| Papers [1-15] of 100 :: [Page 1 of 7] | | Go to page : 1 2 3 4 5 6 7 —> | Search results on "HORACE JUVENAL 18TH CENTURY SATIRE": |
|
|
|
Horace, Juvenal, and 18th Century Satire, 2004.
A discussion of the distinction between Horatian and Juvenalian modes of satire as exemplified in 18th century literary writings.
4,039 words (approx. 16.2 pages), 9 sources, MLA, $ 109.95
»
Click here to show/hide summary
Abstract
This paper analyzes the influence of Roman satirists, Horace and Juvenal, on 18th century satire. The paper examines the differences of these two modes of satiric writing. Juvenalian satire is harsher, more pointed, and often attacks particular people with an invective attack. Horatian satire is gentler, involving raillery as opposed to railing. The paper puts both these forms of satire into context and discusses the relevant points that arise from John Dryden's text, "Discourse on Satire," in relation to the topic. The paper then analyzes examples of these modes of satire as shown in Alexander Pope's "The Rape of the Lock," which can be seen as Horatian satire, and Jonathan Swift's "A Modest Proposal," which is more Juvenalian. The paper emphasizes how neither of these two texts gives a particularly clear example of the Horatian and Juvenalian forms of satire.
From the Paper
"Echoes of the works of Roman satirists Horace and Juvenal can be found, often in combination, within various early eighteenth-century (Augustan) satirical works, including Alexander Pope's mock epic The Rape of the Lock (1714) and Jonathan Swift's essay "A Modest Proposal" (1729). Pope's The Rape of the Lock is closer, overall, in terms of its satirical tone and content, to the comparatively gentle and subtle satirical style of Horace, than to the more direct, less subtle or gentle style of Juvenal. However, Swift's "A Modest Proposal", which is neither subtle nor gentle in its social critique, is arguably closer, overall, in both content and tone to the types of works created by Juvenal. Neither work, however, is sufficiently parallel in its style, tone, content, or other characteristics, to the works of either Horace or Juvenal, to warrant its being judged either more "Horatian" or more "Juvenalian" than the other: both works contain elements of both Horatian and Juvenalian satirical styles and modes. Therefore', both Pope's and swift's works to be examined within this essay might be more accurately described as instead being combinations, or juxtapositions, of Horatian, Juvenalian, and other satirical styles; i.e., the results of miscellaneous eighteenth century influences and other influences on their respective authors as well (such as, for example, Pope's social and artistic ambitions, or Swift's acerbic wit and strong personality (Nokes (1987) 101-11; 179-84)."
| |
|
Satire in English Literature, 2001.
This paper compares 3 major works of satire in English literature - "Moll Flanders" "Gulliver's Travels" and "Rape of the Lock"
970 words (approx. 3.9 pages), 4 sources, $ 34.95
»
Click here to show/hide summary
Abstract
This paper explains how satire was one of the most common tools used by writers and poets in the 17th and 18th centuries to either attack the political regime of the time or to highlight the ridiculous traditions of the society. It compares and contrasts three literary works which used this form of expression for political and social purposes.
From the paper:
"It was a tradition in the English Literature during the seventeenth and early 18th centuries that poets and writers would often use the technique of satire either for political purposes or simply to highlight the idiosyncrasies of the society. In this regard many major English literary figures used satire in their work but while some of them used it to create a light humorous situation, others would give it a very harsh tone, which resulted in some serious problems with those who were targeted in the work."
| |
|
Juvenal and Petronius as Satirists, 2005.
A look at the ways in which Juvenal and Petronius can be considered satirists and what characterises that genre.
2,330 words (approx. 9.3 pages), 10 sources, APA, $ 71.95
»
Click here to show/hide summary
Abstract
After emphasising the difference in genre of these two authors to the rest of the classical corpus and the importance of their lower-class subject matter to our overall understanding of the period, the paper goes on to analyse the character of Trimalchio in the "Satyricon", the world-view of the text and the relation of the satire to Nero himself. On Juvenal, the paper discusses the racism and indignation of the poet, and his perceived breakdown of the traditional client-patron dynamic.
From the Paper
"A sense of natural disorder and unpredictability in the world is much more evident in Petronius than Juvenal. Indeed, his literary form is an accurate reflection of this, since the novel is a sprawling account of the chance adventures of the narrator and his various happy-go-lucky companions. Out of the whole Satyricon, the Cena Trimalchionis is the masterful centrepiece of this kind of unpredictability; the drunken banter at the dinner-table takes the narrator Encolpius where it pleases, with speeches, slapstick mishaps and the boisterous conversational interventions of the inebriated freedmen. There does not seem to be a clear narrative structure to the episode. This sense of chaos culminates in the final, frantic arrival of the fire brigade, the ensuing panic of which affords the three friends an opportunity to escape."
| |
|
Jonathan Swift's Use of Satire, 2006.
An in depth discussion of Johnathan Swift, and his use of satire within his works and criticisms.
920 words (approx. 3.7 pages), 3 sources, MLA, $ 32.95
»
Click here to show/hide summary
Abstract
This essay explores Jonathan Swift's use of satire as exemplified in several of his works. The author proposes that Swift used satire in order to criticize the aristocrats and governments prevalent within early 18th century England and Ireland. Also considered are Swift's personal background, his emotional state and the historical context in which he lived and their contribution to his sardonic style.
From the Paper
"By definition, satire; as it pertains to literature, is a work in which wickedness, vice or folly is attacked through irony, derision, or wit (American Heritage Dictionary). However, after reading the quote I have provided on the title page, you can see that Swift's view of satire embodies a complexity that our modern day dictionaries simply cannot encapsulate. Swift's famous quote on satire challenges people to think of the ways in which we conceive our identities; usually by making comparisons and contrasts with others. Yet, in our most deeply buried layers of character, there are visions of the "other" by which we anchor our separateness; our notion of discrete identity. It is within Swift's infamous text; A Modest Proposal, that we see his complex views of satire utilized in creating an essay that ambiguously criticized the aristocrats, and governments prevalent within early 18th century England and Ireland."
| |
|
Jane Austen's Social Satire, 2007.
This paper discusses how radical Jane Austen's social satire is in "Northanger Abbey".
1,568 words (approx. 6.3 pages), 1 source, MLA, $ 51.95
»
Click here to show/hide summary
Abstract
In this article, the writer discusses that although the literary genre of satire, whether politically or socially oriented, is often associated with liberal politics, Jane Austen's novel "Northanger Abbey" demonstrates that satire can also be fundamentally conservative in its political and social aims. The writer points out that Austen's satire in the form of a novel upholds conventional English notions about gender, literature, class, and social mobility by demonstrating the folly that occurs when female propriety, the correct attitude to literature, and class boundaries are transgressed. The writer concludes that Austen frowns upon anything that is disruptive or might change the English social and religious author as eulogized so eloquently by the character Henry.
From the Paper
"The correct way to read gothic novels is in moderation, neither at the extremes of belief or disbelief of Catherine or Thorpe, and never as models of how society could or should function. Catherine misreads novels because she is immoderately seeped in female influence, in her books and friendships, and John Thorpe misreads novels because he does not care about the arts, good manners or refinement, and is merely trying to elevate his class and financial status through marriage--social mobility through marriage and an ostentatious appearance of course is another sin for Austen. Austen only approves of the sober, male judgment and upholding of class, religious, a moderate but approving attitude towards the arts, and national values, as espoused in the views of Henry."
| |
|
The Use of Satire, 2004.
This paper discusses the use of satire in Alexander Pope?s poem, ?The Rape of the Lock?, and Jean Baptiste Moli?re?s play, ?Tartuffe?.
810 words (approx. 3.2 pages), 2 sources, MLA, $ 28.95
»
Click here to show/hide summary
Abstract
This paper explains that, in ?The Rape of the Lock?, Pope satirizes the human condition, and, in ?Tartuffe?, Moli?re satirizes the religious. The author points out that Pope's ?The Rape of the Lock?, written in the traditional the heroic couplet form, is considered one of best illustrations of what is termed a mock-epic poem. The paper relates that, in ?Tartuffe?, Moli?re also uses satire to comment on society; through the exaggerated characters of Tartuffe and Orgon, he exposes religion and gullibility.
From the Paper
"Pope also takes a shot at male mentality. For instance, men are depicted as shallow as women are. The Baron devises new ?strategems? (3:120) to achieve his own ends. After he successfully attains the lock of hair, he exclaims, ?The glorious prize is mine!? (3:162) This scene reveals the lack of character of men who seek only to achieve a prize."
| |
|
Seven Qualities of Satire, 2002.
An overview of the literary device of satire and its different qualities.
775 words (approx. 3.1 pages), 5 sources, $ 30.95
»
Click here to show/hide summary
Abstract
This paper is on the topic of satire, and although all individuals are exposed to this form of composition or literary device, it is also the case that there is a more rigorous and formal approach taken by literature scholars on the subject. The focus of this analysis is largely exegetical. A discussion will be made both in terms of the historical use of this form of expression, but also with respect to the particular qualities and attributes which go into defining the topic and subject of satire.
| |
|
Gulliver and Satire, 2007.
This paper analyzes the aspect of satire in Jonathan Swift's book 'Gulliver's Travels'.
2,139 words (approx. 8.6 pages), 7 sources, MLA, $ 66.95
»
Click here to show/hide summary
Abstract
In this article, the writer examines the book 'Gulliver's Travels' by Jonathan Swift, which remains one of the best known satires in world literature. The writer notes that Jonathan Swift had gone to all lengths to surprise the English society of the 18th century, in all its different forms from an ironic perspective, emphasizing and ridiculing its petty characteristics. The writer discusses that Gulliver's size, as comparable instrument and relative to the size of the other characters and peoples met in the novel, is a way of satirizing and of drawing reflections and conclusions on human society, in its smallness and occasional complexity. The writer concludes that Gulliver's size is a way to show that people and individuals can draw the entire spectrum from smallness to greatness.
From the Paper
"There are perhaps two direct characteristics of the Lilliputan society worth mentioning above all: the conflict between Big-enders and the Small-enders, in terms of where to break the egg, and the way the officials are selected for office. The former pictures the smallness and insignificant causes that lead to European conflicts during Swift's time, with an obvious mark on the permanent conflict between France and England. By minimizing the conflict between Lilliput and Blefuscu, the author is minimizing the permanent conflicts between England and France and responds in this personal manner to the incompetence of cabinets encouraging this state of affairs in both countries. Certainly, in European terms, the causes of war are always 'more serious', but, in fact, they are still caught between the Spanish and Austrian successions, for example, and not directed to core, human - related issues. A country or a society so small as Lilliput (in comparison to Gulliver, for example), can only have small, insignificant wars and conflicts."
| |
|
Satire in "Gulliver's Travels", 2005.
Analyzes the theme of satire in "Gulliver's Travels" by Jonathan Swift.
1,350 words (approx. 5.4 pages), 0 sources, $ 53.95
»
Click here to show/hide summary
Abstract
In this paper, Jonathan Swift's "Gulliver's Travels" reflects the class status, intellectual elitism and government in England in a satirical format. The different adventures that Gulliver takes reflect the aspects of surrealism and dream-like qualities that deter the arrogant sense of reasoning that many British elites, such as Gulliver, felt about their own intellectual, political and class based initiatives in the world. The paper shows that this relativism of thought and reasoning is the major objective of Swift's satire, as he sought to reflect deeper, symbolic meanings behind each and every one of the stories adventures.
From the Paper
"This study will analyze the precept of satire, which reflects a deeper form of social criticism in Gulliver's Travels by Jonathan Swift. By understanding the basic societal issues that Swift faced in his day, such as class status, intellectual elitism, and government in England, one can realize how his humor is depicted in the characters of his book. In essence, this novel is humorous on a surface or comedic level for the cynical reader, but relates a far deeper satire in depicting corruption and deviancy on the part of 18^th century English nobility. The beginning of this novel reflects Gulliver's society and the middle-upper class upbringing, which he was raised."
| |
|
Romance and Satire in ?As You Like It?, 2004.
An examination of the themes of romance and satire in Shakespeare's play, "As You Like It".
3,587 words (approx. 14.3 pages), 8 sources, MLA, $ 100.95
»
Click here to show/hide summary
Abstract
William Shakespeare?s play, ?As You Like It,? provides us with colorful characters and hidden meanings as reality becomes a blur in the satirical forest of Arden. This paper discusses how the search for freedom combined with exile, the hunt and the passion of love, leads us, as well as the characters, on a journey of discovery. It explains that, through his interesting mix of characters, Shakespeare combines the elements of romance and satire to reveal the beauty of love and the sometimes absurd behavior of lovers. The writer also points out that, while mocking the pretentious, Shakespeare celebrates genuine love in the mystical garden of Arden.
From the Paper
"Bednarz suggests that Shakespeare focuses on alternatives to the way Jonson mocks morality. Jonson vigorously attacked the pretensions of romantic comedy while Shakespeare responds in larger ways and ?As You Like It? provides us with an excellent example of Shakespeare?s talent in this area. Arden represents the world in which this fairy tale can exist. Arden also provides Shakespeare the perfect setting for his satire. The pastoral setting mirrors reality, and is a place where things are not quite normal. Arden is a place where fiction becomes reality. The garden of Arden allows Shakespeare to twist ideas and situations. As a result, Arden becomes a romantic world shaded with satire."
| |
|
Jonathan Swift's Satire, 2005.
An analysis of Jonathan Swift's treatment of satire in "Gulliver's Travels".
1,380 words (approx. 5.5 pages), 1 source, MLA, $ 47.95
»
Click here to show/hide summary
Abstract
This paper examines Jonathan Swift's satiric treatment of war in his novel, "Gulliver's Travels" and targets of his satire including political and religious institutions and aspects of human behavior, with numerous examples from the text
From the Paper
" In Gulliver's Travels Jonathan Swift launches an elaborate satire on many aspects of human behavior as well as against the political and religious institutions of his day. His assaults against thinly veiled and therefore easily ..."
| |
|
Satire in "The Adventures of Huckleberry Finn", 2006.
Explains how Mark Twain uses satire in his book to negatively comment on American society.
838 words (approx. 3.4 pages), 1 source, MLA, $ 29.95
»
Click here to show/hide summary
Abstract
The paper analyzes two places in the novel where Twain uses satire and explains what he is trying to prove through this use of irony. The first paragraph serves as an introduction to the piece and the second and third detail specific instances where Twain utilizes his satirical method. The fourth paragraph concludes the essay by summarizing the ideas within it. The paper includes quotations from the novel.
From the Paper
"Satire is a technique in which a writer uses humor, irony, or exaggeration to expose the wrongs of another group or individual. Mark Twain uses satire in his novel, The Adventures of Huckleberry Finn, to communicate the problems with nineteenth century American society. Behind the seemingly uncomplicated adventures of a young boy, Huck, and a runaway slave, Jim, Twain subtly uses humor and irony to reveal and hint at ways to correct society's mistakes. Two cases in which Twain utilizes this method are the feud between the Shepherdson and Grangerford families, and the mob scene in Alabama."
| |
|
Satire of Voltaire and Moliere, 2002.
An analysis of the satire in Voltaire's 'Candide' and in Moliere's 'Tartuffe'.
1,150 words (approx. 4.6 pages), 5 sources, $ 44.95
»
Click here to show/hide summary
Abstract
This paper is on the topic of satire, and specifically, this paper will focus on Voltaire's 'Candide' and on Moliere's 'Tartuffe' . These are both by French author's of the seventeenth and eighteenth centuries, and both works critically present the social customs and the values of their age. Specifically, it can be argued that while Voltaire's 'Candide' is concerned with making fun of some of the ideas of the enlightenment (which will be examined), it is the case that Moliere's 'Tartuffe' can largely be seen as a critique of the social customs of the aristocracy or the 'decadence' of the rich or wealthy.
| |
|
Voltaire, Moliere and Satire, 2005.
Demonstrates the general qualities of satire and shows how these manifest in two works of French literature - "Candide" (Voltaire) and "Tartuffe" (Moliere).
1,287 words (approx. 5.1 pages), 5 sources, MLA, $ 43.95
»
Click here to show/hide summary
Abstract
This essay presents an analysis on the topic of satire, focusing on Voltaire's "Candide" and Moliere's "Tartuffe", two works by French authors of the seventeenth and eighteenth centuries. Both works critically present the social customs and the values of their age. Specifically, the paper argues that while Voltaire's "Candide" is concerned with making fun of some of the ideas of the enlightenment, Moliere's "Tartuffe" can largely be seen as a critique of the social customs of the aristocracy or the 'decadence' of the rich or wealthy, so to speak.
From the Paper
"As satire demonstrates, humor can be one of the more functional literary devices toward a form of moral or social criticism. By and large, the themes and the narratives which are associated with this genre and style of writing, concern social customs, values or beliefs which are criticized through being satirized."
| |
|
Satire in Woody Allen's Works, 2005.
Examines the element of satire and comedy in several of Woody Allen's works.
675 words (approx. 2.7 pages), 3 sources, MLA, $ 23.95
»
Click here to show/hide summary
Abstract
This paper looks at several of Woody Allen's most successful films and explains that the primary reason for their success was Allen's skillful use of satire and comedy. The films under discussion include "What's New Pussycat?," "Take the Money and Run," "Annie Hall," "Bullets Over Broadway" and "Everyone Says I Love You."
|
|
|
