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Gulliver and Satire, 2007.
This paper analyzes the aspect of satire in Jonathan Swift's book 'Gulliver's Travels'.
2,139 words (approx. 8.6 pages), 7 sources, MLA, $ 66.95
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Abstract
In this article, the writer examines the book 'Gulliver's Travels' by Jonathan Swift, which remains one of the best known satires in world literature. The writer notes that Jonathan Swift had gone to all lengths to surprise the English society of the 18th century, in all its different forms from an ironic perspective, emphasizing and ridiculing its petty characteristics. The writer discusses that Gulliver's size, as comparable instrument and relative to the size of the other characters and peoples met in the novel, is a way of satirizing and of drawing reflections and conclusions on human society, in its smallness and occasional complexity. The writer concludes that Gulliver's size is a way to show that people and individuals can draw the entire spectrum from smallness to greatness.
From the Paper
"There are perhaps two direct characteristics of the Lilliputan society worth mentioning above all: the conflict between Big-enders and the Small-enders, in terms of where to break the egg, and the way the officials are selected for office. The former pictures the smallness and insignificant causes that lead to European conflicts during Swift's time, with an obvious mark on the permanent conflict between France and England. By minimizing the conflict between Lilliput and Blefuscu, the author is minimizing the permanent conflicts between England and France and responds in this personal manner to the incompetence of cabinets encouraging this state of affairs in both countries. Certainly, in European terms, the causes of war are always 'more serious', but, in fact, they are still caught between the Spanish and Austrian successions, for example, and not directed to core, human - related issues. A country or a society so small as Lilliput (in comparison to Gulliver, for example), can only have small, insignificant wars and conflicts."
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Satire in "Gulliver's Travels", 2005.
Analyzes the theme of satire in "Gulliver's Travels" by Jonathan Swift.
1,350 words (approx. 5.4 pages), 0 sources, $ 53.95
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Abstract
In this paper, Jonathan Swift's "Gulliver's Travels" reflects the class status, intellectual elitism and government in England in a satirical format. The different adventures that Gulliver takes reflect the aspects of surrealism and dream-like qualities that deter the arrogant sense of reasoning that many British elites, such as Gulliver, felt about their own intellectual, political and class based initiatives in the world. The paper shows that this relativism of thought and reasoning is the major objective of Swift's satire, as he sought to reflect deeper, symbolic meanings behind each and every one of the stories adventures.
From the Paper
"This study will analyze the precept of satire, which reflects a deeper form of social criticism in Gulliver's Travels by Jonathan Swift. By understanding the basic societal issues that Swift faced in his day, such as class status, intellectual elitism, and government in England, one can realize how his humor is depicted in the characters of his book. In essence, this novel is humorous on a surface or comedic level for the cynical reader, but relates a far deeper satire in depicting corruption and deviancy on the part of 18^th century English nobility. The beginning of this novel reflects Gulliver's society and the middle-upper class upbringing, which he was raised."
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The Satire of ?Gulliver?s Travels?, 2002.
The paper discusses the ideas behind certain aspects of Jonathan Swift's satire, "Gulliver's Travels".
775 words (approx. 3.1 pages), 1 source, $ 27.95
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Abstract
The paper discusses how in Jonathan Swift's "Gulliver's Travels", the religious war between the Lilliputians and the Blefuscuins is symbolic to the war between France and England, and more generally between the Protestants and the Catholics. The paper examines how the King of Brobdingnagia indirectly shows the reader how corrupt English and moreover European society and government were. It shows too how the relative sizes of the people that Gulliver visits is symbolic to the nature of each represented society.
From the Paper
"In his satire, Gulliver?s Travels, Jonathan Swift exposes the vices of a candid society and a backwards government through the eyes of a similarly candid member of that same society. Traveling in a fictional world, Gulliver is exposed to many things, from a land of tiny people, to a land of an over-sized populace, and from floating islands, to a kingdom ruled by an elite society of horses. The world Swift creates is his own world, in a compilation of symbolic peoples, wars, lives, laws and the nature of the individuals in this creation."
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Jonathan Swift's Satire, 2005.
An analysis of Jonathan Swift's treatment of satire in "Gulliver's Travels".
1,380 words (approx. 5.5 pages), 1 source, MLA, $ 47.95
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Abstract
This paper examines Jonathan Swift's satiric treatment of war in his novel, "Gulliver's Travels" and targets of his satire including political and religious institutions and aspects of human behavior, with numerous examples from the text
From the Paper
" In Gulliver's Travels Jonathan Swift launches an elaborate satire on many aspects of human behavior as well as against the political and religious institutions of his day. His assaults against thinly veiled and therefore easily ..."
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Jonathan Swift's "Gulliver's Travels", 1990.
This paper analyzes Jonathan Swift's satirical novel, "Gulliver's Travels", with emphasis on the chapter involving Gulliver's visit to the Land of the Houyhnhnms about which the paper argues that the land of the Houyhnhnms is not a Utopia.
1,575 words (approx. 6.3 pages), 6 sources, $ 55.95
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From the Paper
"The purpose of this paper is to analyze Jonathan Swift's novel, Gulliver's Travels, with particular emphasis on the chapter involving Gulliver's visit to the Land of the Houyhnhnms. In October, 1726, England's Jonathan Swift published what is probably the most famous and savage satire ever directed against mankind. In a letter to a friend, Charles Ford, Swift wrote that his work would "wonderfully rend the world." He had spent three years writing it, took the manuscript in person to London to arrange for its anonymous publication, and retired to Alexander Pope's house to enjoy the expected storm it would cause. The book's title was Travels into Several Remote Nations of the World by Lemuel Gulliver.
The first public reaction was one of delight with the circumstantial realism of the narrative. Many readers took it as ... "
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Bigness and Littleness in "Gulliver's Travels", 2004.
An analysis of Jonathan Swift's exploitation of bigness and littleness in "Gulliver's Travels" and Gulliver's role as narrator.
2,074 words (approx. 8.3 pages), 1 source, MLA, $ 65.95
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Abstract
This paper examines how, written as a satire of political, societal and religious issues, "Gulliver?s Travels" is Jonathan Swift?s commentary on specific issues of his day. It looks at how the narrator of the novel, Lemuel Gulliver, is a highly na?ve man and how the satire is possible only because of Gulliver?s immense naivety. In particular, it looks at how Swift uses the notions of ?bigness? and ?littleness? in his satire in various ways. It shows how the first group of natives are morally and physically little, while in contrast with the second group that Gulliver encounters he finds himself the ?little? one physically and how in addition he finds that his own morality and patriotism are little by comparison.
From the Paper
"In Book II of the novel, Gulliver finds himself the small one in comparison to the humongous Brobdingnagians. Shortly after hiding in the cornfields, Gulliver is reminded of the philosophers who said that, ?Nothing is great or little otherwise than by comparison.?3 In comparison to Gulliver, the Brobdingnagians were giants. Swift uses the court maids to exemplify just how animalistic the human body really is; up close Gulliver realizes that English women were likely equally as repulsive, but it was not quite so obvious because of their smaller size. Swift takes this opportunity to use the giant women to criticize humanity?s ever-present vanity; while the human body may appear attractive from a distance, Swift is saying that upon closer inspection, we really are closer to animals than anything else."
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"Gulliver's Travels", 2002.
Examines Jonathan Swift's use of satire and irony in his classic, "Gulliver's Travels".
1,150 words (approx. 4.6 pages), 5 sources, $ 44.95
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Abstract
This paper explores Jonathan Swift's book, "Gulliver's Travels" in order to demonstrate how Swift uses both irony and satire in order to convey to his readers the absurdity of the government in England during the Eighteenth Century.
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Satire in English Literature, 2001.
This paper compares 3 major works of satire in English literature - "Moll Flanders" "Gulliver's Travels" and "Rape of the Lock"
970 words (approx. 3.9 pages), 4 sources, $ 34.95
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Abstract
This paper explains how satire was one of the most common tools used by writers and poets in the 17th and 18th centuries to either attack the political regime of the time or to highlight the ridiculous traditions of the society. It compares and contrasts three literary works which used this form of expression for political and social purposes.
From the paper:
"It was a tradition in the English Literature during the seventeenth and early 18th centuries that poets and writers would often use the technique of satire either for political purposes or simply to highlight the idiosyncrasies of the society. In this regard many major English literary figures used satire in their work but while some of them used it to create a light humorous situation, others would give it a very harsh tone, which resulted in some serious problems with those who were targeted in the work."
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The Moral and Importance of "Gulliver's Travels", 2004.
An analysis of how Jonathan Swift establishes Gulliver as a credible narrator and used this to satirize society, as well as individuals, in his novel, "Gulliver's Travels".
2,278 words (approx. 9.1 pages), 15 sources, MLA, $ 70.95
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Abstract
This paper looks at how people can sometimes become so arrogant that they do not bother to look at the world around them and how society always has been and always will be full of corruption, pollution, and dishonesty. It attempts to show that it is for these reasons that Jonathan Swift wrote "Gulliver?s Travels". It also examines how it is divided into four different journeys, each expressing a concern of Swift?s. It is apparent that Part IV is the most important of all the journeys and that the importance of a journey increases as the book progresses. It shows how each part has a moral and how the moral of Part IV is vital to understanding the novel. It concludes that, by analyzing and comparing each section, one can draw the conclusion that reform begins with an individual.
From the Paper
"In order for Gulliver?s Travels to create the disturbance that Swift intended, he needed to establish Gulliver as a credible narrator. This is done so by providing real places for Gulliver to live, grow up, and be educated (Ross 222). He begins the novel saying, ?My father had a small Estate in Nottinghamshire; I was the Third of five Sons. He sent me to Emanvel College in Cambridge? (Swift 3). This sets Gulliver up as a ?reasonable and convincing protagonist? (Rosenheim 669). This is true, because factual descriptions of places and people lend credibility. In addition, Gulliver?s emotional distance from the other characters makes him even more believable and effective. His lack of judgement makes his views almost seem factual, rather than objective. When visiting islands and different societies, Gulliver does not give his view or opinion of the island?s inhabitants or actions, but rather an explicit physical description."
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Jonathan Swith's "Gulliver's Travels", 1971.
This paper discusses Books 1 and 3 of "Gulliver's Travels" and focuses on Swift's genius as a writer of political satire.
4,275 words (approx. 17.1 pages), 6 sources, $ 135.95
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From the Paper
" What is man in nature? A nothing in comparison with the infinite, an All in comparison with the Nothing,a mean between nothing and everything. - Pascal1
This is the basis for one of the greatest works of satire ever written, Gulliver's Travels, by Jonathan Swift. Known as one of the best children's fantasy stories, Gulliver's Travels is actually a satire on four aspects of man: physical, political, intellectual, and moral. This book expresses savage indignation at the follies, vices, and stupidities of men.
Swift's allegory on politics, expressed predominantly in Books I and III, is the basis for this paper. Through this paper, I will show the genius of Jonathan Swift in satirizing the political conditions of his day through the experiences of Lemuel Gulliver. I will focus only on Books I and III, for these two ... "
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?Gulliver?s Travels?.
This paper discusses Jonathan Swift?s ?Gulliver?s Travels", a satirical novel, which contains many elements that directly pertain to modern society.
860 words (approx. 3.4 pages), 0 sources, $ 30.95
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Abstract
This paper explains that Gulliver?s voyage to the land of the Houyhnhnms, the dominant race, contains elements of racial tension and ethnic identity. The author points out that, although they do exhibit positive qualities, such as altruism, intelligence, and rationality, the Houyhnhnms persecute the Yahoos and even suggest castrating them to kill of their race. The paper relates that the Houyhnhnms judge Gulliver based on his resemblance to the Yahoos, even though it is clear that Gulliver possesses a superior intelligence and emotional capacity.
From the Paper
"From the onset of Gulliver?s encounter with the Houyhnhnms, an ?us versus them? mentality is created. As an outsider, Gulliver is automatically afforded an alien status. The Yahoos and the Houyhnhnms regard him with considerable suspicion. The brutish Yahoos immediately accost Gulliver. The Houyhnhnms? approach is more civilized but it soon becomes apparent that the race of intelligent horses simply wants to lump Gulliver with the Yahoos simply because they look vaguely alike. This illustrates one clear parallel between Swift?s era and our own: persons are prone to judging people based on their outward appearance."
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"Gulliver's Travels" by Jonathan Swift, 1991.
This paper discusses the satiric purpose revealed by the vision in "Gulliver's Travels" by Jonathan Swift on both symbolic and literal levels.
1,350 words (approx. 5.4 pages), 7 sources, $ 47.95
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From the Paper
"Gulliver's Travels, by Jonathan Swift, was first published in 1726. It is concerned with the English surgeon Lemuel Gulliver and his fantastic journeys around the globe. In four books, Swift tells of Gulliver's adventures among little people, giants, irrational scientists, and a society of horses. Obviously, Gulliver's Travels was written with the intention of creating an entertaining work of fiction. However, Swift's vision in this novel also has a satiric purpose to it. In this regard, the events which occur during Gulliver's adventures take place on a symbolic as well as a literal level. One of the things that Gulliver's Travels is meant to satirize is the genre of "travel literature" which was popular during Swift's time. Examples of this genre include the traveler's tales of William Dampier in the late seventeenth and early eighteenth centuries, ... "
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The Law in Johnathon Swift?s "Gulliver?s Travels", 2002.
A book review of Johnathon Swift's "Gulliver's Travels".
1,385 words (approx. 5.5 pages), 1 source, MLA, $ 46.95
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Abstract
This review examines Johnathon Swift's use of satire in "Gulliver's Travels" to point out what he perceived to be as flaws in the British legal and political systems. It explores Gulliver's encounters with fictional societies and shows the absurdities of their bureaucracies in the traditional satirical sense.
From the Paper
"Jonathan Swift?s "Gulliver?s Travels" remains one of the great satires in all of English literature. In general, satire has traditionally been a kind of moral, yet humorous, commentary on a time and place. The satirist typically employs comic situations and comic characters to make serious and pointed commentaries about the failings of, say, human nature or corrupt political systems. One of Swift?s primary targets, especially in the first book of "Gulliver?s Travels," was 18th century British law and the legal and political systems in and through which those laws were enacted. Through his portrayal of Gulliver amongst the diminutive Lilliputians, Swift mercilessly satirized his own modern day system of laws for their limited and misguided vision of human nature?a satiric attack that in many ways still resonates today."
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Gulliver's Travels, 2005.
A look at how the Houyhnhnms influence Gulliver in Jonathan Swift's "Gulliver's Travels"'.
1,155 words (approx. 4.6 pages), 1 source, MLA, $ 39.95
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Abstract
In "Gulliver's Travels" by Jonathan Swift, the protagonist, Gulliver, is caught up in a twist of events, the last being in a country where horses, or Houyhnhnms, reside. The paper explains how he admires authority, which, in this particular country the Houyhnhnms exercise. Thus, Gulliver bestows upon them his utmost respect. At the same time, he is a major critic of the underdog, the Yahoos, who are ruled and tamed by the Houyhnhnms. This paper examines how Houyhnhnms imposed their negative views of Yahoos on Gulliver, affecting his own assessment and encouraging him to believe in the infinite inferiority of Yahoos, while at the same time, blinding himself to the Houyhnhnms' own flaws.
From the Paper
"The passage begins with Gulliver explaining how he thinks humans are actually Yahoos. He starts by first stating how his family, which are the closest to him, then less closest, his friends, further apart, his countrymen, and more broadly the entire "human race in general" are "really" just Yahoos. Gulliver is clearly stating that humans are not humans anymore, and that his family is not his family anymore and so on, but that they all belong under the category of Yahoos. Gulliver at this point has distanced himself from the rest of humanity. He says that he considers "them as they really were," meaning Yahoos. By saying "them" and not "us" we see the distinction he places between him and the rest of human kind; it's as if he sees no relation between the human race and himself, or perhaps does not want to see any relation. Gulliver has made it apparent that by choice, he does not want any association or relation to the rest of mankind."
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Horace, Juvenal, and 18th Century Satire, 2004.
A discussion of the distinction between Horatian and Juvenalian modes of satire as exemplified in 18th century literary writings.
4,039 words (approx. 16.2 pages), 9 sources, MLA, $ 109.95
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Abstract
This paper analyzes the influence of Roman satirists, Horace and Juvenal, on 18th century satire. The paper examines the differences of these two modes of satiric writing. Juvenalian satire is harsher, more pointed, and often attacks particular people with an invective attack. Horatian satire is gentler, involving raillery as opposed to railing. The paper puts both these forms of satire into context and discusses the relevant points that arise from John Dryden's text, "Discourse on Satire," in relation to the topic. The paper then analyzes examples of these modes of satire as shown in Alexander Pope's "The Rape of the Lock," which can be seen as Horatian satire, and Jonathan Swift's "A Modest Proposal," which is more Juvenalian. The paper emphasizes how neither of these two texts gives a particularly clear example of the Horatian and Juvenalian forms of satire.
From the Paper
"Echoes of the works of Roman satirists Horace and Juvenal can be found, often in combination, within various early eighteenth-century (Augustan) satirical works, including Alexander Pope's mock epic The Rape of the Lock (1714) and Jonathan Swift's essay "A Modest Proposal" (1729). Pope's The Rape of the Lock is closer, overall, in terms of its satirical tone and content, to the comparatively gentle and subtle satirical style of Horace, than to the more direct, less subtle or gentle style of Juvenal. However, Swift's "A Modest Proposal", which is neither subtle nor gentle in its social critique, is arguably closer, overall, in both content and tone to the types of works created by Juvenal. Neither work, however, is sufficiently parallel in its style, tone, content, or other characteristics, to the works of either Horace or Juvenal, to warrant its being judged either more "Horatian" or more "Juvenalian" than the other: both works contain elements of both Horatian and Juvenalian satirical styles and modes. Therefore', both Pope's and swift's works to be examined within this essay might be more accurately described as instead being combinations, or juxtapositions, of Horatian, Juvenalian, and other satirical styles; i.e., the results of miscellaneous eighteenth century influences and other influences on their respective authors as well (such as, for example, Pope's social and artistic ambitions, or Swift's acerbic wit and strong personality (Nokes (1987) 101-11; 179-84)."
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