| Papers [1-15] of 100 :: [Page 1 of 7] | | Go to page : 1 2 3 4 5 6 7 —> | Search results on "CULTURAL PATRONAGE DE MEDICI": |
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The Cultural Patronage of the De' Medici, 2002.
An examination of the contribution of the De' Medici family in 15th century Florence, Italy to the Renaissance.
1,687 words (approx. 6.7 pages), 7 sources, APA, $ 54.95
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Abstract
This paper discusses how in the early 15th century, the city of Florence took cultural command of Italy and inaugurated the Renaissance, a period highlighted by great achievements in the arts and architecture. It looks at how the Medici, bankers to all of Europe, became such lavish patrons of the arts that to this day the name of Medici connotes any generous patron of the fine arts and thus, the history of Florence cannot be separated from the House of the Medici.
From the Paper
"Scarcely any great architect, painter, sculptor, philosopher or humanist scholar was unknown or unaffected by the power and influence of the Medici family. Cosimo de' Medici began the first public library since the ancient world (comparable to that at Alexandria), and it has been estimated that in the course of thirty years that Cosimo de' Medici and other members of his family spent almost $20,000,000 for manuscripts and books, a clear indication of the financial power behind the establishment of humanism in the Renaissance era. However, Cosimo de' Medici, always the careful businessman with a keen eye for what was truly beautiful and worth supporting, was not sentimental about his endowment of art and scholarship, for he once stated that his good works were "not only for the honor of God but (also) for my own remembrance." "
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Cosimo de Medici, 2004.
A look at the contribution of Cosimo de Medici to the culture and society of 15th-century Florence.
3,724 words (approx. 14.9 pages), 5 sources, MLA, $ 102.95
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Abstract
This paper looks at the life of of Cosimo de' Medici, who was the progenitor of one of the main lines of the Medici family, which ruled over the independent city-state of Florence from 1434 to 1637. In particular, it looks at Cosimo?s work as an art patron to much of the culture of Florence at the time and, even more broadly, much of the early Renaissance church.
Outline
Introduction
Cosimo de Medici
Taking Advantage of the Moment
A Common Culture
From the Paper
"But it must also be remembered that while Cosimo de?Medici was not a democratic leader in the modern sense of the term, it is also important ? as Kent makes clear repeatedly ? that the distinction between public and private was narrower in Cosimo?s Florence than it is today. Cosimo?s private garden, for example, was transformed into a kind of public academy for painters as were the gardens of other de?Medici family members (Jacobs, 2002). The homes and garden of Cosimo deMedici existed in an almost seamless whole with the public commissions that he made."
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Catherine de Medici, 2002.
Examines the role of Catherine De Medici in the disintegration of France in the sixteenth century.
1,150 words (approx. 4.6 pages), 5 sources, $ 44.95
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Abstract
This paper will discuss Catherine De Medici's role in France and how she influenced the political climate of her country. By showing examples of the prowess that she exuded over rival countries such as Spain, we can examine how she helped to transform politics in her arena of power.
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Lorenzo De Medici & Italian Art, 1997.
Cultural background, role of Medici patronage in art of Renaissance in Florence, politics, humanism, major artists & works.
1,575 words (approx. 6.3 pages), 11 sources, $ 55.95
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From the Paper
"The purpose of this research is to examine Lorenzo de' Medici and the arts in Florence during the Italian Renaissance. The plan of the research will be to set forth the historical context in which Florence and the Medici family became relevant to the emergence of Italian Renaissance art, and then to discuss the shape and significance of Medici influence on the phenomenon.
In order to appreciate the significance of Lorenzo de Medici for the Renaissance and for the arts of the period, it is first necessary to examine how the concept emerged in Europe, setting the stage for Medici influence. The Renaissance refers to the period, beginning as early as the fourteenth century, when the culture of Western civilization made transition from medievalism to modernism. Kirchner says that it dates from 1350 and "was distinguished by a spirit of confidence in man's achievements and .."
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Lorenzo De' Medici,, 1997.
Life, education, philosophy, writings & artistic patronage of head of 15th Cent. Italian Renaissance family.
1,800 words (approx. 7.2 pages), 7 sources, $ 63.95
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From the Paper
"In the fifteenth century, the Medici family rose to power in Florence from an undistinguished background. Like most of the Renaissance rulers in Italian towns, the Medici became prominent patrons of learning and the arts. In the rapidly expanding cities, the merchant guilds, mendicant orders, and leading families saw patronage as a means of expressing both their growing wealth and power. The arts were good for the cities' economy and prestige, and, for an obscure family like the Medici, such sponsorship increased their personal prestige. In the fifteenth century, "merchants turned into courtiers" (Kempers 15). No matter whether they were particularly interested in scholarship or the arts, the families also began to value patronage because it demonstrated their cultured attitudes. Men like Cosimo de' Medici spent heavily on public works because.."
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Paul Valery's "Introduction de la Methode de Leonard de Vinci", 2002.
This paper compares a quote taken from Paul Valery's "Introduction de la Methode de Leonard de Vinci" and to Salman Rushdie's "Haroun and the Sea of Stories".
1,090 words (approx. 4.4 pages), 5 sources, MLA, $ 38.95
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Abstract
This paper reviews the specific pieces by Valery and Rushdie and other pertinent supportive material. The paper concludes that Valery was a man of words who often felt that those who used them didn't know their power. The author feels that Valery knew the power of words but often felt the "gift" to write was not empowering.
From the Paper
"His quote, "Beauty is a way of death. The novelty, the intensity, the strangeness, in a word, all the values of shock supplant it", can be likened to the hunter who loves the hunt more than the eventual catch. So it is with words for Valery. It is the process, the thinking, the effort that fascinates him?not the work itself. Perhaps that is because he left the world of literature for the analytical and precise world of science."
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Patronage and Musician Repertoire, 2008.
A case study examination of the relationship between patronage and musician repertoire during the Baroque period.
1,958 words (approx. 7.8 pages), 9 sources, APA, $ 62.95
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Abstract
This paper discusses the Baroque period of 1600 - 1750. It discusses the role that patronage played in the lives of musicians and the repertoire that was composed or performed by them. It then examines three case studies in terms of their most significant musicians-in-residence, their socio-cultural environment, opportunities for performance and composition and their locally preferred musical styles.
Table of Contents:
Royal Patronage
Religious Patronage
Civic Patronage
Conclusions
From the Paper
"Patronage in the period of glory for Baroque music greatly influences the portfolio of compositions. This happens, at least in part, depending on the composer and the role he is playing within the patron-composer relationship. In the case of Lully, for example, the influence was total, in the sense that Lully's works existed only within the framework defined for him by the absolute monarchy. Ranging from the ampleness of his operas, to the fact that he is one of the first to promote the idea of a French opera and to the machineries that are used to make grandiose spectacles - everything points out that the role of the composer is strictly determined by the patron."
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The Patronage System and Renaissance Literature, 2007.
An overview of the influence of the patronage system on English Renaissance writers.
2,603 words (approx. 10.4 pages), 11 sources, MLA, $ 78.95
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Abstract
This paper provides an overview of why, in "Self-Crowned Laureates," Richard Helgerson places English Renaissance writers within a patronage system that frequently influenced the content of their works. To this end, an analysis of Ben Jonson's poem "To Penshurst" and his "Masque of Blackness"; Aemilia Lanyer's poems "The Description of Cooke-ham" and "Salve Deus Rex Judaeorum"; John Milton's masque "Comus," and Mary Wroth's "Urania" is conducted to determine what or why these works were written, as well as the specific patrons that provided these Renaissance writers with political or social favors or monetary remuneration in exchange for their services. An assessment of how women writers from this era frequently dedicated their writings to powerful figures is followed by an analysis of how the appeal to a patron authorized these writers to act and the manner in which these poets advance themselves socially through their art. A discussion of how class difference troubled or enhanced these writers is provided in the conclusion.
Outline
Introduction
Review and Discussion
Conclusion
From the Paper
"The patronage system under which Jonson created was one in which he was compelled write for the gentry but he was not that happy about it, because he thought himself the better person because of his talent, whereas the aristocracy had money but not talent. Yet he had to write such works as "To Penshurst" just to make a living and in the hopes, too, that he could raise up in society. In this regard, Loewenstein and Mueller (2002) report that, "Literature became the unofficial currency of the patronage system - well-turned sonnets, graceful compliments and effusive book-dedications being among the recognized ways by which hopeful candidates would present themselves for the job. Patronage came in all shapes and sizes, from permanent positions to more sporadic offerings, gifts or payments in kind" (346). In this regard, Briggs (1997) emphasizes that Jonson's poem, "To Penshurst," is absolutely rife with effusive praise for one such landholder who was deemed benevolent simply by virtue of not being evil. "
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"The Romance of the Rose" by Guillaume De Lorris and Jean De Meun, 1993.
A look at the duality of men's attitudes toward women (worship vs. contempt) in the novel about the Middle Ages.
1,125 words (approx. 4.5 pages), 1 source, $ 39.95
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From the Paper
"This study will analyze the duality of men's attitudes toward women as portrayed by Guillaume de Lorris and Jean de Meun in The Romance of the Rose. The study will consider the reasons that men worshipped women while at the same time having contempt for them, and will explore how this duality of attitude and practice helped shape the code of chivalry which men lived by during the Middle Ages.
In the Introduction to the book, we read that the story is told rather straightforwardly: "A Lover wishes to win his Lady (the Rose); her responsiveness (Fair Welcome) encourages him; her sense of modesty (Shame) fends him off; the dominance she exercises upon him (Danger --- a French form of the Latin word dominarium meaning 'domination') blocks his advance. Modern readers, accustomed to similar Freudian abstractions, can hardly..."
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Medici Family, 2005.
A discussion of the art patronage of the Medicis during the Baroque period.
2,875 words (approx. 11.5 pages), 8 sources, MLA, $ 85.95
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Abstract
The history of the Medici family in Italy clearly illustrates the difference between a true patron and a collector of fine art. This paper explains that with the collector, new artistic movements are, at times, very difficult to locate, which inevitably leads to the collector amassing works of art based on certain styles and motifs or even specific painters or sculptors from various artistic periods. The writer points out however that with the patron, such as Cosimo I and Lorenzo the Magnificent in the Renaissance and Cosimo III and Cardinal Leopoldo in the Baroque era, the almost in-born desire to vigorously encourage the development and spread of fine art is without competition, for the patron is truly the purveyor of artistic history, at least in western civilization.
From the Paper
"Of course, when the Medici family did finally expire in the mid 18th century, the great artists, such as Michelangelo, Da Vinci, Brunelleschi and Bernini, had also expired and their successors, although very talented and inspirational, did not possess the genius of these men which may help to explain why patronage itself waned after the Baroque era. In addition, it could be said that without the Medici family and its enormous wealth and prestige the Renaissance and Baroque eras might never have existed. Thus, the Medici, along with other prominent art patrons, allowed for the formation of several outstanding art periods which not only helped to create and foster great talent but also made it possible for the common, everyday man or woman to gaze in awe at their works of wonder and contemplate the very nature of their creators and those that supported them without question or authority."
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Art History, 2002.
A comparison between Eleanora di Toledo with her son Giovanni de' Medici by Agnolo Bronzino and "The Bath" by Mary Cassatt.
1,150 words (approx. 4.6 pages), 4 sources, $ 44.95
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Abstract
This paper presents a compassion of Eleanora di Toledo with her son Giovanni de' Medici by Agnolo Bronzino and The Bath by Mary Cassatt.
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Writings by Cabeza de Vaca, 2005.
Examines how Cabeza de Vaca?s narrative, "The Relation of Ivar Nunez Cabeza de Vaca", provides rare glimpses of Indian culture and way of life that no longer exist today.
1,417 words (approx. 5.7 pages), 4 sources, MLA, $ 47.95
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Abstract
This paper focuses on how Ivar Nunez Cabeza de Vaca's "The Relation of Ivar Nunez Cabeza de Vaca" has historical significance by providing examples from the text and citing outside sources. This paper shows how important de Vaca?s book is as he gives his account of the lives of the Indian tribes in the 1500s. Since these Indians had an oral tradition instead of a written one, information about these tribes, and especially the role of women within these tribes, would not exist today without de Vaca?s book.
From the Paper
"Unlike many other cultures in that time, women had a voice and held some power in their society, making them more equal in power with men than in other cultures. Many traders were women as ?women of several native groups?performed roles as traders, guides, and peacemakers? (Wade 339). Essentially, de Vaca was a man doing women?s work, but it showed him moving from one role to another. This knowledge is important because it shows the roles that the women and men had in their culture and ?the flexibility of the native social structure of groups classified as gathering and hunting societies? (Wade 339)."
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'Don Quijote de la Mancha', 2006.
A review of 'Don Quijote de la Mancha' by Miguel de Cervantes Saavedra.
1,783 words (approx. 7.1 pages), 0 sources, APA, $ 57.95
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Abstract
This paper reviews the life of Miguel de Cervantes Saavedra, born 1547 in Alcala de Henares, Spain and how he used his experiences to write the book 'Don Quijote de la Mancha'. According to the paper, while the old fashioned ideals of chivalry, romance and aristocratic justice were steadily becoming hackneyed in burgeoning renaissance Spain, Cervantes took out his pen and wrote the relished story of 'Don Quixotes', the vivacious man from La Mancha whose imagination was as wild as the embraced socio-cultural history of the nation.
From the Paper
"This lackluster punctuation of daily duty was of no surprise to Cervantes, whose own personal histories were none too different. After the publication of his first literary work, "Serenisima Reina En Quien Se Halla," dedicated to the birth of Phillip II's second daughter, Cervantes spent his young years under the tutelage of Diego de Urbina aboard the royal Marquesa. In 1571, Cervantes was ill with malaria when his ship was attacked, and imbued with the same raptured infatuation for antiquarian ideals of nobility, he stood valiantly strong with his shipmates. "Cervantes is stricken with malaria but, in spite of high fevers, fights heroically from the bow of the ship, in the 'greatest moment that past centuries have seen and which those to come have no hope of seeing." At the battle of Lepanto, the event was less colorful; he was an injured, low-ranking shipman with little hope for career advancement and the ideals of a hero less applicable in the reality of a fighter struggling for one side in a bloody role for national cultural definition."
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Simone de Beauvoir, 2002.
Discusses the life and philosophy of Simone de Beauvoir with special emphasis on de Beauvoir's relations to existentialism.
1,400 words (approx. 5.6 pages), 3 sources, $ 53.95
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Abstract
This essay considers the life and philosophy of Simone de Beauvoir. A brief overview of de Beauvoir's life is offered here, followed by a critical consideration of de Beauvoir's relations to existentialism.
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"Hernando de Soto and the Indians of Florida", 2002.
A review of "Hernando de Soto and the Indians of Florida" by Jerald T. Milanich and Charles Hudson.
924 words (approx. 3.7 pages), 1 source, MLA, $ 32.95
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Abstract
This paper examines how "Hernando de Soto and the Indians of Florida" by Jerald T. Milanich and Charles Hudson which chronicles the expedition of the titular Spanish explorer through which what was to de Soto?s eyes a New World and to the Native inhabitants a homeland. It analyzes how the New World that promised to enrich de Soto and his nation of Spain ultimately proved the cause of his demise and how de Soto?s expedition, more importantly, caused the demise of the Native way of life of those whom de Soto engaged in combat and in contact with. It looks at how the authors Milanich and Hudson attempt to present a more three-dimensional, non-European counter and compliment to de Soto?s work through the use of archaeological evidence.
From the Paper
"Milanich and Hudson do not take issue with the characterization of de Soto as a man bent on personal enrichment as well conquest, though they do view his reportage of his encounters with interest as well as trepidation. But their new archeological information regarding Native life provides the ?other side? that has so long been missing from accounts of de Soto?s expedition. Providing this ?other side? is particularly important, given that de Soto?s relationship with the Native Americans were more often than not, adversarial. Relying solely upon de Soto?s accounts as an objective source is not unlike relying solely upon the winning side?s words in evaluating a war."
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