the oldest vernacular literature in Western Europe? (11). From O?Sullivan, we learn that the Irish are extremely protective of their folklore and the literature associated with it and that the written records of these tales date back to the 12th Century. O?Sullivan outlines three reasons why Irish folklore differs from that of other ethnic folklore in Europe. Firstly, the geographical placement of Ireland in relation to the rest of Europe allowed the Irish to draw on ideas from other countries while their isolation created an environment where their own stories and traditions could be preserved and kept as their own. "
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Irish Cultures, 2005.
A look at early Irish art and literature and how it helps define early Irish culture.
2,566 words (approx. 10.3 pages), 5 sources, MLA, $ 77.95
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Abstract
This paper examines early Irish art and literature in an effort to gain insight into early Irish heritage and culture. The paper discusses Le Tene art, Celtic art, the emergence of craft centers or workshops, influences on Le Tene art and Le Tene art's influence on other cultures as well as early Christian artifacts, the importance and significance of the Ulster cycle in Irish literature, and how the story "The Tain Bo Cuailgne" represents the rough, common life of the early Irish.
From the Paper
"When attempting to explore early Irish cultures, we can discover much when we observe art and literature in conjunction with historical information. Historical facts only present a portion of the picture, while artifacts and literature fill in the gaps. Art from the Le Tene culture offers incredible insight into early Irish heritage because literacy was not widespread. Symbols and images depicted on pieces discovered at this time represent rituals and beliefs. While most of the population could not write, the literature from the Ulster era helps support what we can learn from artifacts. In addition, when we combine what we see and read from the arts of early Irish cultures, we discover a remarkable connection to historical accounts of these people."
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The Irish Political Structure, 2001.
This paper presents an overview of Irish political structure, taking into consideration the historical factors that have produced the Irish state as it is currently structured and looking at what the future might bring to Ireland.
3,150 words (approx. 12.6 pages), 6 sources, APA, $ 91.95
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Abstract
The following paper discusses the complex story of the political history of Ireland. The writer examines the complexities in this particular tale that arise primarily from the intricacies of colonization, and the particular kind of colonization inflicted on the Irish by the English. In addition the way in which the volatile religious climate of the land affected Irish history is also be explored.
Introduction
Making of the Modern Irish State
Implications for Comparative Politics,State, Society, and Economy
Governance and Policy-making
The Executive
Other Organizations of the State
Representation and Participation
The Legislature
Political Parties
Political Culture
Conclusion
From the Paper
"Humans have inhabited Ireland for millennia, but an examination of the current political structure in Ireland does not have to go back quite so far. Where exactly to begin, however, remains a good question, for every historical event can be seen to have a precedent in what came before. But one of the most obvious places to begin is with the Irish Revolution.
Growing tension and resentment in Ireland over British rule at the end of the 19th and beginning of the 20th centuries and the question of Irish independence set in motion a chain of events that came to be known as the Irish Revolution. Conflicts between nationalists, who wanted a completely independent Irish republic, and unionists, who wished to remain under British control, led to the establishment of armed paramilitary groups in both areas of the island."
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Contemporary Irish Women Writers, 2008.
This paper compares Eilis Ni Dhuibhne's "Midwife to the Fairies" and Mary Dorcey's "The Husband", which both challenge the Irish sensibilities that have contributed to the repression and subjugation of Irish women.
2,430 words (approx. 9.7 pages), 5 sources, MLA, $ 74.95
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Abstract
This paper explores how how two contemporary Irish female writers, Eilis Ni Dhuibhne and Mary Dorcey, in two structurally and stylistically different short stories, "Midwife to the Fairies" and "The Husband" (respectively), challenge the Irish sensibilities regarding the continued subjugation of women and repression of female sexuality through ignorance and intolerance. The paper then discusses the strengths and weaknesses of each approach, and proposes which is more effective, critically.
From the Paper
"Her self-centeredness, however, is far outweighed by her passivity in the face of a crisis and a tragedy waiting to happen. She first is shown to be passive in her decision to become a midwife: "My mother did it before me and her mother before her" (33). Mary shows herself to do what is traditional to do--she doesn't challenge the status quo. But her passivity has more grievous consequences when she chooses not to act and save a baby girl after delivering her into bleak circumstances."
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Irish-American Immigration, 2004.
This paper discusses the Irish immigration to America, which was associated with the genocide in the Potato Famine of the 1840s and the policies of the British that caused the death of nine million Irish.
1,430 words (approx. 5.7 pages), 6 sources, MLA, $ 47.95
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Abstract
This paper specifically explains the immigration of the Irish to Connecticut and New England. Much of the information was developed by the Works Progress Administration, a Depression-era organization that initiated projects to keep writers employed. The author points out that, before the American Revolution, there was Irish immigration, but much of it was in the form of indentured servants who were regarded as only marginally more worthy than slaves. The paper states that the ?massing of the green? aroused the New Englanders' fear of Catholicism because many Yankees thought only Protestantism was compatible with democracy and that the ?Papists? would want a theocracy or religion-friendly monarchy.
Table of Contents
Mythical Images
Poor Huddled Masses
Native Fears
From the Paper
"The Irish had come, whether the early indentured servants who had little choice, the second wave of the 1820s, or the third wave of the 1840s, in search of jobs. By 1870, they dominated the labor pool in the textile mills and such trades as bookmaking. The fact that they had come penniless and in search of jobs meant that, unlike settlers who had come with some money (some of the early Scandinavians and Germans, for example), they needed to settle in urban areas to perform those jobs. By 1860, about 21 percent of Hartford?s? population was Irish. By 1870, there was a similar contingent in New Haven."
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"Irish Dude Ranch Vacations".
This paper is a business plan for "Irish Dude Ranch Vacations," which introduces would-be riders to horses and to Ireland.
2,745 words (approx. 11.0 pages), 6 sources, MLA, $ 82.95
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Abstract
This paper explains that Irish Dude Ranch Vacations intends to unite the traditions of Western riding in the United States with the centuries-old expertise in equestrian sports of the Republic of Ireland to create a unique 'adventure vacation' for Americans, then for Canadians, then Australians, and then the rest of the globe. The initial marketing efforts to European nationals will be much more modest. The author points out that the Irish component will be arranged by contract, and all Irish personnel will be Irish nationals managed by the Irish Riding Centre, which is the first of several intended locations for the vacation packages. The paper states that very little investment is required on either side of the Atlantic, and yet it can tap into a very large and arguably underserved market because, in particular, Western riding, as opposed to European-style riding, is an active sport that can be enjoyed by almost anyone, regardless of physical condition. Chart. Illustrations
Table of Contents
Executive Summary
Vision and Mission Statements
Company Overview
Company History and Format
Basic Activities of the Business
Operating Hours
The Primary Service
Objectives
Current Status
Company Principals
Outsourcing or In-House?
Organizational Chart
Relationship Management Plan
Relationship Management Goals and Objectives
Who is Responsible for Managing Relationships within the Organization?
Who will Maintain Supply Relationships Outside of the Organization?
Reasons for this Choice
Political, Economic and Union Alliances
Diversity Management Plan
Importance of a Diversity Plan
Objectives and Goals of the Plan
Minority Groups to be Courted
Program Monitor
How are the Employees Trained?
Marketing Plan
Advertising Media
Our Service vs. the Competition
Email Marketing
Marketing Slide (Advertisement)
Products/Services Plan
Location Photos
Financial Plan
Operating Plan
Conclusion
From the Paper
"The vision of Irish Dude Ranch Vacations is to make a memorable, exciting, but safe active vacation experience possible for large segments of the population currently underserved in that area; those with less than optimal physical conditions and those who are quite young and quite old. The mission of the company is to introduce would-be riders of all sorts to horses and to Ireland, both of which are extremely spiritual and completely humanizing. The intention of this company is to make a good living for all concerned-including the horses in terms of excellent upkeep and training, and no overuse-and to do it by maintaining reasonable prices that make it affordable for great segments of the global population who might otherwise not get a chance to ride a horse or see an exotic and beautiful country."
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Irish Folklore, 2004.
An explanation of some of the more common practices seen in Irish culture.
8,610 words (approx. 34.4 pages), 11 sources, MLA, $ 181.95
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Abstract
This paper looks at typical Irish folklore, focusing on the wake, an event held following the death of a loved one. The writer compares traditional Irish wakes to those of the more subdued type commonly held in America today. The paper includes some literary references to Irish culture, including famous characters and people often referred to in Irish folklore.
Contents
The Wake in Ireland
The Traditional Irish Lament
The "Merry Wake"
Preludes to Death
The Moment of Dying
Samhain, Halloween, and the Translation of the Irish Wake into America
Heroes and Magic
Folklore Case Study
Washington Irving
From the Paper
"In Irish folktales, the outlaw hero is more than a criminal. He is meant to provide a means for ordinary men and women to surmount political defeats vicariously through brief victories. As the keening at a wake carries the honor of the deceased, the hero carries forward the honor of the people. The stories appeal to exactly the same population that enjoys a good wake. Croker observed that the popularity of outlaw stories was a prominent feature of rural life, as were the wakes, and it was common ?to hear the adventures and escapes of highwaymen and outlaws recited by the lower orders with the greatest minuteness, and dwelt on with a surprising fondness.? (Croker, cited in Cashman, 2000, unpaged) Indeed, a chapbook about the lives and actions of notorious Irish highwaymen, real and imaginary, was used as a text in the ?hedge schools? run in the countryside."
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Irish Identity and the Colonization of Ireland, 2004.
An analysis of modern Irish literature that explains how colonization affected the Irish people.
2,394 words (approx. 9.6 pages), 4 sources, MLA, $ 73.95
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Abstract
This paper deals with the social vices of Ireland and how colonization affected Irish people at this time. This paper deals with James Joyce's "Counterparts" as found in his book, "Dubliners," along with other sources of criticism.
From the Paper
"Modern Irish literature has provided critics with a vast array of themes which, for the most part, have been linked to the suffrage of the Irish people. Pertaining to James Joyce?s ?Counterparts,? scholars have identified and delved into three major themes which include: The effects of colonization on Ireland, the loss of identity of the Irish people and the modernization/mechanization of Ireland."
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W.B. Yeats and the Irish Renaissance, 2004.
Discussion of W.B. Yeats's participation in the Irish Renaissance theater movement.
1,415 words (approx. 5.7 pages), 9 sources, MLA, $ 47.95
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Abstract
W.B. Yeats was instrumental in the Irish Renaissance theater and literary movement, but critics claim that much of the movement has more to do with fairies and folklore than the hard reality of Irish history. This paper discusses these issues and concludes that, whether the works from the Irish Renaissance were idealized versions of Ireland's history written by leprechaun fanciers, or whether the literary movement's authors were attempting to bend history to suit their political tastes, the fact remains that the Irish Renaissance did help to reshape the Irish people's view of their past and how they saw themselves in the present.
From the Paper
"Blair-Ewart's argument is twofold. First, he sees the interpreters of Irish mythology and ancient chronicles as having only a superficial, subjective knowledge of Irish history that has no deep understanding of the causes or context of historically significant events. Blair-Ewart argues the Irish Renaissance authors interpreted events out of context with little or no historical evidence. This can be seen in Yeats' gleaning of folktales from peasants and publishing them as genuine Irish mythologies with little substantiation. Second, Blair-Ewart contends that the people behind the Irish Renaissance were attempting to use the past to help solve the problems of the present."
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Bermuda Grass, 2002.
An overview of the possible infections that can affect Bermuda grass.
2,900 words (approx. 11.6 pages), 7 sources, $ 106.95
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Abstract
This paper studies the various diseases and insects that are likely to affect the Bermuda grass. This type of grass is suitable for most places as they do not require much maintenance, but they like any other grass specie must be protected against possible infections.
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Irish Gothic Literature, 2007.
This paper is an overview of Irish Gothic literature, featuring many writers including Charles Maturin and Maria Edgeworth.
1,160 words (approx. 4.6 pages), 3 sources, MLA, $ 39.95
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Abstract
This paper explains that Irish Gothic literature is similar to standard Gothic genre in its regular themes of usurpation, unnatural happenings and the elements of terror; however, Irish Gothic literature seems to take on more readily political and religious colors. The author points out that a frequent motif is the abandoned and decaying "big house", which refers to the big houses of the Protestant upper classes of the ascendancy; the absentee landlord as a recurrent evil character such as Charles Maturin's "Melmoth the Wanderer" (1820) and Maria Edgeworth's "Castle Rackrent" (1800) and "The Absentee" (1812). The paper relates that critics do not agree on the relationship between Irish Gothic literature and politics because Irish authors diverge on the degree to which the political situation impacted the Irish writers of this period.
From the Paper
"Maria Edgeworth's "Castle Rackrent" gave birth to the so called "regional novel" and attracted the attention of the English public essentially for its romantic vision. However, Edgeworth belongs to the more "realistic" tradition and differs somewhat from James MacPherson whose "Temora" (1763) had been very well-accepted too. Edgeworth's novel was the first one of its genre. An old steward relates the eccentricities of three generations of Rackrents (Irish landlords) whose original name was O'Shaughlin and is related to the kings of Ireland."
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"No Irish Need Apply", 2002.
A look at the assimilation of people of Irish descent into the American work force.
1,208 words (approx. 4.8 pages), 5 sources, APA, $ 41.95
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Abstract
In the year 2000 the Irish population of the United States (those of Irish ancestry) numbered 33.1 million, almost nine times the population of Ireland itself. The paper shows that aside from the sheer number of their population, the Irish historically have had an influence on labor and the labor movement ever since they arrived. This paper examines data from the 1990 consensus and the 2000 consensus to discuss several facts about the Irish-American population in the labor force.
From the Paper
"The data collected from the 1990 census, where statistics on demographic populations were broken down by ancestry, not just general racial categories, indicates that this situation has now changed. Both the Labor Force Characteristics for Selected Ancestry Groups and the Selected Characteristics for Persons of Irish Ancestry were used. Data in the 2000 census was collected differently to comply with laws enacted several decades ago. Lost in this new configuration, however, is the ability to draw information about groups based on ancestry. For that reason, the 1990 census is a more effective gage of the current status of Irish-Americans in the present United States labor force. There is little doubt that despite the fact that Irish-Americans were once the pariahs of the labor market, the assimilation and acculturation of that population into the American mainstream has changed that situation drastically."
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The Great Irish Famine, 2001.
This paper takes a look at the causes and consequences of the Great Irish Famine.
900 words (approx. 3.6 pages), 10 sources, $ 31.95
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Abstract
This paper takes a look at the Great Irish Famine and explains the extensive personal suffering endured by the civilians. It provides a political background and events leading up to the famine as well as demographic, social and political consequences thereof.
From the paper:
"In researching this topic, I discovered that the Great Famine in Ireland was identified by several designations: the Irish Potato Famine, the Great Hunger, the Great Famine, and the Great Starvation. Although its title cannot depict the true nature of the suffering, the language used to describe this period will vary by the speaker. For example, those who describe the famine with innocuous images often refer to it as the Irish Potato Famine. This title brings to mind weather, nature, and blight, the result of acts of God. The Great Hunger and The Great Famine conjures a more realistic perception of suffering and death. However, some refer to it as The Great Starvation to convey the belief that the Irish suffered and starved in the midst of surplus; that the famine was a ?symbol of the exploitation of a whole nation by its oppressors.?"
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Irish Renaissance, 2005.
A look the Irish Renaissance of literature and culture at the end of the nineteenth and beginning of the twentieth centuries.
1,203 words (approx. 4.8 pages), 3 sources, MLA, $ 41.95
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Abstract
This paper explains that many of the writers of the Irish Renaissance often memorialized the new nationalist sentiments arising in Ireland and the increased tensions between Ireland and Britain in their writings. The paper notes that the Irish Renaissance was both a renaissance of Irish themes and a reminder that Ireland was not a full country with full autonomy, creating a tension that many of the writers would explore in their works.
From the Paper
"For example, William Butler Yeats is identified with the mythology of early Ireland, and his works feature the stories of the Irish hero Cuchulain in particular. This mythic background is part of what gives the poet his distinctive voice. At the same time, the poet often chafes against the mythology, as if the truths it shapes for him were false. Yeats made reference to other mythologies as well, notably those of the ancient Greeks and Romans, but he seemed less concerned with those references, perhaps because he knew that those mythic stories were better known to the world at large. He may have feared that his poetry was understandable only to the Irish and not to the world at large. Yeats expresses his love for his country and its people and does so in poetry that elevates nature while finding the other-worldly in that nature at the same time, which is often where the mythology enters as well."
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