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Desdemona and Juliet, 2002.
Compares the female characters Desdemona and Juliet from plays by William Shakespeare and looks at the role perception plays in these texts.
1,650 words (approx. 6.6 pages), 2 sources, $ 62.95
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Abstract
At the core, Desdemona's dedication to her husband, Othello, is as pure as that of Juliet to Romeo. Desdemona was not blessed with great intellect or passion. Hers was not a love like Juliet's which was forged in fire. (V.ii.323). In the process of destroying Othello, Iago's actions result in the deaths of Othello, Desdemona, Emilia (Iago's wife), Roderigo and the wounding of Cassio and of Iago himself. Perception indeed plays an enormous part in both plays, but perhaps no more so than in "Othello".
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"Goodnight Desdemona (Good Morning Juliet)", 2008.
An analysis of how Ann-Marie MacDonald undermines gender stereotypes in her play, "Goodnight Desdemona (Good Morning Juliet)."
1,269 words (approx. 5.1 pages), 3 sources, MLA, $ 43.95
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Abstract
This paper discusses Ann-Marie MacDonald's play, "Goodnight Desdemona (Good Morning Juliet)" and shows how MacDonald uses gender bending and variations on sexuality to challenge and ultimately undermine gender stereotype. In particular, the paper focuses on the character of Constance and how she rises to her full human potential in this play, and in so doing, undermines the gender stereotypes which often function to deny a fully rounded personality to people.
From the Paper
"In conclusion, what MacDonald seems to be saying in this play is that the choice made by Constance is open to all of us - and without alchemy. All that is needed is for us to probe into the powerful depths of our sub-conscious, and in this way choose powerful personal attributes that will enable us to rise to our full human potential. The crucial point is that women may choose supposedly male attributes such as courage, because the gender binary that says most personal attributes are gendered is culturally constituted and illusory. We can have it all, regardless of gender. Thus, MacDonald's play powerfully undermines gender stereotypes."
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"Othello" and "Goodnight Desdemona (Good Morning Juliet)", 2002.
A comparison of the main characters in these two works by Shakespeare and Ann-Marie MacDonald.
1,065 words (approx. 4.3 pages), 2 sources, MLA, $ 37.95
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Abstract
This research paper compares the character of Iago in William Shakespeare's tragedy "Othello" and in Ann-Marie MacDonald's 1988 comedy "Goodnight Desdemona (Good Morning Juliet)." To better understand the similarities and differences in both plays, a brief description of each character is given first. The writer claims that there is no doubt that "Othello" is a tragedy of intrigue in spite of the fact that it contains many of the elements of Shakespearean comedies -- the central theme of love, the conflicts between men and women, and the handkerchief, of course, may be seen as a comedic prop. In MacDonald's work, the author uses Shakespeare's work to reflect on her own relationships.
From the Paper
"In MacDonald's play the central character is Constance Ledbelly, an associate professor whose research involves trying to decipher an arcane text that she believes may have been the source for Shakespeare's "Othello" and "Romeo and Juliet." Constance's passion for her literary theory is only surpassed by the crush she has on Professor Claude Night, for whom she has become a factotum, ghostwriting his speeches and papers and doing his research."
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Shakespeare's Juliet, 2005.
An analysis how how the character of Juliet goes through a fundamental change throughout William Shakespeare's "Romeo and Juliet".
2,217 words (approx. 8.9 pages), 0 sources, $ 68.95
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Abstract
This paper examines how Juliet begins the play as a dependent, adolescent young woman and how, by the end of the play, she shows others, but mainly herself, that she is ready to be self-reliant and make her own decisions. In particular, it looks at how the last lines of the play revolve around Juliet and her development as a character. They show that she is essentially more significant than any other character in the play.
From the Paper
"In Act 1 Scene 5, Juliet starts to move toward her independence but still shows dependence. Once Juliet meets Romeo, her actions change. Juliet allows Romeo to kiss her without her parents' permission. "Then have my lips the sin that they have took." (1,5,119) After Juliet receives her kiss from Romeo, she asks him to kiss her again, "You kiss by th' book."(1,5,122) Juliet continues to show dependence in this Scene. As Romeo leaves the Capulet party, Juliet asks the Nurse what the boys name is walking out the door,"Go ask his name. If he be married, My grave is like to be my wedding bed."(1,5,148-149). As Juliet seeks independence she finds herself becoming more mature and self governed in her actions."
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Shakespearean Studies: Understanding the Theme of Disguise in Romeo and Juliet and the Film Shakespeare in Love, 2005.
An analysis of the theme of disguise in "Romeo and Juliet" by William Shakespeare and the film "Shakespeare in Love", directed by John Madden.
675 words (approx. 2.7 pages), 2 sources, $ 26.95
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Abstract
This paper looks at how the play "Romeo and Juliet" by William Shakespeare and the film "Shakespeare in Love", directed by John Madden, utilize disguise as the key to romance and intrigue. It looks at how "Shakespeare in Love" displays the theme of disguise as an equal response to the trickery and guise found in "Romeo and Juliet" and how in "Romeo and Juliet" the theme of disguise through the masquerade ball is important in Romeo realizing his love for Juliet.
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A Comparison of Hermia and Juliet, 2004.
Compares the main female character in "Romeo and Juliet" to the main female character in "A Midsummer-Night's Dream".
1,145 words (approx. 4.6 pages), 2 sources, MLA, $ 39.95
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Abstract
This paper analyzes the main female characters in "Romeo and Juliet" and "A Midsummer-Night's Dream" and then discusses their similar and dissimilar qualities. In discussing their similarities, the paper notes that both Hermia of "A Midsummer-Night's Dream" and Juliet of "Romeo and Juliet" are strong and courageous females, and both will do anything for love. Among their differences, the paper cites their differences in age. The paper also points out that the major difference in the two plays, the outcome, has to do with the plot of the play and not the differences in the characters of Juliet and Hermia.
From the Paper
"Hermia and Juliet share a major similarity in that they are both female characters devoted to love and willing to do anything to be with their lover. They are also both strong and courageous characters, though Hermia is more mature, while Juliet is younger and more naive. The major difference though, is the outcome for the two characters, with Juliet?s love leading to her tragic death, and Hermia?s leading to a happy ending. This difference is related not to the qualities of each character, but to their roles in the play, and to the type of play each character is part of. These similarities and differences will now be considered in more detail."
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Desdemona, the Ideal Woman, 2002.
Examines how the character of Desdemona in "Othello" depicts the male concept of the ideal feminine role of a woman.
950 words (approx. 3.8 pages), 1 source, $ 33.95
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Abstract
The character of Desdemona in William Shakespeare's tragedy "Othello" reflects an ideal woman in the eyes of men. Desdemona acts in a gentle manner at all times, even though with men she uses her sexual prowess and strong will to achieve her ambitions. The paper shows that Desdemona remains both virtuous and dutiful to her husband, Othello, while slanderous comments about her chaste result in her final death. Therefore, Desdemona's sincerity and faithfulness to Othello become ill spent. Although Desdemona acquires Othello as a husband by her own devices by enabling her femininity to get what she wants, Othello ironically ends up murdering her. The paper shows that Desdemona depicts the male concept of the ideal feminine role of a woman.
From the Paper
"In the tragedy of Othello, Desdemona uses her sexual appeal to men in order to achieve her ambitions. At the beginning of the play, Desdemona manages to seduce Othello through her gentle and passive use of words which men find attractive. When Othello relates the story of their elopement, he comments on how Desdemona professed her love for him. "She wish'd she had not heard it, yet she wish'd / That heaven had made her such a man; she thank'd me, / And bade me, if I had a friend that lov'd her, / I should but teach him how to tell my story, / And that would woo her. / Upon this hint I spake." (I,iii,162-166). Obviously, this quote shows that Desdemona's main motive includes the acquisition of Othello as her husband which she achieves through her use of gentle words, passiveness, and apparent fascination in Othello's life which the male character of Othello finds as an attractive trait in the female character Desdemona."
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Fate in "Romeo and Juliet", 2004.
An analysis of the reoccurring theme of fate in William Shakespeare's "Romeo and Juliet".
1,956 words (approx. 7.8 pages), 0 sources, $ 62.95
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Abstract
This paper examines "Romeo and Juliet", written by William Shakespeare, which is set in Verona Italy, where two feuding families, the Montagues and the Capulets, produce a pair of ?star-crossed lovers?. It looks at how within the play there are five events that drastically change the course of Romeo and Juliet?s love: Romeo and Juliet?s meeting; their marriage; the death of Tybalt and Romeo?s banishment; Friar John being detained with the letter allowing Balthasar to inform Romeo of Juliet?s death; and Romeo killing himself before Juliet awakens. It attempts to show how these events could be classified as the direct results of a character?s action, an act of fate, or a combination of both.
From the Paper
"Romeo and Juliet?s first meeting is completely due to fate. Their families? hate for one another would have made it impossible for them ever to meet unless there was another force at work. Romeo was originally infatuated with Rosaline, a woman who did not belong to either the Capulet or Montague family, and who would have nothing to do with Romeo. If the Serving Man of the Capulets had not approached Romeo to read the list of guests he was to ask to the party, Romeo would never have been aware that Rosaline was invited, which is the reason that induced him to enter the home of his enemy. This string of events and coincidences could not occur in a situation without fate, which sets up the rest of the play around the delicate relationship of Romeo and Juliet that under normal circumstances would not exist."
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"Romeo and Juliet" and "Othello", 2002.
Discusses the concept of forbidden love in two of William Shakespeare's plays.
1,900 words (approx. 7.6 pages), 5 sources, $ 71.95
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Abstract
This paper compares the ideas of forbidden love between the characters of Romeo and Juliet and Othello and Desdemona in Shakespeare's famous tragic plays: "Romeo and Juliet" and "Othello".
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"Romeo and Juliet", 2005.
An analysis of the characters of Romeo and Juliet in the play by William Shakespeare.
3,375 words (approx. 13.5 pages), 10 sources, $ 133.95
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Abstract
This paper analyzes Shakespeare's "Romeo and Juliet" to the effect that Juliet is the central figure in the play. She is multi-faceted, a more complex character, while Romeo instead is ruled by his hasty emotions. It looks at various aspects of the play to end at this position, using sources from psychological journals as well as Shakespeare criticisms.
From the Paper
"Romeo and Juliet: Juliet as a Powerful Figure Romeo and Juliet is a play which surrounds itself upon the themes of boundless passion and true love--a love that triumphs over the grave. However, it is much more than a love story, but an illuminator of significant contrasts: love and hate, the feminine and the masculine, youth and age, life and death, light and dark, and joy and sorrow. It is a play which consistently illuminates new uses and shows paradoxes. In Shakespeare's Romeo and Juliet, the character of Juliet has been recently shown to be a fully developed, multi-faced character, while Romeo is a more passionate character, heavily influenced by hasty emotion. The passions of Romeo and Juliet are what is most central in this play."
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Shakespeare?s ?Romeo and Juliet?.
This paper is a personal essay blaming the apothecary for the death of Romeo in Shakespeare?s ?Romeo and Juliet?.
925 words (approx. 3.7 pages), 0 sources, $ 32.95
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Abstract
This paper explains that, at the end of Shakespeare?s "Romeo and Juliet", the Prince of the City announces that this tragedy is, in some ways, the fault of all those involved and that further investigation is warranted. The deaths of Romeo and Juliet are the immediate result of the crime of one drug-dealing apothecary. The author believes that the apothecary could have most easily and simply averted this tragedy merely by obeying the laws of his land; the apothecary had nothing personal to gain from selling this poison. Only greed or a blatant disregard for the law could have inspired him to sell such a poison. The paper concludes that, when watching or reading "Romeo and Juliet", it is important to remember that one does not need to be in the center of terrible events to have an overwhelming part to play in them.
From the Paper
"At first glance, the tragedy does not seem to be the fault of the apothecary. It seems more convenient to blame it on people who were more immediately involved in the tragedy, such as the parents or the priest. However, all those involved immediately were blinded by emotion and social pressure. It was almost impossible for either side of the feud to end the warfare by themselves -- this was evidenced by Romeo?s attempt at pacifism which ended so tragically in Mercutio?s death. The feud was bigger than any individual within either family, so one cannot blame any single character on either side of the feud for their deaths, though one can blame their collective families. Blaming the priest or the prince would also be convenient, but on the other hand they were the only people to be actively struggling to end the bloody feud."
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"Romeo and Juliet", 2004.
An analysis of the characters of Romeo and Juliet and their fate in the play by William Shakespeare.
1,190 words (approx. 4.8 pages), 0 sources, $ 40.95
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Abstract
This essay discusses William Shakespeare's play, "Romeo and Juliet". The essay particularly focuses on the characters of Romeo and Juliet and their fate. It argues that Romeo and Juliet suffer as victims of fate and not their own choices. It includes examples and quotes from the play to demonstrate this point.
From the Paper
"In most tragedies there is a villainous antagonist or supernatural agent that deliberately creates obstacles and difficult circumstances in an attempt to destroy or conquer the protagonist. Sometimes, as in Shakespeare's tragedies Macbeth and Hamlet, it is the protagonist's own tragic flaw that causes their demise. However, in William Shakespeare's Romeo and Juliet there is no obvious villainous character or personal tragic flaw that leads to the untimely deaths of the two protagonists, rather fate is the opposing force in this tragedy."
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Desdemona, Bianca and Emilia, 2008.
An analysis of the female characters of Desdemona, Bianca and Emilia from William Shakespeare's "Othello".
1,192 words (approx. 4.8 pages), 1 source, MLA, $ 40.95
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Abstract
This paper discusses how, in William Shakespeare's "Othello", Desdemona, Bianca, and Emilia, the three main female individuals, are shown in different lights through the usage of both uplifting and demeaning descriptions. It looks at how Desdemona's humble and benevolent character is contrasted greatly against the harsh words used by Othello to describe her, how Emilia's outgoing and outspoken personality is revealed when speaking to both Desdemona and Iago and how Bianca's allegiance to Cassio differs significantly from her darker hypocritical side. It also analyzes how all three female characters reflect their personas through their actions, displaying their emotional outpourings, opinions on controversial issues, as well as their strengths and weaknesses.
From the Paper
"The main object of affection is Desdemona, the one woman who is known by all men as the wife of Othello. She is called by Othello "gentle" (I.I.28) as well as "gentle mistress" (I.3.205) by Brabantio. Cassio describes her as "a most exquisite lady" who is "most fresh and delicate creature" (2.3.20, 22-23). Desdemona displays her gentleness through her actions with her father and Othello. She attempts to be diplomatic and faithful to the people she most loves, especially when she is confronted by her father about Othello (I.3.208- 218). She is "bound" to her father "for life and education," showing how loyal and grateful she is towards to her father for raising her as a notable parent. Desdemona also believes that she should take the role that her mother once took by stating that she must upkeep the "duty" by "preferring you (Brabantio) before her father.""
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"Romeo and Juliet", 2004.
An analysis of William Shakespeare's "Romeo and Juliet".
2,710 words (approx. 10.8 pages), 3 sources, MLA, $ 81.95
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Abstract
This paper considers the characters of "Romeo and Juliet" on a psychological level, with the analysis looking deeper at the real reasons for their decisions and their behavior. The paper presents "Romeo and Juliet" not as a story of star-crossed lovers, but as one of two teenagers trying to deal with the anxiety in their lives. The paper examines "Romeo and Juliet" from this psychological perspective, illustrating that their story is one that deals with love and anxiety.
From the Paper
"One of the first critical points in understanding Romeo is that Juliet is not the first woman he has been in love with. In the first scene he describes his love for Rosaline. Most importantly, like Juliet, Rosaline is also a Capulet. In the first scene, Romeo describes how Rosaline is sworn to chastity saying, "Well, in that hit you miss: she'll not be hit / With Cupid's arrow; she hath Dian's wit; / And, in strong proof of chastity well arm'd, / From love's weak childish bow she lives unharm'd" (I,i 206-209). This shows that Romeo has selected a person to love that is a completely unsuitable match for him. It is also important that Romeo speaks as if his love is pure and will never die. When Benvolio urges Romeo to forget about her, Romeo replies that he could not possibly forget her because he loves her too much. Considering that Rosaline has shown no interest in Romeo and that they do not have a real relationship, it is suggested that Romeo is inventing his sense of deep love. This is further suggested when Romeo meets Juliet and instantly forgets about Rosaline and transfers all his feelings of love to Juliet. Reading Romeo and Juliet as a love story, it could be argued that Romeo forgets about Rosaline because he experiences real love when he sees Juliet. However, on seeing Juliet, he decided that he loves her intensely without even knowing her. In fact, the only thing he does know about Juliet is that she is a Capulet. This suggests that Romeo desperately wants to love a Capulet."
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The Symbolism of Desdemona's Handkerchief, 2006.
Analyzes the significance and symbolism of Desdemona's handkerchief in William Shakespeare's "Othello".
1,621 words (approx. 6.5 pages), 1 source, MLA, $ 52.95
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Abstract
This paper explains how Shakespeare uses the handkerchief given to Desdemona by Othello to symbolize the way in which Iago manipulates Othello's perception of women and, consequently, his relationship with Desdemona. More specifically, the paper charts the demise and the approach of Desdemona's murder through the handkerchief's sequential movement from virgin to wife to whore.
From the Paper
"Shakespeare infuses even the first appearance of the handkerchief with significance in that it emerges just as Othello begins to appreciate the sexual dimension of Desdemona. Iago has just proposed to Othello the possibility of Desdemona's infidelity when she offers it to Othello as a remedy for his headache, saying "it will be well" (Shakespeare 3.3. 286). Although Othello ultimately dismisses the idea, saying, "if she be false, heaven mocked itself!/ I'll not believe't" (3.3.277-8), Iago nonetheless lifts Desdemona's sexuality to a new level of consciousness. Furthermore, the manner in which Desdemona attempts to use the handkerchief defines it also as a symbol of her virtue. As new ideas stir in Othello's mind, Desdemona tries to press her handkerchief against his forehead. She figuratively smothers his thoughts of her infidelity with the symbol of her virtuousness. Shakespeare introduces the handkerchief through this precise encounter, because it marks the point at which Othello has just begun to contemplate Desdemona as a sexual being outside of their marriage."
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