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The Divine Miss Em, 2002.
A look at the triumph of the feminist heroine, Emily, in William Faulkner's
"A Rose for Emily".
1,187 words (approx. 4.7 pages), 2 sources, MLA, $ 40.95
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Abstract
A superficial read of William Faulkner's "A Rose for Emily" allows the story's first-person point of view - the voice of the townspeople of Jefferson - to overshadow the power of its heroine, Emily Grierson. The paper argues that rather than accept the narrow, exclusive evaluations such a viewpoint offers about the character of Emily, from physical descriptions of her to assumptions about her love life, readers should explore not only what the townspeople's narrative says, but also what it does not say. The paper shows that by avoiding Faulkner's intentional narrative limitations, we discover the depth of Emily's liberation; quite simply, she lives in accordance with her desires, thereby refusing to answer to others. Amid the gossip, judgments, and overt intrusions of small minds in a small southern town, Emily lives by her own rules, disregarding others as she pursues what she wants in life. The paper shows that, ultimately, Emily's alienation from society is self-imposed; therefore her isolation proves to be a triumph of womanhood and spirit.
From the Paper
"Emily's lifestyle and social status in Jefferson further exemplify the free-spirited, unrestrained way she addresses the world. She is brusque with visitors who call on her with at least partially good intentions. (More important than offering Emily comfort or companionship are the townspeople's desires for glimpses of the mysterious house that nobody ever enters except for the servant Tobe.) For instance, Emily refuses to receive ladies who offer their condolences after her father's death and Homer's disappearance. She just as coolly dismisses the Board of Aldermen about her taxes, and she alone rebuffs the town ' s offer to put a mailbox and house numbers above her door when they receive free postal delivery. Without the benefit of an objective narrator, without knowledge of the internal processes of Emily's mind, we still feel the reach of her self -sufficiency."
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Divine Light, 2007.
An analysis of the history and evolution of the concept of divine light, particularly within architecture.
3,601 words (approx. 14.4 pages), 8 sources, APA, $ 100.95
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Abstract
This paper discusses the concept of divine light. It investigates the origin of the concept and how it is integrated with social values and ideals of various times throughout history. The paper discusses the history of divine light and suggests that in these modern times, the concept of the divine has stretched and evolved to include a variety of principles, religions and lifestyles. The paper gives examples of its use and particularly focuses on the concept of divine light in architecture.
Table of Contents:
Introduction: Divine Light
Divine Light in Architecture
Greek Temples
Early Christian Architecture
Medieval Christian Churches
Baroque churches
Modern Churches
Conclusion
From the Paper
"Instead, Tadao Ando asserts that a universal spirituality is possible through the use of natural forces. This in turn is reminiscent of the enclosures around Greek Temples, where natural elements were used to connect the human spirit to the divine. Ando recognizes that the divine, if architecture is going to be truly universal, is largely undefined by the paradigms of modern society. We live in an integrated world. Ando therefore uses natural elements that appeal universally to the human spirit. This provides for a "divine light" that is flexible: human beings can use its effect to connect to any form of the divine that pleases them. In this integrated approach, Ando emphasizes the creative force, once assumed to be from exterior or supernatural forces, that comes from within the spirit. As such, his work is a true integration of modern social values."
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Relationship between the Human and the Divine, 2006.
A paper looking at the relationship between the human and the divine in Greek, Hebrew and Roman cultures.
949 words (approx. 3.8 pages), 10 sources, MLA, $ 33.95
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Abstract
This paper examines the doctrine of divine illumination, prevalent in most ancient cultures. The paper explains that the doctrine of divine illumination holds that human beings require a special divine assistance in their ordinary cognitive activities. The paper then takes a look at how this doctrine manifested itself in ancient Greek, Hebrew and Roman cultures.
From the Paper
"Furthermore, some of the cultures believed in the intermingling of the gods with humans. Not only did the gods interact in the lives of humans, but they also fathered children by humans. Therefore, humanity could only be understood as a relative concept, "relative to the sub-human (animal) and the super-human (divine)" (Flint-Hamilton). In fact, in some societies, there was practically no separation between the concept of human and divine."
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Concept Of Divine Justice, 2002.
Analysis of Dante's "The Divine Comedy" in relation to justice.
1,800 words (approx. 7.2 pages), 3 sources, $ 63.95
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Abstract
Analysis of Dante's THE DIVINE COMEDY in relation to justice. Role of God and Christ. Purgatory section as a scene of self-realization. Inferno (Hell) section with divine justice meted out to sinners. Paradise section and love as as aspect of divine justice. Dante's complex theory related to his times.
From the Paper
"DANTE AND DIVINE JUSTICE
Justice is not a political or legal question in "The Divine Comedy. Instead, Dante takes his cue from Aristotle who said that "Justice is not part of virtue, but virtue entire" (Hutchins, 1952, p.856). In Purgatory, for example, when "the shade" begins to talk. It says "Of the purity the will alone gives proof, which surprises the soul wholly free to change its company. It wills from the first indeed, but the desire- which, contrary to the will Divine Justice sets to the torment as it had been to the sin- allows it not" (Dante, 1952, p. 85). Divine Justice, therefore, is the final arbiter of sin and virtue. Divine Justice is also, so it seems, a means of starting over, of eliminating sin and desire. In fact, "The world is renewed. Justice returns, and the primeval time of man, and a new progeny descends from heaven" ..."
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The Human and Divine Relationship in Homer?s "Iliad" and Herodotus? "Histories", 2001.
Examination of human and divine relationships as seen in such ancient Greek literature as Homer?s "Iliad" and Herodotus? "Histories".
2,795 words (approx. 11.2 pages), 5 sources, MLA, $ 83.95
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Abstract
This paper discusses how throughout Greek history the relationship between human beings and divine figures is a noticeable and predominant one, evident in myth, and especially literature. The author examines such literature of the time, in particular, Homer?s Iliad and Herodotus? Histories, to better understand this unique and extraordinary relationship between humans and divine powers in the ancient Greek world.
From the Paper
"Throughout Greek history the relationship between human beings and divine figures is a noticeable and predominant one. Evidence of this relationship exists in many forms, such as architecture, art, myth, and especially literature. By examining the literature of the time, we as historians, philosophers and archaeologists, among others, can better understand this unique and extraordinary relationship between humans and divine powers in the ancient Greek world. The "Iliad" of Homer demonstrates many principles of this relationship through the story of the Trojan War. The characters, their actions and the events that take place demonstrate the interaction of humans and gods, the individual relationships, the authority of divine power, and the helplessness of humans. We also see the treachery and deceit of the gods towards humans. We can look at other later literary works such as Herodotus? Histories to examine the human and divine relationship as well."
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St. Augustine: Divine Grace and Free Will, 2007.
An in-depth look at the major doctrinal dispute between divine grace and free will, focusing on the teaching of St. Augustine.
5,814 words (approx. 23.3 pages), 11 sources, APA, $ 139.95
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Abstract
This paper reviews, discusses and analyzes the teachings of St. Augustine. The paper reports that the teachings of St. Augustine expounded upon the relationship between the Divine Grace and human free will and the influence both have on the achievement of individual human salvation. According to the paper, Pelagius was St. Augustine's biggest rival, teaching that Divine Grace was not the sole necessity for achieving salvation.
From the Paper
"God has decreed that we are all sinners, but even this condition is a result of a free choice made by Adam and Eve when they committed the original sin. In choosing to sin, the first man and first woman were undertaking truly momentous decision. Rather than accept that which was freely given to them - a beautiful and eternal paradise - they chose to question, and therefore to sin against God. By their choice in the beginning, all humanity was condemned to a life outside Eden, one that necessarily entailed sin. It is like the case of a man who chooses to emigrate from the country of his birth knowing that, once his decision is made, he can never return. He makes his choice, takes with him his wife, and goes to another country. The two have children in that country, and forever afterwards, their descendents are now citizens of that place. Those descendents can, of course, choose to change their habitations at some future date, even possibly deciding to return to the land from which they originally came, but they can never pick up from where their ancestors left off. It is possible, in fact, that the land, or nation, from which their forebears emigrated might no longer exist. At the very least, the position of their family in that country would have changed. It is the same with humankind and the Paradise that was Eden.
"Augustine viewed his own personal conversion as an act of Free Will. All his life, he had been faced with real choices in regard to his thoughts and actions. Throughout his youth, he had chosen to ignore the Path of God, and to follow false philosophies and indulge the pleasures of the flesh. The other choice - to accept Christ's teachings - was always open to him yet, until he consciously made it, could not possibly furnish any stimulus for change in his way of living. St. Augustine explains his discovery in Against the Manicheans"
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Divine Justice vs. Human Nature, 2002.
Takes a look at how Dante and Boccaccio make opposing arguments on the issue of divine justice versus human nature.
1,575 words (approx. 6.3 pages), 2 sources, $ 51.95
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Abstract
This paper demonstrates Dante?s and Boccaccio?s opposing views concerning whether the importance of God?s divine justice outweighs the innate human qualities present in all peoples. Using the example of how each portrays members of the clergy in their works, Dante?s preference of divine justice emerges, as does Boccaccio?s preference of human nature.
From the Paper
"Dante and Boccaccio disagree on the issue of divine justice versus human nature. In The Divine Comedy: Inferno, Dante employs Fortune to prove the importance of divine justice. As a creation of God, Fortune operates strictly within the will of God, enhancing Dante?s depiction of God?s omnipotence. Dante also illustrates the importance of God?s divine justice through the various people the pilgrim meets in the circles of the Inferno, specifically members of the clergy. In sentencing these men to hell, Dante demonstrates the fair and impartial manner in which God judges all people. He points out that God does not favor the clergymen because of their church titles, but judges all people according to the same moral and religious standards. Boccaccio, on the other hand, utilizes the same constructions in The Decameron, but uses them to contradict the previously accepted philosophies set forth in the Inferno. Boccaccio presents Fortune as God?s enemy, a power that provides earth with more than it needs."
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The Divine Comedy and Carl Jung, 2008.
This paper discusses Dante's 'The Divine Comedy' as it relates to Jungian archetypal theory.
1,740 words (approx. 7.0 pages), 4 sources, MLA, $ 56.95
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Abstract
In this article, the writer notes that the development of Dante's 'Divine Comedy' is a development of self. This individual travels from shallow to more authentic experiences as he or she travels through the different worlds or levels of hell. The writer points out that similarly Jungian archetypal theory demonstrates the same sort of idea. The individual travels through a traditional set of concepts that range in depth from very shallow to much deeper and more authentic, until one becomes what is considered the true self which is steeped in the concept of the old soul and is the mythic combined with the human. The writer maintains that the archetypes associated with Jungian theory are clearly and concisely illuminated in the depths of the 'Divine Comedy'. The writer concludes that each archetype is given its appropriate time and due character while Dante the pilgrim seeks to entertain how he above others can more closely live the life of the wise old man, who he assumed was Virgil but was really himself.
From the Paper
"The shadow coincides with early Dante, when he is drawn by sin and temptation and on the verge of suicide. He is in need of intervention, in this case Virgil (the wise old man) to accompany him and give him guidance as he does not know himself or his place in the world. He is also in need of Beatrice, his lost love to come to him and explain the virtue of the journey and to introduce him to his guide, the wise old man a concept illuminated later that will lead us between the acceptance of the feminine Animus within himself as nothing to fear. For Dante the shadow is really his grief, as he wanders about the world trying to do and say the right thing but not knowing himself well enough to known what the right or wrong thing for him is."
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?The Divine Comedy? and "Confessions?, 2005.
A comparison of the use of religion in Dante Alighieri?s ?The Divine Comedy? and Augustine?s ?Confessions?.
1,030 words (approx. 4.1 pages), 2 sources, MLA, $ 36.95
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Abstract
This paper examines how these two literary works are both thought-provoking accounts of man?s relationship with God. While both spiritual journeys recognize the grace of God, each author uses different techniques to guide the reader to make his or her own decisions. The writer relates that, while ?The Divine Comedy? is a fictional account with the reader as the intended audience, ?Confessions? is based on Augustine?s personal conversion experience and is written not only for the reader, but for God as well.
From the Paper
"While Dante reaches the same conclusion as Augustine does, his story is filled with allegories and symbols to prove his point. Perhaps the most vivid descriptions we discover in ?The Divine Comedy? are the descriptions of hell in Inferno section of the story. The inclusion of Hell is also a significant difference from Augustine?s ?Confessions.? Dante?s descent into hell is frightening and filled with suffering. The fact that Hell is divided into sections according to levels of sin illustrates how the poet placed an incredible amount of thought into his work."
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"The Book of Revelations of Saint John the Divine", 2005.
This paper discusses the use of metaphor in one of the most esoteric books of the New Testament of the Bible, "The Revelations of Saint John the Divine".
2,280 words (approx. 9.1 pages), 34 sources, MLA, $ 70.95
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Abstract
This paper explains that metaphor and symbology are an intrinsic part of man's mind and are used because our brains need more "food" than logic. The author points out that, to understand the meaning of the fourth chapter of "The Revelations of Saint John the Divine", it is helpful to explore the thoughts of the Kabbalistic because Jesus belonged to a political splinter group of Jews called the Essenes; therefore, the author . The paper concludes that religion, mysticism, symbology and metaphor are hard wired into the human physical selves and have a need for the mythopoeic.
Table of Contents
The Use of Metaphor in Revelations
What Exactly is Metaphor?
Background Information
Excerpt
Discussion
From the Paper
"The significant difference in the worship experience is that for the early Christian this was a transformative and personally mystical experience. Through the centuries, the worship service became a rote repetition of meaningless words mumbled by the illiterate masses of the Dark Ages. Not until the late 1960's did the Catholic Church, begin to permit a revival of this early form of worship called Charismatics. The participants would often fall on their knees and speak in tongues."
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"The Divine Right of Kings", 2002.
A review of "The Divine Right of Kings", written by John Neville Figgis.
680 words (approx. 2.7 pages), 2 sources, MLA, $ 24.95
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Abstract
In this analysis of John Neville Figgis' "The Divine Right of Kings", the writer of the paper shows how Figgs argues that a King's right to rule over others comes directly from God and that disobeying a king means disobeying God himself.
From the Paper
"In conclusion, this was a very interesting book. John Neville Figgis made me think about why kings and queens claim to have the right to rule. He argues that monarchs get their right to rule from God. It does not matter if kings or queens are good rulers or not, because the will of the people they rule is not important. Disobeying the king or queen was thought to be a sin against the will of God, and would result in eternal damnation. The king or queen is responsible only to God, and not to the common people."
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"Divine Comedy", 2003.
An analysis of the theology behind Dante?s "Divine Comedy".
1,360 words (approx. 5.4 pages), 2 sources, MLA, $ 45.95
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Abstract
This paper reviews Dante?s poem "Divine Comedy". It looks at how the incidents of the poem would remain ambiguous if not for the philosophical and theological distinctions within the structure of the narrative. It demonstrates how by using one common principle, Dante brings the separate allegories of the "Inferno", "Purgatorio" and "Paradiso" together into one great allegory, making the transformation of the principle into an ordered set of variations on the theme of love and its representation in human beings as the image of God.
From the Paper
"In the Purgatorio the protagonist's spiritual rehabilitation continues. Dante subdues his own personality so that he will be able to ascend. He comes to accept the essential Christian image of life as a pilgrimage, and he joins the other penitents on the road of life. At the summit of Purgatory, where repentant sinners are purged of their sins, Virgil departs, having led Dante as far as human knowledge is able--to the threshold of Paradise. Beatrice, who embodies the knowledge of divine mysteries bestowed by Grace, continues Dante's tour. In the Paradiso true heroic fulfillment is achieved. Dante's poem gives expression to those figures from the past who seem to defy death and who inspire in their followers a feeling of exaltation and a desire for identification."
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Dante?s ?Divine Comedy?, 2004.
This paper discusses the arts within Dante?s ?Divine Comedy?.
3,020 words (approx. 12.1 pages), 1 source, MLA, $ 88.95
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Abstract
This paper explains that Dante uses the essence of art throughout the ?Divine Comedy? through his use of symbols, even as he is utilizing the themes of structure and the heroic journey. The author points out that Dante uses light and shadow, which is known as chiaroscuro, to portray a sense of emotional content and to depict sin and redemption or the possibility of redemption. The paper relates that Dante employs the color green to symbolize nourishment, hope, joy, and growth and uses gold as the color of the sun and leadership.
From the Paper
"The common view of Hell is a dark place where sinners are to burn for all eternity. This view is found numerous times in the Bible, with Christ referring to the fires that are never quenched in the New Testament. The first part of the "Divine Comedy" is "The Inferno". It is the story of his journey through the nine levels of Hell. The structure of Hell, as Dante has envisioned it, corresponds to a moral hierarchy, or levels of 'sin'. The physical structure reflects the spiritual beliefs of the time, which is considered the ultimate truth."
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?Divine Secrets of the Ya-Ya Sisterhood?, 2004.
A review of the novel, ? Divine Secrets of the Ya-Ya Sisterhood?, by Rebecca Wells.
1,135 words (approx. 4.5 pages), 1 source, MLA, $ 39.95
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Abstract
This paper examines how the novel, "Divine Secrets of the Ya-Ya Sisterhood" by Rebecca Wells, tells the story of a family feud that occurs between the daughter and narrator, Siddalee, and her mother, Vivi, and how, with the persuasion of the Ya-Ya Sisterhood, Vivi sends Siddalee a scrapbook that allows her a real insight into who her mother is. It looks at how the novel presents an exceedingly honest view of families and, especially of the mother-daughter relationship, and how this includes allowing a mother to be seen as whole person and not just who she is as a parent.
From the Paper
"Another important point made in the novel relates to the expectations placed on mothers, with the novel clearly expressing the problems these expectations cause. In the novel, Vivi is captured as a character far from the image of the typical caring mother. She is outgoing, a clear individual, and remains this way even past the age of 70. A major part of the problems occurring between Siddalee and Vivi relates to these expectations. Siddalee?s confusion and annoyance with her mother is largely related to her judging her mother based on these expectations. Vivi?s struggles in the novel are largely related to her feeling guilty about not being able to be the mother she feels she is expected to be. The reality that the novel makes clear is that Vivi is not just a mother, she is a person."
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Dante's "Divine Comedy", 2004.
An examination of the concept of free will in Dante's "Divine Comedy".
1,420 words (approx. 5.7 pages), 5 sources, MLA, $ 47.95
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Abstract
The choices that people make will determine whether they go to Hell or Heaven, and this is a direct response to their own life choices and their own free will. This paper discusses how Dante's "Divine Comedy" delves into this theme.
From the Paper
"Everyone has the freedom to choose good or evil. The nature of freedom is that people decide what they want. God gave people free will. One expert defines the term free will as "the power of agents to be the ultimate creators (or originators) and sustainers of their own ends or purposes" (Kane 4). Dante's Divine Comedy shows this. One Dante scholar notes, "The Commedia has a twofold subject (duplex subiectum): literally, its subject is 'the condition of souls after death, considered in itself'; allegorically, its subject is 'man, inasmuch as he is exposed to the justice of reward and punishment, through the merit and demerit he has attained by free will'" (Dronke 1). People choose evil over God, and then they are knowingly committing an act of betrayal against God. God's knowledge of the choices people make does not mean people have no free will. God wants people to join and to enjoy Heaven with Him. He tests every individual's faith throughout his or her life in some way."
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