| Papers [1-15] of 100 :: [Page 1 of 7] | | Go to page : 1 2 3 4 5 6 7 —> | Search results on "CULT MARY MEDIEVAL AGE": |
|
|
The Cult of Mary in the Medieval Age, 2006.
A comparison between the Enthroned Virgin and Child (c.1100) and the Virgin and Child with Angels (c.1300-1330) in Medieval Art.
2,925 words (approx. 11.7 pages), 13 sources, $ 115.95
»
Click here to show/hide summary
Abstract
This paper analyzes the two works, 'Enthroned Virgin and Child c. 1100' and the 'Virgin and Child with Angels c. 1300-1330' in relation to the Cult of Mary in the Medieval period. By analyzing the three aspects of Christ's divinity the role of the mother or maternal spirit and the growth of the Cult of Mary these two sculptures hold a devout place in Christian iconography.
From the Paper
"The basis of this art analysis it so compare to the two works: Enthroned Virgin and Child (c.1100) and the Virgin and Child with Angels (c.1300-1330) during the medieval period. By realizing the artistic premise of these two works, the maternal aspects of the Cult of Mary will be analyzed to bring deeper insight into why these works were created. By understanding the art application, materials, and stylization of these carvings, one can understand the impact of religiosity through the foundation of Christ in the Roman Catholic Church's spiritual hierarchy."
| |
|
"Mary Shelley's Frankenstein" ( Kenneth Branagh ) and "Frankenstein" by Mary Shelley, 1995.
This paper compares the film director Kenneth Branagh's and book author Mary Shelley's depictions of "Mary Shelley's Frankenstein" and "Frankenstein" respectively: Characters, relationships, plot, focus, images, pacing and style
1,350 words (approx. 5.4 pages), 6 sources, $ 47.95
»
Click here to show/hide summary
From the Paper
"The recent motion picture version of Mary Shelley's novel Frankenstein hews closely to the plot of the novel while failing to capture its essential purpose. The full title of the movie is Mary Shelley's Frankenstein, but the possessive does not mean that this version can be considered mary Shelley's vision. Janet Maslin of the New York Times notes this when she writes that the film will not strike anyone as chiefly Mary Shelley's invention. Its principal architect is Kenneth Branagh. . . [who] takes on the godlike, idealistic young scientist's role while also directing this "Frankenstein" as an overheated romantic fable .
An examination of the book and the film shows where the attitudes ... "
| |
|
Virgin with Child: Medieval and Byzantine Artistic Styles, 2002.
The paper compares and contrasts two versions of Mary with Child mosaics styles. The author pays special attention to historical and cultural influences on their artistic styles.
1,280 words (approx. 5.1 pages), 2 sources, $ 43.95
»
Click here to show/hide summary
Abstract
This paper compares and contrasts two mosaics depicting Mary and Jesus-one medieval, the other Byzantine. The author discusses their stylistic differences, the severity and stoicism versus warmness and emotion, and examines Christianity as seen through religious art in both societies.
From the Paper
"The Medieval era produced many important art pieces ? many of which contained reference to religious figures. Because religion did, in fact, play such an important role in everyday life, religious art abounded throughout Europe . However, depending upon the area of the continent and which religion its inhabitants believed in, artists portrayed similar religious scenes in varying ways. In particular, Byzantine and Medieval pieces contained identical figures or scenes portrayed in very different ways due to the respective religion?s influence on the artist. Comparison of two mosaics depicting Virgin and Child will show fundamental stylistic differences between Byzantine and Medieval art."
| |
|
Mary Espoused to The Father, The Son & The Holy Spirit, 2007.
An in-depth examination of the relationship of Mary to the Father, the Son and the Holy Spirit.
12,150 words (approx. 48.6 pages), 8 sources, APA, $ 234.95
»
Click here to show/hide summary
Abstract
This paper provides a historical and theological investigation as to the role of Mary within the Church, specifically as to whether Mary should be considered espoused to God, the Father, or to Jesus the Son, or the spouse of the Holy Spirit. This work explores the development of the role of Mary from the viewpoint of the Church Fathers and how that development has taken place. This work also looks at the biblical and doctrinal basis relating to Mary's espousal and further explores the writings of St. Louis Marie De Montfort and St. Maximilan Kolbe in understanding the role of Mary as the spouse of the Holy Spirit.
Contents:
Abstract
Introduction
Statement of Thesis
Chapter 1: Spiritual and Doctrinal Foundations
Chapter 2: Mary, Espoused to God the Father?
Chapter 3: Mary, Espoused to Jesus Christ?
Chapter 4: Mary, Espoused to the Holy Spirit?
Chapter 5: Writings of St. Louis Marie De Montfort & St. Maximilan Kolbe
Chapter 6: Synthesis & Conclusion
From the Paper
"Votes were taken with the result being 1114 voting in favor of integration of the marian schema into the Church Constitution and 1074 in favor of a separate schema for Mary. It is stated that this division was reported by news media to be a split as to whether the authenticity of Mary as Mediatrix was to be adopted into the church however, in reality the only division among the Cardinals was as to whether a separate schema should be given to Mary.
Mary is held up as an example of what is termed a "total faith response to God". (McBride, 2003) Chapter VIII of Lumen Gentium states that the Old Testament is to be "understood in the light of further and full revelation." (LG #55) According to mariologist James O'Connor: "in the light of the fullness of revelation we are not 'reading back into' the documents something which is not really there, but something which is truly there but only fully understood when read in the perspective of the completed work." (O'Connor, 1986)"
| |
|
Protestant Devotion to the Virgin Mary, 2007.
This extensive paper examines the role of the Virgin Mary in contemporary Protestant religious devotion.
23,721 words (approx. 94.9 pages), 17 sources, APA, $ 249.95
»
Click here to show/hide summary
Abstract
This extensive study investigates the role of the Virgin Mary in today's Protestant churches. The writer examines whether there currently exists an identifiable Protestant liturgical theology of Mary. The author further examines the most significant contemporary developments in Protestant Mariology. The author states that since this investigation seeks to uncover how everyday Protestants view Mary's role in their religion, the scope of research extends beyond scholarly texts. The author considers information from mass media resources like magazines, and less traditional media sources, such as websites to be a reflection of the popular view of Mary. According to the author, untraditional sources provide insight into how modern lay Protestants view Mary, if they honor her, or if they believe she should be honored. The paper further examines how church officials approach devotion to Mary, and if they desire pro-Marian changes in Protestantism. The potential controversy surrounding Mary in the Protestant church is also considered. The author hopes that information from a broad variety of practitioners will yield a suggestion about the modern state of Mary in the Protestant church and whether her role should change.
Outline:
Proposal
Introduction
Hypothesis
Literature Review
Conclusion
From the Paper
"Traditionally, at least in recent history, the Virgin Mary has not played a very large role in the various Protestant faiths. In fact, many modern Protestants only recall celebrating Mary during Christmas, and those celebrations were strictly limited to Mary's role in the birth of Christ rather than celebrating Mary's prophecies prior to Jesus' birth or the role that she played as Jesus' day-to-day parent. The Protestant attitude towards Mary contrasts starkly with Catholic and Orthodox attitudes, which celebrate Mary in several different ways. To Catholics, Mary was chosen to be the mother of God's son because she was an example of a devout and loving Jew, so that her spiritual greatness actually preceded the events that are traditionally associated with her. However, to Protestants, prior to the visit from the angel Gabriel, Mary led an unremarkable life, and her sole claim to significance in Christianity is the fact that she was chosen, more or less arbitrarily, by God to be the mother of his son. Furthermore, many Protestants not only refused to share in the Catholic and Orthodox reverence for the Virgin, but have actually reacted vehemently against it, associating respect and reverence for Mary with the some type of idolatry."
| |
|
Outsiders of the Medieval Imagination, 2001.
A discussion of Medieval spirituality and imagination that guided Medieval people's belief system and differentiated between conformer and non-conformer.
5,055 words (approx. 20.2 pages), 7 sources, $ 127.95
»
Click here to show/hide summary
Abstract
A look at the Medieval imagination. The author discusses the idea of spirituality of the Medieval people that considered outsiders as non-conformists, or people that were viewed as sub-human (people with abnormalities etc.) and used the imagination to differentiate between the real and the spiritual world.
From the Paper
"The idea of an outsider is present in all medieval works, this is a society of conformists and those non-conformists were all looked upon as outsiders; but what about the idea of outsiders that come not from the community but from another invisible world altogether. The idea of monsters have existed from ancient times, and even to the modern day with bogey men, but in the middle ages we find a plethora of monsters of all shapes and sizes. One need only look in the elaborately illuminated bestiaries of the medieval period to discover creatures from every realm of the imagination, from the saintly unicorn to the demonic dragon. These creatures, widely influenced by pagan mythology but with their own Christian twists, served an important part of the concept of the medieval persons concept of otherness. If the limit of otherness was not defined by only the human spectrum there was no limit to the amount of difference that a medieval person could differentiate between themselves and those seen as sub-human, such as Jews, heretics, and lepers."
| |
|
Medieval Societies, 2005.
This paper discusses some works of medieval literature that focus on medieval warrior societies.
1,800 words (approx. 7.2 pages), 5 sources, MLA, $ 63.95
»
Click here to show/hide summary
Abstract
This paper studies Chretien De Troyes "Arthurian Romances", Seamus Heaney's "Beowulf" and other medieval literature that focus on medieval warrior societies, particularly concepts of heroism, ethics and spirituality as illustrated in the works.
From the Paper
"Medieval societies during the era of Beowulf and the Arthurian Romances were undergoing transformation from pagan illiterate societieswhere codes of conduct governed social relations and together with reason brought happiness. The warrior societies described in Chretien de Troyes' "Arthurian Romances" and Seamus Heaney's "Beowulf" along with other literature of the medieval era, show the ideals of reason and code of conduct as the foundation of human happiness. The character of Beowulf clearly expresses this ideal."
| |
|
"The Lais of Marie de France" by Marie Defrance, 1990.
This paper analyzes "The Lais of Marie de France" about attitudes and behavior of women in medieval tales, emphasizing sexuality.
1,350 words (approx. 5.4 pages), 4 sources, $ 47.95
»
Click here to show/hide summary
From the Paper
"The Lais of Marie de France presents an unorthodox view of the attitudes and behavior of women in Medieval Europe, a view which demonstrates that the male prescriptions designed to subjugate women and control their attitudes and behavior were not always followed by women of that era.
The women portrayed in the lays written by Marie are much stronger, independent and passionate than the official powers of that era would like us to believe. This female strength meant that men were not always as strong and dominant over women as those same official powers would have it.
As Marie writes in "Guigemar," one knight's love for his woman (who was herself married to the "lord who ruled over the city") put him in a position of subjugation to her: "The knight remained alone, mournful and downcast . . . He knew that, if he ... "
| |
|
Italian Cities in Medieval Europe, 2002.
This paper examines why Italian cities in medieval times developed at a faster rate than other European cities, becoming the richest in medieval Europe, possibly the world.
1,354 words (approx. 5.4 pages), 8 sources, APA, $ 45.95
»
Click here to show/hide summary
Abstract
This paper looks at the reasons behind the huge development of medieval Italian cities in relation to the rest of Europe. These factors include: Their superior organization, military history, geographical advantages in terms of trade and commerce and the unique form of government dividing the country into city states.
From the Paper
"Medieval times saw an expansion in city life all across Europe, but nowhere more so than in Italy. As early as the tenth century, Italian towns, though still inferior to those in the East, had become far larger than those in other Catholic European countries. From 1100-1250, the population of many Italian cities grew considerably, rising from around 5,000-6,000 people to between 30,000-40,000. This was because of a number of factors, most notably the commercial revolution and explosion of trade, which Italy was in a unique position to exploit, due, among other things, to her history and geographical location."
| |
|
"Medieval Women" by Eileen Power, 2001.
This paper reviews the book, "Medieval Women" by Eileen Power, which pieces together the often-fragmented histories of medieval women using a variety of primary sources.
750 words (approx. 3.0 pages), 1 source, $ 26.95
»
Click here to show/hide summary
Abstract
This paper explains that, according to Eileen Power in ?Medieval Women?, early social notions regarding the nature of women and their role in society were created by the two most powerful classes of the age, the Church and the aristocracy, and only later were modified slightly by the urban middle class, which rose to prominence in the later Middle Ages. The author points out that, in the area of home and marriage, Power uses letters, wills, and household inventories to support her depiction of women. The paper relates that, because the proportion of women to men was greater within the noble ranks, many women were unable to wed; therefore, for them, monasticism was the only alternative to marriage.
From the Paper
"A considerable portion of the book is spent discussing various facets of the medieval lady?s life and when the bourgeois and peasants are discussed she often presents them in contrast to the noble woman. Many accounts of medieval women nobility often present only one view of their experience, depicting either a fanciful and luxurious life or the bleakness of being regarded as chattel. Fortunately Power draws from the writings of Christine De Pisan, one of the rare women of the Middle Ages to earn a living solely through her writing, to address the way in which the romanticized chivalry of the age overshadows the reality of their existence."
| |
|
Mary Wollstonecraft, 1994.
This paper discusses social and political works and ideas of the feminist Mary Wollstonecraft who is the mother of Mary Wollstonecraft Shelley the creator of "Frankenstein".
1,125 words (approx. 4.5 pages), 5 sources, $ 39.95
»
Click here to show/hide summary
From the Paper
"Mary Wollstonecraft was as famous as a writer as her daughter, Mary Wollstonecraft Shelley, would become, but today it is clear that the daughter is much the better known of the two largely because of her marriage to Percy Bysshe Shelley and because of her creation of the story embodied in her novel Frankenstein. Both mother and daughter were important proponents of the rights of women both in their writings and in the way they lived and served as role models for other women of their time. Much of their work as writers and political thinkers developed from and represented the spirit of the Romantic era in which they lived.
Mary Wollstonecraft's best-known work is her Vindication of the Rights of Woman (1792), a work in which she expounded in the ills facing women and on the need for justice for women."
| |
|
Mary Higgins Clark?s Characters, 2006.
This paper explores the background and motivations of American novelist Mary Higgins Clark as well various characters from her numerous works of writing.
2,690 words (approx. 10.8 pages), 5 sources, APA, $ 80.95
»
Click here to show/hide summary
Abstract
The writer of this paper delves into both the life and works of author Mary Higgins Clark and centers mainly on the strength of her characters. While the author's characters frequently possess the ability to overcome insurmountable obstacles that happen too often in life, this paper details the events in Clark's personal life that often parallel to her characters. The death of her father completely altered Mary's family life. Mary gained the knowledge of how precious life was at the early age of ten. From her mother's example Mary learned how to be strong, even in the face of tragedy. This paper discusses both the plots and main characters from various novels including: My Pretty One Sleeps," "I'll Be Seeing You," "Where are the Children?" and "A Cry in the Night" which deals with a mother struggling to raise her children alone.
From the Paper
"Mary dips into the deep well of her experiences again with her novel, While My Pretty One Sleeps, as she grew up listening to her mother's stories about the fashion world. Her mother had been a bridal buyer for B. Altman's; and also mary had written a radio show called "Women Today" where she interviewed designers and fashion editors. This exposure showed her the inside story in the glamour world and also the agony within this industry. From these experiences and her inquisitive imagination, Mary concocted Ethel Lambston, a influential gossip writer who was about to "rock the fashion industry with an expose revealing the secrets of top fashion designers," but is murdered before she can get the story out and she is discovered missing by Neeve Kearney."
| |
|
Medieval Towns: Crafts and Guilds, 2005.
A review of an article by Gervase Rosser about the economic and work culture dynamics of medieval communities.
2,373 words (approx. 9.5 pages), 6 sources, MLA, $ 72.95
»
Click here to show/hide summary
Abstract
This paper reviews Rosser's article about how medieval crafts and guilds functioned in a society in medieval England. The paper also talks about Rosser's effort to rebut many of the generalizations, myths, and factually incorrect views that are currently or previously held by scholars and historians of the medieval era.
The Emergence of Guilds and Their Impact on Workers and the Economy
The Rise of the Guilds in Social Power and Community Prominence
Were Guilds the Historical Framework for the Genesis and Evolution of Formal Organizations?
The Decline of the Crafts and Guilds
Weird Things about Medieval English Life and Times
Biographical Sketch of Gervase Rosser
From the Paper
"Rosser goes to enormous lengths to make clear why he is explaining the misconceptions and misunderstandings with reference to how life in the working world of Medieval England really took place. Rosser is a writer of obvious skill when it comes to deep scholarly thinking; he is a writer who more often than not takes the intellectual high road. But Rosser also apparently realizes that the reader may not be able to climb every step of the way with him on his scholarly ascent, so he takes brief moments to define his terms in more lay-friendly language."
| |
|
Mary Astell, 2001.
This paper discusses claims by author Ruth Perry that Mary Astell was one of the first "feminist theorists".
4,000 words (approx. 16.0 pages), 6 sources, $ 108.95
»
Click here to show/hide summary
Abstract
Author Ruth Perry claimed that writer Mary Astell was one of the first feminist theorist. The purpose of this essay is to evaluate these bold claims made by Perry. It focuses on Astell?s essay on the subject of marriage.
From the paper:
"Mary Astell was born during the 17th century and died in the 18th century. It was during the early part of the 1700s when her most influential books and political and religious treatises were published. Astell wrote long before Elizabeth Cady Stanton, even long before Mary Wollstonecraft penned her influential tracts on women?s rights, even before these women were born. Yet the author Ruth Perry has named Mary Astell as one of the first "feminist theorists" and stated that Astell?s ?first three books were feminist books"."
| |
|
The Virgin Mary, 2002.
A comparison of the portrayal of the Virgin Mary in paintings by Paul Gaugin and Guido Reni.
1,063 words (approx. 4.3 pages), 4 sources, MLA, $ 37.95
»
Click here to show/hide summary
Abstract
Gaugin's "Ia Orana Maria" and Reni's "The Immaculate Conception" are two very different representations of the Virgin Mary. The paper explains that by utilizing more classical composition techniques, smooth, curving lines and rich, strong colors, Reni portrays Mary as an idealized version of Baroque femininity in a heavenly setting. It shows, in contrast, how Gauguin adheres to the primitive tradition, illustrating Mary as a native woman, a naked Christ child set on her shoulders. His use of asymmetrical composition in a cluttered, unplanned scene provides a feeling of energy and naturalism, a striking contrast to the serenity of Reni's work. The paper shows therefore that in illustrating the Virgin Mary in their works, each painter adheres to the very different sensibilities of their time periods.
From the Paper
"Paul Gaugin's "Ia Orana Maria," translated as "Hail Mary," treats a similar subject matter, in that it illustrates the Virgin Mary with adoring attendants. However, this is not the Mary of the Immaculate Conception, but with Christ who is perched upon her shoulders. Painted in the post-impressionist genre known as Arcadia, which exemplifies scenes of blissful simplicity and retreat from the complex, this work was completed in 1891 and hangs in the Metropolitan Museum in New York. It is not a large work, only 44 inches by about 36 inches. In keeping with its primitive tradition, and in stark contrast to "The Immaculate Conception," the composition is highly asymmetrical, with the central Mary figure set off to the right of the picture. The poses are unstudied, casual and almost accidental, with Mary and the Christ child looking at the viewer, and the two prayerful, adoring native women gazing at them. This casual approach may be an attempt of Gauguin to emphasize the "naturalness" of the scene, despite the obviously supernatural halos."
|
|
|
