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Greek Statues, 2008.
A comparison of Greek statues - the kouros of the Archaic period and the depiction of Demosthenes from the High Hellenic period.
1,529 words (approx. 6.1 pages), 3 sources, MLA, $ 50.95
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Abstract
This paper discusses the evolution of Greek statues over the centuries. It presents an overview of Greek statuary, focusing on the Archaic period and the High Hellenic period. The paper specifically focuses on and compares the kouros of the Archaic period and the depiction of Demosthenes from the High Hellenic period in order to understand how the changes came about.
Table of Contents:
Overview
The Archaic Period: the Kouros
The High Hellenistic Period: Demosthenes
Comparing Statues
Conclusion
From the Paper
"The kouros was never intended to represent a single individual. Instead, such statues were intended to represent a group of people, being that of idealized male youths at the height of their sexually attractive state. However, the statue of Demosthenes is clearly a representation of a single individual. It does not merely represent a group of people, being an idealized representation of the group "philosopher." Rather, the statue of Demosthenes is what Pedley calls a "psychological portrait" (352) of a living being, unlike the ambiguous kouros who exists suspended outside of time."
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Greek Mythology: Women in Greek Life, 2002.
Examining the way in which women were depicted in classic Greek mythology.
1,025 words (approx. 4.1 pages), 5 sources, MLA, $ 36.95
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Abstract
This paper introduces, discuss and analyzes the topic of Greek mythology. Specifically, it contains an analysis of the role of women in Greek life as depicted in literature. It discusses how women underwent a tremendous change between the time of Homer and that of Aristophanes four hundred years later, as five different plays clearly illustrate. Early Greek women were one-dimensional and needy, while four hundred years later they were feminists complaining about their sex lives.
From the Paper
"Women in Greek life are portrayed in a wide variety of ways, and they did indeed change between Homer's type and Aristophanes' time. Homer often portrays women as scheming to keep men from performing their duty, such as how Calypso holds Ulysses on her island in "The Odyssey," attempting to keep her with him rather than allow him to return to his home and family. "This daughter of Atlas has got hold of poor unhappy Ulysses, and keeps trying by every kind of blandishment to make him forget his home, so that he is tired of life, and thinks of nothing but how he may once more see the smoke of his own chimneys" (Odyssey, Book I). In the Iliad, Homer continues to portray women as one-dimensional beings without feelings when he has Chryseis, the daughter of Chryses given as a war prize to Agamemnon as his share of the looting and subsequently ransomed by her father."
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Greek Art and Sculpture, 2002.
An analysis of how nudity was a fact of ancient Greek daily life and how the art--statues-- reflected the Greeks? acceptance of it.
1,828 words (approx. 7.3 pages), 20 sources, MLA, $ 58.95
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Abstract
The following paper examines how all Greek sports, even the Olympic events, were performed in the nude. This paper examines how nudity in and of itself wasn?t the purpose of the art, but was used to best represent the images. The writer explores how women were banned from the Olympics because it was held in a sacred area. This paper also explores how the the nudity in sports gave sculptors a reason to study the human body more closely, and its proportion and movements. The writer traces back early attempts to capture the human form and examines how over time, nude sculptures became smoother and more realistic, while still adhering to the quest for the ideal.
From the Paper
"Even though sculptors eventually worked out the proportions in their work. the Greeks were not known for experimentation with style. Once they found an image that was pleasing, they tended to stick with it. The typical male statue, the Kouros style, had a very distinct pattern that was followed: ?The figure stands erect and strictly frontal with his left leg advanced, his arms tense at his sides with fists clenched. Details are represented with strength and simplicity. The eyes are big and almond-shaped, the ears large and so carved as to form a kind of decorative adjunct; the essential parts of the body are clearly defined and subject to an established canon of proportions, while muscles and bones form surface patterns on the marble. The work already has those qualities of grandeur and proportion which characterize all the best Greek sculpture throughout its history.? (Carver) The male form was the highest level of ideal beauty."
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Ancient Greek Art, 2004.
This paper discusses ancient Greek art in the period between about 580 B.C. and 450 B.C. with examples of pottery and statues from this period.
2,250 words (approx. 9.0 pages), 3 sources, MLA, $ 69.95
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Abstract
This paper explains that during this period both deities and ordinary mortals were depicted, but there was no homogeneity of technique, which ranged from a very natural and sculptural pottery in amphorae to a more studied and artificial style. The author points out that three of the objects represent tools. The amphora stored wine, the lekythos was used during religious ceremonies, and the krater was used to serve punch made from wine. The paper relates that, unlike the amphora, the lekythos style has only one handle, a more slender neck than an amphora, with a wider mouth, and probably held oil or perfumes, a claim that is advanced because they were often found in and around tombs that were excavated from ancient homes.
Table of Content
Background
Pottery
?The Bateman Amphora ?
?The Dipylon Amphora?
?Douris Lekythos?
?Bell Krater?
Statues
?Athlete Making an Offering?
?Kouros?
From the Paper
"A late example, this torso--which is all that is left?is actually less well modeled than the "Athlete". The belly and rib cage, in fact, appear to be stylized, almost abstract. It may be that the work has weathered. But probably, the more geometric, and less curvilinear, detailing on this statue was the result of a transition between the drapery and highly stylized posing of earlier eras, including the ?dark times? and the early Archaic period, to the more abundantly natural depictions of the statuary of the Classical period. Kouri, which means ?youths,? was an art form that didn?t last very long, only about a hundred years. It is thought, nonetheless, that they represented gods, warriors and, of course, athletes."
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Ancient Greek Theater, 2006.
A paper on ancient Greek drama, the Greek theater and ancient Greek playwrights.
2,413 words (approx. 9.7 pages), 9 sources, MLA, $ 73.95
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Abstract
This paper discusses the role of ancient Greek drama in Greek society. The paper explains the stage styles, how actors performed and the main types of plays performed in ancient Greek theater. The author discusses tragedies, comedies and a special form of theater called "dithyramb," which was sung by a large chorus. The paper goes on to discuss the importance of the elements of prose, lyrics and dancing in the ancient Greek drama. The paper then goes on to discuss some of ancient Greece's foremost playwrights, as well as theories about the origins of drama.
From the Paper
"The word 'Drama' as such has originated from the Greek words that mean 'to do', or 'to act'. When a story is acted out, it becomes a 'play', and this was the medium used by the ancient Greeks to act out their stories, which were either humorous and were about funny situations in their everyday lives, or they would be great tragedies, which would act out some important episode or period of their lives at the time. The speech and actions of the play would therefore, recreate human lives and its flow. It can be stated that ancient Greece was in fact the real birthplace of the future 'drama' of the Western world. In Greece, these plays or dramas were presented on stage twice a year, in honor of the God Dionysius, and there would be choruses made up of men who would be dressed up in goatskins, and who were meant to represent 'satyrs' or those mythical creatures who were partly goat, and partly man."
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Who Are the Greeks Today?, 2006.
A look at the Greek-American experience, including their successes, challenges they've overcome and prominent Americans with Greek heritage.
2,339 words (approx. 9.4 pages), 6 sources, MLA, $ 71.95
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Abstract
This paper details the Greek-American experience, focusing primarily on their achievements in all aspects of American life. The paper also discusses Greek culture and religion in American and prominent figures in America who are of Greek heritage.
Table of Contents
Statement of Position
Some Interesting Facts About Greeks
The Greek-American Experience
Notable Greeks
In Conclusion
From the Paper
"Several notable and famous Greeks who come to mind are the late Aristotle Onasis, former candidate for U.S. president, Michael Dukakis, and former White House official in the Clinton administration, George Stephanopoulos. Of course, there are numerous other Greeks today who have made an indelible impression upon the world: Candice Bergen, Dr. Joyce Brothers, Carol Burnett, Liz Claiborne, Sheryl Crow, Elizabeth Dole, Faye Dunaway, Betty Ford, Kate Jackson, Mary Tyler Moore, Debra Norville, Jane Pauley and Gloria Vanderbilt."
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?Literature; Ancient Greek Literature?, 2002.
A discussion of the relationship between ancient Greek burial and death rites and ancient Greek literature.
1,409 words (approx. 5.6 pages), 6 sources, MLA, $ 46.95
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Abstract
This paper focuses upon illustrating the relevance of the obvious emphasis and taboo regarding Greek burial or death rites as it is portrayed in a significant amount of ancient Greek literature. It examines how literature has long been a relevant source that historians as well as other scholars can turn to so as to glean at least a marginal understanding regarding the societal norms of the era or culture in particular.
Outline
Introduction
Generalities Regarding Ancient Greek Burial Rites
Relevance of Literary Illustrations Regarding Ancient Greek Perspectives on Death
Burial Rites Within Ancient Greek literature
Conclusion
From the Paper
"One of the first things that essentially needs to be taken into consideration is that, as a result of their significantly un-advanced and superstitiously primitive preconceptions and beliefs, that nearly all kinds of ancient literature is tinged, to some degree or another, with elements of the super natural or paranormal. The occult, witches, curses and ghosts, all are things that are mentioned, with varying degree of figurativeness and realism, within ancient British as well as Greek literature. Moreover, there appears to be a particular degree of emphasis upon the relevance and effectuality of such things as oaths and curses, especially in regard to the likes of such being implemented in concern to a particular person?s death or burial. This something that is quite strongly portrayed when Euripides? Hippolytus, the protagonist within the play, reasserts his confidence to his father in so much as taking an oath that in death may neither sea nor earth receive my flesh, if I have proved false (Lawson, 1964)."
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Greek Culture, 2006.
A study of Greek culture and how it's been influenced by the Orthodox church and ancient Greek history.
1,800 words (approx. 7.2 pages), 5 sources, $ 71.95
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Abstract
This paper researches the correlation between the Ancient Greek past, the Orthodox Church and Greek culture. It focuses on the areas of the evolution of the Greek Orthodox Church and its practices, art, theatre, music and dance. This paper discusses how each of these areas has roots in Ancient Greece, and the research attempts to demonstrate how these foundations were associated with one another throughout Greek culture.
From the Paper
" Theatrical performances began with the use of music by choirs that were praising the gods and pleading for a bountiful harvest. This practice among the ancients also involved the earliest forms of folk dance. These three art forms were later also incorporated into the Orthodox religion through festivals and the practice of a liturgy that remains of cultural significance today.Greek culture has evolved from ancient times with many of the original traditions still being honored today. Elements of ancient Greek culture exist in modern society because the Greeks provided a foundation of many of the world's forms of art. Theatre, for example, began in Greece as a musical choir form of devotion to the gods to ensure a good harvest. Greek art was considered an intricate craftsmanship that demonstrated the precision and advanced technique of an innovative culture."
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Toronto's "Greek-Town", 2008.
An analysis of the future of the Greek community in Toronto, particularly in the enclave of Greek-Town.
2,672 words (approx. 10.7 pages), 7 sources, APA, $ 80.95
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Abstract
This paper considers the future of the Greek community in Toronto and discusses what its dispersal from Greek-Town means regarding the eventual integration or assimilation of the group into the mainstream Canadian population and economy. The paper presents four interviews with different aged Greek persons living in Canada. It then discusses the current situation and the future of the Greek population there.
Table of Contents:
Interview Questions - Local Persons
Interview Questions - Expert
Introduction
Theoretical Background
Responses and Critical Analysis
From the Paper
"In this analysis, in considering the future of the Greek community, we cannot say with certainty that this dispersal from GreekTown means the eventual integration/assimilation of the group into the mainstream Canadian population and economy. Certainly, the primary challenge the community faces in the years to come is how it deals with assimilationist pressures against the desire - as cited by several interviewees - to preserve their cultural heritage. While GreekTown on the Danforth is clearly "history", this does not mean that the Greek ethnic economy in Toronto has ceased to exist. Indeed, it may even be possible that the suburban enclaves may themselves become voluntary cocoons in which Greek micro-business can find its niche in delivering Greek services and amenities to a co-ethnic population in a suburban landscape dominated by the "big box" retailers like Costco or Wal-mart."
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The "Elgin Marbles": Greek Property in British Museums, 2003.
An examination of the "Elgin Marbles", ancient Parthenon figures that were claimed by British archaeologists in the 18th century during Greek civil strife, and the debate over whether or not they should be returned to Greece.
3,175 words (approx. 12.7 pages), 7 sources, MLA, $ 91.95
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Abstract
This paper examines the controversy that exists over the "Elgin Marbles", which were originally part of the Greek Parthenon's frieze, that were taken by Lord Elgin of England in the late 18th century. The paper takes the position that the statues and other artifacts which currently are housed in English museums, are the rightful property of the Greek people and should be returned to Greece. The paper is divided into several sections. The first gives a history of the Elgin Marbles and how they came into possession of the English in the first place. A brief history of the Parthenon is also given in this section, with a detailed examination of the architecture and the ancient politics that surrounded its construction. The paper then spans the history of the Parthenon up until the 18th century, including the building losing its roof and several architectural designs due to the Ottoman Turks using it as an armory during their control of Greece. The paper discusses how British archaeologists claimed the pieces in the 1800s, fearful that the Greeks could not maintain such classical pieces of work. The paper ends with a section discussing the latest improvements that are underway in Greece to house the "Elgin Marbles" if an international agreement can be reached that will send the pieces of the Parthenon back to Athens. The concept of Greek pride and honor in their ancient ancestry is discussed and how originally, when Greece was unable to maintain such pieces, the idea to keep them in England was the correct decision to be made.
From the Paper
"The mere thought of The Parthenon evokes an image of dignity and pride for not only the current Greek citizens who look upon their ancient ancestors with honor, but for the entirety of Western civilization who view The Parthenon as a representation of the greatness that can be achieved by Western culture. Using this Western concept of pride as a basis, it is clear to see why the British government has its roots in claiming that the treasures of the Parthenon would be better served in a more upscale environment such as The British Museum rather then an unfinished Acropolis museum in Athens. Nevertheless, the removal of The Parthenon artifacts, which are known as The Elgin Marbles since the works of art were "purchased" by the English noble Lord Thomas Bruce of Elgin in 1801, was in essence an infraction upon the Greek populace's right to their ancestors' culture. In large part due to the importance of The Parthenon and the culture that it represents to Greece, the rightful place of the Elgin Marbles is in Athens where the pieces of architecture were always intended to remain when they were completed. "
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Chorus in Ancient Greek Drama, 2005.
The paper describes the role of the chorus in ancient Greek theater. It talks about the origin of the chorus and theater and how the chorus worked in the Euripides's "Hippolytus". The paper also focuses on the effect Greek theater had on modern theater.
1,824 words (approx. 7.3 pages), 6 sources, MLA, $ 58.95
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Abstract
This paper tells what the chorus brought to Greek theater and how theater was shaped because of it. The paper discusses this topic while examining one of the most famous Greek play, "Hippolytus," by Euripides. The chorus was a crucial part of theater during that time and was used to narrate the story, give their opinion of the plot, and keep a rhythm for the play. The chorus did this in various ways, such as through costumes, stage presence, music, and singing. The Greek chorus was a precursor to operas and musicals as we know them today, and the paper discusses this evolution of the chorus.
From the Paper
"The chorus is essential to ancient Greek drama, and the plays at that time were greatly dependent on song and dance which the chorus performed (Ley 28). It accompanied the actors with sounds, gestures, postures, costumes, masks etc, and these flowing actions and stage elements brought the play to life. The various roles of the chorus are to narrate, give their opinions and keep the rhythm of the play. They do this through singing, movement, and stage presence. The ancient Greek theater is also important because it was the precursor to operas and musicals as we know them today. This paper will discuss the importance of the chorus' roles on the Greek stage by examining Euripides' Hippolytus and also how it influenced modern theater. To fully understand the reason for the chorus it is necessary to know the history."
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Greek Tragedy and "Oedipus Rex", 2002.
Examines the history of Greek tragedy and describes "Oedipus Rex" as the greatest of all Greek tragedies.
2,015 words (approx. 8.1 pages), 4 sources, $ 63.95
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Abstract
This paper examines the historical evolution and maturation of tragedy in ancient Greece, and the characteristics of a tragic hero. The author focuses on one of the most famous Greek tragedies, Oedipus Rex, and greatly details the story of Oedipus and his tragic flaws. The paper also discusses all elements in an ancient Greek production, such as the prologue, chorus, and exodus.
From the Paper
"Oedipus Rex is a story of one man?s pursuit for truth. Although Oedipus falls victim to obstacles he is unable to overcome, he encounters these obstacles along his journey to find the truth. In the view of Sophocles, the tragic hero must accept the responsibility for his actions, as does Oedipus in the final scene, regardless of his original motives and inability to control or understand the forces in which rule his life. The plot, Oedipus? search for truth, and the chorus are all contributing factors that make Oedipus Rex the greatest in the history of all Greek tragedies."
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The Evolution of Greek Immortality, 2004.
Traces the historical development of the Greek concept of immortality and the afterlife through the investigation of the works of ancient Greek philosophers, dramatists, and poets.
2,638 words (approx. 10.6 pages), 15 sources, MLA, $ 79.95
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Abstract
This paper traces the beginnings of the Greek concept of the afterlife in the Homeric Age through classical Greece and into the Age of the Philosophers. The paper's argument links the shift from a belief in a meaningless immortal existence into a conviction in a more hopeful afterlife to the increase in the prosperity of the Greek economy over the same time period. Both primary sources and secondary materials are utilized to support this claim. The paper cites Aristophanes, Homer, Hesiod, Herodotus, Plato, and others.
From the Paper
"The religion of the ancient Greeks was a dynamic and animated one, not prescribed in code on a set of tablets or a scroll of papyri but rather existing in the minds of the people. Therefore, it was subject to change. In the times written about by Homer, where the gods were active participants in the lives of the Greeks, the idea of a true life after death was useless. The gods meted out whatever punishments or rewards the people deserved in this life, with no need for delay. Yet this thinking eventually gave way to deeper convictions about afterlife, involving the principles of immortality and retributive punishment. The evolution of ancient Greek religion did not occur on its own; rather, it was prompted by drastic changes in the world itself. These shifting attitudes of the Greeks with respect to immortality and the afterlife were a direct result of the expanding economy and increased colonization that the civilization encountered around the 7th and 8th centuries BC."
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The Greek-American Community, 2004.
A personal study of the present Greek-American community.
2,643 words (approx. 10.6 pages), 11 sources, MLA, $ 79.95
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Abstract
This paper discusses the understanding of different cultures through a case study of the Greek-American community. It discusses history of the Greeks in America, conflicts between the Greek Orthodox and Roman Catholic Church, as well as Greek stereotypes. The paper was written for a class on cultures and uses terms, such as pluralism, ethnocentrism, and co-cultures. It explores facets of Greek-American culture, including gender roles, Greek identities, and the history of the Greek-American experience.
From the Paper
"Despite these problems, pluralism is the accepted practice in the United States. People naturally form groups with other people who are similar to them. Rich people play golf together often, just like bookworms form book clubs with one another. In fact this form of group making is taught throughout school. The first thing we do is place a student in his or her grade level. They are encouraged to spend time with their peers, only. If they stray from their group it is not considered normal."
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Greek Religion, 2007.
An analysis of the roles of the gods, temples, sacrifices and priests in Greek religion.
3,412 words (approx. 13.6 pages), 4 sources, MLA, $ 96.95
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Abstract
This paper discusses and explains Greek religion. It describes the vast influence of religion on Greek life and how Greeks worshiped numerous gods that each covered a particular domain in life. It discusses how each god had its own purpose, personality and mythical origin and how the Greeks dedicated much of their life to contacting and appeasing the gods. The paper also describes the Greek temples and sacrifices and the importance of priests.
From the Paper
"Ancient Greek religion is defined by its polytheistic and informal nature. It is a system which changes from polis to polis without dilemma. Yet there are some Pan-Hellenic aspects including the twelve Olympians, the importance of a sacred sanctuary for the gods, and the need to please the gods through sacrifice and festivals. The form Greek religion took on society can largely be attributed to the nature of Greek religion. As there were numerous gods, each with his or her own domain, there was always a place for new gods as the existing number of gods could not cover all aspects of life. This was important because Greek religion was incorporated into all aspects of Greek life and thus was not separate from the political or public sphere. This was common to all the Greek religions; each cult believed in the importance and practice of religion in all capacities of daily life. As a result, the gods must be pleased and the Greeks responded with an elaborate system of sanctuary, rituals, sacrifices, and initiations to help ensure that the gods were properly honored and no god was excluded. Ultimately, this meant Greek religion would have an even larger impact on life as it was completed and deeply ingrained on ancient Greece."
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