| Papers [1-15] of 100 :: [Page 1 of 7] | | Go to page : 1 2 3 4 5 6 7 —> | Search results on "FRANCISCO DE VITORIA": |
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Francisco de Vitoria, 2006.
A discussion regarding Francisco de Vitoria and his influence and role in the history of the Catholic Church.
1,519 words (approx. 6.1 pages), 5 sources, MLA, $ 50.95
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Abstract
This paper introduces, discusses and analyzes the life of Francisco de Vitoria. According to the paper, Francisco de Vitoria was extremely influential in the Catholic Church as a jurist and for his "just war theory," which questioned the inhumane treatment of natives in North and South America after Columbus' discovery of the New World. The paper reports that as an educator, philosopher, and theologian, Francisco de Vitoria is known as the "father of international and natural law".
From the Paper
"While Vitoria's ideas did not always match Catholic philosophy, he consistently remained in favor with the Popes in power. They often asked for his guidance and ideas on thorny topics, from suicide to law governing the conquest of foreign lands. His biographer and translator, John P. Doyle notes, "Indeed, his favor with the emperor was an important factor in the positive reception of that condemnation and the adoption in 1542 of 'The New Laws of the Indies,' which has been called the 'most Christian code ever promulgated in a colonial situation'" (Doyle 13). Thus, while sometimes his theories did not match those of the Church, he still gained the respect and admiration of Church leaders, so much so that he was often consulted in theological and spiritual matters. In fact, Emperor Charles V, the Holy Roman Emperor from 1519 to 1556 asked Vitoria to represent Spain at the Council of Trent that had been commissioned by Pope Paul VI in 1545. However, Vitoria could not attend the momentous Council, as he was in very poor health and died the following year."
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'The Annunciation' as Interpreted by Francisco de Zurbaran, 1999.
2,330 words (approx. 9.3 pages), 1 source, $ 71.95
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Abstract
This paper is a critical analysis of "The Annunciation", by Francisco de Zurbaran. It considers the choices made by the artist, including time, characters, and emphasis. Specifically, Zurburan decided to paint the scene as if the Virgin Mary had already received her message. This topic is explored, especially as it relates to other painting of the same subject. Also, the somber tome is considered; which conveys a message of importance in and of itself. Finally, the surroundings within which the artist places Mary conveys a ?heavenly? idea.
From the Paper
"A person who learns that she is going to give birth to the Son of God experiences a unique event. In Christian history, the only person that had such a privilege was the Virgin Mary. The scene where the archangel Gabriel has alighted near her to tell her the startling news has fascinated artists throughout time and throughout the world. There are innumerable emotions and interactions that can be interpreted from the biblical text describing the exchange between the two protagonists. In attempts to illuminate some of them, different artists have used a variety of parameters and techniques to show their audiences what they considered to be the important ideas connected with the annunciation. These and concepts include the actual point on the time-line between Gabriel?s arrival and departure that the artist chooses to depict, the physical gestures and positions of the figures, and actual physical methods employed in the creation and composition of the work itself such that a viewer?s attention is drawn to a certain aspect of the event."
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Paul Valery's "Introduction de la Methode de Leonard de Vinci", 2002.
This paper compares a quote taken from Paul Valery's "Introduction de la Methode de Leonard de Vinci" and to Salman Rushdie's "Haroun and the Sea of Stories".
1,090 words (approx. 4.4 pages), 5 sources, MLA, $ 38.95
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Abstract
This paper reviews the specific pieces by Valery and Rushdie and other pertinent supportive material. The paper concludes that Valery was a man of words who often felt that those who used them didn't know their power. The author feels that Valery knew the power of words but often felt the "gift" to write was not empowering.
From the Paper
"His quote, "Beauty is a way of death. The novelty, the intensity, the strangeness, in a word, all the values of shock supplant it", can be likened to the hunter who loves the hunt more than the eventual catch. So it is with words for Valery. It is the process, the thinking, the effort that fascinates him?not the work itself. Perhaps that is because he left the world of literature for the analytical and precise world of science."
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"The Romance of the Rose" by Guillaume De Lorris and Jean De Meun, 1993.
A look at the duality of men's attitudes toward women (worship vs. contempt) in the novel about the Middle Ages.
1,125 words (approx. 4.5 pages), 1 source, $ 39.95
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From the Paper
"This study will analyze the duality of men's attitudes toward women as portrayed by Guillaume de Lorris and Jean de Meun in The Romance of the Rose. The study will consider the reasons that men worshipped women while at the same time having contempt for them, and will explore how this duality of attitude and practice helped shape the code of chivalry which men lived by during the Middle Ages.
In the Introduction to the book, we read that the story is told rather straightforwardly: "A Lover wishes to win his Lady (the Rose); her responsiveness (Fair Welcome) encourages him; her sense of modesty (Shame) fends him off; the dominance she exercises upon him (Danger --- a French form of the Latin word dominarium meaning 'domination') blocks his advance. Modern readers, accustomed to similar Freudian abstractions, can hardly..."
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Portraiture in Goya and Moroni, 2008.
A comparative analysis of Giovanni Battista Moroni's "Gian Lodovico Madruzzo" and Francisco de Goya's "Portrait of General Jose Manuel Romero".
1,322 words (approx. 5.3 pages), 4 sources, MLA, $ 44.95
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Abstract
This paper discusses how Giovanni Battista Moroni's "Gian Lodovico Madruzzo" and Francisco de Goya's "Portrait of General Jose Manuel Romero" exhibit a number of similarities and differences. It looks at how both paintings depict a similar type of subject in the same medium of oil on canvas as well as how, despite these similarities, the paintings are quite different in terms of style and the ways that the subject is shown. More specifically, the paper relates that Moroni attempts to show the personal side of his subject while still maintaining respectability. but Goya emphasizes the military and social role of his subject by minimizing his subject's surroundings and maximizing the subject's image within the framed portrait.
From the Paper
"The posing of each figure is also important and is closely related to their placement. The long robes of Moroni's subject are most effective in a standing subject. Here, he poses without implied action of any sort, allowing the long lines of the robe fabric drape naturally around his person. His hands are visible, with his left hand pointing slightly to extend the lines of his arm, again lengthening him within the canvas. Much of the positioning of the subject is done to improve his image within the painting. Much more simply, Goya's subject stands in a formal military pose with his right hand tucked into his sash. This very clear and simple pose does well to again emphasize Goya's ambivalence toward his subject as he attempts to paint him as he truly appears. "
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Goya and his Paintings, 2006.
An examination of 18 century painter Francisco Jose de Goya y Lucientes, otherwise known as Goya.
1,890 words (approx. 7.6 pages), 3 sources, MLA, $ 60.95
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Abstract
This paper examines the life and works of 18th century painter, Goya. It explains that in his youth, Goya was apprenticed by Francisco Bayeu and also motivated by the styles of Rembrandt and Velazquez as their techniques are present in Goya's work. The paper examines some of Goya's works and discusses how these styles are representative in his paintings.
From the Paper
"Despite his success as a painter, Goya's life and style were changed after an infirmity in 1793 left Goya deaf, imbibing him with new cynicism and bitterness. As a result, his post-infirmity paintings wee executed with painful honesty, eventually turning to tragedy and bizarre horrors. Throughout the rest of his life, Goya continued to paint, although he left Spain for Bordeaux, France, in 1824. With the final period of his life spent painting lithographs of scenes of bullfights, Goya died on 16 April 1826, leaving "no immediate successor" (8). Goya has influenced such diverse painters as Picasso and the modernists, and this paper shall analyze four of his works, taken from diverse periods of his artistry."
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Romantic Artists: Goya and Delacroix, 2007.
This paper discuses two artists of the romantic movement, Francisco de Goya y Lucientes (1746-1828) and Eugene Delacroix (1798-1863).
1,360 words (approx. 5.4 pages), 4 sources, APA, $ 45.95
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Abstract
This paper explains that, during the romantic movement in Spain and France, which is described as an anti-intellectual movement in both art and literature, artists of this tradition actively commented against the traditions of aristocratic domination of politics and societal norms and supported the rise of nationalism. The author points out that both Goya and Delacroix related their artistic visions and imagination to actual events and made political statements through their depiction of war. The paper explores this theme in Goya's "The Third of May 1808", which he created in response to the tyranny of Napoleon's forces, and in Delacroix's "Massacres at Chios, 1824", which was his objection to the continuing social repression of the professional and peasant classes.
From the Paper
"The decades preceding and following the turn of the 18th century were violent and bloody. It was an era of much political and social upheaval where people, ranging from both intellectual and educated to peasants, began to question the role and power of the aristocracy whom they began to view as irresponsible despots . In particular, the divine right of royalty was questioned along with the rules they imposed upon their subjects as well as the war atrocities they caused. Artists, including painters began to portray the fall out of this political upheaval."
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Writings by Cabeza de Vaca, 2005.
Examines how Cabeza de Vaca?s narrative, "The Relation of Ivar Nunez Cabeza de Vaca", provides rare glimpses of Indian culture and way of life that no longer exist today.
1,417 words (approx. 5.7 pages), 4 sources, MLA, $ 47.95
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Abstract
This paper focuses on how Ivar Nunez Cabeza de Vaca's "The Relation of Ivar Nunez Cabeza de Vaca" has historical significance by providing examples from the text and citing outside sources. This paper shows how important de Vaca?s book is as he gives his account of the lives of the Indian tribes in the 1500s. Since these Indians had an oral tradition instead of a written one, information about these tribes, and especially the role of women within these tribes, would not exist today without de Vaca?s book.
From the Paper
"Unlike many other cultures in that time, women had a voice and held some power in their society, making them more equal in power with men than in other cultures. Many traders were women as ?women of several native groups?performed roles as traders, guides, and peacemakers? (Wade 339). Essentially, de Vaca was a man doing women?s work, but it showed him moving from one role to another. This knowledge is important because it shows the roles that the women and men had in their culture and ?the flexibility of the native social structure of groups classified as gathering and hunting societies? (Wade 339)."
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'Don Quijote de la Mancha', 2006.
A review of 'Don Quijote de la Mancha' by Miguel de Cervantes Saavedra.
1,783 words (approx. 7.1 pages), 0 sources, APA, $ 57.95
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Abstract
This paper reviews the life of Miguel de Cervantes Saavedra, born 1547 in Alcala de Henares, Spain and how he used his experiences to write the book 'Don Quijote de la Mancha'. According to the paper, while the old fashioned ideals of chivalry, romance and aristocratic justice were steadily becoming hackneyed in burgeoning renaissance Spain, Cervantes took out his pen and wrote the relished story of 'Don Quixotes', the vivacious man from La Mancha whose imagination was as wild as the embraced socio-cultural history of the nation.
From the Paper
"This lackluster punctuation of daily duty was of no surprise to Cervantes, whose own personal histories were none too different. After the publication of his first literary work, "Serenisima Reina En Quien Se Halla," dedicated to the birth of Phillip II's second daughter, Cervantes spent his young years under the tutelage of Diego de Urbina aboard the royal Marquesa. In 1571, Cervantes was ill with malaria when his ship was attacked, and imbued with the same raptured infatuation for antiquarian ideals of nobility, he stood valiantly strong with his shipmates. "Cervantes is stricken with malaria but, in spite of high fevers, fights heroically from the bow of the ship, in the 'greatest moment that past centuries have seen and which those to come have no hope of seeing." At the battle of Lepanto, the event was less colorful; he was an injured, low-ranking shipman with little hope for career advancement and the ideals of a hero less applicable in the reality of a fighter struggling for one side in a bloody role for national cultural definition."
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Simone de Beauvoir, 2002.
Discusses the life and philosophy of Simone de Beauvoir with special emphasis on de Beauvoir's relations to existentialism.
1,400 words (approx. 5.6 pages), 3 sources, $ 53.95
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Abstract
This essay considers the life and philosophy of Simone de Beauvoir. A brief overview of de Beauvoir's life is offered here, followed by a critical consideration of de Beauvoir's relations to existentialism.
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"Hernando de Soto and the Indians of Florida", 2002.
A review of "Hernando de Soto and the Indians of Florida" by Jerald T. Milanich and Charles Hudson.
924 words (approx. 3.7 pages), 1 source, MLA, $ 32.95
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Abstract
This paper examines how "Hernando de Soto and the Indians of Florida" by Jerald T. Milanich and Charles Hudson which chronicles the expedition of the titular Spanish explorer through which what was to de Soto?s eyes a New World and to the Native inhabitants a homeland. It analyzes how the New World that promised to enrich de Soto and his nation of Spain ultimately proved the cause of his demise and how de Soto?s expedition, more importantly, caused the demise of the Native way of life of those whom de Soto engaged in combat and in contact with. It looks at how the authors Milanich and Hudson attempt to present a more three-dimensional, non-European counter and compliment to de Soto?s work through the use of archaeological evidence.
From the Paper
"Milanich and Hudson do not take issue with the characterization of de Soto as a man bent on personal enrichment as well conquest, though they do view his reportage of his encounters with interest as well as trepidation. But their new archeological information regarding Native life provides the ?other side? that has so long been missing from accounts of de Soto?s expedition. Providing this ?other side? is particularly important, given that de Soto?s relationship with the Native Americans were more often than not, adversarial. Relying solely upon de Soto?s accounts as an objective source is not unlike relying solely upon the winning side?s words in evaluating a war."
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Rebecca and Mrs. de Winter, 2006.
This paper analyzes the conflicted relationship between Rebecca and Mrs. de Winter in Daphne Du Maurier's classic 1938 novel, "Rebecca."
1,352 words (approx. 5.4 pages), 1 source, MLA, $ 45.95
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Abstract
This paper discusses the plot of the novel which revolves around the second Mrs. de Winter who becomes obsessed with tales of Rebecca, the first Mrs. de Winter, who was mysteriously murdered. The writer contends and explains why Mrs. de Winter's longing to be like Rebecca leads to a journey of self-discovery which also helps her unearth the mysterious past of her husband Maxim and his first wife. The paper discusses the author's use of symbolism to foreshadow Mrs. de Winter's connection with Rebecca. This paper delves into the second wife's feelings of inadequacy when trying to measure up to the image of her husband's first wife. The writer of this paper details the immense power Rebecca has over Mrs. de Winter while also delving into the dysfunctional relationship between Mrs. de Winter and her husband.
From the Paper
"Rebecca is thus an elusive entity for the girl who longs to become more like her and thus develops her own images and version of her. She follows these images, copying them in her desire to be deserving of the title of Mrs. De winter. Her marriage with Maxim was not exactly successful because the girl was pre-occupied with her middle-class upbringing and wanted to somehow trade that for a more adult, grown-up attitude. She found herself inexperienced in sexual matters which left her often feeling empty and unfulfilled after her sexual encounters with Maxim. Mrs. De Winter blamed this on her middle-class ness, something that she had come to resent deeply. She felt that only a woman like Rebecca could have a fulfilling marriage and a satisfying sexual life with her husband since she was experienced in the art of winning and pleasing people."
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Manuel de Lacunza, 2002.
A review of the life and works of Manuel de Lacunza.
1,880 words (approx. 7.5 pages), 8 sources, MLA, $ 60.95
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Abstract
This paper examines the life of Manuel de Lacunza, one of the most significant figures in Church history. The paper includes a review of Manuel de Lucanza's major works, including "The Coming of the Messiah in Glory and Majesty". The paper also explores the contributions that Lacunza made to the church through his theories.
Contents:
Introduction
The Life of Manuel de Lacunza
The Studies of Manuel de Lacunza
Futurism
Opposition to Pre-tribulation Rapture
The Contributions of Manuel de Lacunza
Most Profound Contribution
Education
Church Doctrines
The Prophetic Movement
The Movie Industry and the Development of Large Ministries
Conclusion
From the Paper
"Manuel (Emanuel) de Lacunza was born in 1731 in Chile but spent much of his life living in exile in Italy. (?Church Heritage?) Lacunza lived in Chile until he was 15 years old. He was then sent to Spain to become a Jesuit 1 Priest in the Catholic Church. By 1747 Lacunza had become a member of the Jesuit Priesthood and quickly became a prominent figure in the church. Eventually he became a superintendent of the Noviciates and taught others in the traditions of the Jesuit order."
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Charles De Gaulle and French Conflicts with NATO, 2003.
This paper explores Charles De Gaulle and his widely criticized view that the North Atlantic Treaty Organization was simply a tool for Americanization.
1,621 words (approx. 6.5 pages), 4 sources, MLA, $ 52.95
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Abstract
The paper is divided up into three sections. The first section is a brief history of the events that led up to De Gaulle's decision to withdraw France from NATO. His opinions are given, as well as the pros and cons of having a European power leave NATO at the height of the Cold War. This section, as well as the entire paper, is written from the perspective that De Gaulle felt that the eventual Americanization of world affairs would only lead to disaster. The second section is an analysis of what happened to France politically after De Gaulle left NATO. Specific events, such as France becoming more autonomous in European affairs, are given, and how France began to rebuild the pride it had lost after World War II is discussed. Finally, the last section deals with De Gaulle as a politician. His strengths of verbal persuasion and commitment to returning France to a world power status are discussed, as is how he felt that NATO was standing in the way of French progress.
From the Paper
"After World War II, the countries of Europe were ravaged by a war that caused millions of causalities and billions of dollars worth of damage to farms and businesses. France had suffered greatly due to the occupation of Nazi Germany, but upon the liberation of the country by The Allies and the appointment of the popular French resistance hero General Charles De Gaulle as head of the provisional government in 1945, a new Europe was looking to be born in the wake of the deadliest war in human history. Europe would be greatly influenced in the coming decades by the spread of communism and by both America?s and The Soviet Union?s foreign policies, but in the midst of this struggle for control over Europe, France would remain steadfast in it?s political and social independence as Charles De Gaulle was passionate about making France a power in the world once more. This desire to return France to her past glory and De Gaulle?s aspiration to remove American, British and Soviet influence from France?s own foreign policy decisions were prime reasons for De Gaulle?s displeasure with the NATO Alliance and which would eventually cause De Gaulle to remove and distance France from the complexity of entangling alliances after World War II. With France strongly against the NATO agreement that was signed in 1949, De Gaulle attempted to rebuild Europe with France being the main power instead of allowing ?foreign meddling in France?s political agenda?."
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"Cyrano de Bergerac", 2002.
Analyzes the main character, de Bergerac, in Edmond Rostand's play.
1,035 words (approx. 4.1 pages), 4 sources, APA, $ 36.95
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Abstract
The play "Cyrano de Bergerac", by Edmond Rostand, centers on a tragic comedy of errors, about a man who actually lived in France during the 1600s and was one of the first writers of science fiction. The paper shows that in the play, de Bergerac lives during a time where too much emphasis is put on both appearance and superficial behavior. De Bergerac has a comically ugly nose and, because of this physical flaw, cannot bring himself to tell his cousin, Roxane, that he loves her. The paper describes how, instead, he loves her by proxy, writing beautiful love letters and speeches for someone in his regiment who courts Roxane, wins her love based on de Bergerac?s words and feelings, and eventually marries her. The paper discusses both the play and the movie version of the text.
From the Paper
"The reader gets the feeling, however, that de Bergerac gets more than a little pleasure from being the center of attention, even if it is because of something he sees as grotesque about himself (staff writer, 1995). He repeatedly brings attention to his nose, and as he is very witty, he does it in extreme ways. One gets the feeling that he revels in his own suffering. When given the choice of sabotaging or enabling his friend?s courtship of Roxane, the woman de Bergerac loves desperately, he makes it impossible for Roxane to do anything except fall in love with his rival. Perhaps de Bergerac prefers to love from afar: she cannot mock him for his nose."
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