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Bull Fighting in Spain, 2008.
Presents arguments in favor of Spanish bull fighting and opposed to bull fighting with type of argument and fallacy indicated in the opposition argument.
1,650 words (approx. 6.6 pages), 2 sources, MLA, $ 53.95
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Abstract
This paper first supports the decision of the state-run Spanish television network in ending the tradition of broadcasting bull fighting and presents reason for this position. The paper then takes the opposite position in favor of bull fighting. In opposition argument, the paper identifies the type of fallacy and argument mistakes.
Table of Contents:
Against Bull Fighting
Response Paper Indicating Type of Fallacy and Argument: For Bull Fighting
From the Paper
"People who criticize bullfighting disrespect tradition and by discrediting customs, they hope to achieve globalization and the deletion of what is specific to each nation. (guilt by association) Perhaps my arguments are in vain since most protesters are American, and Americans do not know much about traditions. (hasty generalization) Also, I find it a bit ironic that a nation that was born only a few centuries ago can criticize Spain who was an immensely wealthy and advanced state at the time when America was being discovered. Moreover, the fact that America has virtually no authentic universal customs or traditions does not give it the right to criticize others for having a cultural background which they want to preserve. (personal attack)."
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Fighting Corruption and Global Management, 2005.
This paper unravels and examines the mechanics of corruption and the ways to fight it. It then offers solutions to the growing body of government and corporate organizations trying to fight it.
9,687 words (approx. 38.7 pages), 7 sources, MLA, $ 197.95
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Abstract
This paper discusses how corporations must create a corporate culture that refuses bribe requests and establish clear corporate codes that employees unwaveringly adhere to. They must also assure managers that the company will back them when they refuse to pay. The paper explains that the potential, in terms of criminal liability, skewed relationships, lost contracts, disqualification from government contracts, loss of reputation is simply too great to ignore. Because bribery is illegal, it is conducted behind closed doors, with those involved expending time and resources to keep their secret. It discusses how companies also face the very real possibility of being pushed to pay more and more bribes as their reputation as a bribe-payer spreads. The writer argues that there are international trade implications surrounding corruption - corruption degrades markets, and increases transaction costs. Corruption also drastically affects economic development by causing a mis-allocation of resources. But more damaging is the fact that in endemically corrupt systems, regular people are not getting served by the government; they don't trust the government so they don't interact with the government. The paper concludes that third world countries suffer the most at the hand of corrupt business managers and politicians - as companies strive to eliminate corruption, economic globalization for all countries will no doubt improve.
Table of Contents
Introduction
Historical Background of the Importance of Business Management
Direct Effect of Global Corruption on Business Management
The Emerging Global Anti-corruption of Management
Global Business Management Leadership Practices & Studies
Motorola
General Electric (GE)
Corruption in Third World Countries
Globalization in Third World Countries
Corruption and Business Management
Future Measures
Bibliography
From the Paper
"Increasing, in many parts of the world, companies and governments alike have recognized that corruption raises the costs and risks for doing business. Corruption has a corrosive impact on both market opportunities overseas and the broader business climate. During the last 10 years, dramatic new imperatives have emerged for companies to take action against corruption and bribery. Once viewed by many firms as an awkward but necessary requirement of doing business, corruption and bribery are emerging instead as a form of business malpractice. Corruption also deters foreign investment, stifles economic growth, and undermines legal and judicial systems. The risks of exposure have become greater, the costs of exposure more substantial, and a compelling body of evidence demonstrates that engaging in corruption and bribery damages company integrity, degrades the business environment, and fails to create enduring competitive advantage.
As a result of this problem, and to obtain a competitive advantage in the global markets of the twenty-first century, a growing number of businesses are taking proactive steps to detect and prevent corruption. With respect to the emerging international anti-corruption environment, the unifying concept in all of the global and regional processes is that effective action to prevent, detect, and punish corruption must be taken by each individual government and company. Leadership companies have responded to these imperatives by establishing comprehensive anti-corruption and bribery programs that include strong written policies, extensive training, and rigorous auditing and internal controls. In the later 1990's, a consensus emerged among businesses, governments, academics, and ordinary citizens that bribery and corruption are not defensible in either economic or cultural terms. Recent times have shed light on a number of companies that have experienced serious corruption and bribery incidents and have suffered reputation damage and enforcement actions as a result."
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'Fight Club' and Violence, 2009.
This paper looks at the issue of violence as discussed in the film 'Fight Club' directed by David Fincher and in the media at large.
933 words (approx. 3.7 pages), 6 sources, APA, $ 33.95
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Abstract
In this article, the writer notes that it has been suggested and argued from a variety of camps that one of the most salient causes of school violence is the primacy of violent media content in the lives of the perpetrators. The writer discusses that a film such as David Fincher's 1999 'Fight Club' offers an interesting point of consideration to this subject, weighing in on the balance between the availability of anecdotal evidence as the relationship between violent content and violent behavior and the absence of empirical evidence connecting them in a patterned sociological way. The writer points out that this discussion on 'Fight Club' is directed by the observation which Sobhack offers concerning the ways that film can be used to reflect violence already inherent in society. The writer maintains that 'Fight Club' argues that the violent society creates violent behavior. The writer concludes that as 'Fight Club' argues, violence is a symptom of a greater social or psychological ailment, but it is always the case that one must be pragmatic in diagnosing that ailment if one is to understand the symptom.
From the Paper
"According to a bulk of studies on the topic, such exposure is to media violence is presumed to render an individual predisposed to violent behavior, absent of sensitivity to crime and the anguish of others, accepting of violent solutions to problems and generally comfortable in the presence of violence and advocates of violence. Test cases comparing groups of children, wherein a control group is exposed to 'appropriate' media content such as the above mentioned cartoons and situational comedies and a test group is presented with images of violence and vulgarity, have found that the children in the latter group do develop many of these characteristics. These characteristics are measured in observational settings, providing researchers with a short-term window into the responses children will undergo depending upon incoming media ideas. This may not be a fully satisfactory method for determining causality though."
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Chuck Palahniuk's "Fight Club", 2008.
This paper explores the definition of masculinity by looking at "Fight Club," by Chuck Palahniuk.
1,229 words (approx. 4.9 pages), 0 sources, $ 41.95
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Abstract
The paper discusses the book "Fight Club" by Chuck Palahniuk that describes a Fight Club that is a means of escape for its members. The paper discusses how the Fight Club members seek to return to the basic instincts that used to make a man a "man." The paper explains the Fight Club's belief that masculinity is about finding purpose, a way to get away from a society that seems to be so purposeless.
From the Paper
"What defines a man today? What are the boundaries and limits of society that allows men to recreate their masculine identity? One may say he is a man when he reaches the magic age of eighteen. One may
say he is a man when he has a job, and can support himself. Maybe one becomes a man when he has a wife and children and he is officially "the man of the house." Now stop. Rewind to fifty, one-hundred, even thousands of years ago; back when a man was defined by different standards. A man was defined by how many battles he won, wars he fought, hardships he overcame. One of the basic questions posed in Fight Club, by Chuck Palahniuk, is why men have allowed society to rob them of their free will, their internal experiences, and symbolically castrate them, robbing them of the fullness of their manhood. The men of Fight Club lack a trial by fire, a rite of passage, a test of self which leaves them asking why, and Tyler Durden giving them the answer they are looking for."
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Dog Fighting, 2009.
This paper looks at the unethical practice of dog fighting.
1,209 words (approx. 4.8 pages), 4 sources, MLA, $ 41.95
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Abstract
In this article, the writer notes that mankind has always turned to violent and bloody sports as a form of entertainment. The writer discusses that these sports themselves have ethical questions, but when the sports are forced upon another species which has no other choice but to fight or die, the questions have even more strength to them. The writer maintains that fighting two dogs as a source of entertainment proves to be extremely unethical for a variety of reasons. The writer discusses that it violates the rule of utilitarianism in that the dogs are being violently pitted against one another against their will, showing the owner's extreme disregard for their pets. THe writer maintains that the practice of dog fighting has proven to be unethical no matter what theory is chosen to formulate an idea of ethics. The writer concludes that no matter what moral model is followed, the slaughter of other creatures for entertainment and monetary gain proves to be the epitome of unethical behavior.
From the Paper
"In the case of dog fighting, the rules have already been formed. In order to protect the well-being of the dogs, the United States has outlawed any form of dog fighting because the dogs have no other choice. Technically, since they too are part of the situation, the dog's owners should respect their well-being and follow the law which determines the best state of being for everyone involved. However, those who choose to fight their dogs are choosing a very unethical path in terms of the ideology of the theory of rule-utilitarianism. The owners are the sole providers for the dogs, yet they are throwing the dog's well-being out of the window by putting them in danger in the ring. They are also choosing to completely ignore any and all legislation which has banned such actions. Therefore, any theorist who believes in the rule-utilitarianism would see the owner's actions as unethical and just plain wrong."
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Film: David Fincher's "Fight Club", 2006.
This paper analyzes the David Fincher film, "Fight Club", starring Brad Pitt and Edward Norton.
1,350 words (approx. 5.4 pages), 2 sources, MLA, $ 45.95
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Abstract
This paper explains that the use of carefully chosen photography, editing, elements of drama and the expression of a range of ideologies combine to make "Fight Club" an unforgettable and powerful cinematic experience, which leaves viewers re-evaluating their own lives as well as the state of society itself. The author points out the film's dramatic setting, costumes and color, such as the dark, bare and harsh parking lot scene in which Norton and Pitt first fight, have great influence on the film. The paper relates that the most important method used in "Fight Club" to express the message of the movie is social commentary, and the 'Lament for a Sofa' scene is an explicit example.
From the Paper
"The photography used in the barroom meeting between Brad Pitt and Edward Norton, the descriptions of Pitt's "odd jobs," and in the first fight sequence not only foreshadow events to come in the film, but also add to the message of the film. The shots that frame Pitt and Norton throughout these sequences show an intimacy between the characters and their physical similarities. Though very different in personality and dress, the two sit and stand in close proximity in these scenes, suggesting more closeness than expected for those who, supposedly, are only brief acquaintances."
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Film: David Fincher's "Fight Club", 2008.
This paper examines the social message in David Fincher's film "Fight Club".
1,340 words (approx. 5.4 pages), 0 sources, MLA, $ 45.95
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Abstract
This paper relates that, in David Fincher's film "Fight Club", the protagonist is the "Narrator", a contemporary "everyman" who exhibits symptoms of urban loneliness and existential angst in a materialistic and meaningless society. The author relates that the film descends into violence and brutality as the character Tyler Durden, head of the "Fight Club", feels more alive fighting other males who also feel emasculated by contemporary culture. The author believes that Durden appears to be the alter-ego of the Narrator, someone who feels genuinely and has abandoned the superficial and materialistic pursuits of contemporary society and culture. The paper expresses that the filmmaker is attempting to provide a warning to viewers in contemporary society that if people do not redefine their identity through something more meaningful than materialism or macho notions of masculinity, society will erupt into chaos and violence.
Table of Contents:
Introduction
Body
Conclusion
From the Paper
"The inability to define identity or connect with spirituality leads the members of the "Fight Club" to beat each other, engage in random acts of violence and destruction, and to ultimately plan for major destruction of society. These men have lost hope in contemporary society and its values to provide them with meaning or identity. Instead, they have become unable to feel or express spirituality because of living in a world where who you are is often defined by what you own or how much money you make. As Durden explains at one point, "You're not your job."
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Fight Club: Reclaiming the Self, 2008.
A review of the book "Fight Club" by Chuck Palahniuk.
1,348 words (approx. 5.4 pages), 4 sources, APA, $ 45.95
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Abstract
This paper focuses on the novel "Fight Club" by Chuck Palahniuk. The paper explains that it is the story of a lonely man who has no friends and is stuck working at a job he does not like. The paper concentrates on the narrator-character and how his life changes drastically when he meets with Tyler Durden with whom he opens the Fight Club. The paper discusses physical violence in the Fight Club, which is used as a means of liberating the individual from a value system. with which he does not identify. The paper looks at how nihilism and existentialism are used throughout the novel as tools of defining the characters.
From the Paper
"There is a strong existentialist influence in Fight Club, expressed mainly through a recurrent exploration of suffering, death, nothingness and absurdity. According to Bennett, there has not been a sufficient amount of discussion regarding the complexity of the Fight Club text in the sense that critics and supporters alike have limited a full exploration of such a profound text. Although he does not reject the idea - expressed by many critics, that Fight Club tackles issues as gender and class identity, Bennett argues that existentialism, understood both as a philosophical and as an aesthetic practice, provides a superior critical framework for interpreting Fight Club (Bennett: 67). His stance is that Palahniuk's Fight Club is a brilliant sample of the "existential literary tradition with certain postmodern differences" (Bennett: 68) in the sense that the existentialism of the book is very much adapted to its historical context, i.e. the age of "postmodern capitalism" (Ibid: 68). In fact, his argument goes a bit further; he draws a parallel between Fight Club and Dostoyevsky's novella, Notes from the Underground in the sense that they both center on the "alienated individual going underground to rage against a dehumanizing society" (Ibid: 69). Palahniuk's unnamed narrator, who is conventionally referred to as Jack suffers from a wide but vaguely defined range of psychological disorders, including insomnia and narcolepsy - the so-called disorders of the modern man, and has the need to confront himself with the most acute human suffering in order to regain his humanity: "Every evening, I died, and every evening, I was born. Resurrected."
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"Fight Club", 2004.
An examination of the different paradoxes in the movie, "Fight Club".
3,085 words (approx. 12.3 pages), 4 sources, MLA, $ 90.95
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Abstract
This paper discusses how the movie, "Fight Club", is bound up in one great paradox and how this sense of paradox is bound up in the very narrative. It looks at how the first two rules of Fight Club are that you must not talk about Fight Club, but the club?s very existence and growth depends on the fact that everyone breaks that rule. It examines how nothing is quite as it seems in this movie, and much of the intensity and power of its message is bound up in those uncertainties. It also analyzes how three central paradoxes guide this film: the paradox of production, the paradox of power, and the paradox of patriarchy.
From the Paper
"One of the most basic questions posed by Fight Club is as to why men have allowed corporate culture to symbolically castrate them, to rob them of their free will and their internal experiences, and the fullness of their personhood. In essence, why hasn?t there been a revolution? Tyler?s answer is fear -- he suggests that only by overcoming fear of the pain and destruction (through facing that fear in the fighting ring), and in fact embracing that aspect of live, one is free to start that revolution. It?s an extreme answer, of course, from an extreme individual. However, the question has been asked by many others who are far more academic and calm than Tyler. Early Marxist theory claimed that class oppression should result in widespread class-based revolution."
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"Fight Club", 2005.
An examination of gender and geography in the movie "Fight Club".
900 words (approx. 3.6 pages), 2 sources, $ 35.95
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Abstract
The following assignment is for a third year Gender and Geography course. The topic of the assignment is gender and geography in film. The film that was examined was "Fight Club". The paper looks at the interconnected nature of masculinity, urban environments and power, in Fight Club. The paper uses brief sections from two of the course readings to support its argument.
From the Paper
"Fight Club directed by David Fincher is an interesting combination of themes and styles that often conflict. It is political, philosophical, an action film, a drama, a comedy and social satire all at the same time. The fact that the film is so many things at once is a direct result of the contradictory lives of the main characters; Jack a cynical lower management workaholic looking for a way to fix his life, Marla an impoverished woman surviving through a combination of theft and deception and Tyler Dirden a small time urban guerrilla who is fighting the established system in innumerable small ways."
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Film: "Fight Club" (1999), 2005.
This paper discusses the Hollywood film "Fight Club" (1999), which is a complex depiction of masculinity in the postmodern consumer age.
675 words (approx. 2.7 pages), 1 source, $ 26.95
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Abstract
Th is paper explains that "Fight Club" is a critique of consumerism, which is surprisingly radical for a mainstream Hollywood production. The author points out that the most significant aspect of the film is how this critique is intertwined with an analysis of the impact of globalized economics and the labor marketplace upon constructions of masculinity in modern culture. The paper argues that "Fight Club" represents the convergence of gender and globalized economics in terms of labor marginalized in both geographic space and economic relations.
From the Paper
"The Hollywood film "Fight Club" (1999) is a complex depiction of masculinity in the postmodern consumer age. Although its critique of consumerism is surprisingly radical for a mainstream Hollywood production, the most significant aspect of the film is how this critique is intertwined with an analysis of the impact of globalized economics and the labor marketplace upon constructions of masculinity in modern culture. As this essay will argue, "Fight Club" represents the convergence of gender and globalized economics in terms of labor marginalized in both geographic space and economic relations."
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"Fight Club", 2008.
An analysis of the writing, photography, acting, editing and ideology of the film, "Fight club," directed by David Fincher.
1,421 words (approx. 5.7 pages), 1 source, MLA, $ 47.95
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Abstract
This paper analyzes the film, "Fight Club," directed by David Fincher. It discusses five key thematic elements of "Fight Club" and how the movie succeeds or fails at each. Specifically, the paper looks at the film's writing, photography, acting, editing and the ideology of the film. The paper provides examples from the film in order to elaborate on these points.
From the Paper
"Just as the writing of the movie is challenging, so is the photography. It is a dark movie, and occurs often at night. As Tyler is a night owl by nature, and he is the one who sets the tone of the film, much of the movie is dark. However, that is not the only reason why the film is dark. It is dark largely because the movie is intended to be subversive. By nature, subversion works to undermine the status quo, and thus operates on the dark edges of society. Therefore, rather than taking place in an IKEA filled apartment, it largely happens in an abandoned house. (The IKEA apartment blew up early on in the film.) This darkness permeates the film. The fight scenes are shot in a dirty and (of course) dark basement of a bar. There is nothing polished about the way that the movie looks. It is rough and dirty, and the photography reflects that. The use of photography to emphasize these things draws the viewers further in to the film. They become sucked in, and are drawn in to the internal world of the narrator and Tyler. This world is full of new things, but it is also a world that is the underbelly of society. Thus, the darkness is compelling."
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"Fight the Power", 2005.
This paper discusses the song "Fight the Power" by Public Enemy released in 1989 as a part of Spike Lee's "Do the Right Thing" soundtrack.
1,240 words (approx. 5.0 pages), 3 sources, MLA, $ 42.95
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Abstract
This paper explains that the song "Fight the Power" (1989) by Public Enemy was radical not only for its lyrics but also for being the linchpin of the movie "Do the Right Thing", giving voice to ideas and emotions that many African-Americans had only thought or expressed to each other. The author points out that Public Enemy not only embraced radical thought with "Fight the Power" but also combined politics, hip hop and anger to create a rap anthem that was aggressive and honest. The paper concludes that, after living in the shadow of the Civil Rights Movement and its message of getting along and nonviolent protest, the song urged blacks to use their voices as weapons and to reject the status quo. Lyrics included.
From the Paper
"Chuck D's opening verse begins with traditional hip hop lyrics designed to the get crowd moving and excited, which matches nicely with the opening musical sequence, which is loud and forceful. There is no build up, musically, which is one of the first hints that "Fight the Power" is more than just another rap song about partying or showing off. However, by the end of the first verse it becomes clear that "Fight the Power" has a more significant, radical agenda."
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"Fight Club", 2006.
This paper reviews and analyzes the underlying themes of violence in David Fincher's film "Fight Club."
1,856 words (approx. 7.4 pages), 5 sources, MLA, $ 59.95
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Abstract
The writer of this paper contends and explains why David Fincher's film "Fight Club" is a sincere narration about the lost generation of 1990s. This paper analyzes Fincher's film, as well as the main character of Chuck Palahniuk. The writer describes Palahniuk as a victim of civilization and of his own prejudices and alienation, who is unable to find satisfaction in his own life. This paper details the plot of this dark and violent film as well as the characteristics of Palahniuk who begins to lose himself upon his realization that he's unable to enjoy his life. This paper also discusses the importance of Tyler Durden in Palahniuk's life. Durden is a free person, whose inner freedom, natural charisma and self-dependent eventually take over and conquer Palahniuk's self esteem. The writer of this paper explains why the dark atmosphere and violent fight themes in the film are similar to the conditions that existed in fascist Germany in 1930s.
From the Paper
"The victim of civilization and more over of his own prejudices and alienation is the narrator of the story Fight Club Chuck Palahniuk. He doesn't get any satisfaction from life, as it's usual and routine: he is an average manager in the car company, no one pays any attention to his existence, he is not respected either by his boss or by his co-workers. His personal life is not successful too. The narrator tries to spend all his money on luxury attempting to create an illusion of a happy and wealthy young man but he fails, as he can not achieve self-realization and happiness. Moreover he starts to suffer insomnia and finds out that he there is no medical support to overcome this disorder."
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?The Fight Club?, 2002.
This paper reviews ?The Fight Club?, a movie that depicts the violent way men express their anger.
1,150 words (approx. 4.6 pages), 1 source, $ 39.95
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Abstract
The paper reviews the plot details, the intense violence and its psychological significance. The paper discusses that men and women handle their anger differently: Men, in a more physical way and women, by talk about problems with friends. The author concludes that ?Fight Club? showed that fighting might be men's only way to release stress if society does not say it is all right to seek other forms of help.
From the Paper
"The most talked about feature of Fight Club is its approach towards graphic depiction of violence. Even before the film's official premiere, voices were raised that maintained that the movie worships violence by its depiction as something positive. This was the grievance leveled against A Clockwork Orange, which, less than three decades after its contentious release, is universally regarded as a classic. There is no refuting that Fight Club is a violent movie."
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