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Search results on "HISTORY TYPOGRAPHY":

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typography TOPOGRAPHY TYPOGRAPHIC TYPOGRAPHER

Term Paper # 36423 SHOPPING CART DISABLED
History of Typography, 2002.
A look at the history of typography.
1,400 words (approx. 5.6 pages), 16 sources, $ 53.95
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Abstract
A paper on the history of typography which traces the development of typography from the invention of the Gutenberg Press to the digital era.
Term Paper # 87976 SHOPPING CART DISABLED
The Art Nouveau Movement, 2005.
This paper explores how the Art Nouveau Movement influenced the typography of the early 20th century.
1,125 words (approx. 4.5 pages), 0 sources, $ 44.95
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Abstract
The paper examines how the Art Nouveau Movement played a large role in transforming how normative geometric designs were used in creating type fonts at the beginning of the 20th century. The organic and natural design schematics of Art Nouveau made it possible to bring curvature and fauna forms into letter formats. The paper explains that the highly styled kind of typography that this created may not have been proper for reading large amounts of text, but certainly it offered an exterior design appropriation that allowed greater freedoms and creativity in general printing techniques.

From the Paper
"In this study, typography and its design history will be examined. By examining examples of typography related to the Art Nouveau Movement, one can realize the power this form of design had on typesetting. By analyzing the details of how this has become to be a important artistic influence on typography, the letters and designs of Art Nouveau played a revolutionary new approach at the turn of the 19th century. In essence, the Art Nouveau Movement had a large influence on typesetting in typographic history, marking it as a historically important artistic approach well into the early 20th century. The importance of Art Nouveau at the end of the 19th century and into the 20th century is incalculable."
Term Paper # 60818 SHOPPING CART DISABLED
Graphic Design, 2005.
The evolution of graphic design and the influence of the computer and the digital age.
4,551 words (approx. 18.2 pages), 17 sources, APA, $ 118.95
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Abstract
This paper takes a look at the history, development and evolution of graphic design and explains how all of this can best be understood understood in terms of the central function of graphic design - communication.

Introduction
The Evolution of Graphic Design: A Short History.
A Definition
What is the New Media?
The Influence of Computer Technology
The Changing Process.
Typography and Layout
Illustration
The World Wide Web

From the Paper
"Graphic designers often see themselves as essentially communicative artists whose function it is to convey ideas, concepts and information through visual and textual imagery and data using a variety of techniques. It is this central communicative aspect which has enabled graphic designers to cover a wide spectrum of media and mediums and to "work across quite a wide range of fields and with different media: for companies and corporate bodies, in book or magazine publishing, exhibition design, signing and architectural graphics, television graphics, and so on. (Kinross, 1992, p. 73)"
Term Paper # 47538 SHOPPING CART DISABLED
Paul Renner, 2004.
This paper discusses Paul Renner and his typography.
1,025 words (approx. 4.1 pages), 8 sources, MLA, $ 36.95
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Abstract
This paper explains that, despite Paul Renner's strict upbringing during which he learned the value of duty, of leadership, and of responsibility, he was an artist in every sense. The paper describes him as a painter, a designer, an author, but he is perhaps best remembered for his skills as a graphic designer, and in particular, as a designer of fonts.

From the Paper
"Paul Renner studied architecture and painting in Berlin, Munich and Karlsruhe; he then worked as a painter in Munich. From 1907 until 1917, he worked as a Production Assistant and Presentation Manager for Georg M?ller Verlag in Munich. In 1911, he became one of the founders, along with Jan Tschichold, of a private school for illustration in Munich. During the years 1925-26, he was Head of the commercial art and typography department at the Frankfurter Kunstschule, and in 1926, he became Director of the city of Munich?s Grafische Berufsschulen, and from 1927, the Meisterschule f?r Deutschlands Buchdrucker."





 

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Papers [1-4] of 4