| Papers [1-15] of 100 :: [Page 1 of 7] | | Go to page : 1 2 3 4 5 6 7 —> | Search results on "HITCHCOCK POE": |
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Edgar Allen Poe: "The Tell Tale Heart" and "The Cask of Amontillado", 2002.
This paper examines Poe's life and how it related to his dark fiction.
1,380 words (approx. 5.5 pages), 2 sources, $ 46.95
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Abstract
This essay compares and contrasts two of Edgar Allen Poe's frightening and haunting tales, "The Tell Tale Heart" and "The Cask of Amontillado". The author also cites parallels between the stories and Poe's dark life. The paper analyzes Poe's imagery and effective narrative style.
From the paper:
"Best known for his poems and short fiction, Edgar Allan Poe deserves more credit than any other writer for the transformation of the short story from anecdote to art. He virtually created the detective story and perfected the psychological thriller" (Anonymous Edgar Allan Poe POE.HTM). All of Edgar Alan Poe's work is known for its use of all elements of writing in portraying incredible stories that often haunt the reader. He was skilled in every aspect of writing it seems, especially in relationship to anything that was slightly obscure or eerie, which are also elements of the writer himself. His stories "The Tell Tale Heart" and "The Cask of Amontillado" are no exceptions to these conditions or realities."
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Edgar Allan Poe, 2004.
This paper is a comparison and contrast of Edgar Allan Poe's two styles of writing: the gothic genre of Poe's "The Fall of the House of Usher" and the detective genre of "The Purloined Letter."
1,125 words (approx. 4.5 pages), 3 sources, MLA, $ 39.95
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Abstract
This paper is a comparison and contrast of Edgar Allan Poe's two styles of writing: the gothic genre of Poe's "The Fall of the House of Usher" and the detective genre of "The Purloined Letter". The paper includes topics such as diction and the ease or difficulty in the ability to read and comprehend Poe's stories.
From the Paper
"Edgar Allan Poe is one of the most well known names in literature. He was a short story writer, a poet, a literary critic, a journalist, an editor, an essayist and novelist. Edgar Allen Poe virtually created the detective story genre and perfected the psychological thriller. Poe is celebrated as one of America's greatest writers of short stories but his first published works were poems. Arguably, the most prominent feature of Edgar Allen Poe's writing is his obsession with death."
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Edgar Allen Poe, 2007.
An analysis of the life and works of Edgar Allen Poe, particularly his poem, "The Raven."
1,962 words (approx. 7.8 pages), 13 sources, MLA, $ 62.95
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Abstract
This paper discusses the life of the great American writer, Edgar Allan Poe, who passed away on October 7, 1849. The paper presents excerpts from several obituaries written about Poe, in order to describe his life and work. The paper then provides some generalizations and critiques of Poe's works, particularly his famous poem, "The Raven."
Table of Contents:
Introduction: The Life of Poe
Poe's Literature - Generalizations and Critiques of his Work
The Raven
From the Paper
"Meanwhile when approaching a story by Edgar Allan Poe, the reader knows full well what to expect; something grim, shocking, bloody, evil, dark, sinister, and possibly something surprising is bound to happen. It may even be hideously frightening, and that will not be a shock to the senses of an experienced reader of Poe. But the real point of reviewing a Poe short story in the context of literary criticism, the real challenge, is to learn from the master himself. Reading Poe should be more than mere entertainment; it should be a learning experience in terms of how to use irony, how to produce sardonic humor, and how to employ bold and even cold narrative."
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Edgar Allan Poe: Guilty Conscience, 2006.
An exploration of some of the works of Edgar Allan Poe.
2,120 words (approx. 8.5 pages), 3 sources, MLA, $ 66.95
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Abstract
This paper explores the works of Edgar Allan Poe,by looking at the man behind the book. The author specifically centers on the two most famous works of Poe, "Tell- Tale Heart" and "The Black Cat" by examining the attitudes of the characters and how they are portrayed and what message the books are trying to give.The author concludes that with the similarities and differences between these two main works of Edgar Allan Poe, it is easy to see why Poe is considered one of the most controversial writers of all time and why has been criticized and also had much honor.
From the Paper
"The task of the narrator begins with careful planning, but in the end his guilty conscience creates his downfall. For seven days, the narrator watches the old man while he sleeps. The narrator's comments show his confidence and courage in his plan to kill: "Never before that night had I felt the extent of my own powers - of my sagacity. I could scarcely contain my feelings of triumph" (Poe 810). The narrator's comfort in his evil act continued even when the police came to check on the old man and investigate the loud noises neighbors heard the night before: "I smiled,-for what had I to fear? I bade the gentlemen welcome" (Poe 813). However, the narrator's mind is quickly consumed with guilt, which creates his figment of the imagination of hearing the old man's heartbeat from under the flooring."
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Poe's Philosophy, 2007.
This paper explores the philosophical beliefs and works of Edgar Allan Poe.
14,288 words (approx. 57.2 pages), 27 sources, MLA, $ 249.95
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Abstract
The paper discusses Poe's beliefs regarding 'genius' and society. The paper compares Poe's treatment of death with that of Herman Melville and Nathaniel Hawthorne. The paper explores Poe's philosophy of life; what he felt about the lack of intelligence that he saw in the aristocracy of his time and in the common masses. The paper analyzes Poe's tales and demonstrates how he was clearly troubled by society and the evils that he saw in it. The paper discusses Darwinism and natural law that Poe would likely have believed in.
Outline:
Introduction
Intellectual Aristocraticism
Genius, Pseudo-genius, and the Common-Sensical/the Masses
Noble Aesthetics
Poe's Tales
Friedrich Nietzsche
Conclusion - Natural Law
From the Paper
"For Edgar Allan Poe, one obsession appeared to be death. It was likely an escape, and an answer to the questions that plagued him all of his life. He wrote about death as often being grotesque and painful. One example is his work "The Cask of Amontillado," where Fortunato is bricked up inside a wall in the cellar to die a slow and painful death from suffocation, starvation, or possibly both (Scary, 2002). While death is not the central focus of Poe's work that needs to be discussed throughout this paper it will be addressed briefly in this introduction because there are some tie-ins with society and Poe's opinions."
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Alfred Hitchcock, 2004.
An analysis of the life and works of film director, Alfred Hitchcock.
1,202 words (approx. 4.8 pages), 6 sources, MLA, $ 41.95
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Abstract
This paper discusses the "king" of melodramatic films, Alfred Hitchcock. The paper contends that Hitchcock was (and remains) the originator and master of a kind of mystery thriller that no one has been able to duplicate. The paper presents a biography of Hitchcock's film career and a brief synopsis of several of his films. The paper explores Hitchcock's recurrent theme of an innocent protagonist being falsely accused for a crime.
From the Paper
"Hitchcock started in the movie industry, age 19, when he was hired to design titles at the Famous Players- Lasky London studios. He learned scripting, editing and art direction, and rose to become assistant director by 1922. That year, he directed his first (and unfinished) film, "No. 13, or Mrs. Peabody". It was three years later that he directed and completed his film "The Pleasure Garden", an Anglo-German production filmed in Munich. "This experience, plus a sting at Germany's UFA studios as an assistant director, help account for the Expressionistic character of his films, both in their visual schemes and thematic concerns.""
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Alfred Hitchcock and Women, 2009.
This paper looks at Alfred Hitchcock and the pre-feminist woman and provides an examination of the filmmaker's liberal attitude toward women.
1,428 words (approx. 5.7 pages), 2 sources, MLA, $ 47.95
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Abstract
In this article, the writer analyzes Hitchcock's portayal of women in his films. The writer first notes that regardless of the fact that Hitchcock portrayed many women as possessors of negative characteristics, feeble, and promiscuous, his portrayal of women, based on their careers and sexuality, is remarkably progressive for the age in which he created films. The writer then notes that, although Hitchcock's two most prominent career women are 'Psycho's' Marion and 'Rear Window's' Lisa Fremont, the two are implied to be relatively successful and certainly capable of greater career challenges. The writer maintains that although many claim that Alfred Hitchcock's films are misogynistic, the same evidence can be used to suggest Hitchcock's progressive trends. The writer concludes that the negative portrayals of Hitchcock's women, therefore, can be implied as society's faults, while the progressive attitude toward women suggests their capabilities.
From the Paper
"Coupled with the stereotype of sadomasochism is that of naivete. Throughout his films, Hitchcock manages to stun audiences with images of murder levied on naive victims. Brilliantly, this theme of naivete allows audience members to become involved in the drama of the murder, caring intimately and reacting strongly when the naive character or one close to him or her is killed. Although this scenario applies to a variety of characters, such as Strangers on a Train's Guy Haines, it is most brilliantly portrayed in Psycho, as naive Marion thoroughly enjoys her shower, unaware that her murderer lurks just outside the plastic curtain. The shower scene, reproduced so many times in both effigy and parody, allows viewers to glimpse the careless Marion lifting her arms, shutting her eyes, and opening and shutting her mouth in obvious enjoyment and relaxation. The audience can imagine and almost feel the hot water scalding on a blissful and naive Marion until Norman Bates throws open the curtain and thrusts a knife into the unsuspecting young woman. Audiences glimpse the anatomy of a smooth and attractive feminine stomach as Marion feebly attempts to fight her attacker. Finally, the scene ends with Marion's head, in all its feminine glory, drooping awkwardly over the bathtub."
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Hitchcock and Lynch, 2001.
Comparing the impact that Alfred Hitchcock had on David Lynch's film, "Lost Highway".
1,926 words (approx. 7.7 pages), 4 sources, MLA, $ 61.95
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Abstract
This paper shows how "Lost Highway" can be seen as a cinematic mixture of the concepts used by Alfred Hitchcock in "Notorious" and "Strangers on a Train". Lynch's original presentation of those concepts shows that Hitchcock's influence did not stifle his own creativity. It explains how "Lost Highway" contains Hitchcock's trademarks, such as the wrong man theme and doubles. It also shows Hitchcock's directorial influence on David Lynch and the use of symbols by both directors. The examples provided are backed up by film quotes, music references, and quotes from a notable book on Hitchcock, Donald Spoto's "The Art of Alfred Hitchcock".
From the Paper
"There are some directors that make great movies, and then, there are some directors who create amazing lasting cinema features. The latter do not only achieve fame in their lifetime, but are often immortalized by their own pieces as well as by the imitation of their styles and ideas. This imitation is, of course, not just a reproduction of what the original director did. The imitation, when done correctly, becomes another great piece of cinema unto itself; one such imitation is David Lynch's Lost Highway. Although Lost Highway can be seen as a cinematic mixture of the concepts used by Alfred Hitchcock in Notorious and Strangers on the Train, Lynch's original presentation of those concepts shows that Hitchcock's influence did not stifle his own creativity."
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Poe?s Women, 2002.
A discussion of the depiction of women in Edgar Allan Poe's "The Raven", "Annabel Lee", and "The Fall of the House of Usher?.
1,117 words (approx. 4.5 pages), 2 sources, MLA, $ 38.95
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Abstract
This paper examines how Edgar Allan Poe's "The Raven", "Annabel Lee", and "The Fall of the House of Usher? all depict the tragic loss of young and beautiful women. Poe describes Lenore, Annabel Lee and Madeline as young and achingly beautiful and all three women die premature and tragic deaths. In "The Raven" and "Annabel Lee", Poe mourns their tragic loss, while in "The Fall of the House of Usher?, Poe is clearly simply horrified at the gruesome and tragic death and he is not so deeply wrought with grief over the loss of someone he loves. It considers how Poe?s depictions of women in his literary work reflect his personal experiences with the premature deaths of his young and attractive wife and mother. Poe?s depictions remain relevant to readers of all ages and nationalities, as they speak to the universal misery of tragic loss and mourning.
From the Paper
"Poe?s poem "Annabel Lee" recounts the perfect love of the narrator and his child bride Annabel Lee. As in the Raven, Poe delves into the tragic loss of a beautiful woman within the lines of ?Annabel Lee?. Annabel Lee?s similarity in age to Poe?s young real-life bride is striking, and the poem can be seen as a reflection of Poe?s grief over the loss of his young wife. As in ?The Raven?, Poe focuses on the beauty of the young woman who dies tragically. The stars and the moon even remind the narrator of the young woman?s beauty after her tragic death. ?Annabel Lee? focuses primarily on the depth of the feelings of between the two young lovers, while ?The Raven? focuses more clearly on the grief at the loss of the young woman. In ?Annabel Lee?, the narrator tells a tale of a kingdom by the sea, where both he and Annabel Lee lived, and that they ?loved with a love that was more than love?."
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Alfred Hitchcock, 2006.
An analysis of 'The Man Who Knew Too Much' by Alfred Hitchcock.
1,125 words (approx. 4.5 pages), 2 sources, $ 44.95
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Abstract
This paper reviews Alfred Hitchcock's film 'The Man Who Knew Too Much'. According to the paper, it was first released in the United Kingdom in December of 1934. It was not released to American audiences until March of the following year. It was filmed at Lime Grove Studios in London England and filming began after Hitchcock completed his direction of Waltzes From Vienna in 1933. Producers, Michael Balcon and Ivor Montagu had the script prepared before Hitchcock agreed to take on the direction of the film. The paper further discusses how Hitchcock was said to have been given free reign over the direction of the film, although he was also given a small budget to complete the task. The cast for the film was recommended from varying sources. This included Peter Lorre, who was a German actor presented to Hitchcock through Sidney Bernstein.
From the Paper
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Alfred Hitchcock's "Psycho", 2007.
A review of Alfred Hitchcock's famous film "Psycho."
1,100 words (approx. 4.4 pages), 5 sources, MLA, $ 38.95
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Abstract
This paper analyzes Alfred Hitchcock's masterpiece of suspense, the film "Psycho." The reviewer describes the innovations, taboos and transgressions that Hitchcock explored in this film. Additionally, the paper discusses the emotional states of fear and horror that the film inspired, and how Hitchcock enticed his audience by giving them just enough information to lure them into the world of the protagonist, Norman. The paper also discusses how Hitchcock promoted his film prior to its release. The reviewer concludes that in "Psycho," Alfred Hitchcock lured his audience into the forbidden, made them uncomfortable but at the same time made them enjoy the brief experience of unspoken transgressions as seen in the film.
From the Paper
" When Norman purposely gives Marion the key to room number 1 so he can watch her through a peephole in the office, Hitchcock is enticing the audience with another transgression, voyeurism. The audience is forced into this secret world, forced to participate in Norman's forbidden thrill as he watches her undress. Such scenes resulted in much criticism. For example, a letter to the New York Times claimed that Psycho was "deliberately calculated to stimulate the jaded appetites of the middle-aged and arouse the worst latent instincts of teen-agers," suggesting that the transgressions depicted might be contagious (Hendershot). "
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Edgar Allan Poe, 2006.
A reflection of Edgar Allan Poe's life through an analysis of his poems and a review of his life.
675 words (approx. 2.7 pages), 3 sources, $ 26.95
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Abstract
This paper discusses and reflects upon the lonely and difficult life of Edgar Allan Poe. The paper explains that Poe suffered from depression for most of his life and that it was this depression that eventually caused his early death. The paper uses the poetry of Poe as well as biographical information to reflect on the American poet's life.
From the Paper
""Helen, they beauty is to me Like those Nicean barks of yore, That gently, o'er a perfumed sea, The weary, way-worn wanderer bore To his own native shore" (Barnet, Berman, and Burto 697). This is the first verse of the poem called, "To Helen," and it is only one of many poems and writings that Edgar Allan Poe wrote during his life. "Helen of Troy, [was] considered the most beautiful woman of ancient times" (Barnet, Berman, and Burto 697). No doubt, Edgar Allen Poe was touched by her beauty and moved to write this poem. Poe's biography will show that his life was difficult due to losing both of his parents before the age of three. This and the lost of his wife caused Poe to suffer with depression. This depression is what finally caused him to die at an early age. Looking at the biography and..."
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Alfred Hitchcock: A Master of Duality, 2002.
An analysis of two Hitchcock films, "Vertigo" and "Psycho".
1,121 words (approx. 4.5 pages), 0 sources, $ 38.95
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Abstract
This paper discusses the films, "Vertigo" and "Psycho" by Alfred Hitchcock portraying Hitchcock's penchant for duality. The writer explains how Hitchcock makes clear that the essence of suspense is the permanent struggle between the obvious and what could be. The paper illustrates the duality evident in "Vertigo" - the struggle between life and death; and that in "Psycho" - the evaluation of openness and mystery.
From the Paper
"For many, the name Alfred Hitchcock conjures hazy and disconnected memories of Cary Grant and Ingrid Bergman in Rio, Tippi Hedren being chased by killer birds, or Jimmy Stewart in a wheelchair; but for others?those that are somewhat more experienced with the work of Hitchcock?the utterance of his moniker means much more. Indeed, many consider Hitchcock to be not only one of the most prolific and entertaining filmmakers, but also one of the most profound. A recurring?and certainly intriguing?motif that holds together his body of work is his incessant interest and portrayal of duality: the conflicting, yet in some ways similar, nature of life. That is to say, Hitchcock (and no other, on as prestigious a level) was able to brilliantly compare, reduce, and then reevaluate polar opposites that every human encounters. Love or hate, man or woman, privacy or voyeurism, and dishonesty or fidelity were just some of the many themes he unraveled in the stories and aesthetics of his films. Two such films?with particular interest as each illustrates by movement, mise-en-scen, and narrative strategy, Hitchcock?s penchant for duality?are Vertigo, in which he juxtaposes the archetypal struggle between life and death, and Psycho, where he dabbles in the much more complex evaluation of openness and mystery."
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The Darkness Within: Imagining Edgar Allen Poe, 2002.
A review of the theme of darkness in the novels "The Fall of the House of Usher", and "The Pit and the Pendulum" and the poem "For Annie" by Edgar Allen Poe.
2,400 words (approx. 9.6 pages), 13 sources, $ 89.95
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Abstract
This paper explores two stories by Edgar Allen Poe, "The Fall of the House of Usher", and "The Pit and the Pendulum". These stories are considered in relation to a poem Poe wrote called, "For Annie", a verse written for a friend of his, Annie Richmond. The theme of this paper is about "darkness," where darkness is a metaphor that imbues Poe's horror stories with themes of consciousness and experiences with terror. Because Poe was especially interested in the susceptibility of the imagination, this paper attempts to "imagine" Edgar Allen Poe in relation to varying metaphors of darkness that characterize the author's life and literature.
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The Works of Poe, Whitman and Dickinson, 2001.
This paper compares the works of Poe, Whitman and Dickinson by focusing on poetic techniques and themes.
1,070 words (approx. 4.3 pages), 1 source, $ 37.95
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Abstract
The following paper shows how the works of Poe, Whitman, and Dickinson all have an unreal quality about them as they are removed from real life and are emotional rather than intellectual.
From the paper:
"The subjects of Walt Whitman are wider ranging than Poe and Dickinson. They are also often on less emotional and more concrete subjects. Some of these subjects include the futility of war, love and separation, first love as well as more spiritual topics. What Whitman shares with Poe and Dickinson is the emotion levels of his work. In form, Whitman's poems are long. They are also more structured than Poe's, whose sentences tend to be short and stanzas tend to be irregular. Rhyme is used by Whitman though rhyme is sometimes unstructured and chaotic".
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