| Papers [1-15] of 100 :: [Page 1 of 7] | | Go to page : 1 2 3 4 5 6 7 —> | Search results on "DARKNESS LIGHT": |
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Darkness to Light., 2002.
This paper discusses the journey from darkness to light of characters in the film, "Dave".
1,150 words (approx. 4.6 pages), 5 sources, $ 44.95
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Abstract
This paper discusses the journey from darkness to light of characters in the film, Dave, in terms of how their journeys were similar or different, and in what sense they were in the symbolic cave of Plato's analogy. The content also includes consideration of whether there is any point in a character's development when he or she rejects or adopts Machiavellian tactics, and how that decision affects the character's development.
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Darkeness and Light in Byron's "She Walks in Beauty", 2008.
A discussion of darkness and light in Lord Byron's "She Walks in Beauty".
855 words (approx. 3.4 pages), 1 source, MLA, $ 30.95
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Abstract
This paper analyzes Lord Byron's poem "She Walk's in Beauty", which combines images of darkness and light to create a unique internal and external aura. The paper maintains that this aura surrounds the beautiful woman who he describes in his poem. Each one of Byron's three stanzas describes a natural, a physical and a spiritual aura which surround the woman. Byron uses images from the natural, physical and spiritual world to describe the emotions he has towards this particular woman, represented in images of both light and darkness. The paper concludes that, through his poem, Byron has combined the beauty of the natural world, the physical body and the spiritual being to create a timeless expression of love and admiration.
From the Paper
"Byron's first stanza concentrates on the natural beauty of the woman who he encounters. "She walks in beauty, like the night/ Of cloudless climes and starry skies" (Ln.1-2) .Byron has immediately introduced us to a woman whose beauty is that equal to the beauty of nature. Her beauty is represented by the darkness of night. The image of night creates an aura that surrounds her. Byron is describing how beautiful he feels the night is and that this woman represents that beauty of night within her own aura. Nature is both day and night, both dark and light. In the first stanza the images of day light and dark night both represent the woman. The lines "All that's best of dark and bright Meet in her aspect and her eyes," (Ln. 3-4) represent the combination of day and night within the woman. She is a combination of the best of the day and the best of the night. Her combination of dark and bright creates, "that tender night Which heaven to gaudy day denies" (Ln.5-6). She is not the overpowering "gaudy," brightness of day. She's the perfect combination of light and dark. Not even heaven bestows this beautiful light on the day. She is a pure, natural and heavenly creature on earth."
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The Dark and Light Motif in "Invisible Man", 2000.
Essay exploring the contrast between black and white, good and evil in Ellison's novel, "Invisible Man".
2,282 words (approx. 9.1 pages), 0 sources, $ 70.95
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Abstract
Ralph Ellison?s use of ?dark? and ?light? motifs are explored in the construction of this tour-de force novel. The publisher argues that Ellison often inverts our traditional notions of dark and light, or black and white to help blur the line between right and wrong. The essay intends to examine the many different passages that deal with direct contrasts between the symbolic meanings of black and white (good vs. evil, or vice versa) and the passages indicating fundamental differences between literal and figurative blindness.
From the Paper
"In this novel, there is a sense of good-men and bad-men, and the central journey of the novel is the narrator?s, as he tries to find both goodness, and self. In a sense, the Invisible Man is searching for the basic human goodness that he understands lies in all men. The novel portrays certain characters as these so-called good-men that must bear the ?white man?s burden.? Such a burden is usually taken to mean the subordination of black men at the hands of the whites, but groups who appear on the surface to help the blacks often disguise its meaning."
"It must be noted that not all of man?s darker side is repulsive to Ellison, because he often refers to certain good emotions that spring from this darker well of the human psyche. However, man does seem to have a darker side that is totally evil, a side that he tries to hide with rationalizing and conjecture."
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Light and Darkness in "Romeo and Juliet", 2002.
This paper discusses Shakespeare's use of light and darkness within pivotal scenes of "Romeo and Juliet".
1,300 words (approx. 5.2 pages), 1 source, MLA, $ 43.95
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Abstract
This paper elaborates on the importance of the motif of darkness and light in "Romeo and Juliet". There are several scenes which incorporate this theme throughout the play and a complete discussion is offered as to the importance of this imagery.
From the Paper
"William Shakespeare?s Romeo and Juliet, encapsulates several different themes and motifs. The most obvious theme of the play is romantic love and the relationship it shares with death and violence. Fate, and the role it plays in the characters tragic deaths, is another theme that clearly permeates throughout Romeo and Juliet. However, I believe a complete explication of the play would not be possible without the inclusion of a less apparent motif, the imagery of darkness and light. Several of the important scenes in Romeo and Juliet, are set either late at night or early in the morning, and Shakespeare often uses the contrast between day and night to explore opposing alternatives within the context of the scene."
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Light and Darkness in "Mrs Dalloway", 2005.
A discussion on the chiming of the hours and other symbolism in "Mrs Dalloway" by Virginia Woolf.
1,125 words (approx. 4.5 pages), 2 sources, MLA, $ 38.95
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Abstract
This paper examines how, throughout the novel "Mrs Dalloway", Virginia Woolf uses the motifs of time and light and darkness to add structure and order to the random thoughts, memories, and encounters that make up the novel.
From the Paper
"Time adds structure and order to the random thoughts, memories, and encounters that make up Mrs. Dalloway. Big Ben sounds out the hour relentlessly, ensuring that the passage of time, and the awareness of eventual death, is always there. Clarissa senses the passage of time and the appearance of Sally and Peter emphasises how much time has gone by since Clarissa was young. Once the hour chimes, however, the sound disappears--its "leaden circles dissolved in the air." This expression recurs many times throughout the novel, indicating how ephemeral time is, despite the pomp of Big Ben and despite people's wary obsession with it."
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Light and Dark: The Yin-Yang of Aeschylus, 2004.
An interpretation on the images of light and dark in Aeschylus's "Agamemnon".
1,379 words (approx. 5.5 pages), 1 source, MLA, $ 46.95
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Abstract
This paper analyzes how various representations of light and dark in Aeschylus's "Agamemnon", part of the "Oresteia", seem to mirror masculinity and femininity, respectively. It explains how these images also show how the play is mostly about how the female attempts to usurp male power, ultimately achieving it. Nevertheless, because there can never be absolute darkness or absolute light, the overthrow of the male can only be temporary.
From the Paper
"In Aeschylus?s Agamemnon, the use of light and dark revolves around their relation to the masculine and the feminine, respectively. Throughout the play, brilliant metaphors and images are used to express this idea, most obviously when related to Agamemnon and Clytaemestra. These images also show how the play is mostly about how the female attempts to usurp male power, ultimately achieving it. Nevertheless, because there can never be absolute darkness or absolute light, the overthrow of the male can only be temporary."
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Homeric Uses of Light and Dark, 2005.
A discussion on the uses of light and dark in Homer's "Iliad" and "Odyssey".
6,570 words (approx. 26.3 pages), 7 sources, MLA, $ 151.95
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Abstract
This paper attempts to explore the Homeric uses of simple light and dark terms to develop possible symbolic meanings in the Lattimore translations of the epics "The Iliad" and "The Odyssey". It first explores references to light then dark uses in both epics and then explores individual uses in each epic. The order of explanation develops the point that in "The Iliad" light and dark references mostly describe war, while in "The Odyssey" the terms develop a wide array of objects and situations because there is no major war.
From the Paper
"First, light seems to appear in both epics when referencing gods, weapons, and other general descriptions. Through reading both epics, one can discover that Homer has utilized light to develop the love and admiration for gods and goddesses, much like other ancient Greek writers. Such descriptions can be seen in The Iliad. In the text Apollo is referred to as: "lord of the silver bow" (Book I, 37) . Throughout the text Homer's descriptions also portray Hera as the goddess with the white arms. Also, when in Olympos the gods and goddesses are said to drink in golden cups. In The Odyssey goddesses are especially referenced through bright terms."
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Light and Dark Imagery, 2001.
This paper shows the analogy of how light is used to represent life and order and how dark imagery is used to represent disorder and chaos in three literary texts.
1,015 words (approx. 4.1 pages), 3 sources, MLA, $ 35.95
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Abstract
The three works analyzed are "The Evolution of the Gilgamesh Epic", by Jeffrey H. Tigay, "A "Telling" of the Ancient Indian Epic" by Larry Tominberg and stories from Genesis. The paper shows how all these works use the same imagery but in different ways.
From the Paper
"Throughout the history of man people have associated words that refer to 'light' with goodness, calmness and general peace while words that refer to 'darkness' are compared with evil, chaos and general havoc and tragedy. This can be seen in life and within the literary texts that we read. ?Light? represents the prevailing order and peace in the world while ?darkness? refers to the disorder and chaos related to death depicted through the situational use of words within texts."
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Joseph Conrad's "Heart of Darkness", 1973.
This paper explains Joseph Conrad's metaphorical use of light & darkness in his novel "Heart of Darkness": Light is viewed as symbolizing life, passion and hope, darkness as symbolizing mystery, ignorance and despair.
1,125 words (approx. 4.5 pages), 1 source, $ 39.95
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From the Paper
"The novel, "Heart of Darkness", by Joseph Conrad, makes great metaphorical use of light and darkness. Properly analyzing these metaphors requires being aware of what they have symbolized in the past. Light has often been used as a symbol of life, passion (fire), knowledge (seeing the light), hope and the future. Dark-ness has often been used to symbolize death, mystery, ignorance and despair. Thus, light has very positive associations, and darkness has very negative ones. Readers bring these associa-tions with them as they read Heart of Darkness.
Conrad's use of metaphor, especially in the first few pages, reveals his great love of the sea. He describes a ship,sitting in the harbor with canvas gleaming with varnished spirit. The ship is surrounded by a haze that is emanating from the land near it: "The air was dark above Gravesend, and farther back ... "
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"Araby" and "Heart of Darkness", 2008.
This paper compares the imagery of light and darkness in James Joyce's short story "Araby" and Joseph Conrad's work, "Heart of Darkness".
1,300 words (approx. 5.2 pages), 2 sources, MLA, $ 43.95
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Abstract
The paper looks at James Joyce's short story "Araby" and Joseph Conrad's "Heart of Darkness" and the important role of light and dark imagery in both texts. The paper shows how, while the authors of "Araby" and "Heart of Darkness" use this imagery to very different effects, in both works images of light and dark are central devices employed to convey meaning and illustrate themes.
From the Paper
"As the title of Conrad's novel would suggest, imagery of light and darkness is of great importance in this narrative. From the opening of the novel, the text and its characters seem to exist in a permanent twilight. The narrative of Heart of Darkness is a tale told by Marlow to a number of listeners aboard a boat on the river Thames around sunset: "The air was dark above Gravesend, and farther back still seemed condensed in a mournful gloom, brooding motionless over the biggest, and the greatest, town on earth" (Conrad 7). The imagery of darkness is thus employed to establish a reflective mood from the outset of Conrad's narrative. Clearly, the imagery of twilight - at the close of the day, and when the promise of the day has been realized or not - is conducive to reflection."
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"The Heart of Darkness", 2002.
A review of the book "The Heart of Darkness" by Joseph Conrad, focusing on the symbolic search for light in the midst of the darkness.
1,223 words (approx. 4.9 pages), 0 sources, $ 41.95
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Abstract
This paper analyzes the literary work by Conrad, "The Heart of Darkness", illustrating important and interesting themes and symbolism. The paper discusses the book and the main characters of the story, and describes the lead protagonist's quest for light, for inner peace.
From the Paper
"Joseph Conrad, author of the Heart of Darkness creates the idea of nihilism. Darkness created a fascination resulting to an obsession with Marlow, the main protagonist in the story. He is on a quest for some shimmer of light in the heart of darkness, the African Congo. Kurtz, a man with no morals or any self-restraint intrigues Marlow by his abrupt change in lifestyle. Marlow hopes to find a glimmer of light in Kurtz, but shockingly fails to do so. In the acceptance of darkness, Marlow is desperate in finding some glimmer of light, but in the end only attains inner peace instead of finding the light itself."
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"Heart of Darkness", 2006.
This paper reviews and analyzes Joseph Conrad's literary classic "Heart of Darkness" as well as the author's use of dark imagery throughout his novel.
1,989 words (approx. 8.0 pages), 4 sources, MLA, $ 63.95
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Abstract
This paper examines British writer Joseph Conrad's "Heart of Darkness" as well as the novel's primary theme of darkness, which the author maintains that each person contains within himself. This well-written paper clearly details the setting of the novel, which originally appeared in serial form in "Blackwood's Magazine" in 1899, as well as the plot and main characters. This paper analyzes Conrad's placement of his characters in the face of European imperialism and the colonization of Africa which results in giving even more depth to the concept of darkness. The author suggests that darkness is hidden deep within every person, yet he does not make an overt attack on the business of imperialism itself that acts as a catalyst for that darkness, as depicted in this particular novel.
From the Paper
"The trip up the Congo when the ship is finally repaired further evinces a criticism of the company. Natives are employed and "educated" for menial tasks and no native receives any respect or much attention at all in Marlow's story. Marlow considers the humanity of the native voices he hears along the shore and he thinks about "principles" and "acquisitions," but then concludes "Fine sentiments be hanged! I had no time...There was surface-truth enough in these things to save a wiser man." Work and duty saved Marlow from letting his sanity be compromised by the forces at work in the Congo. A sinister fear is attached to the sightings of natives along the shore which culminates in the attack of Marlow's boat when it has nearly arrived at its destination: the ivory outpost where the legendary Mr. Kurtz is the lone person in charge."
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Nature and Hearts of Darkness, 2002.
This paper discusses the role that images of nature play in three novels of clashing cultures: Tayeb Salih?s 'Seasons of Migrations to the North', David Malouf?s 'Remembering Babylon', and Joseph Conrad?s 'Heart of Darkness'.
4,175 words (approx. 16.7 pages), 3 sources, MLA, $ 111.95
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Abstract
This essay discusses the following three novels: Tayeb Salih?s 'Seasons of Migrations to the North', David Malouf?s 'Remembering Babylon', and Joseph Conrad?s 'Heart of Darkness' . All of these novels reveal the shadow side of the human soul, the dark, forbidden side that most of us don?t want to admit exists and show how it manifests in relationship to the unknown. When humans come into contact with something other than that which they know well, they often react out of fear which springs from the depths of their own hidden inner selves. Joseph Conrad?s The Heart of Darkness is the classic on this theme to which the other two are compared. In these novels human life is represented as a duality hovering between light and darkness. All three writers use nature extensively to symbolize this duality. In these books most often nature is evil and dark, though now and then we catch a glimpse of beauty and light.
From the Paper
"This study will explore the role that images of nature play in three novels of cultural conflict. Tayeb Salih?s Seasons of Migrations to the North, and David Malouf?s Remembering Babylon, will be discussed using Conrad?s Heart of Darkness as the standard by which all such works are measured.In addition to being about clashing cultures, these novels are about the shadow side of the human soul, the dark, forbidden side that most of us don?t want to admit exists and how it manifests in relationship to the unknown. When humans come into contact with something other than that which they know well, they often react out of fear which springs from the depths of their own hidden inner selves. Joseph Conrad?s The Heart of Darkness is the classic on this theme. In these novels human life is represented as a duality hovering between light and darkness. All three writers use nature extensively to symbolize this duality. In these books most often nature is evil and dark, though now and then we catch a glimpse of beauty and light."
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Joseph Conrad's "Heart of Darkness", 2006.
This paper explores the concepts of good and evil in Joseph Conrad's "Heart of Darkness".
1,250 words (approx. 5.0 pages), 2 sources, MLA, $ 42.95
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Abstract
This paper explains that the darkness in Joseph Conrad's "Heart of Darkness" represents an illusion in which certain people are not able to grasp the understanding of life and other human beings. The author points out that it is this inability that makes civilization and the development of society evil. The paper relates that, from this novel, the evil atrocities committed during the white European businessmen's enslavement of native Africans in their search for ivory , are results of being smothered in "the darkness". The author uses the thoughts in Friedrich Nietzsche's "Beyond Good and Evil", to understand the experiences of the character Kurtz to create nothing more and nothing less. The paper concludes that the darkness can be seen as the ultimate origin of evil.
From the Paper
"Kurtz is a man that started as the best trading post manager the Europeans had. He was determined and took control to get the job done better than anyone else, which led him to bring in as much ivory as all the others combined. When Marlow reaches him, Kurtz is no longer affiliated with not only the conquest, but European thought and values altogether. He takes control of a local tribe and in the eyes of the Europeans turns into a savage. Kurtz abandons the values and ideals of European colonial conduct because he is starting to figuratively see the light in the darkness."
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Heart of Darkness, 2007.
This paper analyzes the book 'Heart of Darkness' by Joseph Conrad.
997 words (approx. 4.0 pages), 2 sources, MLA, $ 35.95
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Abstract
In this article, the writer points out that Joseph Conrad's 'Heart of Darkness' draws a parallel between the physical journey of the main character, Marlow, and his mental or spiritual journey as he travels more deeply into the physical darkness of the African continent. The writer notes that the physical journey is then indicative as he becomes increasingly aware of the darkness in the human soul, which culminates in the character of Kurtz. Further the writer notes that when Kurtz dies, the darkness reaches its ultimate level, and for Marlow, there is no return. The writer discusses that in terms of point of view, the novel is structured in an interesting way.
From the Paper
"This indicates a gradual shift of viewpoint from the Western, or civilized, to the uncivilized. In this, Marlow's viewpoint shift foreshadows his meeting with Kurtz. The latter is iconic of the completion of this viewpoint. The reader is therefore prepared for an increased contact with darkness as Marlow travels deeper into the physical darkness of Africa towards the ultimate heart of the matter personified in Kurtz. The decay of Kurtz's station indicates not only his absence, but also his lingering influence during the time when he was present at the station. It is central to the novel to note that the barbarian nature of the natives influenced the Western-born Kurtz and Marlow to a greater degree than their civilization. The novel closes with the indication that barbarism waits just beneath the surface of even the highest civilization. In this, Conrad makes his point regarding the true nature of humanity."
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