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Frank Capra, 2002.
A discussion of five films directed by Frank Capra as summarized by author Ray Carney in his book "American Vision: The Films of Frank Capra".
875 words (approx. 3.5 pages), 2 sources, APA, $ 31.95
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Abstract
The paper shows that with only one exception, most of director Frank Capra?s greatest movies take place during the depression, 1929-1941, or shortly after. His films are unique in that they are some of the first to display a faith in American opportunity and values in the context of institutional reform. This paper explores five Capra files in chronological order, "It Happened One Night"(1934), "Mr. Deeds Goes to Town" (1936), "Mr. Smith Goes to Washington" (1939), "Meet John Doe" (1941)and "It's a Wonderful Life" (1946) as summarized by author Ray Carney in his book "American Vision: The Films of Frank Capra". The paper shows how Carney illustrates these films' inclusion of characters that display the courage to act on their own conviction and to sway out of control groups to act in the interest of common good.
From the Paper
"MR. DEEDS GOES TO TOWN portrays Longfellow Deeds as a personification of small-town virtue. After inheriting $20 million from a distant relative, Deeds moves from Mandrake Falls, Vermont to a mansion in New York where he is victim not only to bureaucratic pressures and social scrutiny, but is actually threatened with being made over into someone else. Under attack by shyster lawyers with motives to steal his fortune, Deeds successfully defends himself in court so that he will be declared sane enough to distribute millions of dollars to destitute farmers. Carney?s interpretation of Capra?s motivation for this work is that given the fundamental state of affairs, the marginality, and alienation of individual in a society that he is unable imaginatively to leave, he must therefore shape some sort of public expressive performance."
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Anne Frank's "Anne Frank: Diary of a Young Girl", 2004.
This paper discusses the psychology of fear as presented in "Anne Frank: Diary of a Young Girl" by Anne Frank.
1,535 words (approx. 6.1 pages), 1 source, MLA, $ 50.95
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Abstract
This paper explains that Anne Frank in her bibliography "Anne Frank: Diary of a Young Girl", being a typical teenage girl, was incredibly emotional. The author points out that the circumstance in which she recorded these sentiments was such that they were always overshadowed by her immense fear. The paper relates that, in the first few diary entries written in the Annex, although slightly afraid, Frank does not realize the true level of danger she is in and therefore fills page after page with detailed but mundane descriptions of daily life in the Annex. The author then explains that, as Frank matures, she begins to empathize with the apprehensiveness felt by the adults and, as a result, her fear begins to increase. The paper stresses that, in a child's mind, death is not a feasible occurrence; therefore, she can allow herself to believe that she does not fear it.
From the Paper
'In this entry, as well as many others, she discusses her constant fears of being caught by the Germans while hiding in the secret annex with her family. This entry is especially powerful because it sheds light on the fact that, in such small cramped conditions, there is little to do but let your mind wander. When put in a situation where you can not talk or laugh too loudly for fear of capture, all that one is left with is his or her thoughts and for a young girl, this can cause immense fright. As she points out on this same page of her diary, everything she says or does leads her back to thoughts of fear."
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Capra's American Vision, 2002.
Examination of four Frank Capra?s movies namely: "Our Daily Bread", "Meet John Doe", "State of the Union" and "Mr. Smith Goes to Washington" and how the film director used his vision of American Democracy to try and make amendments in America.
801 words (approx. 3.2 pages), 1 source, MLA, $ 28.95
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Abstract
A brief look at how Frank Capra became America's greatest filmmaker, using the Depression times as a source of humor in his films, sprinkled with great optimism. It shows how he was the symbol of hope for the hopeless; he used his "fantasies of goodwill" as a source of national morale in his films. It discusses how, in many of Capra's films, he uses the theme of Americanization of liberty ? whereby he further supported his idea for freedom for America.
From the Paper
""Capraesque" means a blend of optimism, humor, patriotism, and, to those who really understand his work, darkness, despair, and the need to fight for things you care about ... Capra's heroes often undergo real suffering. But humor surrounds them ... The audience, like the hero, earns its laughs, and they don't come cheap. For those with the courage to see things with humor, the victory life offers in a Capra film is laughter. --Jeanine Basinge) [Mortimer]"
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Confronting the Powerful in Film, 2007.
An analysis of two films, "Mr. Smith Goes to Washington" directed by Frank Capra, and "Matewan" directed by John Sayles.
1,036 words (approx. 4.1 pages), 0 sources, $ 36.95
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Abstract
This paper reviews two films that deal with confronting the powerful to maintain one's dignity. In both "Mr. Smith Goes to Washington" directed by Frank Capra, and "Matewan" directed by John Sayles, the protagonists must take on those with power. The reviewer also analyzes the differences in these two films, particularly in the ways the characters choose to overthrow the system. A brief plot summary is given for each film.
From the Paper
""Mr. Smith Goes to Washington" is a classic Jimmy Stewart, Frank Capra film that shows just how much political influence exists in Washington D.C. In this film, Jefferson Smith (Jimmy Stewart) is appointed as a Senator after the man holding the office dies. He is a naive and trusting, honest man who the political leaders of his state feel they can manipulate and puppet in Washington. He has no idea he has been sent to Washington to ensure the state's political bosses profit from a dam the state does not need, built on land the politicians secretly own. When he finds out, his honor and honesty will not allow him to do anything but fight them for his own ideas, which include building a boy's camp on the very same land. He even finds that his own boyhood idol, Senator Paine, is corrupt and manipulated by the political bosses back home. "
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?Mr. Deeds Goes to Town?, 2002.
A review of the film ?Mr. Deeds Goes to Town?(1936) directed by Frank Capra.
1,729 words (approx. 6.9 pages), 5 sources, MLA, $ 55.95
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Abstract
This paper examines the film ?Mr. Deeds Goes to Town?(1936) directed by Frank Capra and uses it as an example of the type of film that become Capra's trademark, the funny story of an unintentional hero who tries to address the nation's social problems. It provides a filmography of Capra's career and looks at how Capra, more than most directors of his period, was in charge of the content and the look of his movies and was, in short, their auteur. Through a review of the film, it examines how Capra was a master at persuading the audience to identify with his heroes and their emotions.
From the Paper
"This does not mean Capra simply made the same film several times. The focus of each movie is different: helping people most affected by the Depression, cleaning up corrupt politics, and fighting Fascism. But the messages are also delivered in a form unlike any other director's; a combination of comedy, sentiment, and idealism that was nearly unique. This approach was so much Capra's own that it was known by the name of "Capracorn" among those who were unsympathetic with sentiment--some said sentimentality--applied to political ideas and romance (Willis 45). His thematic unity is evident in comparisons of Deeds miserably refusing to defend himself at his hearing, in Jeff Smith breaking down in the Senate, and in John Doe being pelted with tomatoes by followers who have turned against him. "
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"Mr Smith Goes to Washington", 2006.
A discussion of the directoring skills of Frank Capra in his 1939 movie "Mr Smith Goes to Washington".
1,751 words (approx. 7.0 pages), 6 sources, MLA, $ 56.95
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Abstract
This paper examines the directoring history of Frank Capra, a classic movie director in the 1920s and 1930s. It looks at criticism of Capra's style, but also how his unique genre of 'feel-good' movies was widely accepted by the masses. The paper focuses on his movie "Mr Smith Goes to Washington".
From the Paper
"Frank Capra has been dismissed as a movie director because his films are too feel-good. The plots which he favored were, to use his phrase as quoted in Daniel D. Fineman's article on Mr. Smith Goes to Washington, "'Capra-corny'" (1130). This remark shows that Capra took pleasure in his image of being a director of sentimental films. His films, however, as more than mere sentimental sappiness. One reason for this is the superb acting he coaxed from the cast of his movies. But there is another reason, as well, as to why Capra's films avoid being mere maudlin: there is an element of social criticism in them. This is particularly true for Mr. Smith Goes to Washington. Although the storyline certainly is sentimental, and there is the predictable happy ending of the honest David triumphing over the corrupt Goliath, Mr. Smith Goes to Washington is an indictment of the Goliath that was twentieth-century politics, complete with its political machines involved in graft."
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Women in "Double Indemnity" and "Mr. Smith Goes to Washington", 2002.
This essay compares female characters in the films "Double Indemnity" directed by Billy Wilder and Frank Capra's "Mr. Smith Goes to Washington", women who are at opposite moral extremes, yet are very similar tacticians.
773 words (approx. 3.1 pages), 2 sources, MLA, $ 27.95
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Abstract
The writer looks at Clarissa, from "Mr. Smith Goes to Washington", who is a person who reacts to her environment. The paper suggests that she differs greatly from Phyllis of "Double Indemnity" who creates her environment. According to the paper, the women are similar in that they get what they want within these moral systems.
From the Paper
"Clarissa is used to the type of activity that Smith is practically bowled over by when he comes to Washington. Like Phyllis, she is jaded by her experience, though Clarissa?s feelings seem more clear through the story?s exposition and also more morally just. Clarissa sees a purity in Smith and uses that purity to somewhat redeem herself for somewhat buying into the perceived uselessness of the political system. Phyllis uses Neff in the same way, but for her own gain. Clarissa is moved by Smith?s intentions and uses that emotion as a catalyst to do something right, not only for Smith, but also to help better a system that she has taken part in and been snowed over by."
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Frank Sinatra, 2002.
A biography of the life and career of the legend Frank Sinatra.
3,686 words (approx. 14.7 pages), 15 sources, MLA, $ 102.95
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Abstract
This paper outlines the life story of the entertainer Frank Sinatra also known affectionately as Ol? Blue Eyes and respectfully Chairman of the Board. It discusses how, for a first-generation Italian-American, Frank Sinatra surpassed all expectations he or his family ever had. He literally climbed to the top of the mountain of success and stayed there and even after death, he is revered. It examines some of the stories surrounding his connections to the Mafia and how he palled around with Presidents, slept with their wives, bedded practically every female star in Hollywood, had a recording career that fills a book, won an Oscar, fought for civil rights before it was a popular cause ,and helped countless people financially. It describes how he?s been known as an angel of mercy, rescuing people from life and death situations and also as a brute as well, sending guys to beat up someone who fell in his disfavor. It?s difficult at times to tell truth from fiction regarding Frank Sinatra. Nevertheless, one thing is certain, an absolute fact, Sinatra is a legend.
From the Paper
"Born Francis Albert Sinatra on December 12, 1915, in Hoboken, New Jersey, he was the only child of Dolly and Anthony Martin Sinatra. He worked for the Jersey Observer unloading trucks during his teenage years (Sinatra pg). He soon became of copy boy and had aspirations of becoming a journalist. When the editor told him that copy boys ?don?t know enough to be reporters,? Sinatra promptly enrolled in secretarial school, studying English, typing and shorthand (Sinatra pg). "
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The Diary of Anne Frank, 2008.
An analysis of the changes in Anne Frank's voice and tone throughout her diary, "The Diary of a Young Girl."
1,803 words (approx. 7.2 pages), 1 source, MLA, $ 57.95
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Abstract
This paper analyzes the autobiographical diary of Anne Frank, entitled, "The Diary of a Young Girl." The paper specifically focuses on Anne Frank's voice and her tone throughout the diary. It looks at the way that her style changed over the course of the time that she was writing in her diary. The paper discusses the significance of these changes in voice and tone and how they correspond to what was happening in the world at the time.
From the Paper
"Significantly Anne's fifteenth birthday is only two months away from her last letter to Kitty, to her people, to the world. Anne went the path of the righteous, the path of self improvement, growth, faith:" People who have religion should be glad, for not everyone has the gift of believing in heavenly things... It isn't the fear of G-d but the upholding of one's own honour and conscience."
"If you visit Anne Frank museum in Amsterdam, just listen and you will hear her laughter, her whisper, her joy of first love. You will hear the Gestapo stepping with their heavy dirty boots into a pure sweet life. A "Little bundle of contradictions" , who did so well in perfecting her traits, and returned her pure soul to her Creator."
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Anne Frank, 2005.
This paper looks at the life of Anne Frank.
1,800 words (approx. 7.2 pages), 8 sources, MLA, $ 63.95
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This paper tells the story of Anne Frank, the young girl who hid from the Nazis in an attic in Amsterdam. The writer discusses that she hid for 25 months before being discovered and then was sent to a concentration camp along with her sister and parents. The writer tells that Anne, her sister and mother died in the camps. In this paper the writer shows that her father survived and published her diary, which has become known the world over as "The Diary of Anne Frank".
From the Paper
"When Adolf Hitler came to power, his anti-Semitic beliefs were put into practice by his Nazi party, which passed anti-Jewish laws and built concentration camps, where millions of Jews were killed or died from the harsh conditions. Anne Frank, a young Jewish girl and her family were forced to hide and Anne began a diary which documented the sufferings of her family. It has become famous as "The Diary of Anne Frank" and has been made into movies, TV specials and plays. The diary ..."
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Anne Frank, 2005.
Analysis of "The Diary of a Young Girl" by Anne Frank.
675 words (approx. 2.7 pages), 3 sources, $ 26.95
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Abstract
The paper shows how life is difficult for Anne Frank, a lonely Jewish girl, who goes into hiding with her family to be safe from Hitler and grows into a mature young lady with keen insight into her family's feelings of fear and frustration. It presents an analysis of the diary that Frank kept during her period of hiding.
From the Paper
"I hope I will be able to confide everything to you, as I have never been able to confide in anyone, and I hope you will be a great source of comfort and support" (Frank 1). Anne Frank was a Jewish girl who went into hiding with her family to hide from Hitler's army. The story begins with Anne Frank having a birthday party where she receives her diary. Frank loves the diary because she will be able to use it to express her feelings. "
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Frank Stella, 2002.
Defines what makes Frank Stella such a great contemporary artist and architect.
1,150 words (approx. 4.6 pages), 5 sources, $ 44.95
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Abstract
Frank Stella was born in 1936 in Malden, Massachusetts. Since the 1980s, Stella has completed a number of large-scale works for public spaces, confirming Stella's abiding interest in architecture. Change, profound change, has been one of the hallmarks of Stella's work. Stella then began etching and painting brightly patterned metal reliefs. Stella also names his works very carefully. Frank Stella's art is now and will always be a masterpiece.
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?Donald Duk? by Frank Chin, 2002.
A review of the novel ?Donald Duk? by Frank Chin describing race relations in the United States.
772 words (approx. 3.1 pages), 0 sources, $ 27.95
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Abstract
This paper analyzes the novel ?Donald Duk? by Frank Chin and discusses the lead character's trials and tribulations of growing up as a Chinese American. It illustrates Donald's inner struggles and eventual understanding of what his place is in society.
From the Paper
"His father and his uncle, taking into their hands the matter of setting the young boys priorities and ideas straight, do their best to show him that his reactions in themselves are proof to the unfailing dominance that the white had over him. Finally, with the assistance of his own common sense, they succeed in explaining to him and bringing forth an appreciation of the values that are inherent to his actual Chinese lifestyle and cultural norms."
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"Daddy Frank", 2002.
This paper is an analysis of Merle Haggard's chart-topping song, "Daddy Frank (The Guitar Man)," and the close-knit family it portrays.
1,339 words (approx. 5.4 pages), 3 sources, MLA, $ 44.95
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Abstract
This paper discusses the family portrayed in Maggard's song and the dynamics at work in a four-person household headed by a blind musician and his hearing-impaired wife. It discusses how the family travels the country, performing wherever they can find an audience. Despite the handicaps of both parents and the family's struggle to make a living, their relationships are strong and positive, buoyed by faith and mutual trust. It examines how, although Haggard's lyrics are fictional, they are based on his wife's experiences, and they ring true. Daddy Frank's family could have been extremely dysfunctional, yet they managed to turn their problems into strengths, demonstrating one of the most important ways in which families can be positive, healthy factors in the lives of their members.
From the Paper
"The title character in Haggard's "Daddy Frank," is a guitar player who was born blind. His wife lost her hearing to a fever. The narrator, their son, "don't remember how they got acquainted" (Haggard, 1971), but sees how "their one and only weakness made them strong" (Haggard, 1971). He and his sister, who accompanies the group on tambourine, sing with Daddy Frank; sometimes their father also plays "French harp" (harmonica). The narrator explains, "That little band was all a part of living/And our only means of living at the time" (Haggard, 1971). Daddy Frank's little combo has learned to make beautiful music together, and that music supports them."
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Architect Frank Gehry, 2005.
This paper discusses Frank Gehry, a leading architect noted for his innovative structures using industrial materials in new ways.
1,530 words (approx. 6.1 pages), 9 sources, MLA, $ 50.95
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This paper explains that Franks Gehry is probably the foremost proponent of the dean of American architecture Philip Johnson's "Deconstructivist Architecture". The author points out that Gehry links his work in interesting ways with the environment and with the culture of the structure's surroundings. The paper reviews the critics of several of his works: The Guggenheim Museum in Bilbao, Spain; the Malibu studio and residence of artist Ron Davis; the expansion of the Los Angeles County Museum of Art; the Los Angeles Museum of Contemporary Art (MOCA) and the Disney Music Hall in Los Angeles.
From the Paper
"Germano Celant refers to the architecture of Frank Gehry as "idealized cities - essences of urbanity which, refracted and re-presented through Gehry's aerial vision, throws open new ways of understanding the spatial and temporal dimensions of architecture." Celant also emphasizes ways in which the buildings of Gehry seem to expand out of themselves. He is referring specifically to buildings Gehry had designed for Los Angeles when he says that they "seem to split open and break apart, to burst out of closed containers and shoot off in all linguistic directions, as if seduced by the urban eroticism of Los Angeles." Celant says that many of these structures consist of a collection of structures making up a "house-city" marked by transparency through which one can observe details by peering through "apertures or lattices, panels or filters, through chain link or glass."'
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