| Papers [1-15] of 100 :: [Page 1 of 7] | | Go to page : 1 2 3 4 5 6 7 —> | Search results on "HABERMAS THEORY MODERNITY": |
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Habermas's Theory of Modernity, 2005.
An analysis of Habermas's Theory of Modernity
1,575 words (approx. 6.3 pages), 2 sources, $ 62.95
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Abstract
Thispaper examines Jurgen Habermas' attitude towards modernity. It is evident that it is characterized by his emphasis on the importance of rational communication. Habermas judged modernity by objectively evaluating its strengths and weaknesses through rational debate. The paper shows that in his view, the demise of modernity demonstrated that when rational debate is cast aside in favor of a rigid reliance upon a particular sociological theory, that theory will ultimately be discredited. In other words, sociological theories like modernism cannot replace rational thinking, they must reflect rational thinking.
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Habermas's Theory and Feminism, 2002.
A look at how Haberman's theory is of use in the feminist platform.
2,900 words (approx. 11.6 pages), 10 sources, $ 106.95
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Abstract
This twelve-page graduate paper discusses how Habermas's theory could be useful to feminism. Habermas's theory plays a balancing act in feminism. It neither accepts the radical nature of those who use feminism to complain of repression. Nor does it dismiss feminism. Habermas has played a useful role in reminding people of the basis of feminism, and the need for universalism, equality and tolerance. His theory has influenced many in the struggle for justice.
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The Theories of Jurgen Habermas, 2007.
This paper discusses and critiques Jurgen Habermas' theories of knowledge as social theory and of discourse ethics.
2,360 words (approx. 9.4 pages), 4 sources, MLA, $ 72.95
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Abstract
This paper explains that Jurgen Habermas, in his theory of knowledge as social theory, elaborates on the important relationship between the natural sciences and the science of man with knowledge as its bridge. The author points out that this theory elicits the sense of reading Marxist social and economic theories, alternating with Hegelian concepts of dialectics. The paper relates that the theory of discourse ethics, which can be divided into categories of cognitivism, justice vs. good and universalization, is an exacting form of argumentation because it ensures the participation of all sides will not be threatened by coercion, save for the soundness and force of the argument.
Table of Contents:
Habermas' Theory of Knowledge as Social Theory
Discussion
Critique
Habermas' Discourse Ethics
Discussion
Critique
From the Paper
"On the other hand, the theory of relativity by Einstein will only remain up in the air if it were not tested by the discovery of nuclear fusion and fission, which in turn created nuclear reactors for electricity and its evil counterpart - the nuclear bombs of every kind and size threatening the world with annihilation. This then verifies Habermas' assertions on control of the natural processes being an instrument of control of social life processes. For the longest time since the Atom Bomb, the world has been shrieking in fear at the thought of a nuclear war between superpowers, especially during the Cold War."
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Architecture: Modernism, Pre-Modernism and Post-Modernism, 2002.
A discussion of the different movements - pre-modernism, modernism and post-modernism - in architectural history and how each one differs from the other.
2,550 words (approx. 10.2 pages), 10 sources, MLA, $ 77.95
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Abstract
A paper which discusses the different movements in architectural history and compares the differences between them. The paper shows how among these movements, modernism is the most popular and how it has influenced art and architecture in the United States and Europe. It shows, on the other hand, that pre-modernism is a less popular era in which architecture was influenced by the industrial age and its need for order and precision, and that Post-modernism was the movement that followed modernism and contains elements of both classicism and modernism.
From the Paper
"During the modernism movement, architects started using steel and iron more in their designs and they also started focusing on functional designs. Apart from the use of steel and iron, concrete was also brought back to the architectural world. It is important to know here that concrete is one thing that sets late 19th century buildings from pre-modernism architectural designs. While concrete was first used by the Romans in 5 B.C., it was later taken over by other materials such as marble, stone, brick etc. Modernists are responsible for the revival of concrete in architecture."
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"A Look at Modernity: An Introduction to Modern Societies", 2005.
An analysis of European colonialism as interpreted in the book "A Look at Modernity: An Introduction to Modern Societies."
675 words (approx. 2.7 pages), 1 source, $ 26.95
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Abstract
The following paper looks at the impact of European colonialism upon its own self-identity and upon its place in the world by reviewing a text entitled, :Modernity: An Introduction to Modern Societies.: While the reading glosses over the impact of the Europeans upon the indigenous peoples they were displacing, it does offer some interesting insights into how overseas adventurism changed European cartography and self-identification.
From the Paper
"As much as Western imperial powers may wish otherwise, there can be little doubt that colonialism inflicted great harm upon many indigenous peoples the world over. Of all the many depredations that can be laid at the feet of colonial activity, one of the most pernicious was - and remains - population displacement. Among other things, this paper will examine the extent to which population displacement is treated in Modernity: an Introduction to Modern Societies. As will soon become evident, the paper refers to the issue of population displacement only obliquely while focusing far more upon the impact of Western expansion and colonialism upon western self-identity. "
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From Modernism to Post-Modernism, 2005.
Describes the theories of four major thinkers of the modern and post-modern era, including Weber, Durkheim, Victor Turner and Clifford Geertz.
1,486 words (approx. 5.9 pages), 5 sources, APA, $ 49.95
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Abstract
This paper summarizes the theories of these thinkers on the role of the individual and his/her relationship to the community. In conclusion, the author states that the thinking of Victor Turner is the most accurate and convincing.
From the Paper
"Two thinkers -- Max Weber and Emile Durkheim -- were late modernist thinkers who developed theories about the relation of the individual to society. Their theories were appropriate to the industrial societies in which they lived. With the end of World War Two and the rise of the post-modern period, however, different ways of conceiving of the individual and society arose that sought to break with modernist thinking, including the thought of Clifford Geertz and Victor Turner."
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Modernism and Post-Modernism, 2002.
A discussion of the the study of film as a post-modern event.
1,125 words (approx. 4.5 pages), 4 sources, $ 39.95
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Abstract
Discusses the study of film as a post-modern event. Defines the aesthetic values & dynamics of modernism and post-modernism. Post-Modernism as a cultural, aesthetic & historical issue. Structuralist thinking. Development of post-modern material and fragmented surface style in film. Examples: CONTEMPT, RESEVOIR DOGS, PULP FICTION.
From the Paper
"Movements in artistic expression often occur spontaneously and are then given a name to identify a perceived trend. This is clearly the case with reference to both modernism and postmodernism, and the very fact that we have seen a need to find a name for the changed environment after 1960 shows that postmodernism exists in some degree--it exists because we have named it, but that does not make it any more a coherent or "intentional" movement than was modernism. In film terms, postmodernism primarily shows a certain weariness with modernism rather than a drive to something clearly new. The elevation of film to a subject for study is itself a postmodern event, signaling as it does the end of the modernist division into High and Low culture. The increasingly self-reflexive nature of modern film along with the elevation of style over substance are..."
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Post-Modern Rebellion Against Modernism, 2004.
A comparison of Jackson Pollock's and Andy Warhol's art.
1,494 words (approx. 6.0 pages), 7 sources, APA, $ 49.95
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Abstract
This paper talks about, not only the significance of modernism and postmodernism, but also characteristics of both artists, Pollock and Warhol, along with their artworks.
From the Paper
"An art-historical comparison of Jackson Pollock and Andy Warhol, two of the most celebrated artists of the mid to late twentieth century, is significant in demonstrating a shift from modernism to postmodernism. Pollock is represented as an ultimate expression of modernism and the embodiment of ambition for liberation in the 1950's. His drip paintings, which eliminated subject matter as essential , paved the way for modernist artists to take apart the foundations of all that was special in previous art making and abandon beauty as an ideal. Because of the significance of his work, modernism couldn't have gone as far without Pollock. The era of modernism, however, came to an end in 1964 according to Arthur Danto who stated that Warhol's art, especially his Brillo Boxes, marked its end. At the same time, as this work also implies the beginning of postmodernism, which is derived from modernist beliefs and attitudes, it is the art world with diverse aesthetic forms that broke with modernism. As a postmodernist and the enigmatic homosexual superstar of Pop Art, Warhol, adopted media, popular culture, and reproduction to rebel against the characteristics of modernism which Pollock's work and attitude toward art represented. By looking at two particular paintings, Pollock's Lucifer (1947) and Warhol's Triple Elvis (1961), we are able to bring out not only the differentiation of their personas and attitudes toward their art, but also the issues of Warhol's rebellion against modernist including Pollock."
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Modern Technology and Modern Malaise, 2002.
A look at the impact of information and communication technologies on society.
2,900 words (approx. 11.6 pages), 7 sources, $ 106.95
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Abstract
This paper is a discussion of information and communication technologies, and the effect of alienation that new technologies have on society. In this paper, technologies and social realms are described as integrated relationships. The impact of new innovations in digital and communication technologies is, in this essay, one of increased malaise and indifference within the social venue of these technologies. Technologies are changing so rapidly that the possibility of a social or global influence in the development of technology is eclipsed by the larger investment in change, not progress.
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Theory of Universal Pragmatics, 2002.
The following paper examines and critically analyzes Jorgen Habermas? theory of universal pragmatics.
2,300 words (approx. 9.2 pages), 11 sources, APA, $ 70.95
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Abstract
This paper examines the study of general and universal aspects of language with specific reference to Jorgen Habermas? rules for using and understanding language rationally. The goal of universal pragmatics is to identify and reconstruct conditions of possible understanding. The advantages and disadvantages of Habermas? ?Universal Pragmatics? are discussed. It is of the writer?s opinion that Habermas' emphasis on systematization and organization at times forces linguistic phenomena into pre-established categories, which leaves little room for nuances, details or humanly necessary embellishments.
From the Paper
?This concept when adequately applied extends across the boundaries of culture and language, e.g. two Englishmen would use the same formulations to communicate in English, as would two Frenchmen?in French.? In this seminal work, in the book, ?Communication and Evolution of Society,? Habermas provides a simple construct for ideal communication (Habermas 1979). Throughout ?What is Universal Pragmatics?? he maintains that all the complexities of sentence structures and their utterances are successfully communicated if an original intent is adhered to. Habermas maintains, that each form of communication, direct and otherwise, is to reach understanding. Such a pure communication is only possible if it is conducted?in a nutshell?clearly and honestly.?
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Jurgen Habermas and Carl Schmitt, 2002.
An analysis of modern communication in American politics through the opinions of Jurgen Habermas and Carl Schmitt.
2,400 words (approx. 9.6 pages), 2 sources, $ 89.95
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Abstract
This paper will discuss the reasons why public speaking by government representatives and business interest are playing a part in breaking down the democratic nature of United States government. By realizing that there are more secret interests, such as business groups and political factions, we can see how the public speaking modem is being transformed into a regime for self-interests, rather one for the people of the country. Jurgen Habermas and Carl Schmitt's opinions on the subject will revealed here to illuminate this point.
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?European Expansion and the Civilization of Modernity?, 2004.
An analysis of traditional and modern societies during the European expansion, through a review of ?European Expansion and the Civilization of Modernity? written by S. N. Elsenstadt.
723 words (approx. 2.9 pages), 1 source, MLA, $ 25.95
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Abstract
This paper examines modernism in Europe and the rise of socialism in non-Western societies. The paper reviews S. N. Elsenstadt's ?European Expansion and the Civilization of Modernity? and discusses Elsenstadt?s arguments regarding the changes in the European expansion in non-Western societies, from being modernist to socialist, even traditionalist, societies. The paper argues that the retardation of modernism in non-Western societies is not exactly the abrupt stoppage of the European expansion.
From the Paper
"?European expansion and the civilization of modernity? by S. N. Elsenstadt provides a through discussion and analysis of the dynamics concerning the European expansion, centering in particular on its effects in non-Western or Asian societies. Tracing the history of the European expansion from the emergence of industrialization to the development of capitalism in Western societies, the author seeks to determine what caused the seemingly contradicting development of the so-called ?expansionist? movement of modernization in Europe. That is, instead of spreading modernization and capitalism in Asian societies, what occurred was the rise of socialism, which is a new form of society that overturns the basic premises of capitalism-in effect, modernization."
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The Modernity Movement, 2002.
Explores the impact of the modernity movement on the world, both negative and positive.
1,150 words (approx. 4.6 pages), 4 sources, $ 44.95
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Abstract
This paper examines the theme of Modernity in the world, where the Modernity movement worked to encourage the destruction of social boundaries. However, while Modernity is explored as being "responsible" for many negative social events such as World War One and the Great Depression, this is not strictly the case.
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Western Civilization and Modernity, 2002.
An analysis of the ideologies that havecontributed to modernity in the West such as nationalism and classical liberalism.
650 words (approx. 2.6 pages), 3 sources, $ 26.95
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Abstract
This paper is on "the Western civilization and modernity". It includes that out of nationalism, classical liberalism, industrialism or classical conservatism, which was the most significant in its contribution to modernity in the West? It also gives a detailed definition of the West modernity (Western Civilization) and the "ism's" in question and demonstrates knowledge of all ideologies to support one.
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The Limits of Modernity, 2005.
Examines "All That is Solid Melts into Air: The Experience of Modernity".
1,575 words (approx. 6.3 pages), 2 sources, $ 62.95
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Abstract
This paper examines "All That is Solid Melts into Air: The Experience of Modernity," in which author Marshall Bergman examines modernity and concludes that nothing is permanent in modernism. The paper shows how Marshall argues that permanence is impossible because modernism demonstrates no shared purpose, which imposes consequences in the form of a constant breakdown of institutions and a steady deterioration of sociopolitical cohesiveness.
From the Paper
"In his book, All That is Solid Melts into Air: The Experience of Modernity, author Marshall Bergman examines modernity and concludes that nothing is permanent in modernism. He argues that permanence is impossible because modernism demonstrates no shared purpose, which imposes consequences in the form of a constant breakdown of institutions and a steady deterioration of sociopolitical cohesiveness. In order to support this thesis of impermanence, Bergman evaluates Karl Marx, whom he considers a major figure in the history of modernity. Marx was an outsider who sought to destroy the organizing principle of modern society--capitalism--and replace it with communism."
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