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Hamlet's Indecisiveness, 2004.
A paper on Shakespeare's "Hamlet" and the trait that leads to the downfall of its main character.
1,193 words (approx. 4.8 pages), 0 sources, $ 40.95
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Abstract
This paper focuses specifically on the soliloquies in Shakespeare's "Hamlet" and contains a detailed discussion on the tragic flaw, indecisiveness, that leads to Hamlet's doom.
From the Paper
"Although they play an important role in nearly all of Shakespeare?s plays, the literary device of the soliloquy plays an especially important role in Hamlet. The reason for this is that fact that each soliloquy better helps us to understand the psychological motivation behind Hamlet?s indecisiveness in action. Hamlet is certainly a play about revenge, but like most Shakespearean tragedies it involves a main character with a specific flaw inevitably leading to his downfall and death. For Hamlet, this trait is his indecisiveness. This trait of indecisiveness is displayed to a certain extent in each one of Hamlet?s soliloquies, and reveals Hamlet as a man of inaction who is unable to do anything more than think about his problems."
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Hamlet?s Tragic Indecisiveness, 2006.
A research paper looking at whether the character of Hamlet in William Shakespeare's famous play "Hamlet" was a victim of indecision.
1,030 words (approx. 4.1 pages), 4 sources, MLA, $ 36.95
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Abstract
Using references, quotes and details from William Shakespeare's famous tragedy, "Hamlet", this paper attempts to prove that the main protagonist in the play, Hamlet, was a victim of indecision.
From the Paper
"Hamlet's suspicions of foul play are fueled, also, by his mother Gertrude's quick marriage to Claudius (the dead King's younger brother), and by Claudius's having so hasty grabbed the throne from young Hamlet, even before he could return home from England. The action that follows, pivots on Hamlet's indecisiveness, especially about how, and when (and, before the dumb show, why) to avenge the King's death. Following the ghost's appearance, the remaining action, culminating, finally, in the doubly-fatal duel between Hamlet and Laertes (whose father, Polonius, Hamlet accidentally killed) results from Hamlet's indecisiveness, ending in tragedy for all."
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"Hamlet", 2004.
Discusses if Hamlet was mad, indecisive or both in Shakespeare's play.
1,800 words (approx. 7.2 pages), 8 sources, MLA, $ 63.95
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Abstract
This paper questions whether Hamlet was mad, indecisive or both in Shakespeare's play. The paper suggests that the theme of play is about bafflement. It discusses Hamlet's indecision to kill his murderous uncle when his father has directed him to seek revenge.
From the Paper
"John Masefield describes Hamlet as the most baffling of the great plays written by William Shakespeare and suggests that the theme of the play is itself about bafflement in that Hamlet is challenged to overcome the natural resistance of a young man confronted with betrayal to an order from a murdered father that requires him to take revenge. Hamlet is simultaneously driven by the ghost of his father to seek vengeance and justice against his uncle Claudius..."
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"Hamlet" ( William Shakespeare ), 1999.
Analyzes Hamlet's indecision in Act I, Scene V's soliloquy in response to his Father's Ghost's report that Claudius has killed him.
1,125 words (approx. 4.5 pages), 1 source, $ 39.95
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Abstract
One of Hamlet's first-act soliloquies (I,v,92-113) is a response to the news that he is given by the Ghost of his father. This response, which does not seem to match the importance of what he has been told, offers insights into Hamlet's character.
From the Paper
"One of Hamlet's first-act soliloquies (I,v,92-113) is a response to the news that he is given by the Ghost of his father. This response, which does not seem to match the importance of what he has been told, offers insights into Hamlet's character. Hamlet emerges in this speech not as a man of action, but as a man who is unsure exactly what actions he should take. He is horrified by the Ghost's announcement that he had been murdered by Claudius. But this does not move Hamlet to immediate action, which might seem to be the logical response to such information. Instead it seems to present him with a puzzle, something to be thought out and solved prior to taking any action. In this soliloquy, after being told that his father was murdered by the uncle who immediately married his mother, Hamlet is not able to take, or propose, any stronger action than to "set it down / That ..."
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Hamlet and his Fatal Flaw, 2002.
The following paper explores Shakespeare's Hamlet's fatal character flaw of indecisiveness.
2,140 words (approx. 8.6 pages), 7 sources, MLA, $ 66.95
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Abstract
This paper examines how Hamlet's own indecisiveness and unwillingness to act in the end of the play cause a great deal of harm in the world. The writer contends that Hamlet presents himself as someone who has no choices, someone whom the fates have trapped, however it is of the opinion of this writer that fate is never absolute and thus this essential flaw of Hamlet's character, this inability to take his life into his hands, makes him all the more compelling.
From the Paper
"Hamlet's habitual indecisiveness even as he seeks revenge leads to a climax in which there is in fact no clear resolution to the play's action, no clear sense that the something that is rotten in the state has been plucked out. There is no sense of justice having overcome evil, for the world of Denmark as seen in Hamlet's court is so corrupted that it cannot be cleansed even by the degree of death that takes place in the play. By the end of the action Elsinore has been transformed into a garden of the dead, with the corpses of both the innocent and the culpable planted in the ground like terrible seeds that will bring forth another generation of the damned. There is not the sense of renewal at the end in Hamlet that one finds in other tragedies such as Othello."
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Prince Hamlet, 2004.
An analysis of William Shakespeare's characterization of Prince Hamlet.
1,186 words (approx. 4.7 pages), 0 sources, $ 40.95
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Abstract
This paper explores how, in "Hamlet", William Shakespeare initially portrays Hamlet as a spiteful, indecisive, angry madman. It looks at how he also effectively characterizes Hamlet as a traumatized individual, suffering depression as a result of his father?s murder and his mother?s incestuous re-marriage. It shows how the reader experiences catharsis as a result of Hamlet?s threatening instability and remorseful depression, which causes Hamlet to emerge as both the minister and scourge of the play. It also discusses how, although, at first glance, Hamlet seems irresolute, wrathful, and insane, through Hamlet?s characterization Shakespeare creates a feeling of sympathy in the reader.
From the Paper
"One may call Hamlet a sinister individual because he plans to kill his uncle, King Claudius of Denmark. However, Hamlet?s ghost-father, the former king, reveals that his brother Claudius, who ?now wears his crown,? is the ?serpent? who ?stung [him]? while he slept in his orchard. Shakespeare?s comparison of Claudius to the serpent in the Garden of Eden evokes pity by revealing an underhanded predator who preys on the vulnerable and disrupts Prince Hamlet?s orderly world. Claudius, the primary source of evil in the play, emerges as a powerful, fearful force as opposed to the weak and unstable Prince. Hamlet rejects his first opportunity for retribution, convincing himself not to avenge his father?s death while Claudius defenselessly kneels in prayer."
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Corruption in "Hamlet", 2006.
An analysis of the Shakespeare play "Hamlet".
950 words (approx. 3.8 pages), 3 sources, MLA, $ 33.95
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Abstract
This paper studies Shakespeare's play "Hamlet". The paper focuses on the theme of corruption and how the desire for power ruins the lives of all concerned. The paper evaluates each of the play's major characters, beginning with Polonius, the most obviously corrupt character and including Claudius, Gertrude, Ophelia and Laertes. The paper concludes with the author's assessment that the central theme of "Hamlet" is not indecision -- as some maintain -- but the way in which power corrupts and kills.
From the Paper
"Polonius may be the most obviously corrupt character, but the center of evil of the play's plot and of the kingdom is Claudius. When Marcellus states, 'Something is rotten in the state of Denmark.' [Act I, Sc. iv, 90], it could be interpreted that he is speaking of a threat of war, but when looked at as symbolic, nothing could better sum up Claudius' corrupting effect on the kingdom which is brought on by his unpunished crime. His evil deeds carry him to the throne and pollute the people around him causing chaos, sorrow and death" (Moriarty 4). There could be no doubt that Claudius is what today we would call "power mad." There is no real explanation why he murdered his brother. Did he feel cheated at not being offered the throne in the first place? It is doubtful that he was so in love with Gertrude that this caused the murder. No, it is simply that Claudius wanted to rule. He wanted the power, and his brother- who one feels was far too benevolent a ruler- stood in the way."
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Hamlet and Claudius, 2004.
An analysis of Hamlet?s delay in seeking revenge against Claudius in William Shakespeare's "Hamlet".
2,845 words (approx. 11.4 pages), 6 sources, MLA, $ 84.95
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Abstract
This paper examines how William Shakespeare?s "Hamlet" is a play about revenge and indecision and how, because Hamlet?s father is wronged, Hamlet himself spends most of the play deliberating on the subject of his revenge against his uncle, Claudius, who has killed his father, married his mother, and assumed the throne. It looks at how his father?s ghost pushes him to seek revenge, although he does not want to, and how there are many possible reasons for his delay in vengeance, among them Hamlet?s own mercurial nature and his desire to protect his mother. It examines Hamlet?s quest for vengeance by looking at the text directly and taking cues from secondary sources and concludes that Hamlet?s delay in taking vengeance is primarily based on his indecision, his self-interest, and his desire to protect Gertrude.
From the Paper
"Throughout the play, Hamlet makes his own choices regarding his plan for avenging his father, and these choices are affected by his own personal ideas about fate and what he sees himself as being chosen for (vengeance). Hamlet represents reluctance to carry out what he sees as his destined goal of getting rid of his father?s murderer and his mother?s seducer: ?O cursed spite/ That ever I was born to set it right!? (Shakespeare, I,v, 188-9), he cries upon making Horatio and Marcellus swear to help him in his plans to oust Claudius. Hamlet is not just following the orders of his father?s ghost; he is struggling with his own goals and ideas about what is right and wrong; his conscience is
at war with his need for vengeance. He passes up many opportunities to either escape his fate of having to avenge his father and quiet his ghost or assure it. He chooses to make his vendetta intensely personal. This personal vendetta makes Hamlet a dangerous character because he is working on the whims of his own emotions."
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Hamlet and Claudius, 2004.
An analysis of the reasons for Hamlet?s delay in seeking revenge against Claudius in William Shakespeare's "Hamlet".
2,845 words (approx. 11.4 pages), 6 sources, MLA, $ 84.95
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Abstract
This paper examines how Shakespeare?s "Hamlet" is a play about revenge and indecision and how, because Hamlet?s father is wronged, Hamlet himself spends most of the play deliberating on the subject of his revenge against his uncle, Claudius, who has killed his father, married his mother, and assumed the throne. It explores Hamlet?s quest for vengeance by looking at the text directly, taking cues from secondary sources, and concludes that Hamlet?s delay in taking vengeance is primarily based on his indecision, his self-interest, and his desire to protect Gertrude.
From the Paper
"Throughout the play, Hamlet makes his own choices regarding his plan for avenging his father, and these choices are affected by his own personal ideas about fate and what he sees himself as being chosen for (vengeance). Hamlet represents reluctance to carry out what he sees as his destined goal of getting rid of his father?s murderer and
his mother?s seducer: ?O cursed spite/ That ever I was born to set it right!? (Shakespeare, I,v, 188-9), he cries upon making Horatio and Marcellus swear to help him in his plans to oust Claudius. Hamlet is not just following the orders of his father?s ghost; he is struggling with his own goals and ideas about what is right and wrong; his conscience is
at war with his need for vengeance. He passes up many opportunities to either escape his fate of having to avenge his father and quiet his ghost or assure it. He chooses to make his vendetta intensely personal."
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"Hamlet", 2007.
An analysis of William Shakespeare's "Hamlet", focusing on Hamlet's delay in killing Claudius.
2,319 words (approx. 9.3 pages), 4 sources, MLA, $ 71.95
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Abstract
This paper explores why Hamlet delayed the revenge of his father's death by killing Claudius, in William Shakespeare's play, "Hamlet". The author examines several possible explanations about why Hamlet did not take immediate revenge including fear of becoming king, suffering from an Oedipus complex, fear of the ghost and other factors that may have played a part in Hamlet's reluctance to exact revenge on the man who killed his father.
From the Paper
"Along those same lines have been arguments that Hamlet was mentally stable but to weak minded to make a decision as strong as deciding to commit murder. This theory is not one that is easily supported however because he shows in many instances during the play that he can make a decision when he needs to. He also does not display weakness when he first begins killing characters. Whatever caused him to delay in the killing of his stepfather probably had more to do with the task of killing Claudius than the act of killing in itself."
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"Hamlet", 2004.
An analysis of William Shakespeare's "Hamlet," with a focus on Hamlet's oedipal complex.
2,200 words (approx. 8.8 pages), 5 sources, MLA, $ 68.95
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Abstract
This paper reviews the play, "Hamlet," by William Shakespeare. The paper contends that "Hamlet" is a complex play and can support a wide variety of interpretations. The paper describes one aspect of the psychology of the main character that harks back to the ancient world and the story of Oedipus, who was ordained to kill his father and marry his mother, which he unwittingly did. This story would later serve as a source for Sigmund Freud as he developed his oedipal theory, and the paper explores a similar idea that is played out by Hamlet in terms of his mother and father. The paper explains that Hamlet does not kill his own father, but he does have to kill his step-father at the behest of the ghost of his father and plays out the idea of sexual jealousy because his mother has remarried.
From the Paper
"In Hamlet as in other Elizabethan drama, the fate of kings is tied to the order of the universe, and dissension and tension in one is reflected in the other. Yet, the issue is complex, and while the usurper has no right to rule, it is not always clear who has the right to prevent him from ruling. The hesitation of Hamlet, much commented on by critics, may derive from the fact that while he knows Claudio to be a regicide, to kill Claudio would make him a regicide as well. The usurpation of the throne leads to a more dangerous and uncertain environment in the land, and nature concurs by expressing through storms and other travails visited upon the people that a great political wrong is also a great moral and religious wrong. The effects of a regicide are seen in storms and the like because such actions offend the gods, or God."
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"Hamlet": Act III Scene II, 2002.
This paper is an analysis of William Shakespeare's "Hamlet,", and goes into detail about Hamlet's elaborate plan to expose the king as the murderer of his father.
1,185 words (approx. 4.7 pages), 0 sources, $ 40.95
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Abstract
This is an analysis of the play "Hamlet" by William Shakespeare. Special attention is paid to the scene where the real murderer of the king is divulged. The author explains how this is a pivotal scene as it solves the mystery that has been building up until that point.
From the paper:
"Act III, Scene II is important for a number of reasons. Essentially, it is the start of the second half of the play. It could be argued that the first half of the play is when Hamlet sets up his strategy to avenge his father?s death. Naturally, the second half would then be Hamlet taking the vengeance he so baldy wants. Unfortunately for nearly all parties involved, it does not happen how he planned. In Act III Scene II, Claudius? guilt as well as his moral values had been exposed for all to see. Hamlet?s underhanded slyness was also revealed by his non-confrontational means of proving the king?s role in the murder of his father. Lastly, the reader also discovers the queen?s apparent innocence."
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"Hamlet", 2005.
An analysis of William Shakespeare's play, "Hamlet," with a focus on Hamlet's fear of culpability.
1,198 words (approx. 4.8 pages), 1 source, MLA, $ 41.95
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Abstract
This paper discusses the play, "Hamlet," by William Shakespeare, claiming that the fear of culpability and having to answer to the community is much greater for Hamlet than fear of the law and even fear of God. The paper contends that, by virtue of answering only to an abstract other, Hamlet answers only to himself. The paper explains that his fear of being held responsible is a fear mediated by an unspecified community that is never seen, yet never disregarded. The absence of a specific general community shows that the culpability Hamlet so fears is as unfixed and intangible to him as his own personality.
From the Paper
"Shakespeare's play Hamlet presents the audience with a protagonist who defines himself by what he does not want to be. When pressed towards action, Hamlet will often think less about what to do and more often about how what he will do is to be perceived by others. This persistent reliance upon definition of character through the negation of action seems to be tied to Hamlet's fear of culpability that, like the ghost of his father, haunts him throughout the course of the play. This is quite an immature posture for a thirtysomething Prince, and indeed can easily be read as childishness. The nature of his childishness is not the simply the result of immaturity, however, but the result of a growing concern about light being cast on the horrible revenge he thinks about and acts towards achieving but never fully does. Hamlet's fear of being seen as a culpable entity, particularly in the case of his desire to murder Claudius, causes problems because it makes him impotent to action and this impotence makes him a wildly unfocused character who is, in the final estimation, deeply shallow."
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Theme of Insanity in Hamlet, 2006.
This paper discusses the theme of insanity in the character Hamlet in the tragedy of Hamlet, Prince of Denmark by William Shakespeare.
675 words (approx. 2.7 pages), 3 sources, $ 26.95
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Abstract
In this paper, the writer demonstrates that Hamlet has ultimately realized true insanity, as he has acted out his madness in a disguise that has failed on a large scale. The writer discusses that in this manner, the critical views of Grady offer greater insight into a psychological case for insanity for Hamlet in the play. The writer also shows that critic Harold Bloom does show a variety of behaviors that might present Hamlet's insanity as a disguise.
From the Paper
"This study reveals critical theory and interpretation that often revolves the character Hamlet in William Shakespeare's play The Tragedy of Hamlet, Prince of Denmark. By assessing modern critical theory on Hamlet's character, one can understand that many critics agree on Hamlet's insanity within the play, and how this links to his own tragic fate in the play. By offering different theoretical analysis of this aspect of Hamlet's character, we can understand why psychology--via madness and insanity--are how twentieth century critics view Shakespeare's portrayal of Hamlet in critical perspectives. In the first appearance of the Ghost (Hamlet's dead father) in the beginning of the play, reveal the first delusional image that Hamlet receives."
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Hamlet and Laertes, 2005.
A study of the relationship of Hamlet and Laertes in 'Hamlet' by William Shakespeare.
675 words (approx. 2.7 pages), 3 sources, $ 26.95
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Abstract
This paper studies the character of Laertes as a foil or mirror image of the character Hamlet. Throughout the play, Laertes actions and responses seem to be a mirror of the character, Hamlet, both physically and verbally.
From the Paper
"In William Shakespeare's tragedy of 'Hamlet', the character of Laertes can be seen as a foil or a mirror of the protagonist Hamlet. This comparison extends throughout the play, as Laertes' responses to the murder of his father Polonius, the death of his sister Ophelia, and even his general philosophy of life can be interpreted not simply a mirroring of Hamlet but as a sort of running commentary on Hamlet's words and actions. In this context, this essay will argue that Shakespeare employs Laertes as a dramatic foil to Hamlet, allowing audiences more illuminating insights into the character and actions of the protagonist."
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