| Papers [1-15] of 100 :: [Page 1 of 7] | | Go to page : 1 2 3 4 5 6 7 —> | Search results on "DECAY MACBETH CONSCIENCE": |
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The Decay of Macbeth's Conscience, 2002.
This paper discusses Macbeth's character.
1,150 words (approx. 4.6 pages), 7 sources, $ 44.95
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Abstract
This paper discusses that in studying Macbeth's character; one can discover what remains still is an unparalleled portrait of a good man going evil because of his unchecked ambition.
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Macbeth and Lady Macbeth, 2002.
An examination of the relationship between the character Macbeth and Lady Macbeth in William Shakespeare's play, "Macbeth".
568 words (approx. 2.3 pages), 1 source, $ 20.95
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Abstract
This essay discusses the changes in the relationship between Macbeth and his wife, Lady Macbeth in Shakespeare's tragic play, "Macbeth". It shows that as the events of the play progress, so too does their relationship progress from a loving one to an abnormal and unhappy relationship.
From the Paper
"In the beginning of the play, Macbeth and Lady Macbeth seem to be deeply in love with one another, as proven by such things as his referring to her as his ? dearest partner of greatness? and his wanting to go ahead of everyone to get to his home quickly. In the beginning of the play, Macbeth seems to be the ?lesser of two evils? as it may be, and Lady Macbeth seems to be domineering. After the murder of Duncan, Lady Macbeth tries to calm Macbeth down by telling him ?These deeds must not be thought?so it will make us mad?, which is ironic because her own thought so of the murder eventually drive her to suicide. Lady Macbeth begins to manipulate Macbeth and challenges his feelings of guilt and pity for King Duncan and replaces them with malicious and spiteful feelings ?look like th'innocent flower, but be the serpent under't?. Lady Macbeth now instructs Macbeth on how he should act, encouraging him to be deceitful to Duncan. Macbeth becomes so absorbed in his mixed feelings about the murder that he withdraws from the loving relationship that he had with Lady Macbeth in the beginning of the play."
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Macbeth and Lady Macbeth, 2002.
Discusses how the contrast in the scenes leading up to and following Duncan's death enhances the characterizations of Macbeth and Lady Macbeth.
650 words (approx. 2.6 pages), 1 source, $ 26.95
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Abstract
This essay discusses how the characterizations of Macbeth and Lady Macbeth are enhanced by contrast in the scenes that precede and follow the murder of Duncan in Act 11. Macbeth undergoes a frightening change in his fortune -- a change for which he himself bears at least a partial responsibility. Lady Macbeth is directly involved in this transition.
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Conscience in Literature, 2004.
Briefly examines the role of conscience in "The Lord of the Flies", by William Golding, and "Beowulf".
700 words (approx. 2.8 pages), 0 sources, $ 24.95
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Abstract
"The bravest of individuals is the one who obeys his or her conscience", says J.F. Clarke. This paper proves the validity and accuracy of this statement with respect to two important fictional works, namely "Beowulf", by an anonymous author, and William Golding?s "Lord of the Flies". The paper shows that conscience is the only beacon of hope for man when surrounded by evil forces.
From the Paper
"Though Grendel and his mother are strong opponents, Beowulf manages to overpower them with his strong faith in the strength of the good against the evil. Near the end, Beowulf is again pitted against a massive evil force in the form of a Dragon. Beowulf manages to overcome him but loses his own life in the process. Beowulf lives his life following his conscience and the golden principle that he firmly believed in:
It is always better/to avenge dear ones than to indulge in/mourning./For every one of us, living in this world/means waiting for our end. Let whoever can/win glory before death. When a warrior is gone,/that will be his best and only bulwark. (II. 1384-89)"
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Conscience, 2002.
A look at issues of conscience through a review of "Shooting an Elephant" by George Orwell and "Judge Waring" by Septima Clark.
650 words (approx. 2.6 pages), 2 sources, $ 26.95
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Abstract
This paper examines what prevents or allows one from following his or her conscience. The author uses evidence from two articles, "Shooting an Elephant" by George Orwell and "Judge Waring" by Septima Clark.
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Eminem & Dr. Dre: Guilty Conscience, 2003.
An analysis from a poetic perspective of Eminem & Dr. Dre's "Guilty Conscience."
2,283 words (approx. 9.1 pages), 3 sources, MLA, $ 70.95
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Abstract
This paper analyzes Eminem and Dr. Dre's "Guilty Conscience." It shows that rap music has many common elements with poetry to the extent that it ought to be considered and analyzed as poetry. The paper dissects the song, looking closely at its language, style and themes. The writer believes that rap music has a strong poetic message which should not be ignored or stereotyped.
From the Paper
"My choice of poem to analyze may surprise you as a bit unconventional. I will analyze the hip-hop music star Eminem?s song Guilty Conscience. I was initially going to choose Milton?s Sonnet VII, a poem that is more than 350 years old, contains some of the classic themes of poetry, and is written by one of the most renowned poets ever. With Guilty Conscience, my approach will be almost the equal and exact opposite. The ?poem? is a mere one-year in age, it contains some themes that do not yet seem to have been really discussed in the English literature academic community, and is written by someone whom most adults know at best as a controversial entertainer. Nonetheless, it is my opinion, which I hope to henceforth argue, that hip-hop music (also known as rap music) is another form of poetry and therefore is as valid a candidate for analysis as other poems."
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Individual Conscience and Corporate Authority, 2001.
Analysis of theme of conflict between conscience & authority portrayed in Aeschylus' "PROMETHEUS BOUND" & Sophocles' "ANTIGONE."
1,800 words (approx. 7.2 pages), 2 sources, $ 63.95
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From the Paper
T"his research examines the issue of individual conscience versus corporate authority as articulated in Aeschylus's Prometheus Bound and Sophocles's Antigone. The plan of the research will be to set forth the pattern of ideas in each work that appear relevant to the conflict between conscience and authority and then to discuss the means by which the plays achieve sentient and intellectual impact on account of their theme.
Prometheus Bound, as the title implies, portrays the god Prometheus's punishment by Zeus for stealing from the gods the "treasure" of "all-fashioning fire" and giving it to mankind. Personified characters Strength and Violence, with the help of the fire god Hephaestus, shackle Prometheus, to a rock on an ocean shore. Prometheus stays in place for the entire action of the play, and is visited in turn by a chorus, comprising daughters.."
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Human Conscience and Dramatic Theatre, 2002.
A look at the evolution of human conscience and the history of dramatic theatre through a review of three different tragic plays.
2,900 words (approx. 11.6 pages), 7 sources, $ 106.95
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Abstract
This essay examines three kinds of tragedy in the history of dramatic theatre. Greek, Shakespearean, and Modern tragedies are discussed here, and analyzed in relation to exemplary tragic plays. Antigone, Hamlet, and A Raisin in the Sun are considered in relation to the tragedy that describes their composition. The differences and similarities are discussed, and the social evolution of theatrical literature is explored in the conclusion.
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Jane Eyre's Struggle Between Conscience and Passion, 2005.
An examination of Jane's internal struggle in the final section of "Jane Eyre" by Charlotte Bronte.
890 words (approx. 3.6 pages), 0 sources, $ 31.95
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Abstract
The final portion of the novel "Jane Eyre" presents the protagonist with a number of choices where she is forced to weigh matters of conscience versus her passions. This paper considers the last few chapters and discusses whether conscience or passion wins. It also analyzes how her fight between conscience and passion contributes to the novel as a whole.
From the Paper
"Feeling her perception of Rochester's voice to have had some mystical provenance, Jane immediately returns to Thornfield, discovering only a burnt-out ruin where the beautiful manor once stood. Once she finds Rochester-who was injured in the fire which killed Bertha and now lives in a smaller house in the woods-he confirms the supernatural nature of what she heard just before rejecting St. James' proposal. Rochester proposes marriage to her, and she accepts. Now that Bertha is gone, there is no impediment to Jane's and Rochester's marriage. They are married in a quiet ceremony and live as equals. As was her decision to share her inheritance with her cousins, this decision is one where her passion and her conscience coincide."
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"Beloved" and Conscience, 2004.
This paper reviews Toni Morrison?s ?Beloved?, focusing on the character Beloved.
1,550 words (approx. 6.2 pages), 0 sources, $ 50.95
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Abstract
This paper explains that Toni Morrison?s ?Beloved? is a history, memory, and the terrible shadow of the character Sethe's past. The author believes that Beloved is the physical manifestation of Sethe's guilty conscience because Sethe?s desire to protect her children from the horrors of slavery overpowered her humanity; she brutally murdered her baby and buried it under the headstone, "Beloved". The paper relates that Beloved disappears when Sethe is reconnected to the community because she can finally accept her guilt and reattach herself to her conscience, the part of her that Beloved embodied.
From the Paper
"Sethe is relieved, because for her, ?the future was a matter of keeping the past at bay" (52). However, Denver is upset, because Paul D has driven away her only friend, and has begun to come between her and her mother. As a peace offering, Paul D takes Sethe and Denver a carnival, which makes Denver realize that a life with a man around instead of a ghost might not be so bad. But Sethe?s consciences refuses to be banished so easily, and just as things are looking up, it returns to disrupt things, this time in the form of Beloved."
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Double Conscience in Blues Music, 2002.
A paper which examines the underlying meanings in African-American blues music.
1,627 words (approx. 6.5 pages), 4 sources, MLA, $ 53.95
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Abstract
Blues music has been considered an important and popular music genre in the history of American music. The paper discusses one of the most important and significant characteristics of blues music - the fact that it illustrates double conscience, wherein an underlying meaning can be found explicitly or implicitly in the song?s lyrics. Examples of themes are the social and personal experiences of the African-Americans in their lives as slaves of the white American society and as laborers in most Southern cotton plantations. The paper examines how the social and personal relevance of blues music to the black Americans is evident in many works of literature depicting black American slavery such as Frederick Douglass' , ?Narrative of the Life of Frederick Douglass, An American Slave.? The paper also analyzes three Blues songs to show how the theme of double conscience - ?Strange Fruit? by Billie Holiday, ?No Education? by Lightnin? Hopkins, and ?Black, Brown, and White? by Big Bill Broonzy.
From the Paper
"Meanwhile, ?Black, Brown, and White? by Big Bill Broonzy is a song that generally discusses certain issues about discrimination among people who have different physical colors: the Blacks, Whites, and Browns (or the mulattos, as they are commonly called). Broonzy?s song utilizes colors as the primary aspect that distinguishes the privileges that an individual should have. All throughout the song, the line, ?? if you is white/ You?s alright/ If you?s brown/ Stick around/ But if you?s black/ Hmm, hmm, brother/ Get back, get back, get back? is repeated after every stanza, to further reinforce the fact that among the physical differences of people in the world, the Blacks are considered the most unfortunate of all, denied the opportunity to obtain a good job, to receive a high salary, and to enjoy the simple leisure and joys of life. Once again, the song utilizes narrative description as a way to illustrate and extend the message of discrimination to black Americans because of physical appearance and the issue of injustice and unequal treatment among people of their race (African-American)".
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Edgar Allan Poe: Guilty Conscience, 2006.
An exploration of some of the works of Edgar Allan Poe.
2,120 words (approx. 8.5 pages), 3 sources, MLA, $ 66.95
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Abstract
This paper explores the works of Edgar Allan Poe,by looking at the man behind the book. The author specifically centers on the two most famous works of Poe, "Tell- Tale Heart" and "The Black Cat" by examining the attitudes of the characters and how they are portrayed and what message the books are trying to give.The author concludes that with the similarities and differences between these two main works of Edgar Allan Poe, it is easy to see why Poe is considered one of the most controversial writers of all time and why has been criticized and also had much honor.
From the Paper
"The task of the narrator begins with careful planning, but in the end his guilty conscience creates his downfall. For seven days, the narrator watches the old man while he sleeps. The narrator's comments show his confidence and courage in his plan to kill: "Never before that night had I felt the extent of my own powers - of my sagacity. I could scarcely contain my feelings of triumph" (Poe 810). The narrator's comfort in his evil act continued even when the police came to check on the old man and investigate the loud noises neighbors heard the night before: "I smiled,-for what had I to fear? I bade the gentlemen welcome" (Poe 813). However, the narrator's mind is quickly consumed with guilt, which creates his figment of the imagination of hearing the old man's heartbeat from under the flooring."
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Shoes for Social Conscience, 2006.
A discussion regarding how alternative culture makes us into corporate toadies.
1,575 words (approx. 6.3 pages), 3 sources, $ 62.95
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Abstract
This essay explores the culture of culture jamming via Blackspot sneakers and how this sales campaign reveals that the self-identified socially conscious are possibly competitive consumers rather than social care-takers. This discussion focuses on the media coverage; promotion and marketing materials of the Blackspot sneakers recently deemed "one of the 12 hottest urban brands" as an example of a consumer product that represents the counterculture in the sum of its parts.
From the Paper
"In an early publishing of an article in Forbes magazine, Adbusters' Blackspot sneakers were discussed in terms of their unrealistic ability to take on mega-brands such as Nike. Still, and as noted in the article, Adbusters has managed to sell 20,000 pairs since 2003 (Whelan, n.p.). Even with the cost of manufacturing, this sales figure can easily be worth up to a half million dollars in profit over three years; not bad for a small alternative magazine outfit in B.C. Interestingly, to even entering in this conversation, one must acknowledge that Adbusters has become part of the mainstream culture, where concerns of sales and marketing are central topics."
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Shakespeare?s ?Macbeth?, 2002.
This paper discusses Shakespeare?s ?Macbeth? for the perspective of the marriage relationship between Lady Macbeth and Macbeth.
1,540 words (approx. 6.2 pages), 1 source, $ 50.95
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Abstract
This paper explains that the marriage relationship between Lady Macbeth and Macbeth is ironically close, given their overwhelming personal ambitions. The author feels that their relationship disintegrates not because they lack love or respect for one another, but because they succumb, by the end of the play, to guilt and other personal psychological demons. The author relates that the porter?s joking about his drunkenness is an analogy for Lady Macbeth and Macbeth?s being drunk on power, as well as the clouding of their moral judgment.
From the Paper
"Macbeth?s soliloquy at the time of his wife?s passing is as full of sorrow as Macduff?s, but Macbeth also lapses into self-absorption and bravado. At first, he mourns his loss, saying ?She should have died hereafter,? (V, v, 19). Macbeth then begins the ?Tomorrow, tomorrow, and tomorrow? soliloquy, which reeks of hopelessness, despair, and nihilism. He feels that life is meaningless, and in so doing may be attempting to extricate himself from his own guilt. Lady Macbeth committed suicide because of her immense psychological trauma. Her husband transforms his guilt into self-righteousness and even after Lady Macbeth?s suicide he still feels invincible because of the witches? prophesy. Whereas Macduff incorporated his loss and pain into a healthy psychological makeup, Macbeth transforms his grief into denial."
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The Sanity of Macbeth, 2002.
A review of William Shakespeare's "Macbeth", debating the main character's sanity and motivation.
846 words (approx. 3.4 pages), 4 sources, APA, $ 30.95
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Abstract
This paper discusses William Shakespeare's play "Macbeth", about the tyranny of an ambitious nobleman who is informed of his future. It analyzes how Macbeth is the definate protagonist of this play by the percentage of the dialogue of the major characters. It examines the three witches' influence on Macbeth's actions and Lady Macbeth's avarice that drills the Scottish Lord into treason and kinghood. It evaluates the role of fate in the tragedy, as well as the state of Macbeth's conscience and possibilites in Shakespeare's ambiguity.
From the Paper
"Because the ?weird sisters? (Macbeth, I, iii, 32) ambiguously inform Macbeth of his future, they give him a disadvantage. Alas, he no longer has a clean bias for his major decisions, therefore making him less responsible for his decisions. Indeed, he shares responsibility with the fact that he knows his future. Nevertheless he ultimately has to recompense for his atrocious judgments regarding others? lives. Macbeth learns of his future from the witches. He knows that he shall become the Thane of Cawdor: one step above his present status in Scottish hierarchy."
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