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"Introducing Kafka", 2006.
A review of the book "Introducing Kafka" by David Zane Mairowitz and Robert Crumb.
1,984 words (approx. 7.9 pages), 3 sources, MLA, $ 63.95
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Abstract
This paper discusses how the book "Introducing Kafka" by David Zane Mairowitz and Robert Crumb is an excellent introduction into the life and times of Franz Kafka. It looks at how the book represents a mix of illustration and biography by two very talented individuals and how it offers new insights for those well-read on the topic and author. It shows how Mairowitz and Crumb drafted a very good look into the eccentric world and life of Franz Kafka by touching all of the great works, "The Judgment," "The Trial," "The Castle," "A Hunger Artist," and "The Metamorphosis."
Outline
Introduction
Kafka
Crumb
Mairowitz
Conclusion
From the Paper
"Franz Kafka was born in Prague on July 3, 1883, and lived until June 3, 1924. Most consider him to be a German Language novelist and he is also considered to be one of the most and possible the top authors in terms of influential appeal in the 20th-century. His middle-class Jewish Bohemian decent has been credited as the source for his vast insights into the inner workings of the mind and his life in Prague has been credited with his understanding of the social classes. "Of course this is one reason, one very powerful reason, for this obsession with power, his feelings about his father, which he summed up in the famous letter to his father which is to my mind, one of the most compelling pieces of personal literature that anybody's ever read in our time, or anybody's ever written in our time."
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Franz Kafka?s "A Hunger Artist", 2004.
A review of the short story, "A Hunger Artist", written by Franz Kafka, comparing it to Kafka's life.
921 words (approx. 3.7 pages), 2 sources, MLA, $ 32.95
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Abstract
This paper discusses the many similarities between Kafka's ?A Hunger Artist? and the private world of Franz Kafka. The paper provides a brief look into Kafka's background and the problematic relationship he had with his parents. The paper states that the predominant theme of the story is one of misunderstanding and explains how this theme relates to Kafka's life.
From the Paper
"Franz Kafka?s short story, ?A Hunger Artist? is considered by many to be a bizarre story about a bizarre art. The plot revolves around an artist who literally dies for his art while he is misunderstood for most of his life. The starving artist experiences an inner turmoil that he is never able to escape. In addition, the artist never finds the desperately needed approval he seeks from the public. While this story may appear to have nothing in common with anyone that exists in the real world, upon close inspection, we can see parallels in Kafka?s life and that of the starving artist."
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Kafka's predicament of modern man as portrayed in "The Metamorphosis", 2002.
The poet Auden has said that Kafka is important to us because his predicament is the predicament of modern man. This essay examines the truth of the statement based on Kafka's novella, "The Metamorphosis".
2,560 words (approx. 10.2 pages), 11 sources, MLA, $ 77.95
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Abstract
Modern man is in a predicament. He cannot please everyone. He cannot do any thing right. Kafka had personally experienced this situation. He vividly portrayed it in his writing, which are autobiographical in a sense. With "The Metamorphosis" as a basis, but drawing upon other sources as well, this essay begins by providing a definition of "modern man" and then examines the genesis, the nature and the consequences of the predicament. Ultimately the essay explores the way to come out of the predicament.
From the Paper
"The value of a work of literature, or of any other creative endeavour, lies in its universal appeal. Kafka's novella The Metamorphosis is a widely acclaimed landmark of twentieth century literature. We can completely empathise with Gregor Samsa, the protagonist of The Metamorphosis. Samsa's concerns are our concerns. W.H.Auden very aptly says, "Kafka is important to us because his predicament is the predicament of modern man." [1] The Metamorphosis can be read at various levels. At the simplest it is a bizarre tale of the transformation of a young man into a "monstrous vermin". How the provider of the family becomes an alien in his own home appears to be a tale of pure fantasy. But at a deeper level it is a tale of the author himself. Samsa, the name of the protagonist, is a cryptogram for Kafka. [2] Samsa's family situation is very similar to Kafka's. In a letter to his father written in 1919 (a letter which was never sent) Kafka accuses him of wanting to live off Kafka. [3] In the novella Gregor's father is living off Gregor's income despite having saved a reasonable sum of money from his collapsed business. But most important, Gregor's suppressed desires and emotions are really those experienced by Kafka. We finally realise, without being told, that Gregor's predicament is not only that of Kafka, but that of modern society as well. We come to this realisation because we have read works of other writers that deal with this issue, we have known about people who have been plagued by this predicament and to a varying degree we have experienced it ourselves."
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Kafka's Metamorphosis, 2005.
A review of the life of 'The Metamorphosis' author, Franz Kafka and an analysis of his literary work.
1,350 words (approx. 5.4 pages), 3 sources, $ 53.95
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Abstract
This paper discusses the life and achievements of Franz Kafka, and reviews his short story, 'The Metamorphosis', written in 1915. The paper uses research to indicate that there are significant elements of the story that are important to the work. These elements include the theory that the main character is written as a mirror image of Kafka himself, that Kafka demonstrates a correlation to Marxist theory in his writing, and that Kafka discusses his relationship with his father throughout his work.
From the Paper
"Franz Kafka was born in Prague in 1883. His parents, Hermann and Julie were part of a German-Jewish culture that remained close to the core of finer society until Hitler's rise to power ("Franz Kafka"). Hermann Kafka was an angry man who often resorted to inflicting physical abuse on his son, Franz. Kafka's childhood was, therefore, a difficult period that never truly left his thoughts, and that was a source of many of his works ("Franz Kafka"). Kafka had three sisters that were all killed in Nazi concentration camps. Kafka himself, however, was fortunate enough to attend college by 1901, earning a doctorate in 1906 ("Franz Kafka"). "
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Franz Kafka and Modernism, 2007.
This paper explores the central meaning and intention in Kafka's works and relates this to the Modernist movement.
2,515 words (approx. 10.1 pages), 10 sources, MLA, $ 76.95
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Abstract
In this article, the writer looks at how Franz Kafka is one of the most enigmatic and interesting figures in literature. The writer notes that Kafka's work has left an enduing impression on world literature as well as on popular culture. The writer discusses and explains the term "Kafkaesque", which has entered into ordinary vocabulary and conversation. The writer concludes that the works of Franz Kafka are representative of the central ethos and tents of the Modernist movement in literature. Further, the writer points out that Kafka's central themes, which emanate from a critique of his contemporary world, are the dislocation of identity and meaning and modern despair and confusion.
Outline:
Introduction
Modernism
Kafka, Alienation and Modernism
From the Paper
"From the point of view of world literature, the works of Franz Kafka have created a specific genre or literary niche. Much of the value of his writing lies however in the fact that it forms part of a general trend of literature in the 20th century. This is the Modernist movement in thought and art. Many critics are of the opinion that Kafka is closely aligned to the central movements in thought and literature during that period associated with Modernism; such as existentialism. In essence, the writings of Franz Kafka have become an integral part of the body of work written in the first half of the Twentieth Century that has become known as Modernism."
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Franz Kafka, 2007.
This paper considers well-known literary criticism of Franz Kafka's work.
1,720 words (approx. 6.9 pages), 2 sources, MLA, $ 55.95
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Abstract
This paper examines approaches to analyzing Franz Kafka's work, in particular those of Hajek and David Damrosch. The author highlights the vast differences in their approaches to literary criticism. The paper uses Kafka's "Metamorphosis" as an example of how Hajek and Damrosch examine Kafka's work from different angles. Despite their differences, both approaches contribute to our overall understanding Kafka's works.
From the Paper
"Critics have written extensively about the works of Franz Kafka and about his particular strengths and weaknesses as a writer, often taking wildly opposing points of view. Two such critics, Hajek and David Damrosch, clearly demonstrate these differing tendencies in their critical appraisal of Kafka's work. Their dissimilar methods of approach towards Kafka's fiction can not only be applied to it but to fiction in general."
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Kafka's "The Trial"--A Review, 2007.
A review of Franz Kafka's famous work "The Trial."
3,830 words (approx. 15.3 pages), 1 source, MLA, $ 105.95
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Abstract
This paper examines and reviews Franz Kafka's work "The Trial," describing it as a typically existential work. The paper explains the basic ideas behind existentialism and why "The Trial" contains the essential elements of this philosophy. The paper gives a basic plot summary and other literary devices Kafka used to engage the reader. The paper concludes by citing Kafka's possible intention of using this work to critique corrupt political regimes of his time.
From the Paper
"In this, K.'s existential anxiety increases progressively through the novel, as he continues to live under the extreme stress of waiting for something to come of his trial. This is signified by means of various elements, and most significantly in the suffocation that permeates all K.'s dealings with the law. K.'s source of meaning is his work and the way in which his life is ordered. In contrast to this, his existential angst is exacerbated by the Court and the way it harrassas him. "
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Franz Kafka's "Jaeger Gracchus", 2005.
This paper translates segments and interprets the original German text of Franz Kafka's "Jaeger Gracchus" ("Texte Zum Jager Gracchus Thema").
1,780 words (approx. 7.1 pages), 3 sources, MLA, $ 57.95
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Abstract
This paper explain that, in deciding how to interpret Franz Kafka's "Texte Zum Jager Gracchus Thema", the most obvious clue appears in the title in word 'Gracchus', which has the same meaning as the Czech word 'Kavka', 'jackdaw'. The author suggests that at least some elements in the Jager Gracchus character are autobiographical. The paper points out that, in the cited quotation in German, that Kafka appears to be expressing his awareness of both the attraction and the dangers of searching his wound, or in other words, scrutinizing himself. The author stresses that, in "Texte Zum Jager Gracchus Thema", Kafka explores the existential concerns of the Jewish people who have lost their link with faith and thus also God. The paper includes many quotations in German.
From the Paper
"The dilemma here is clearly that of Kafka; while he has a job, he is the Burgermeister, responsible for the angst of the Jager Gracchus who is neither living nor dead as a result of the lack of commitment on Burgermeister's part. The Jager Gracchus knows that the Burgermeister cannot remain in Riva, ''Es gibt hier nur zwei ... Du bist auf" He would be taking the wrong turn himself if he pretended that he could remain in this hedonistic, sensual (woman breast feeding baby, people doing normal stuff) paradise of Riva. He can't."
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Franz Kafka, 2006.
An examination of the life and written works of author Franz Kafka.
2,695 words (approx. 10.8 pages), 6 sources, APA, $ 80.95
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Abstract
This paper details the short life of Franz Kafka whom critics and literary historians labeled an existentialist comparable to Kierkegaard and Dostoevsky. It discusses Kafka's childhood which was the source of much of his unhappiness and determined the subject matter and content of his writing. This paper also analyzes Kafka's more popular works including "Metamorphosis" and "Amerika."
From the Paper
"He had already written a number of weird short stories, "The Judgment" - about an Oedipus complex that must have had him put part of his own personal agony into the characters- was the best known. Yet, he was so unsure of his writing, his talent, and his being accepted as a writer by others that none of his three novels, including "Amerika", "The Trial" and "The Castle" were even submitted to publishers. In his Will, he ordered his friend, Max Brod, to burn them, which Brod, of course, did not do."
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Kafka's World, 2003.
A review of Franz Kafka's "In The Penal Colony" and "The Trial Understandable".
4,117 words (approx. 16.5 pages), 13 sources, MLA, $ 110.95
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Abstract
Through his literature Franz Kafka creates worlds where natural, social, judicial and logical laws that govern our world no longer apply. The paper shows Kafka's worlds terrify us because our lives are full of moments which seem to imitate his worlds. The paper seeks to apply the abstract realities of Kafka's world to our reality in an effort to help us understand the meaning behind his work. It looks at two of his works as a reflection of his perception of reality - "In the Penal Colony" and "The Trial Understandable".
From the Paper
"What is interesting to note is that Kafka?s story never entered this phase, it began there. No Kafka story ever depicts the transition to this phase. "In the Penal Colony" begins at a time after the moment at which almost every other Kafka narrative works to arrive. We literally jump right in at the moment of judgment; whether it is that of an irrevocable legal decision, philosophical insight, religious salvation or damnation, or simply the judgment of the father. These forms of judgment cannot be kept separate in Kafka's narrative worlds. As Joseph K. thinks on the task of preparing his appeal to the court, his legal task becomes indistinguishable from the activity of philosophical or religious self-examination."
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Franz Kafka's "The Trial", 2006.
An analysis of Franz Kafka's portrayal of urban European life in the "The Trial".
1,800 words (approx. 7.2 pages), 1 source, $ 71.95
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Abstract
The modernist author, Franz Kafka, forever offers an existential view of urban European life as found in "The Trial". This essay explains, in relation to the English edition appearing in the United States in 1956, that Kafka enters a number of notes on a European city of 1925 and what it revealed to a young man lost in it, overtaken by events he cannot know that produced his arrest.
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Kafka's "Metamorphosis", 2001.
An analysis of the symbolism and the effects of the subconscious mind as utilized by Franz Kafka in this masterwork.
932 words (approx. 3.7 pages), 5 sources, APA, $ 33.95
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Abstract
This paper delves into the symbolism employed in Franz Kafka's "Metamorphosis" and discusses Kafka's true message, that the subversion of the traditional patriarchy is to blame, not only for Gregor's strife, but for that suffered by the entire family in the story.
From the Paper
"The Metamorphosis is rife with hidden symbolism typical of twentieth-century literature. And yet, the story takes anything but a standard tack, right from the start. This is not a tale of good versus evil; Gregor?s transformation is not some rude incantation cast upon him by some malevolent witch lurking in the shadows, destined eventually to die at the hands of our pitiful protagonist. Gregor?s change is not mere plot device, devoid in itself of meaning. Far from it: Gregor?s new form is, in actuality, his id manifesting itself physically in order to redress the offense the Samsa family has committed against itself: the perversion of the traditional patriarchy."
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Biography of Franz Kafka, 2002.
Explores the life and works of Franz Kafka.
1,150 words (approx. 4.6 pages), 7 sources, $ 44.95
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Abstract
This paper explores the life of Franz Kafka. Furthermore, it explores meaning in his works, such as "A Hunger Artist."
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"Metamorphosis" and Kafka's Ironic Perspective on Change, 2002.
Looks at the theme of irony in Franz Kafka's "The Metamorphasis", focusing on the lifestyle of protagonist, Gregory Samsa.
1,650 words (approx. 6.6 pages), 8 sources, $ 62.95
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Abstract
Details the ironic aspects of Kafka's classic story The Metamorphosis, emphasizing the contrast between Gregory Samsa's stagnant lifestyle and attitude, even after being transformed into a large bug, and his family's transition from idleness to productivity. Also emphasizes the importance of self over self-sacrifice, illustrated by events in the story.
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Kafka?s ?The Metamorphosis? and Sophocles? ?Oedipus Tyrannus", 2002.
This paper contends that both Franz Kafka?s short story, ?The Metamorphosis," and
Sophocles?s drama, ?Oedipus Tyrannus", focus on the protagonist as a classical Greek tragic hero, who is a victim of fate, and the absence of freewill.
1,600 words (approx. 6.4 pages), 0 sources, $ 52.95
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Abstract
This paper discusses that, although both the protagonists, Sophocles?s Oedipus the King and Kafka's Gregor Samsa, are victims of fate and paternal jealousy, both men emerge as preeminent heroes in the world of literature. The author states that Gregor Sarnsa and Oedipus the King are both tragic heroes, victims of their father?s fate and of their own, who are not in control of their destinies. The paper demonstrates that both Oedipus the King and Gregor Samsa assume the roles of their fathers, which contribute to their downfall as heroes.
From the Paper
"Laius tried to kill his infant son by leaving him to die on the side of a mountain; similarly, Gregor?s father successfully kills his son by throwing apples at him. Because of the prophesy that his son was going to murder him, Laius acted in self-defense. Oedipus usurps his father?s power inadvertently, but he does rise to power and becomes a hero because he killed his father. Gregor rose to power and became the head of his family because his father was disabled. Like Laius, Gregor?s father felt that he acted out of self-defense when he killed his son."
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