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Death in Poetry, 2005.
Explores the theme of death in the poetry of Emily Dickinson, Edgar Allan Poe and Sylvia Plath.
1,315 words (approx. 5.3 pages), 3 sources, MLA, $ 44.95
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Abstract
Through an analysis of the poetry of these famous writers, this paper explains how each writer illustrates the diverse ways that death touches each one of us.
From the Paper
"In her poem, "I Heard a Fly Buzz in my Head," Dickinson imagines what the first few moments after death might be like. Interestingly, the speaker is looking back on her death, which forces her to write a poem that depends heavily on her senses. The first thing we realize about this poem is the fact that the poet does not see death as something magnificent that has happened to her. Instead, death is nothing if ordinary. This notion goes against the traditional idea of passing into a glorious afterlife. She hears no trumpets; instead she is keenly aware of the "stillness in the air" (Dickinson 3). At the end of the poem, the speaker becomes aware of a "blue, uncertain, stumbling buzz" (13). One of the most eerie aspects of the speaker's death is the fly and how it distracts her even from her death. The fly is probably the most important aspect of the poem, which might indicate the speaker's sees death as an insignificant event that draws flies. The speaker's mood is surprising in that she treats her own death as just another occurrence. She is clearly aware that she is dead and this in no way shocks or horrifies her. Her attitude toward death is cavalier and from this, we assume that she feels no angst over her own death, whenever it may occur."
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Death Theme in Poetry, 2006.
This paper analyzes the structure as well as the predominant themes of death and despair that are clearly evident in both "The Voice" by Thomas Hardy and "The Widow's Lament in Springtime" penned by W.C. Williams.
1,525 words (approx. 6.1 pages), 0 sources, $ 50.95
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Abstract
The writer of this paper examines the underlying theme of death in both works of poetry. In "The Voice" poet Thomas Hardy questions the reality of the voice he's hearing by questioning if ,it is in fact the wind, and not his recently deceased wife. In his poem, Hardy believes his wife is still with him as she speaks to him in whispers of breeze. The poem "The Widow's Lament in Springtime" by William Carlos Williams is full of metaphorical content. From the beginning of the poem Williams describes the extent of grief which is felt by the widow as she finds memories of her life with her husband and cannot bear to gaze upon them. This paper also clearly details the structure of both poems.
From the Paper
"Now, in this stanza Hardy introduces his second thoughts about the voice actually being the voice of his wife. He wonders if it is just the breeze, and a lazy breeze at that, which just seems to catch his attention as it floated past him. In the last two stanzas, Hardy describes the abandonment of his wife if it is the breeze. He describes that if he only hears the wind, then his wife has been cast into a realm where she will never be heard again. Therefore, these stanzas describe the other side of Hardy. He has created an elaborate poem in which his wife is remembered through her whispers to him. Then in this stanza he comes out and says that is could just be the wind. This sets him up to conclude his poem."
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Death in Poetry- An Analytical Comparison, 2007.
This paper compares John Donne's poem "Death Be Not Proud" and Wislawa Szymborska's poem "On Death, without Exaggeration."
873 words (approx. 3.5 pages), 2 sources, $ 31.95
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Abstract
This paper compares and analyzes two poems about death that were written almost three centuries apart. The reviewer believes that the poems "Death be not Proud" by John Donne and "On Death, without Exaggeration" by Wislawa Szymborska demonstrate the beliefs of two different generations on the topic of death. The reviewer further describes the former as condemning death's pride, and the latter as mocking death's frailty. "Death Be Not Proud" speaks of death as a subtle reality of life, whereas the modern-day poem "On Death, without Exaggeration" criticizes the imperfection of death.
From the Paper
"Donne goes on to say that death is similar to natural rest or sleep. "From rest and sleep, which but thy pictures be" (1453) implies that every time a man falls into sleep, he is performing an innocuous practice for the experience of death; however, death remains a part of life from which no one is exempt. Death, inevitable as it may be, is an assurance of Donne's believe that there is a supreme destination after death. It is a component of humanity and causes the poem to reflect a reverence toward and optimism about death."
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Death in Poetry, 2004.
An analysis of the portrayal of death in John Donne?s ?Sonnet 10? and Emily Dickinson?s ?Because I Could Not Stop for Death?.
921 words (approx. 3.7 pages), 2 sources, MLA, $ 32.95
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Abstract
Different perspectives are always interesting. This is especially true with matters regarding death. This paper examines how John Donne and Emily Dickinson offer very unique perspectives on death in their poems, ?Sonnet 10? and ?Because I Could Not Stop for Death.? It looks at how these poets look death straight in the eye and face it with a strange calmness and security. It shows how, through the techniques of personification, structure, rhyme scheme, symbolism, and imagery, each of these poems offers unique perspectives on death and how, with their unique styles, Donne and Dickinson force us to think about death in a different way.
From the Paper
"Structure is also significant in each of these poems. In ?Sonnet 10,? the form of the poem creates tension. It is written in a traditional Italian sonnet form, ending with a dramatic couplet, normally associated with Elizabethan sonnets. The poet utilizes a different rhyme scheme to demonstrate his attitude toward death. While each line in a sonnet generally has ten syllables and five metrical feet, the lines in ?Sonnet 10? do not follow this pattern. The challenging rhymes seem to emphasize the powerlessness of death. Interestingly, the first and the last lines seem to echo the same sentiment. On the other hand, ?Because I Could not Stop for Death? reads like a lyric poem and its easy rhyme scheme clashes with its complicated subject matter. It is also important to note that Dickinson?s poem is penned by an apparently deceased poet."
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Death in Renaissance Poetry, 2005.
A comparative analysis of the presentation of death in William Shakespeare's "Venus and Adonis", Andrew Marvell's "To His Coy Mistress", and John Donne's "Holy Sonnets" numbers 1 and 10.
1,448 words (approx. 5.8 pages), 4 sources, MLA, $ 48.95
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Abstract
This paper looks at the literary theme of death in a specific historical context. It examines the way death is juxtaposed and contrasted with allusions to violence, life, love and sex, building up a discussion of whether we should ultimately read death as positive or negative in Renaissance poetry.
From the Paper
"Meanwhile, Donne's 'Holy Sonnet 1' begins with death as an imminent threat. It appears as early as the first line with the word 'decay' , which, when we link it to the similar threat of death in 'To His Coy Mistress' with its 'worms shall try that long-preserved virginity' (ll. 27-28), appears almost certainly to refer to posthumous decay. Moreover, the repetition of 'now' (l. 2) twice in the same line and words like 'I dare not' (l. 5) convey the speaker's urgency and fear because of death. However, with closer reading, it may not be simply death that the speaker finds threatening. Towards the middle of the poem, Donne twists the reader's expectations by beginning to mention 'sin' (l. 8) and 'our old subtle foe' (l. 11) as a reference to the devil. "
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Death in Poetry., 2002.
A contrast of views on death in poems by various poets.
900 words (approx. 3.6 pages), 3 sources, $ 35.95
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Abstract
This paper compares and contrasts the views of death expressed in "Ode on the Death of a Favorite Cat" by Thomas Gray, "Death Be Not Proud" by John Donne and "One Day I Wrote Her Name Upon the Strand" by Edmund Spenser.
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Poetry Comparison and Contrast, 2004.
This paper compares and contrasts the speakers in Matthew Arnold's poem "Dover Beach" and Anthony Hecht's poem "The Dover Bitch."
900 words (approx. 3.6 pages), 3 sources, MLA, $ 31.95
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Abstract
The paper provides a comparison and contrast of the attitude and tone of the speakers in Matthew Arnold's poem "Dover Beach" and Anthony Hecht's poem "The Dover Bitch." The paper describes the poets' use of elements of poetry.
From the Paper
"Hecht's "The Dover Bitch" and Arnold's "Dover Beach" employ a variety of elements of poetry to illustrate the tone of the respective speakers. From alliteration to allusion both poets use elements of poetry to add impact and meaning to their respective speaker's attitude toward their subject."
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The Theme Of Death In Three Works Of Poetry, 2000.
1,495 words (approx. 6.0 pages), 2 sources, $ 49.95
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Abstract
This paper compares and contrasts three poems: two by Emily Dickinson "My Life Closed Twice Before its Close", and "Because I Could Not Stop for Death", and John Donne's "Death Be Not Proud Though Some Have Called Thee", analyzing how the personification of death and abstract, powerful words are used to grab the reader?s attention, but the uses of tone and structure create three very different ideas and different poems.
From the Paper
"In the first poem by Emily Dickinson, death is implied by the word ?Immortality?. The first stanza, lines three and four, ?If Immortality unveil a third event to me?, is where personification appears. The second poem by the same author uses personification for three different things. The very first two lines, ?Because I could not stop for Death? He kindly stopped for me-??, introduces the audience to the driver of the carriage. In the fourth stanza the speaker talks about passing the sun, but then says, ??Or rather-He passed Us-?(13), bringing the sun to life. I should also mention that throughout this journey ?The Carriage held but just Ourselves?And Immortality.?(lines 3-4), personifying an idea. In the third poem by John Donne, the entire piece is addressed to Death as a person. It begins, ?Death be not proud, though some have called thee Mighty and dread?ful, for thou art not so;?(lines 1-2). By using person?ification, each author transforms his work into a powerful statement. Bringing this abstract concept into the tangible, concrete world makes far more ominous and more frightening."
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Death in Poetry, 2008.
This paper examines the theme of mortality in Elizabeth Bishop's poem "The Fish" and William Stafford's poem "Traveling Through the Dark".
928 words (approx. 3.7 pages), 2 sources, MLA, $ 32.95
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Abstract
The paper analyzes the poems "The Fish" by Elizabeth Bishop and "Traveling Through the Dark" by William Stafford. The paper examines the experiences of death in both pieces. The paper shows how Stafford and Bishop's works are permeated by the conception of a quiet awe of death that suggests a great reverence for life.
From the Paper
"Mortality is among the most provocative topics due for poetic exploration. The human inevitability that each of us will encounter, mourn and ultimately succumb to death is a fundamental element of the human condition. Naturally, this renders it a topic vulnerable to emotion. That is why the disaffected narratives in Elizabeth Bishop's poem "The Fish" and William Stafford's "Traveling Through the Dark" are useful in understanding mortality. Both meditate on the topic of death in a general sense, with their stories reflecting on the loneliness and the redemption which are variably connected with the passing of a life from this plane to the next."
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Comparison of Poetry by Robert Frost and William Wordsworth, 2002.
An analysis of several of the poems written by Robert Frost and William Wordsworth and a comparison of their styles.
855 words (approx. 3.4 pages), 0 sources, $ 30.95
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Abstract
By examining specific poems by Frost and Wordsworth the author of this paper is able to draw comparisons between their two styles and note on differences and similarities. The author notes, for example, that both Frost and Wordsworth maintain the idea that poetry should be written in the natural language, rather than elaborating to make the poems perplexing. Poems analyzed are "The World is too Much with Us" and "The Road not Taken".
From the Paper
"It is known that Frost will second-guess himself somewhere down the line. Frost imagines himself in the future, discussing his life with others. When "sigh" is written, he admits that he will not say that he took the road less traveled by and that has made all the difference. Instead he will say that there is no right path, just the chosen path. Their differences with their imagination consists of Frost looking to the future wondering what he would say about the path he took, Wordsworth wants to go back in the past."
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Comparison of Poetry by Ezra Tompkins and Matthew Acahti, 2005.
This paper offers a comparison and contrast of two poems by Ezra Tompkins and two poems by Matthew Acahti.
678 words (approx. 2.7 pages), 4 sources, APA, $ 23.95
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Abstract
In this article, the writer compares two poems by each of the poets Ezra Tompkins and Matthew Acahti. The poems discussed are Tompkins' "Story of My Life" and "Skaters" and Acahti's "Suggestions for Stabilizing" and "What is it That Compels?". The writer discusses that perhaps the greatest similarity between the works of the two poets is the method that each one uses vague imagery to help define mental process of existence.
From the Paper
"The poems of Ezra Tompkins and Matthew Acahti are stylistically crafted with a focus on imagery. This analysis will explore some of the similarities and differences in Tompkins' 'Story of My Life' and 'Skaters' with Acahti's 'Suggestions for Stabilizing' and 'What is it that Compels? Perhaps the biggest similarity in the works of Tompkins and Acahti are the way that each poet uses vague imagery to help define mental process of existence. We can see that this is particularly true in the stylized nature of ...
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Life and Death: Abortion and the Death Penalty, 2005.
Explains why there is no contradiction in simultaneously viewing abortion as permissible in the early stages of pregnancy but the death penalty as impermissible.
2,025 words (approx. 8.1 pages), 4 sources, APA, $ 71.95
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Abstract
This paper explains why a woman's views that abortion in the early stages of pregnancy is permissible but that the death penalty is never permissible are congruent and consistent from a moral and ethical standpoint.
From the Paper
"Though Abby rejects the application of the death penalty in all instances she does advocate the permissibility of abortion in the early stages. Despite the seeming contradiction of ethics or morals in these views, Abby's views on abortion and the death penalty are more congruent than they might initially appear. This is because abortion is part of a woman's overall reproductive rights guaranteed by law while the death penalty is often applied in a biased manner and represents state-sanctioned homicide..."
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"Death of a Salesman" - Death of a Dream, 2002.
An analysis of Arthur Miller's play "Death of a Salesman".
1,150 words (approx. 4.6 pages), 5 sources, $ 44.95
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Abstract
This paper presents a discussion about the play Death of a Salesman by Arthur Miller. The author of this paper takes the reader through a discussion about the play, the characters, the messages and the meanings. In addition the author discusses the use of structure sound and sense in the play.
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Women's Poetry and Women's Politics, 2002.
A comparison between the poetry of Muriel Ruckeyser and that of Adrienne Rich, and an exploration of their feminist messages.
1,030 words (approx. 4.1 pages), 1 source, MLA, $ 36.95
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Abstract
This paper analyzes the poetry of Muriel Ruckeyser, as found in her book ?The Book of the Dead?, and that of Adrienne Rich, using her work entitled "Twenty-one Love Poems". The paper gives a biographical background on each of the poets, stressing their importance to the contemporary women?s movement and to American poetry. Rich?s poems are explored for their ideas on the relationships between women, and Ruckeyser?s are studied in terms of their comparison to a documentary and in relation to her strong political view.
From the Paper
"To many, Poetry is the voice of women. It is the way in which women can express their inner thoughts and feelings, to write the things that they can not say. Poetry is more than words on paper but someone?s feelings and life poured into the readers mind. Poets let the readers climb inside their heads and taste what the poet feels, sees, and thinks.
Two major women poets that are in the inner ring of American feminist poets are Muriel Ruckeyser and Adrienne Rich. Though their poetry may be different in content, many of their messages are the same: we need to be heard. Ruckeyser?s ?The Book of the Dead? describes conditions and feelings of the Gauley Bridge tragedy through actual courtroom testimonies to words from actual citizens of the town. Adrienne Rich?s ?Twenty-one Love Poems? describes in many ways, her love of her companion as well as their struggles and times together."
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Emily Dickinson's Poetry, 2006.
An analysis of the theme of death as a leitmotif in Emily Dickinson's poetry.
4,954 words (approx. 19.8 pages), 10 sources, MLA, $ 125.95
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Abstract
The following paper concentrates on the variety of ways Emily Dickinson's expresses her thoughts and feelings about death in her poetry. One central focus of the analysis is to point out Dickinson's originality and creativity emerging from a gloomy topic. It looks at how Dickinson does not only reflect on death, she presents the intrepid self experimenting with the idea of its own cessation. The paper also provides short comments on some stylistic devices in order to clarify the interdependence between Dickinson's ideas and her use of language.
Outline:
Introduction
Death Understood as Eternal Sleep
Between Life and Death: Death from the Perspective of the Dying
Death as Emphasis on Love
Conclusion
Bibliography
From the Paper
"Emily Dickinson is recognized today as one of America's greatest poets. Her reputation rests partly on a body of poems that forcefully portray death. Dickinson's death-poetry is marked by both the poet's enthusiasm and her willpower to face, grasp, and describe the circumstances of dying instead of evading the dreadful theme that often eludes language. Moreover, exploring the theme of death from various viewpoints, Dickinson appears to transcend a boundary that is impossible to penetrate in reality. Notwithstanding, she managed to remain the observer and recorder of her considerations and emotions."
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