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"The Illustrated Man", 2008.
This paper discusses the overall theme found in Ray Bradbury's collection of short stories, "The Illustrated Man".
1,074 words (approx. 4.3 pages), 3 sources, MLA, $ 37.95
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Abstract
The paper relates that the dominant theme in Ray Bradbury's "The Illustrated Man" is how each person reacts to his own personal problems and fate when confronted with new and threatening circumstances. The paper focuses on the way the protagonists in the stories "The Man," "Kaleidoscope" and "The Long Rain" react to a situation in which they know they have no way out and can only depend on themselves and their own inner strength.
From the Paper
"Ray Bradbury is one of America's best known and popular science fiction authors, having written more than 30 books over the past half century, not to mention numerous short stories, plays and screenplays. In this essay, I am going make an attempt to discuss the overall theme found in Ray Bradbury's collection of short stories, The Illustrated Man, which was originally published in 1951 and has been reprinted many times since ("Ray Bradbury.") The reason I am selecting this angle of approach is that although the issue of technology and its impact on society are a very important part of Bradbury's work, not every story is about technology itself. In most of the stories, technology forms only a backdrop. It also seems that despite some obvious exceptions (such as "The Other Foot") Bradbury's stories are not especially concerned with immediately relevant social issues, although they do deal with how society reacts to threatening events. In fact, it seems to me that what makes Bradbury's work here so interesting is the way he focuses on the effects of new ideas on particular individuals, and I see this as the overriding theme of the anthology."
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"Man's Fate", 2004.
A review of Andre Malraux's novel, "Man's Fate", illustrating the human realities and costs of war that have been depicted throughout Chinese literature.
960 words (approx. 3.8 pages), 4 sources, MLA, $ 34.95
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Abstract
This paper discusses Andre Malraux's novel, "Man's Fate", reflecting on the human emotions and conflicts that have characterized warfare for thousands of years. The paper describes the book as a powerful novel that depicts human loss, difficult decisions, and the conflict of ideologies.
From the Paper
"The characters in Man's Fate each have their flaws and secrets, and these mirror those seen in humanity as a whole. As Ch'en murders for the first time, he fears for his own soul and sanity, and these fears allow him to complete the suicide bombing with such apparent exuberance. Ferral, in contrast, possesses a primal need for control that he acts out upon everything around him. Old Gisor's addiction to opium and his love for his son underlie his own emotions and actions, while Kyo's behavior stems from his patriotism and drive to fulfill his people's cause. Katov sacrifices himself in order to relive the suffering of his comrades before his own."
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"Invisible Man'', 2002.
This paper explores the use of metaphor in Ralph Ellison's, " Invisible Man."
840 words (approx. 3.4 pages), 3 sources, MLA, $ 29.95
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Abstract
This paper examines the use of symbolism used in Chapter One of Ralph Ellison's "Invisible Man, "The Battle Royal," and its significance to African-Americans. The author traces the significant events in the life of the Invisible Man, beginning with the influence of his grandfather. The author uses different symbols to illustrate the different events in this man's life and how they are used to lay the groundwork in the first chapter of Ellison's book.
From the Paper
"The presence of the dancer at the battle royal (19-21) represents temptations that seem inviting on the outside, but which are not really good at all. Deprivation has made the temptation impossible to resist, despite the consequences: ?Had the price of looking been blindness,? Invisible Man tells us, ?I would have looked? (19). This is so, even though Invisible Man feels ?guilt and fear? (19) and knows that he will never really be able to obtain such enticements. The dancer represents mockery and vain lures toward the unfulfillable."
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Evolution of Man and Disease, 2000.
An anthropological discussion of the relationship between man and disease and how the theory of evolution affects the relationship.
1,622 words (approx. 6.5 pages), 7 sources, MLA, $ 52.95
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Abstract
This paper examines how the evolution of man can be seen in the diseases of our history and the advent of our personified warrior natures. It looks at how the evolution of a single cell to millions of victims illustrates this best as the events between these two points coincide with and are supported by science. In particular, it discusses the relationship of disease and man embodied in three diseases, the common cold, AIDS, and biological warfare.
From the Paper
"The theory of evolution extends to all aspects of life whether they are germs, people or military weapons. Since the dawn of time, things have evolved and changed and shown consistent motion in a direction known as forward or the future. During this movement and change, many processes and patterns can b observed and established in order to define the history of things and the future of things to come. Through the use of applied sciences, such as archaeology and anthropology, a definite and meaningful method of attaining truth is constructed and practiced in order to maintain and understand the forward progression of things."
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Invisible Man and Malcolm X, 2005.
A literary review and comparison of Ralph Ellison's "Invisible Man" and "The Autobiography of Malcolm X" by Malcolm X.
1,610 words (approx. 6.4 pages), 2 sources, MLA, $ 55.95
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Abstract
This paper compares and contrasts Ralph Ellison's novel, "Invisible Man" and Malcolm X's "The Autobiography of Malcolm X". The paper focuses on the sociological and political ideologies illustrated in the two books. The author of the paper highlights how the search for self-definition is a major theme of the analysis.
From the Paper
"It was an era of racism segregation and inequality during which Ralph Ellison and Malcolm X lived. Lacking equal protections in law comparable to Whites. African Americans endured second-class citizen status in American ..."
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"The Invisible Man", 2002.
A review of the lessons learnt by the protagonist in Ralph Ellison's novel "The Invisible Man".
1,275 words (approx. 5.1 pages), 1 source, $ 48.95
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Abstract
This paper focuses on the hard lessons in life that the invisible man learns, and how and when he learns those lessons. In a very specific manner, quoting frequently from the text to support the paper's conclusions, the paper illustrates that the protagonist learns that people will use other people for their capabilities, such as himself, that the world is dishonest, and that people of high status, such as rich men and professors, are often immoral and will control one's life if not resisted.
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"The Black Man?s Burden", 2004.
A review of the book, "The Black Man's Burden: Africa and the Curse of the Nation-States," written by Basil Davidson.
1,030 words (approx. 4.1 pages), 1 source, MLA, $ 36.95
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Abstract
This paper discusses Basil Davidson's book, "The Black Man's Burden: Africa and the Curse of the Nation-States," illustrating the inappropriate path towards nationalism in Africa. The paper presents the author's own account and theory about how, in the midst of an almost politically free African region, its peoples have yet to experience true freedom in the sense that they cannot govern themselves effectively, often falling prey to the promises of nationalism, but failing to live the ideal model of a nation-state.
From the Paper
"Throughout history, the most marginalized race in most countries in the age of capitalism and technological advancement remains to be the African race. Driven to live a life of bondage through slavery in most Western societies and being colonized in their own land, the Africans have not yet defined their true sense of identity as peoples. Instead, what was developed in their psyche is the feeling that they were indeed a race that would inevitably experience prejudice and discrimination in any society in the world."
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"A Portrait of the Artist as a Young Man", 2005.
A look at the journey of self discovery for the protagonist Stephen in James Joyce's "A Portrait of the Artist as a Young Man".
1,141 words (approx. 4.6 pages), 3 sources, MLA, $ 39.95
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Abstract
The author of this paper states that the journey to self-discovery may not always be painful but it is always rewarding. James Joyce's novel, "A Portrait of the Artist as a Young Man", describes such a journey, tracing the elements of Stephen's life that eventually lead him to self-realization and acceptance. This paper explains how Joyce utilizes mythology, symbolism, imagery and motifs to emphasize how Stephen matures over the years. It shows how these literary techniques help illustrate and illuminate Stephen's radical transformation.
From the Paper
"To conclude, James Joyce uses many literary motifs to illustrate and emphasize the progress of Stephen's journey in his novel, A Portrait of the Artist as a Young Man. Stephen's path to self-discovery is influenced by references religion and mythology. In addition, Joyce employs symbolism, imagery, and motifs in the novel to bring Stephen's adventures to life. Stephen's change was not a simple or easy one. Rather, it was difficult and complicated but well worth the painful experience of growing wings and learning to fly."
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The Misfit in "A Good Man is Hard to Find", 2002.
A review of the novel "A Good Man is Hard to Find" by Flannery O?Connor.
605 words (approx. 2.4 pages), 1 source, MLA, $ 21.95
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Abstract
This paper examines the story "A Good Man is Hard to Find" by Flannery O?Connor, which is set in the South and contains some of the typical Southern attitudes that were prevalent in the area. It demonstrates how these attitudes were deeply rooted through the comments made by the character Grandmother. It looks at how the reality of the character of the Misfit demonstrates the stereotypes about social class and upbringing by contrasting the reality of the character with Grandmother?s stereotypes. It shows how the misfit is a significant character in illustrating the prevalence of common misconception in the Southern United States.
From the Paper
"The southern stereotypes are recited again and again by Grandmother. Grandmother judges the man by his looks and the clothes he wears, she totally ignores the explanation by the Misfit about stealing them. For Grandmother, it is all about how he looks on the outside now.
"Listen," the grandmother almost screamed, "I know you're a good man. You don't look a bit like you have com- mon blood. I know you must come from nice people? {O?Connor, p. 147). She repeats it again on the same page, "Yes, it's a beautiful day," said the grandmother. "Listen," she said, "you shouldn't call yourself The Misfit because I know you're a good man at heart. I can just look at you and tell " {O?Connor, p. 147)"
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"A Very Old Man with Enormous Wings", 2005.
Summary and critical analysis of the story, "A Very Old Man with Enormous Wings", by well-known Colombian novelist, Gabriel Garcia Marquez.
1,155 words (approx. 4.6 pages), 2 sources, MLA, $ 39.95
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Abstract
This paper discusses how the author develops the following prevalent themes in the story: (1) the theme of religious dogmatism; (2) conservatism shown by being intolerant to differences of other people/individuals; and (3) the existence of magic in the midst of reality, i.e., the use of magical realism. Through illustrative examples and passages from the story, this paper posits that the short story, "A Very Old Man with Enormous Wings", depicts the realities of life in human society as the author (Marquez) perceives it: a life motivated by strict adherence to and belief in religion, resulting in dogmatism, intolerance to the differences of other people, and a life of poverty, resulting from the blurring of the distinction between illusion (magic) and reality.
From the Paper
"The theme of dogmatism is evident from the start of the short story. The use of the angel as the main character of the story illustrates the prevalence of religion in Elisenda and Pelayo?s town. Indeed, religion became manifest when the ?neighbor woman who knew everything about life and death? identified the old man with enormous wings as an angel. However, despite this information, the angel became a mere spectacle and subject of ridicule, rather than respect and reverence, in the small village. This is because he is portrayed as physically unappealing, shown in the following description in the story: ?He was dressed like a ragpicker. There were only a few faded hairs left on his bald skull and very few teeth in his mouth, and his pitiful condition of a drenched great-grandfather took away and sense of grandeur he might have had. His huge buzzard wings, dirty and half-plucked were forever entangled in the mud? he answered in an incomprehensible dialect with a strong sailor's voice? he was a lonely castaway from some foreign ship wrecked by the storm.?"
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"The Oxford Illustrated History of Medieval Europe", 2002.
A review of "The Oxford Illustrated History of Medieval Europe", edited by George Holmes.
650 words (approx. 2.6 pages), 1 source, $ 26.95
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Abstract
This paper is a book report on the book "The Oxford Illustrated History of Medieval Europe", edited by George Holmes and containing six essays on different aspects of the history and culture of the medieval period in the Mediterranean region and in Northern Europe.
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"The Man of the Crowd", 2005.
A discussion of the themes of loneliness and isolation in Edgar Allan Poe's work, "The Man of the Crowd".
1,410 words (approx. 5.6 pages), 4 sources, MLA, $ 46.95
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Abstract
This paper explains how Poe's story deals with the concept of the loneliness that humanity faces and how much horror Poe believes this loneliness brings to our lives. The paper uses examples from the story, which illustrate Poe's point about our isolation in society ,and describes some of the techniques Poe employs to make the reader agree with the message of the story.
From the Paper
"Establishing trust with the reader, however, is what Poe is most interesting in doing, because it allows for the darkness and despair that he feels to seep into the story. When Poe talks about it, it does not seem far-fetched or strange. Instead, it seems much more realistic that pain and horror is part of a normal life. There is a lot of terror in life, and there is also a lot of drama. Both of these things are necessary for life, just as happiness and peace are also necessary. Poe does not seem interested in happiness and peace, however, and instead focuses himself on the more tragic aspects of humanity. In some writing, this might seem like an attempt to sway the reader too much toward what the narrator or writer thinks, but the way Poe writes, it seems much more realistic and important. Instead of seeming to sway the reader, it seems merely to remind the reader that the main things in life are often painful and dramatic."
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"A Portrait of the Artist as a Young Man", 2004.
Looks at James Joyce's use of symbolism in his book, "A Portrait of the Artist as a Young Man".
1,134 words (approx. 4.5 pages), 1 source, MLA, $ 39.95
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Abstract
This paper looks at the different symbols and motifs used in Joyce's book and how they are used to illustrate the main character's maturity and growth. The paper explains how Joyce uses color, birds, and water as symbols, as well as his use of motifs such as fire, prayer, and religion.
From the Paper
"One significant use of symbolism in ?A Portrait of the Artist as a Young Man? is the myth of Icarus and Daedalus. Like Icarus and Daedalus , Stephen is wandering and seeking his identity. Because he is on a path to self-discovery, Joyce has Stephen walk the path of many roads. For instance, Stephen is wandering the streets when he happens upon his first sexual encounter. We are told that he ?wandered into a maze of narrow and dirty streets? (100). Stephen also wanders ?swiftly throughout he dark streets? (139) when he is struggling with his sin. He ?walked on and on through illicit streets, fearing to stand still for a moment lest it might seem that he held back from what awaited him? (140). After his confession, we are told the ?muddy streets were grey? as a purified Stephen made his way home. Stephen must balance his desire to leave his country with his own abilities. To avoid making a bad decision such as Icarus did, Stephen decides to spend more time at the university and develops his craft of writing."
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The Invisible Man, 2002.
An essay analyzing Black rage.
900 words (approx. 3.6 pages), 3 sources, $ 35.95
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Abstract
This paper shows how the invisible man reacted to Martin Luther King's assassination, the L.A. riots and the Black Panthers. It explains how the invisible man is the voice of the black scream and how author Ellison illustrates the frustration of a black man feeling invisible.
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Shakespeare's Plays Illustrated by Blake and Fuseli, 2007.
An analysis of the connection between William Shakespeare's works and the illustrations of William Blake and Henry Fuseli.
4,923 words (approx. 19.7 pages), 14 sources, MLA, $ 125.95
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Abstract
This paper discusses the ways in which drama and painting can serve as interpretations or explanations of one another. The paper begins by introducing William Blake (1757 - 1827) and Henry Fuseli (1741 - 1825) as two chief illustrators of William Shakespeare's plays. It then describes some of the scenes from which the artists drew their inspiration using three major themes - the supernatural and the nightmare, the world of dreams and fantasy and the human condition and history.
Table of Contents:
Introduction
The Supernatural and the World of Nightmare
The Fairy World of Dreams and Fantasy
The Human Condition and History
Conclusion
From the Paper
"The painting encapsulates all the drama we can expect from a work by Fuseli. As a matter of fact, the artist did several versions of the scene, including book illustrations and a painting that was exhibited at the Royal Academy in 1808. It is worth mentioning that the Cardinal's death was a popular subject for painters: Sir Joshua Reynolds, for instance, illustrated the same scene for the Boydell Shakespeare Gallery, and even Nicolas Poussin was inspired by that very passage. Fuseli introduces agitated figures in a very fluid composition, but there is a clear allusion to an earlier work, especially the way of gathering the figures around a central character, along with the arm pointed upward, paying homage to a drawing by Poussin, whom Fuseli admired a lot. The painting is a good example of the human condition, because it encapsulates various philosophical themes, such as life and death, guilt, suffering, and so forth."
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