| Papers [1-15] of 100 :: [Page 1 of 7] | | Go to page : 1 2 3 4 5 6 7 —> | Search results on "FILM REVIEW JAMES BOND": |
|
|
Film Review - James Bond, 2001.
Examines the 18th entry in the James Bond film series. Discusses the standard elements of Bond films and how they are applied in "Tomorrow Never Dies."
675 words (approx. 2.7 pages), 0 sources, $ 23.95
»
Click here to show/hide summary
From the Paper
"Tomorrow Never Dies (1997), directed by Roger Spottiswoode, is the 18th entry in the James Bond series, a film series covering 35 years of the longest running film franchise in cinema history. The film stars Pierce Brosnan in his second role as Secret Agent 007. This subset of the spy genre follows its own set of rules, which often make the resulting film seem overly familiar. This is the case with this entry, with the pattern so set that the viewer can predict much of what will happen before it does.
We know that the film will open with some sort of huge set-piece involving technology, derring-do by James Bond, and ending with mass destruction leading to the credit sequence. This is precisely what happens, in this case involving an exchange of stolen military hardware in Siberia."
| |
|
Sex and Gender in James Whale's Film "Bride of Frankenstein", 1996.
An overview of the role of gender in the classic 1930's horror film, with relation to its predecessor, "Frankenstein."
1,830 words (approx. 7.3 pages), 5 sources, $ 58.95
»
Click here to show/hide summary
From the Paper
"The Bride of Frankenstein, however, is also a very serious film that discusses various social issues of the 1930?s concerning the representations of sex and gender. The most obvious sexual issue in the film is the use of the literary motif of the ?lover?s triangle,? usually depicted as two male protagonists in a constant, romantic battle for the affections of a woman with the outcome in favor of the emotionally strongest suitor."
| |
|
The Art Film and the Genre Film, 2004.
Art and genre criticism in four classic films.
3,048 words (approx. 12.2 pages), 48 sources, MLA, $ 89.95
»
Click here to show/hide summary
Abstract
An analysis of two genre films and two art films - Antonioni's "Blow Up," Kelly/Donen's "Singin' in the Rain", Truffaut's "The 400 Blows", and Sirk's "All That Heaven Allows". The validity of both genre and art film criticism are examined.
From the Paper
"By its failure to accommodate the excess generated by its subject matter, All That Heaven Allows is not only critiquing the genre of melodrama, it also exposes the contradictions and conflicts present in American bourgeois society (Bourget, 1995, 45). However the subversive excess and contradictions present in the film prevent it from being ?just another melodrama?. Sirk worked within yet against the constraints of the Hollywood studio system to subvert the genre, and although the film is superficially a generic 1950s Hollywood melodrama, Sirk?s characteristic stylistic technique marks him as an auteur, a position usually associated with the art rather than the genre film."
| |
|
The Historical Biblical James, 2008.
This paper discusses the apostle James and looks at the 'Book of James'.
1,256 words (approx. 5.0 pages), 7 sources, APA, $ 42.95
»
Click here to show/hide summary
Abstract
In this article, the writer notes that James was a preacher, a self-taught man who loyally followed his brother, Jesus Christ, and whose contribution to the Bible is the "Letter of James". The writer maintains that there was a historical Jesus, a historical James, and that the two were indeed brothers. From this, one can conclude that James wrote his epistle, and that the 'Book of James' is an authentic letter sent from the author to the Jews of the Diaspora to teach them how to live as Christians. The physical evidence of the ossuary of James simply adds weight to this discussion. The writer concludes that James was a brother of Jesus and he wrote the 'Letter of James', which then came to be seen as the core instructional tract on how to work and live as a Christian.
From the Paper
"While the Bible mentions several Mary's, and at least three different James', thus putting into question which, if any, of the James' wrote the letter, there was only one that was the brother of Jesus. This James is the one that became the head of the Christian church in Jerusalem and thus by extension the head priest for all of the Christian Jews in the Diaspora. Thus, for a letter such as this to have had any real impact, it would have had to have been written by a very powerful man - how else could it have been disseminated? Therefore, the authority of James the brother of Jesus is established as well as the appropriateness of that James in the authoring of the epistle. What then additionally supported the validity of the claim of James to have been Jesus' brother is not the references to that relationship in Mark and other parts of the Bible, but the 2002 discovery of the Ossuary of James."
| |
|
James Agee and Walker Evans, 2002.
Reviews the writing of James Agee and the film making of Walker Evans and their success at accurately describing the Depression era.
650 words (approx. 2.6 pages), 1 source, $ 26.95
»
Click here to show/hide summary
Abstract
This review describes the strength of James Agee's prose and Walker Evans' moving pictures that together brought out a masterpiece describing the Depression.
| |
|
James Scarth Gale, 2008.
An analysis of the life of James Scarth Gale and a review of the biography os his life, "James Scarth Gale and his History of the Korean People," written by Richard Rutt.
718 words (approx. 2.9 pages), 1 source, MLA, $ 25.95
»
Click here to show/hide summary
Abstract
This paper reviews Richard Rutt's biography of James Scarth Gale, entitled "James Scarth Gale and his History of the Korean People." The paper begins by providing a background of James Gale and his development into a missionary to Korea. It then review the style of Rutt's writing and the content of his work and concludes that Rutt's biography of James Scarth Gale makes for interesting reading.
From the Paper
"This book contains some additional vagaries, which in part took away from the overall experience of reading it. For whatever reason, Rutt chooses not to capitalize the names of religions, making them "presbyterian," "catholic," or "buddhist." He also refuses to capitalize the Roman numerals that he uses to identify Bible verses. In addition, after a certain point in the book, Rutt alternately refers to Gale as "Gale" and "Dr Gale." Although these things area all relatively minor, they are distractions that required the reader to adapt to reading Gale's biography, rather than allowing immediate immersion into the text."
| |
|
Irony in the Work of James Thurber, 2005.
An analysis of the irony used by James Thurber in his essay "The Secret Life of James Thurber."
675 words (approx. 2.7 pages), 1 source, MLA, $ 23.95
»
Click here to show/hide summary
Abstract
The paper analyzes the irony used by James Thurber in his essay "The Secret Life of James Thurber." The paper discusses how Thurber compares his own common sense with artist Salvador Dali's "nonsense."
From the Paper
"In a play on his most famous story "The Secret Life of Walter Mitty" American humorist James Thurber wrote an essay comparing his own common sense with the nonsense exhibited in the life and manners of Salvador Dali in "The Secret Life of James Thurber." In "The Secret Life of James Thurber" we see clearly demonstrated Thurber's penchant for humor and irony."
| |
|
The Relationship between James I and the Puritans, 2006.
This paper explains the importance of foreign policy, in relation to other factors, in influencing the relationship between James I and the Puritans in the years 1603 - 1625.
1,427 words (approx. 5.7 pages), 1 source, MLA, $ 47.95
»
Click here to show/hide summary
Abstract
In this article, the writer looks at the relationship between James I and the Puritans, focusing on the significance of foreign policy. The writer notes that the Puritan's view regarding foreign policy, although the Millenary Petition of 1603 acknowledged James's authority over all such matters, was stringently anti-Spanish. The writer maintains that in the eyes of the Puritans, Spain was something of a Catholic super-power and, along with the traditional hatred of the Spanish, they took the more extreme view that the Pope was the "Anti-Christ" and that all Catholics were irretrievably evil. The writer points out that when compared to James's tolerant attitude, this was potentially dangerous for both parties. The writer notes that before 1618, foreign policy did little to damage James's relationship with England's Puritans, who were largely conformist. The writer concludes that after 1618, however, with the increasingly serious negotiations with Spain over the match, the Puritans became far more concerned about James's tolerant attitude towards Catholicism and, in a Millenarian point of view, the potential danger of James failing to ensure a Protestant victory in the Battle of Armageddon.
From the Paper
"James's 1618 Book of Sports was, by going against extreme Puritan Sabbatarianism, a further attempt to separate the conformist Puritans from the non-conformist individuals, which added to his lengthy list of such efforts. These endeavours, whilst casual, did help James in recognising some extremists, but also helped to further alienate some - such alienated groups would have been particularly adverse to any foreign policy sympathetic to Catholic powers (and more prepared to resort to extreme measures), which was especially dangerous because most such Puritans were by no means poor: Puritanism required, to some extent, literacy, and literacy was largely restricted to richer members of society, who were therefore more likely to be MPs, or MPs' more important constituents (as part of the Gentry). Such Puritans were, fortunately for James, rare (partly owing to their emigration) and so they had little effect. Puritans in Parliament were conformists at least to the extent that they recognised parliament, and so had little effect on foreign policy - the reasons for anti-Spanish sentiment in Parliament were varied, but had little to do with extreme Puritanism. Until 1618, there was little reason for souring the relationship between James and the majority of Puritans (specifically) through domestic policy, finance, the constitution or other areas, as the dissatisfaction that could arise from these problems were not religious issues. After 1618, however, with the increasingly serious negotiations with Spain over the Match (now with Charles, since Henry, James's older son, had died), the Puritans became far more concerned about James's tolerant attitude towards Catholicism and, in a Millenarian point of view, the potential danger of James failing to ensure a Protestant Victory in the Battle of Armageddon."
| |
|
William James, 2005.
This paper discusses the meaning of truth as presented by American psychologist and philosopher William James.
1,300 words (approx. 5.2 pages), 4 sources, MLA, $ 43.95
»
Click here to show/hide summary
Abstract
This paper explains that William James differs from other philosophers throughout history who seem to create a set of criteria for the establishment of truth; instead, James suggests the expediency of a true idea. The author points out that the fact that James discusses doubt and inquiry goes with his own overall pragmatic theories; therefore, any idea that "works" in any desired manner is to that extent true, which dissents from Aristotle's theory of truth. The paper stresses that there is no doubt that James in his own pragmatic and scientific way opened up a Pandora's Box of psychological views of reality, belief and truth.
From the Paper
"James seems to believe that it is the consequences, not past "truths" that determine the truth or falsity of a belief, a theory, or a statement. He contradicts the ages-old concept by arguing that "Those who contend that knowledge results wholly from the experiences of the individual, ignoring as they do the mental evolution which accompanies the autogenous development of the nervous system, fall into an error as great as if they were to ascribe all bodily growths to exercise, forgetting the innate tendency to assume the adult form." Does this mean that as we grow, as our emotions change, our truths change? For instance, if a little boy says his father is tall, but when the boy reaches adulthood and may be taller than his father, does that mean saying his father is tall is now no longer a truth? Perhaps."
| |
|
Messages from James and Paul, 2006.
This paper examines the different messages from James and Paul and Paul's ideas of resurrection.
900 words (approx. 3.6 pages), 2 sources, $ 35.95
»
Click here to show/hide summary
Abstract
The paper discusses how the relatively short chapter of James, when compared to the longer writings of Paul to the Romans, appears to illustrate many dividing messages from the early church. The more prolific author, Paul, conveys a much more political agenda, speaking decisively regarding Jews, Gentiles and the Law, while James instead focuses on the importance of actions in faith, writing for "all God's people scattered over the whole world." The paper explains that as these two authors are writing for different audiences, they write with particular purposes. The paper discusses how the letter of James looks closely at specific practices of the Christian beliefs, illustrating how faith is meant to properly be put into action.
| |
|
James Meredith and Civil Rights, 2007.
A review of James Meredith's fight for civil rights.
2,313 words (approx. 9.3 pages), 11 sources, APA, $ 71.95
»
Click here to show/hide summary
Abstract
This paper introduces, discusses and analyzes the topic of James Meredith. Specifically, the paper discusses James Meredith's role in the Black Student Movement and the Civil Rights Movement. According to the paper, in 1962, James Meredith attempted to enter the University of Mississippi to study law. After a long and very bitter struggle he became the first black student in the history of the school.
From the Paper
"During Meredith's fight to enter Ole Miss, he became more involved in the overall fight for civil rights, as well. In 1966, his first memoir, Three Years in Mississippi was published, and he undertook the Meredith Mississippi March Against Fear from Memphis, Tennessee, to Jackson, Mississippi. After only two days, someone shot him and left him by the side of the road as dead. The attack so angered other black civil rights groups that they banded together and finished the walk in his honor. Stokely Carmichael, one of the marchers, came up with the term "black power" during the march, and this was the beginning of the term associated with the black struggle to end oppression and prejudice. Thus, many credit Meredith as the father of the movement, although he did not coin the phrase. Meredith rejoined the march for a few days, and has always been an outspoken critic of nonviolence. However, his civil rights activities waned after the march. Meredith went on to study and teach abroad for several years. He lectures, has taught, and is now the President of the Meredith Institute, Inc., a non-profit organization that teaches Black Americans the importance of language and how to read, write, and speak the English language. "
| |
|
Henry James? "The Jolly Corner", 2003.
A look at how Henry James uses literary images of New York in his short story "The Jolly Corner".
2,896 words (approx. 11.6 pages), 8 sources, MLA, $ 85.95
»
Click here to show/hide summary
Abstract
This paper analyzes Henry James' use of literary images of New York in his short story "The Jolly Corner". It combines extracts from the text with other of James' work (particularly "The American Scene") to show that "The Jolly Corner" may be seen as an autobiography of sorts and provides many deep insights into the life and works of James.
From the Paper
"The sense of eeriness that Henry James lets exude in The Jolly Corner is the same that one experiences when comparing it to The American Scene. Unlike Washington Square, where contrasts are much more prevalent than comparisons, The Jolly Corner is very nearly, eerily so, a ?fictional mirror? of James? non-fictional travelogue. Comparisons can be made at every level with The American Scene: from the pervading themes to the images of New York. It is the intention of this paper to show that, to a very great extent, Henry James? images of New York in The Jolly Corner share the same style of his late period and, in particular, his work The American Scene. By extension, this paper will also contribute to the ongoing argument that The Jolly Corner may be seen as an autobiography of sorts by James."
| |
|
Success and Tragedy in Henry James' Writing, 2001.
An analysis of protagonists in three of Henry James' novels: "The Beast in The Jungle", "The Jolly Corner", and "The Portrait of a Lady".
878 words (approx. 3.5 pages), 4 sources, $ 31.95
»
Click here to show/hide summary
Abstract
This paper compares and contrasts the tendencies of Henry James in his writings. "The Beast in The Jungle", "The Jolly Corner", and "The Portrait of a Lady" are three of James' works that are examined in detail. In particular, this paper focuses on the protagonists of each of the writings respectively. A strong comparison is made between the three protagonists of these writings, and their miserable lives. On the other hand, the protagonist of James' story "The Tragic Muse" is shown to lead a life of happiness and success. The paper notes the clear differences between this story and the others, therefore explaining what leads the character on a different path.
From the Paper
"In contrast, Portrait of a Lady presents Ralph as an invalid who lives vicariously through a woman named Isabel Archer whom he leads to doom. He bestows upon her a large sum of money, despite his father's warning that fortune hunters will target her for it. Ralph replies, "That's a risk, and it has entered into my calculation...I'm prepared to take it" (p. 161). Ralph is financially generous to Isabel not out of love but out of a morbid fascination. He wants to see what she will do with it. When Isabel marries a gold-digger, she fulfills the victim role that Ralph's father had feared. Ralph's fascination with Isabel's life overcomes any concern he might have had for her welfare."
| |
|
Confederate Outlaw Jesse James, 2005.
An examination of historical outlaw figure Jesse James from both a modern and historical perspective.
1,400 words (approx. 5.6 pages), 4 sources, APA, $ 46.95
»
Click here to show/hide summary
Abstract
This report examines newspaper articles written about Jesse James, from both modern and historical standpoints. The paper also looks at how politics affected the image of James and the cultural myth of James through sources like that of Stiles, author of The Last Rebel of the Civil War. The report also uses other sources, however, including sources that are critical of Stiles' work, to ensure objective perspectives in the paper.
From the Paper
"One newspaper article about Jesse James focuses on the legend and how it is still felt in the area. This shows a modern reflection to an assignment parameter that is perhaps lacking in modern sources for comparison, just to highlight historical sourcing exercises. The real interesting issues about Jesse James aside from the reprints of
secondary-sourced news articles are how the history maintains itself in terms of the present day. In an article in the St. Louis Dispatch, for example, the writer compares eerily the present state of a town called Liberty where James pulled robberies, including the infamous Liberty bank robbery mentioned in Stiles' The Last Rebel of the Civil War and other sources."
| |
|
The James Ossuary, 2006.
This paper discusses the James Ossuary and the question of its authenticity.
775 words (approx. 3.1 pages), 4 sources, MLA, $ 27.95
»
Click here to show/hide summary
Abstract
This paper explains that an ossuary is a bone box, which is often used for the purposes of reburial; the James Ossuary, which was found in 2002, bore the inscription "James, son of Joseph, brother of Jesus". The author points out that, from the beginning, there was a great deal of controversy surrounding the discovery of this particular ossuary especially the fact that the James ossuary was not found by qualified archaeologists. The paper concludes that, while it was from the first century, the inscription on the ossuary was a forgery.
From the Paper
"The author [of "Jesus and the Ossuaries"] explains that, since the James ossuary was not found by archaeologists in a properly controlled environment and because of the historic inscription that it bore, there was a great deal of skepticism surrounding its authenticity. The author asserts that initially examinations of the ossuary by epigraphers, geologists, linguists and paleographers, found that the ossuary itself was probably an authentic first century artifact. In addition, they concluded that the inscription was also first century Aramaic."
|
|
|
