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Holly Sklar?s ?Imagine a Country?, 2002.
This paper discusses Holly Sklar?s ?Imagine a Country?, an essay on a plethora of problems.
1,160 words (approx. 4.6 pages), 1 source, MLA, $ 39.95
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Abstract
This paper explains that Sklar writes that, in a country as beautiful, diverse and wealthy as the United States of America, the imbalances cited should be practically nonexistent. The paper points out that Sklar believes that one of the root causes of the problem in the United States is corporate greed. The author underscores that many of society?s problems could be cured in a matter of decades if the school system changed its curriculum, atmosphere and methodology.
From the Paper
"Sklar spends time delineating the differences between men and women in American culture in terms of income level and domestic violence. Ann Scott Tyson supports her ideas about the wage inequality between men and women. There is absolutely no reason why this problem should continue to exist, and to not change it immediately is a crime. Gender inequality has far-reaching implications beyond just the seventy-five cents to the dollar. Gender inequality prevents half the population from contributing their fullest potential to a society that sorely needs help. Gender inequality also perpetuates stereotypes towards women, prevents women from being able to break free of these stereotypes, and encourages a distorted self-perception. Gerhart notices that young girls, with the aid of their overindulgent parents, are turning to plastic surgery to fix their psychological problems and poor body image. Despite warnings and common sense, parents are still teaching their children that plastic surgery can lead to happiness. Indeed, that happiness is plastic as well."
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"Imagine", 2007.
This paper analyzes the song "Imagine" by John Lennon.
1,016 words (approx. 4.1 pages), 1 source, MLA, $ 35.95
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Abstract
The paper discusses the imagery, metaphor, sound, tone and words used in the song. The paper discusses how John Lennon's song about world peace represents his own hopes and dreams for the future and hope for all humanity. The paper explains that Lennon captured the essence of the peace movement in the 1960s and 1970s in the song. The paper reveals that it remains one of his most enduring and best-loved songs.
From the Paper
""Imagine" is full of vivid imagery. Lennon wants the listener to imagine a better world, and the words bring out that image in the mind. He writes, "Imagine there's no countries / It isn't hard to do / Nothing to kill or die for / And no religion too / Imagine all the people / Living life in peace..." (Lennon). The imagery of the poem is in its ability to allow the listener to imagine and visualize these things, and what they would mean for the world. If all the people could "live life in peace," life would be much different for a majority of people in the world. Imagine what that would be like, to have true peace around the globe. It is a tantalizing picture, and a vivid image that the song brings to mind."
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Outsiders of the Medieval Imagination, 2001.
A discussion of Medieval spirituality and imagination that guided Medieval people's belief system and differentiated between conformer and non-conformer.
5,055 words (approx. 20.2 pages), 7 sources, $ 127.95
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Abstract
A look at the Medieval imagination. The author discusses the idea of spirituality of the Medieval people that considered outsiders as non-conformists, or people that were viewed as sub-human (people with abnormalities etc.) and used the imagination to differentiate between the real and the spiritual world.
From the Paper
"The idea of an outsider is present in all medieval works, this is a society of conformists and those non-conformists were all looked upon as outsiders; but what about the idea of outsiders that come not from the community but from another invisible world altogether. The idea of monsters have existed from ancient times, and even to the modern day with bogey men, but in the middle ages we find a plethora of monsters of all shapes and sizes. One need only look in the elaborately illuminated bestiaries of the medieval period to discover creatures from every realm of the imagination, from the saintly unicorn to the demonic dragon. These creatures, widely influenced by pagan mythology but with their own Christian twists, served an important part of the concept of the medieval persons concept of otherness. If the limit of otherness was not defined by only the human spectrum there was no limit to the amount of difference that a medieval person could differentiate between themselves and those seen as sub-human, such as Jews, heretics, and lepers."
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Loss of Imagination in Dejection: An Ode, 2001.
This paper is a review of the poem "Dejection: an Ode" and looks at whether or not it is possible to lose one's imagination.
775 words (approx. 3.1 pages), 0 sources, MLA, $ 27.95
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Abstract
This paper takes up the idea of loss of imagination, a popular idea of romantic poetry, that is the central theme of the poem, "Dejection: An Ode." The author compares this poem to the biblical story,
"The Fall" in order to show that there is a "point of no return" that is associated with the biblical example and that this must also be assumed in Coleridge's comparison to a loss of imagination.
From the Paper
"Consider for a moment the absence of all imagination. Of course, such an act is impossible. The very fascination of such an idea prompts the human mind to initiate its most creative powers. Nonetheless, Coleridge presents a hope-tinged lament to the notion of a loss of imagination in
"Dejection: An Ode." The demise of "genial spirits" in response to Wordsworth is depicted as permanent, and readers are offered no hopes of the visionary consolation through memory found in "Intimations Ode Instead, the speaker's "grief without a pang, void, dark, and drear" is irreversible and comes from deep within. The only expectation from which he may draw solace is that his "Lady" who is "pure of heart" may "evermore rejoice".
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Imagination and Literature in ?Madame Bovary? and ?Anne of Green Gables?, 2000.
This paper compares Flaubert's "Madame Bovary" and L.M. Montgomery?s "Anne of Green Gables" through the literary power of imagination in the lives of these heroines.
1,740 words (approx. 7.0 pages), 11 sources, MLA, $ 56.95
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Abstract
This paper contrasts the novels ?Madame Bovary? and ?Anne of Green Gables? in terms of their strong imaginative rebellious heroines that impacted their society at the time of the release. Both books had enormous popularity in their time. The paper explores how these heroines significantly express the power of imagination and literature in the lives of ?everyday? women. Their lives are examples and warnings for temperance.
From the Paper
"At first glance, the improbable comparison of Flaubert?s Madame Bovary to L.M. Montgomery?s Anne of Green Gables seems amusing and far-fetched. Although written in different languages over fifty years apart, and representing completely different societies, there is a connection. Bovary is a vulgar tale of adultery and struggle, ending in suicide. Anne, a children?s novel, portrays the life of a small orphan on P.E.I. So what is it that continues to connect the two in my mind?"
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Sociological Imagination, 2002.
This essay uses Bannerji's "Popular Images of South Asian Women" as an example of sociological imagination.
900 words (approx. 3.6 pages), 3 sources, $ 35.95
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Abstract
This paper demonstrates how Bannerji's essay is an example of the sociological imagination. Cassidy et al's article is used in the argument. The sociological imagination is a way of looking.
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Imagination and the Individual, 2001.
Coleridge and Shelley's respective notions of imagination are examined through their poetry.
2,000 words (approx. 8.0 pages), 4 sources, $ 63.95
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Abstract
This comparative essay focuses on Coleridge?s "Dejection: An Ode" and Shelley?s "Mont Blanc". Although it focuses on the author's respective philosophical views on the mind and perception as it is affected by language, the essay maintains attention to poetic form. Reality, truth, imagination and illusion are all discussed.
From the Paper
"Both Coleridge and Shelly center imaginative investigations on perception. They study the relationship between thoughts and the individual and the relationship between thoughts and surroundings. The imagination is the most direct faculty of creating images in the mind?s eye. Perception is greatly affected by the impact of the external world upon the mind. The imagination plays with impressions in Coleridge?s "Dejection: An Ode" and Shelley?s "Mont Blanc", to both interpret and create reality. Both Coleridge and Shelley attempt to reflect the imaginative process which is inaccessible. In both works, a step back from the external world is taken, in a reflection upon experience. In "Mont Blanc" and "Dejection: An Ode", the poet engages the external world in an attempt to make sense through perception. Both "Dejection:An Ode", and "Mont Blanc" present a sublime moment between the ?self? and the ?other.? Through interpretation and poetry, illusion is created, masking reality. Both works reflect the world?s imprint upon human senses which is organized through nature and nurture. Shelley and Coleridge express value in the imagination, a product of both nature and nurture, containing the essential nature of the universe."
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The Darkness Within: Imagining Edgar Allen Poe, 2002.
A review of the theme of darkness in the novels "The Fall of the House of Usher", and "The Pit and the Pendulum" and the poem "For Annie" by Edgar Allen Poe.
2,400 words (approx. 9.6 pages), 13 sources, $ 89.95
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Abstract
This paper explores two stories by Edgar Allen Poe, "The Fall of the House of Usher", and "The Pit and the Pendulum". These stories are considered in relation to a poem Poe wrote called, "For Annie", a verse written for a friend of his, Annie Richmond. The theme of this paper is about "darkness," where darkness is a metaphor that imbues Poe's horror stories with themes of consciousness and experiences with terror. Because Poe was especially interested in the susceptibility of the imagination, this paper attempts to "imagine" Edgar Allen Poe in relation to varying metaphors of darkness that characterize the author's life and literature.
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Business Plan for Imagined Product, 2006.
A paper outlining a business plan for VIVID, a skin care product imagined by the writer.
1,778 words (approx. 7.1 pages), 5 sources, MLA, $ 57.95
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Abstract
This paper discusses the business prospects for the product VIVID, an anti-wrinkle cream containing Retinol. The paper explores the marketing edge of this product over existing products in the market, citing both the timing of the product and the lower cost of VIVID. The author describes the marketing techniques and the business plan for the product.
Table of Contents:
Introduction
Marketing
Financial Management
Operations
Conclusion
From the Paper
"As compared to creams which sell for $90 or higher per ounce, it is the guarantee of VIVID that wrinkle lines will vanish when used over a 30 day period. The majority of women see immediate results. VIVID has been receiving a lot of enquiries every week enquiring the causes regarding selling the product for 10% of the price charged by Estee Lauder for a comparable Retinol cream. We provide our answer that we have tested our Retinol against theirs and our cream wins by a large margin. However, we lack the marketing savvy of Estee Lauder which is beneficial to our clients. Majority of the large cosmetic companies give greatly publicized anti-aging wrinkle cream. What they are unsuccessful in disclosing that these products speed up the aging process of the skin and increase the risk of skin cancer. Clinical studies in the US and Europe demonstrate the effects of these skins to be short-term based and cause damage in the short-term and an important factor of aging of skin in the long term. (Retinol Wrinkle Treatment, 2 OZ)"
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Supernatural Powers in Imagining Argentina, 2002.
This paper discusses Lawrence Thornton's novel Imagining Argentina.
1,150 words (approx. 4.6 pages), 3 sources, $ 44.95
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Abstract
It answers the questions: How does Thorton's choice to create a character with supernatural powers work in his novel? How does this breaking of the convention of the traditional form contribute to his purpose? It also compares the novel's protagonist to Alice in Wonderland, drawing parallels between the use of dreams in both books.
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Susanne Langer on Imagination and Dreams, 2002.
This paper looks at the theories of Susanne Langer and how they apply to the imagination and dreams.
3,087 words (approx. 12.3 pages), 5 sources, MLA, $ 90.95
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Abstract
The paper asks the question of whether or not humans are the only creatures who dream. The writer uses the texts of Susanne Langer to explore this question and to argue that the human mind, born of dream figments, and nurtured by the symbolism which the mind itself produces, has all the equipment it needs both for its own maintenance and, especially, its future growth and development.
From the Paper
"At one point in her Mind series, Langer suggests that feeling is simply a phase of a total act. Titchener?s view supports that notion. If all acts have a phase of feeling, then a superact, which entrains smaller acts in its progress, will possess the final product of all those psychic phases. That product would, in turn, be experienced as a broadening of the variety, as well as a concentration, of feeling. ?The total activity of the matrix has been raised to a higher level? (Mind 2, 273). For the purposes of theorizing, and having admitted that knowledge as to where feeling begins still escapes us, Langer will work with the hypothesis that it begins with behaviour. But she makes the further acknowledgment that exactly where behaviour begins is difficult to determine. (Mind 2, 272)"
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C. Wright Mills' "The Sociological Imagination", 2005.
This paper discusses the theme of C. Wright Mills' "The Sociological Imagination"
2,700 words (approx. 10.8 pages), 1 source, $ 106.95
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Abstract
This paper examines the work of the sociologist C. Wright Mills. The author points out that Mills felt compelled to criticize many of the social sciences developments he observed in the 1950s because he saw many of these developments as threats to the ability of the social sciences to benefit humanity. The paper relates that, in his opinion, social scientists of this era were hindering the emergence of true freedom in society by adhering to conformist theories and encouraging a robot-like acceptance of established authority.
From the Paper
"As the theme of his book "The Sociological Imagination" demonstrates, the prominent and controversial sociologist C. Wright Mills felt compelled to criticize many of the social sciences developments he observed in the nineteen-fifties, for he saw many of these developments as threats to the ability of the social sciences to benefit humanity. In his opinion, social scientists of this era were hindering the emergence of true freedom in society by adhering to conformist theories and encouraging a robot-like acceptance of established authority. For Mills, the sociological imagination he wanted people to develop would fulfill the vast potential he saw in sociology."
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Realism and Imagination in Short Fiction, 2002.
Discusses these two themes in "The Open Boat" (Crane), "Sonny's Blues" (Baldwin), "The Rocking-Horse Winner" (Lawrence) and "The Secret Life of Walter Mitty" (Thurber).
900 words (approx. 3.6 pages), 1 source, $ 35.95
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Abstract
Describes the element of realism of fancy/imagination in four classic short stories: Stephen Crane's "The Open Boat," James Baldwin's "Sonny's Blues," D.H. Lawrence's "The Rocking-Horse Winner," and James Thurber's "The Secret Life of Walter Mitty."
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Two Conversation and Imagination Poems by Coleridge, 2002.
This paper discusses two poems by Samuel Taylor Coleridge from the Romantic period of the English literature.
1,560 words (approx. 6.2 pages), 4 sources, MLA, $ 51.95
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This paper discusses the differences between Samuel Taylor Coleridge?s two poems: ?Frost at Midnight?, and ?Pains of Sleep?. These two poems are of different themes and forms and yet exhibit the creativeness found in Coleridge?s works. The author also explains how Coleridge was also a literary critic who defined the category of conversation and imagination poems.
From the Paper
""Pains of Sleep" is another literary work from Coleridge, and it was written in 1803. Contrary to the melancholy tone yet positive outlook of the poet?s behavior in "Frost at Midnight", "Pains of Sleep" shows the agony experienced by the poet in his struggle to overcome his opium addiction and its after-effect. The poem discusses Coleridge?s fear of sleep, and of dreaming. It is evident in the poem?s anguished tone that it Coleridge describes his agony in descriptive detail. "Pains of Sleep" is categorized as an example of an imagination poem, a poem that contains brilliant imagery and supernatural elements, and is ?far-off? from the ordinary world of people. Imagery during the Romantic period is a powerful tool to express a message in creative and descriptive detail, and is often referred to as ?the sensations that language creates in the mind? "
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Imagination, Power, Love & War in Poetry, 2002.
A study on the powerful illustrative themes of three poems.
1,235 words (approx. 4.9 pages), 0 sources, APA, $ 42.95
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Abstract
This paper demonstrates how poems present themes and how each work achieves the theme of power, love, or war by the use of imagination, which is effectively used to illustrate the importance of each theme. The paper uses the examples of three poems to depict its theory: ?Siren Song? by Margaret Atwood, ?Dover Beach? by Matthew Arnold and ?Three Ravens? by an anonymous author.
From the Paper
"The poems ?Siren Song,? ?Dover Beach,? and ?Three Ravens? are literary works that depict the theme of power, love, and war (respectively). This paper will discuss in detail how each poem tackles the themes that were presented, and how each work achieves the theme of power, love, or war by the use of imagination, which is effectively used to illustrate the importance of each theme."
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