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Frank Lloyd Wright, 2002.
A biography of the life, work and style of the architect Frank Lloyd Wright.
1,492 words (approx. 6.0 pages), 7 sources, MLA, $ 49.95
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Abstract
This paper discusses Frank Lloyd Wright, an American architect who is widely-regarded as one of the most influential figures on 20th century design. It looks at how his 70-year career ushered in several important social and cultural dimensions to the field of architecture. It examines the design philosophy, influences and major achievements of one of the towering and most controversial figures of American architecture.
Outline
Biography
Influences and Principles
Major Design Styles
Innovations and Contributions
From the Paper
"Like his professional life, Wright's personal life was also fraught with conflict and controversy. Wright married his first wife Catherine in 1889, and they eventually had six children. However, echoing his father's actions, Wright left his family in 1909 for Mamah Cheney, a wife of one of his clients. Although still married to Catherine, he returned with Cheney to Wisconsin in 1911, where the couple built a home and took up residence. In 1914, however, a servant murdered Cheney, her two children and four other people before setting the house on fire (Constantino 12)."
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Frank Lloyd Wright's, 2002.
A look at the life and work of architect Frank Lloyd Wright.
2,400 words (approx. 9.6 pages), 6 sources, $ 89.95
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Abstract
This ten-page paper presents a detailed look at the life of famed architecture guru Frank Lloyd Wright. The writer takes the reader on a tour of Wright's life as well as many of his works and outlines why he is considered one of the top architects in the world. There were six sources used to complete this paper.
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Frank Lloyd Wright, 2007.
An analysis of the life and influential works of architect, Frank Lloyd Wright.
2,215 words (approx. 8.9 pages), 14 sources, MLA, $ 68.95
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Abstract
This paper presents a detailed examination of the life of Frank Lloyd Wright, who is presented as one of the most influential architects in history. The writer explores Wright's childhood and its influences, his works and his life as they relate to the contribution he made to the world. The paper shows photos of some of his more famous works.
From the Paper
"Wright was born in Wisconsin in a town called Richland Center. His childhood was filled with happiness and warmth surrounded by the love of a mother and other family members who knew he would succeed as soon as he found his passion.
That passion turned out to be architecture. He spent several semesters studying at the school of Engineering at the University of Wisconsin before he decided in 1887 to go to Chicago and pursue his dreams(The Early Years http://www.delmars.com/wright/flw1.htm).
An uncle who was a minister in a church in the area got Wright an apprentice position where is first work was a Silsbee commission. In this project he designed a Hillside Homeschool for his aunt(The Early Years http://www.delmars.com/wright/flw1.htm)."
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Frank Lloyd Wright, 2008.
This paper discusses the architectural and societal constituents
of Frank Lloyd Wright's "prairie style" houses.
2,284 words (approx. 9.1 pages), 14 sources, MLA, $ 70.95
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Abstract
The paper relates that Frank Lloyd Wright is recognized as one of the most prominent and influential architects in American design. The paper focuses on his characteristic "prairie style" designs. The paper explains that, while Wright's work tends to be praised as unique, this assumption tends to discard the influences on Wright from antecedents found within other aspects of American design and architecture. The paper looks at how Wright in turn helped establish a legacy in design.
From the Paper
"Wright had established himself as a prominent architect in the late 1890s, and frequently accepted commissions for buildings that were purposefully selected to test his skills and to promote specific outcomes. While still in his infancy as a designer, the prairie style home was built at the request of the Ladies' Home Journal, a popular magazine that had sought out Wright and commissioned a home design. The Journal asked Wright to envision and execute the home of the future, one in which the resident would feel comfortable yet stylish. Prior to this, the Journal believed that the majority of American homes could either have one or the other; a dwelling that was clean and comfortable was quite frequently an eyesore, while the ostentatious homes of the wealthy were not conducive to the comfort of its inhabitants."
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Frank Lloyd Wright and his Prairie Style Houses, 2008.
This paper explores the architectural and societal elements of Frank Lloyd Wright's "prairie style" housing.
2,412 words (approx. 9.6 pages), 14 sources, MLA, $ 73.95
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Abstract
The paper discusses where Wright found inspiration for his ideas and techniques and how he enhanced and embellished these lessons to create his own unique style. The paper explains how the societal influences of his upbringing, as well as the Japanese design exhibit at the Chicago Exposition of 1893, profoundly impacted Wright's style. The paper describes his "prairie style" houses that shattered tradition and made architectural history.
From the Paper
"Frank Lloyd Wright, always a great showman and popularizer of his own architectural works, did nothing to discourage the legends and mythology surrounding their creation. From his writings, one can easily draw the implication that they sprang "sui generous", germinating in some kind of virgin birth from the mind and spirit of the great master himself. In fact, all of his brilliant innovative works, including his extraordinary Prairie Style houses, are built on a foundation that came before. They are the logical result of antecedents found in the architectural environment and society in which Wright was born and raised, and from lessons he eagerly learned. He was both a product of, and a contributor to, the dynamic and rapidly changing mid-Western society of late 19th Century America."
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Frank Lloyd Wright - Broadacre City, 2002.
Discusses the architectural plans of Broadacre City by Frank Lloyd Wright and how it related to the idea of a "Ville Radieuse" by Swiss architect Le Corbusier.
525 words (approx. 2.1 pages), 6 sources, $ 21.95
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Abstract
Wright sought an architecture that responded to nature and human needs. His focus was on harmonizing environment, structure, objects, outfittings, and inhabitants during the 1930s. The Swiss-born Le Corbusier had proposed a "Ville Radieuse" in a 1932 article in the "New York Times Magazine". Le Corbusier' s plan was a cluster of high-rises in the midst of large grassy areas. Wright responded with his own vision in a March 20, 1932, "New York Times Magazine" article.
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Frank Lloyd Wright, 2005.
A biography and description of Frank Lloyd Wright's architectural design in an age of modernism and age of pluralism.
1,470 words (approx. 5.9 pages), 4 sources, MLA, $ 48.95
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Abstract
This paper explains how Wright was a highly innovative influence on modern architecture. It examines how his designs were influenced by current day events as well as by his travels to Europe and Japan. In particular, it describes the Robie House, Prairie style homes, Taliesin, Imperial Hotel, Hollyhock House, Fallingwater, Marin County Civic Center, and Guggenheim Museum.
From the Paper
"In 1911, Wright moved to Wisconsin and built a home for himself and his mistress that he named Taliesin. In the architectural design for Taliesin, Wright included concepts from organic architecture. Organic architecture is a type of architecture that promotes harmony between man and nature through design. Organic architectural designs integrate the building and its furnishings into its surroundings. Wright accomplished this at Taliesin by constructing the chimneys and stone piers out of a local limestone which was laid by stonemasons in the house in a way that reflected the outcroppings of Wisconsin's landscape. Wright also used sand from the Wisconsin River in the house's stucco walls to bring to mind the river's sandbars."
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Frank Lloyd Wright and Le Corbusier, 1991.
This paper discusses Frank Lloyd Wright and Le Corbusier's architectual plans for the ideal city: Planning, technology, role of family, automobile and social organization.
1,350 words (approx. 5.4 pages), 5 sources, $ 47.95
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From the Paper
Two Ideal Cities
"Frank Lloyd Wright and Le Corbusier were both visionary architects and urban planners. Wright and Le Corbusier both hated the state of modern cities and both wished to transform the nature of cities. Wright once said, "To look at the plan of any great city is to look at the cross section of some fibrous tumor.". Their ideas on how this transformation should be achieved, however, were completely different. The solutions they found to practical problems of urban planning reflect their differing social theories and value systems.
Le Corbusier was born in Switzerland, while Wright was born in America. Both architects grew up away from the great urban centers that they ended up revolutionizing. Frank Lloyd Wright's ideal city was called the Broadacre City, and he presented the ... "
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Frank Lloyd Wright: Ceramics, Lighting and Design, 2001.
An analysis of this great architect's work and designs.
3,200 words (approx. 12.8 pages), 10 sources, MLA, $ 92.95
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Abstract
The paper discusses the works of Frank Lloyd Wright, the greatest and most influential architect in the history of American art and design who gave us some of the most beautiful and dazzling structures. The author explains how he is remembered mainly for his residential houses as he was the first architect to change the design of American houses to make them suitable for modern living although he gained fame international fame with his design of Imperial Hotel in Tokyo.
From the Paper
"American should be proud of those who have given it the reputation of being the country with most talented people. It should praise those who have added a new dimension to its art, literature and architecture. The reason being that a country is known by the people who belong to it and some of these people by the power of sheer genius can take their country to new heights of fame and pride. America boasts of numerous highly talented people in various fields, but it has only very few well-known personalities in the field of architecture and design. This is not because the country does not provide encouraging and conducive environment, but it is because of the nature of the work itself. Ceramics, Architecture and lighting may appear to be rigid fields, which allow introduction of new techniques, and style only rarely but it all depends on the magnitude of creative genius residing within the one who enters this area. Very few people in these fields art, design and ceramic work can bring dramatic changes to previous styles and design and introduce better techniques and give the country its own architectural identity. One such person was the American architect and artist, Frank Lloyd Wright."
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Kaufman House of Frank Lloyd Wright, 1999.
Examines architectural features & significance of PA structure also known as Fallingwater.
1,125 words (approx. 4.5 pages), 4 sources, $ 39.95
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From the Paper
"Frank Lloyd Wright was one of the visionary architects of this century, and he developed a number of homes with an organic relationship to the site where they were to be built. Wright had an organic vision of architecture and of its relation to the time in which it was practiced as well, as can be seen from a statement he made in 1940:
Architecture is beginning, always beginning. It was not made by the Greeks nor by the Romans. It wasn't even made in the Georgian Period. It is something that has to be made afresh all the time, as life, as growth changes.
One of the works that secured considerable attention was known as "Fallingwater."
Wright experienced many ups and does in his career. After.."
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Frank Lloyd Wright, 1993.
The life and career of the American architect including style, innovations, theory and major works.
2,250 words (approx. 9.0 pages), 11 sources, $ 79.95
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From the Paper
"Frank Lloyd Wright's work was always unique and focused on achieving practical and functional aims. Early in his career, Wright conceived of the idea of "organic architecture." Using this idea, he "adapted his creations to their environments as well as to the special needs of their inhabitants, using open planning, natural colors, forms, and textures in his designs" (Smith 241). Wright's development as an architect was consistent in terms of his efforts to merge each building with its surroundings. In addition, his work showed consistency in the use of open space and the employment of unified themes. At the same time, there were certain innovations in Wright's development which appeared as abrupt changes in style or content. This paper will examine Wright's life and career, making note of both the consistencies and innovations that were exhibited in his work."
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Frank Lloyd Wright and Japanese Architecture, 1995.
Traces the Japanese influence on theories, methods and works of this American architect.
1,800 words (approx. 7.2 pages), 8 sources, $ 63.95
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From the Paper
"Throughout his life Frank Lloyd Wright (1869-1959) denied that Japanese architecture had any influence on his own work. He did, however, allow that Japanese prints had exerted an important influence on him. Curiously, Wright has often been taken at his word on this subject, even though there is a great deal of evidence that shows he was, for whatever reason, creating a personal legend in which his creativity owed very little to one of its major sources. The visual evidence of the work itself, scholarly digging into possible influences, and even the nature of the Japanese prints that were admitted to be an influence all demonstrate that Wright was protesting too much. Japanese architecture, whether it was seen in photographs, in person, in the prints, or even seen through the eyes of a mentor, was a major influence on Wright's creation of his theory of organic ..."
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Frank Llloyd Wright, 2001.
Discusses his design and aesthetic philosophy for building the Imperial Hotel in Tokyo (1916-1922).
1,125 words (approx. 4.5 pages), 8 sources, $ 39.95
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From the Paper
"Frank Lloyd Wright (1869-1959) was the friend, disciple, and one-time partner of Louis Sullivan, but it was Wright who moved modern architecture toward what he thought of as an "organic" orientation (Hamilton, 1992). Wright rejected the conventionally symmetrical plan of rooms arranged along either side of the hall for one in which the principal rooms were placed on cross-axes extending from a central space. In both his public and private structures, Wright employed a specific philosophy of how man and his environment were two halves of the same coin, sharing a common identity and reinforcing the existence of each other (Hamilton, 1992). Wright was influenced not only by the ideas of Sullivan and other "modern" architects of the so-called Chicago school. He was also enormously influenced by Japanese architecture. It is this influence..."
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"Fallingwater": Its Past and Future, 2001.
This is an analysis of Frank Lloyd Wright's "Fallingwater".
2,305 words (approx. 9.2 pages), 6 sources, $ 71.95
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Abstract
This report provides the reader with a chronology of the construction of Frank Lloyd Wright's; famous house, "Fallingwater".The author gives a brief overview of the history of the house, as well as Wright himself and describes the uniqueness of the house as a prime example of organic architecture.
Table of Contents
What is Fallingwater?
a. Located in Ohio Pyle, PA
b. Built as a summer home
c. Designed by Frank Lloyd Wright
II. Frank Lloyd Wright
a. Three periods of work- pre WWI, early 1930's, late 1930's
b. Invented the Usonian house and Prairie house
c. Died 1959, had designed over 800 buildings
III. What makes Fallingwater unique?
a. Cantilevered terraces
b. Organic Architecture
Fallingwater's future
From the Paper
"In the 1930’s Edgar Kaufman, a department store owner, commissioned architect Frank Lloyd Wright to build a summer house for Kaufman’s family on a plot of land in Ohio Pyle, Pa. The land is set in the woods, with a small river running through it, and plenty of rocky ledges, several of which create waterfalls. The Kaufman’s had imagined a house set downstream from the waterfalls, at a point where the falls could be viewed from below. However, their architect was a man of great creativity and genius, and it was his idea to build the house directly above the falls, so that it actually overhung them."
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The Imperial Hotel, 2002.
A look at how the Imperial Hotel signified the work of Frank Lloyd Wright.
2,400 words (approx. 9.6 pages), 4 sources, $ 89.95
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Abstract
This paper examines both the development and the construction of the Imperial Hotel in respect to its significance for Frank Lloyd Wright. Sadly, the hotel no longer survives, having been demolished in 1968, but its significance still remains crucial to understanding the impact that the Japanese culture had on Frank Lloyd Wright and his work.
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