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History of Polish Film and Television, 2006.
A comprehensive review of Polish film and television from its beginnings until today.
2,971 words (approx. 11.9 pages), 10 sources, MLA, $ 87.95
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Abstract
In this paper the author starts with the humble beginnings of the Polish film industry in 1902, examining its roots and highlighting how the first movies were made. The paper then examines the cultural aspects of the Polish nation and how they are incorporated into its film and television industries through arts and education.In conclusion the paper identifies how Poland is recovering from the 40 year censorship that was applied to this industry.
From the Paper
"Polish cinema continued to thrive, with fine works by Roman Polanski and Jerzy Skolimowski, despite the threats of censorship, until the late 1960's, when general turmoil and student revolts prompted a crackdown on filmmakers. These cultural purges caused "many leading figures in the industry (to be) replaced or demoted" (1094). Jewish directors were especially adversely affected by the purges, which smacked of antisemitism. Several of these Jewish directors, including Aleksander Ford, were forced to leave Poland. "
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Minorities in Film and Television, 2006.
This paper discusses the role of minorities in front of as well as behind the cameras in Hollywood's film and television industries.
1,967 words (approx. 7.9 pages), 6 sources, APA, $ 62.95
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Abstract
This paper addresses the lack of positive role models of various ethnic minorities in both the film and television industries. While the writer of this paper notes that there are more African-Americans working in TV news as it seems to be one field where color and race have made a far greater impact in hiring practices, there is still much work to be done in the positive portrayal of different ethnicities in both film and TV. This paper also explores the careers of past and present professionals who have made great strides in promoting themselves as positive ethnic role models.
Topics covered in this report include:
Introduction
Hispanics
African-Americans
Asians
Native Americans
Summary and Conclusion
Works Referenced
From the Paper
"This brings up the issue of whether the portrayals of African-Americans in films and on TV should only be handled by black directors and writers. It seems that there is a vast difference of opinion, with some citing the old Cosby Show as one preaching family values to every ethnic group, while the comedies "What's Happening?" and" Good Times" became the precursors of the black comedies on WB and Fox networks today. Some critics feel the new shows, and such programs as the "Wayans Brothers" and the "Martin Lawrence Show" are basically anti-white humor, just as stereotypical in their way as the old Step'n'Fetchit anti-black humor was in the Thirties and Forties."
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Film, Television and Society, 2002.
Discusses journalistic coverage of the Gulf War and how it compares to the present day coverage on terrorist activities.
2,150 words (approx. 8.6 pages), 4 sources, $ 80.95
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Abstract
Critically discusses Kellner's analysis of media coverage of the Gulf War. Also, draws comparisons with media coverage of the ongoing War on Terrorism.
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The Impact of Television and Film Violence on Adolescents, 2002.
This paper considers the impact of movies on the adolescent, while relating this to the potential violent behavior of the adolescent and suggests that there is a link between the two.
3,654 words (approx. 14.6 pages), 9 sources, MLA, $ 101.95
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Abstract
This paper begins by providing an overview of findings in research related to the problem of teenagers and violence related to TV watching. This is followed by a thorough consideration of the psychology of adolescence and how this relates to the problem of violence and the impact of violence in films. The next step considers some research studies to determine if there is evidence of a link. The final stage provides some practical considerations.
From the Paper
"The level of violence in society is considered to be a major problem. Some of the problems that are associated with violence include road rage, shootings, violent crimes, rapes, domestic abuse, and assaults. One area that is receiving particular emphasis is the violent tendencies of adolescents. Some problems observed that relate to adolescent violence include date rape, bashings, school shootings, and gang violence. The problem has become so significant that secondary schools have become known as dangerous and violent places. In response to this, there have been various ideas presented on the reasons for increased violence. These range from parents not spending enough times with their children, to the world being so fast-paced and stressful that people turn to violence for relief. Out of all of these possible contributors, there is one that seems especially significance. This contributor is violence in television and films."
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The Art Film and the Genre Film, 2004.
Art and genre criticism in four classic films.
3,048 words (approx. 12.2 pages), 48 sources, MLA, $ 89.95
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Abstract
An analysis of two genre films and two art films - Antonioni's "Blow Up," Kelly/Donen's "Singin' in the Rain", Truffaut's "The 400 Blows", and Sirk's "All That Heaven Allows". The validity of both genre and art film criticism are examined.
From the Paper
"By its failure to accommodate the excess generated by its subject matter, All That Heaven Allows is not only critiquing the genre of melodrama, it also exposes the contradictions and conflicts present in American bourgeois society (Bourget, 1995, 45). However the subversive excess and contradictions present in the film prevent it from being ?just another melodrama?. Sirk worked within yet against the constraints of the Hollywood studio system to subvert the genre, and although the film is superficially a generic 1950s Hollywood melodrama, Sirk?s characteristic stylistic technique marks him as an auteur, a position usually associated with the art rather than the genre film."
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American Television in the 1980s, 2004.
This paper discusses the problems of American television in the 1980s, television's cultural history, the postmodern television consumer culture as explored in DeLillo?s ?White Noise? and Wallace?s ?Girl with Curious Hair", and television sports.
2,630 words (approx. 10.5 pages), 5 sources, MLA, $ 79.95
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Abstract
This paper explains that the decade of the 1980s is seen as the explosion of television culture in terms of the proliferation of networks and the availability of programming through the cable. The author points out that Wallace and DeLillo are both concerned with postmodern characters that are absent internal selves, or rather, characters that seem to be informed of behavior primarily through the use of television. The author believes that sports on television now seems to be as dysfunctional as the nuclear family: a series of different schedules with a lot of hype, dreams or delusions of grandeur, with no meaningful connection to the simple love of the game.
Table of Contents
Cultural History of American Television
The Postmodern Television Consumer Culture: ?White Noise? and ?Girl with Curious Hair?
Television?s Impact on Sports
From the Paper
"The FCC continued to be the regulating body that determined what would be permissible for the American public to view. However, the Reagan administration that preached supply-side economics, believed that deregulation was the best method of growing the economy given the many slow-downs that dominated the 1970?s. ?For FCC chairman (Reagan appointee) [Mark] Fowler, the only kind of regulation that was legitimate came from the market itself, and he made this clear to gleeful industry executives from his earliest days in office? (Steyer 137). Fowler also acknowledged that such regulation should be at the hands of media and broadcasting executives because they had first hand knowledge of what Americans really wanted to see. Ironically, it seemed that the Reagan administration passively promoted a liberal media that looked for alternative methods of programming even though the business executives would assess its effectiveness and its decency."
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Cultural Diversity and Television, 2006.
This paper reviews and examines Carlos Cortes' book "The Children are Watching: How the Media Teach About Diversity" which focuses on the impact of television on children.
880 words (approx. 3.5 pages), 1 source, APA, $ 31.95
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Abstract
This paper analyzes the quality of the television programming content currently geared towards younger audiences while focusing on the lack of cultural diversity in both film and television. This paper discusses the stereotypical manner in which minorities are often portrayed in film and television and its negative impact on young viewers. This paper examines the author's contention that professional educators must be more involved in the type of content being shown on television. The writer contends and explains why it is imperative for teachers to discuss with their students what they are seeing on television as well as how they perceive what they are seeing.
From the Paper
"Cortes is a consultant with the people who make the Dora cartoon on television. He says the producers are trying very hard to show Dora's life correctly. Even though she is a cartoon, it has looks and sounds like Latin America. The show has a panel of people from Latin America who look at the cartoons. They are from countries like Mexico, Cuba, Costa Rica and Argentina. "The idea is to put across messages of understanding, of building cross-cultural, bilingual bridges," Cortes says.
He also likes NBC's "Homicide: Life on the Street," because it shows that a multi-ethnic television show can be liked by a diverse audience. He also likes that the 1997 TV musical, "Cinderella," by Whitney Houston, had an African-American Cinderella with a Filipino-American Prince Charming. "I loved the way it included every combination of interracial couple in the ballroom scene," he says."
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Violence on Television, 2007.
An analysis of the violence on television and films that children are exposed to and how parents can combat the effects of this exposure.
1,661 words (approx. 6.6 pages), 13 sources, APA, $ 54.95
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Abstract
This paper reports on violence on television and the effect it has on elementary school-aged children. The paper also discusses what parents and educators can do to protect children from these negative images and influences. The paper presents examples from television and videos, as well as from music videos, of the types of violence to which children are exposed.
From the Paper
"It seems very clear that there is too much violence on television, and that children are therefore exposed to far too much violence. It is also clear that this is impacting them negatively. Moreover, this is becoming more pronounced because violence on television is increasingly glamorized, such as in the Matrix movies, or in music videos (as children obviously tend to admire the famous music stars and their glamorous lives). However, there is hope. It seems clear that if parents and educators work together, they can protect children can be protected from the violence they are exposed to on television."
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The Martial Arts in Movies and Television, 2002.
This paper defines and reviews the history of martial arts in movies and television.
2,435 words (approx. 9.7 pages), 20 sources, APA, $ 74.95
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Abstract
This paper discusses that martial arts not only is the art of warfare but also has a philosophy based in an elaborate blend of ancient codes of conduct, ethics and a spirituality that appears to be a fusion of Daoism, Zen Buddhism, and Confucianism. This paper states that, making the leap from East to West, this merger of physical and spiritual mastery has become a booming industry in the U.S. resulting in action films and T.V. shows that, besides being a series of highly choreographed fight scenes, also conveys ethical messages, codes of conduct and spiritual direction. The author is concerned that many people are being exposed to the martial arts without any ethical grounding at all; thus a generation is learning the physical aspects of the martial arts without the ethical or spiritual code that has historically been taught alongside it and has no concept of how to take the right action in the face of a dilemma, of delayed gratification or of respect to others.
Table of Contents
Introduction
History of the Kung Fu Film
Bruce Lee and His Successors
Martial Arts in Film and on Television Today
Conclusion
From the Paper
"Bruce Lee has been credited as the one who officially brought martial arts to the film industry in the United States. Although born in San Francisco, Lee spent most of his childhood making films in Hong Kong and did not return to the U.S. until he was 18 years old. Thus, he began to develop and teach Jeet Kune Do (?way of the intercepting fist?) and to infuse his philosophy into the films he was in, ?which was his ultimate goal in movie-making?. Unable to break through the racial barrier in Hollywood, Lee went back to Hong Kong to become a superstar there. Only after achieving success did Hollywood notice him, resulting in "Enter The Dragon" (1973), the only Hollywood-backed film he would star in."
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Television Media in France, 2006.
This paper explores television media in France and how it has changed over time.
1,817 words (approx. 7.3 pages), 11 sources, MLA, $ 58.95
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Abstract
The paper discusses the development of the television media in France and examines the ownership of the television channels, including the role of the government in controlling the television media. The paper looks at the program content, such as the different genres of shows featured on television including which are most popular and offers examples of specific television shows and their ratings. The writer illustrates this and notes how the phenomenal rise distinctly reflects the mushrooming of available channels. The paper also provides a brief comparison of the similarity between the television content in France and America.
Contents:
Development of the Television Media in France
Ownership
The role of the Government in Controlling the Television Media
The Program Content...
Examples of Specific Television Shows and Their Ratings
Recent Developments in the Television Media...
A Brief Comparison...
From the Paper
"Ever since the dawn of television since the initial part of 1970, broadcasting in France was controlled by a public service culture and an administrative philosophy. Under the strict administration of the Minister of Information, and subsequently of Culture and sometimes of Communication, broadcasting was managed by a single functionary, the Office of French Radio and Television -- ORTF. Till 1968, the body was fully funded by license fees and enjoyed the status of a unique triple monopoly on signal transmission, programming content and production. Commercial broadcasting was disallowed on the justification that it would result in mediocre programming or disparities among viewers. This initial phase of broadcasting was marked by extremely high authoritarian broadcasting and television was considered as a tool for promotion of culture and education and was not believed to fulfill the preferences of the majority. Accountability was absent and little audience research. Government used the medium to justify its political moves and controlled news content. President Georges Pompidou declared in 1970 that the television was the voice of people of France at home and overseas implying that television was supposed to symbolize the opinion of the legitimate Government and the cultural resources of the French nation."
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The History of Television, 2003.
Looks at the history of the television from its inception in 1872 to the digital television of today.
2,201 words (approx. 8.8 pages), 4 sources, MLA, $ 68.95
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Abstract
This paper examines the main stages of the invention and development of the television set. It looks at how the birth of television was the result of several inventions from several different men and started back around 1872 during what is called the "Mechanical TV Era" when the first series of images were viewed in one continuous string using a stroboscopic disc. It follows its development through the world's first public demonstration of a mechanical television apparatus in 1926 and the advent of color television in the 1950's to the digital television of today and its convergence with computers.
From the Paper
"In 1963 Instant replay is invented and introduced into televised sports, adding a new dimension when it's featured in a telecast of an Army-Navy football game. In 1964, it becomes a standard technique and goes on to become controversial in the NFL. FCC issues its first cable regulation: Operators are required to black out programming that comes in from distant markets and duplicates a local market station's own programming, if the local station demands it. There are about 1 million homes wired for cable in the U.S. at the time. In 1965 Color TV becomes an every day appearance as NBC leads the way and begins to use the phrase ?The Full Color Network" By the end of the year, 96% of NBC shows are broadcast in color, along with all major programs, sports events, and specials. In 1968 TV manufacturers turn out 11.4 million new TV sets, up from 5.7 million TV sets that were made in 1960. "
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Television, 2002.
This paper discusses the effects of television on society.
1,850 words (approx. 7.4 pages), 8 sources, MLA, $ 59.95
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Abstract
This paper examines the effects of television on society. This paper examines how television affects people?s perceptions of gender and racial inequity. The author explores how the same medium that limits our perceptions of gender and race can also provide a platform to challenge these stereotypes, looking at whether television has helped to create and perpetuate perceptions of gender and race.
Table of Contents
Introduction
Thesis Statement
Television and Perceptions of Gender
How Children form Ideas about Gender
Perpetuating Gender Myths through Entertainment Programming
Gender Portrayals on Prime Time News
Racial Stereotypes on Television
Television Shaping the Perception of Black People
Television Stereotyping Asian-Americans as the Model Minority
Television's Role in Colonial Domination of American Indians.
Conclusion and Change
Bibliography
From the Paper
"According to data from the Nielsen Media Research, children aged 16 and younger have, on average, spent more time watching television than going to school. Preschoolers spend an average of nearly 30 hours a week watching television. Communications scholar Susan Witt suggests that children spend more time watching television than they spend on anything else except sleeping (Witt). Given that figure, it should be no surprise that most children will form their first durable ideas about gender roles based on images from television."
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Fox Television Network, 2006.
The impact that the Fox Television Network has had on broadcast television.
2,370 words (approx. 9.5 pages), 5 sources, APA, $ 72.95
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Abstract
This paper examines Fox Television Network and compares it to the three major networks in broadcast television, ABC, CBS and NBC. This network has produced a number of shows that have made television history. The paper looks at the history behind the formation of the network in 1986 by Rupert Murdoch, whose intention was to form an independent television network to compete with the three major networks, and the story behind its success. The paper also discusses Rupert Murdoch's background and his media company, Fox Corporation. Criticisms of Fox News Network and the Fox News Channel are also mentioned. The paper concludes that the network has a reach almost as great as the other three networks in terms of the amount of the country served and is certainly ahead of the smaller networks.
From the Paper
" The Fox Television Network is often simply referred to as Fox, and the company and related companies are owned by the Fox Entertainment Group as part of Rupert Murdoch's News Corporation. The network was launched in 1986 and has produced and shown a number of series since that time. The network took a long time to achieve sufficient standing to be considered a threat to the three major networks, meaning ABC, CBS, and NBC. Since the launch of Fox, two other national broadcast networks have been launched, UPN and the WB, or Warner Bros. Network. These companies are competing for audience and advertisers at the same time as broadcast television is losing audience to cable and other media, and many are uncertain of how long broadcast television will continue in its present form or what form it might take in the future."
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Digital Television and the Law, 2004.
An analysis of digital television and a comparison of digital and analog television.
3,714 words (approx. 14.9 pages), 20 sources, MLA, $ 102.95
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Abstract
This paper discusses digital television, comparing it to analog television. The paper presents an explanation and assessment of the current laws and mandates regarding digital television in America and in the United Kingdom. The paper explores the technology involved and provides examples of several cable companies that offer digital television.
From the Paper
"Though some providers of digital television like Sky claim that weather conditions do not affect the clarity of images on digital television, this fact has been demonstrated as not being true. Weather does affect digital images and there is a certain amount of corruption present. In fact, though the images are better than those of analogous television, the limitations of the compression technology that is used for digital television is apparent in the manner in which ?digital artifacts? or ?after images? as they are better known occur on the television when the picture changes much too fast, or even when other channels are fighting for the same bandwidth at the same time. Digital television must not be confused with ?high definition? television; in fact digital television occupies the same number of lines of 625, as the analogous television."
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Satellite Television, 2002.
This paper discusses on the use of satellite television and how the manufacturers and companies of satellite television plan to make it more common in the everyday home
1,400 words (approx. 5.6 pages), 6 sources, $ 53.95
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Abstract
The paper should look at both pros and cons of satellite TV. The television signals transmitted by a satellite are quite different from the television or radio signals that are broadcast over the air. Satellite TV is transmitted by microwaves. Microwaves don't behave like the lower frequency radio waves of off-air television or radio, which can bounce off obstructions, clouds, and the ground. Microwaves are strictly line of sight. In order for a satellite dish to receive a signal, there can be no obstruction between the transmitting satellite and the receiving satellite dish.
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