| Papers [1-15] of 25 :: [Page 1 of 2] | | Go to page : 1 2 —> | Search results on "CONSTRUCTION PANTHEON": |
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The Construction of the Pantheon, 2001.
An in depth look at this historic temple, with detailed descriptions as well as illustrations.
2,377 words (approx. 9.5 pages), 9 sources, $ 72.95
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Abstract
This paper includes a look at the construction of the Pantheon in Rome. The author provides a historical background regarding its creation under the ruler, Hadrian, as well as photos of this building. The focus of the paper is on a 'walkthrough' of this architectural site.
From the Paper
"Throughout Roman history, many influential temples have been built. Perhaps the most recognizable and influential temple in all of imperial Rome is the Pantheon. Most temples that were built in ancient Rome were dedicated to a single god, or possibly a few gods. Built by the Emperor Hadrian, the ideology behind the Pantheon was to give remembrance and respect to all of the gods in ancient Rome. Since this temple was turned into a church in the early seventh century A.D., it was maintained and preserved very well, and can still be visited today. Within this research paper, I will provide a detailed look at the construction of the Pantheon, as well as Hadrians motivation to erect this building."
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The Pantheon, 2001.
This paper looks at Hadrian's architectural plan of the Pantheon from a cultural perspective.
1,250 words (approx. 5.0 pages), 3 sources, $ 42.95
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Abstract
The following essay describes the memorable and culture enriched journey one experiences when entering the Pantheon in Rome.It discusses amongst other things the way in which the Pantheon still manages to communicate with us so vividly across such a vast expanse of time.
From the paper:
"As Stendhal wrote, "It requires only a few moments to be penetrated by its beauty. You stop before the portico; you take a few steps, you see the church, and the whole thing is over." Stendhal also claimed that he had never met any person who was unmoved by this sublime experience. "
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The Pantheon, 2004.
A discussion on the architecture of the Roman Pantheon
690 words (approx. 2.8 pages), 3 sources, MLA, $ 23.95
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Abstract
This paper describes the Roman Pantheon as the most significant representation of Roman architecture of the Hadrian period. It explores the structure's main architectural features, its purpose and use in ancient Rome. It also explores the values that the architecture reflects.
From the Paper
"The above inscription is over the entrance to the Pantheon although the first Roman Pantheon built by Augustus Caesar's architect and minister Marcus Agrippa was destroyed in the great fire of A D. Rebuilt ..."
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Roman Pantheon, 2005.
An historical and architectural overview of the Roman Pantheon, focusing on the builders, the techniques, and the scientific and mathematical symmetry of the building.
2,823 words (approx. 11.3 pages), 7 sources, MLA, $ 84.95
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Abstract
This paper tracks the origins of the Roman Pantheon from its conception in antiquity to modern-day times. It describes its purpose and functions, changes in architectural structure, and its unique building techniques. The latter part of the paper describes its novel uses throughout time in mathematical and scientific innovations.
From the Paper
"The period of antiquity now viewed as Ancient Rome was privy to a plethora of building construction. The glory of the Forum, the vastness of the Coloseum, and the intricacies of the Baths of Caracalla are now considered marvel relics, but all pale in comparison to the architectural wonder of the Pantheon. The building brings together the grandeur of the world and the wonder of the cosmos; adhering the two in a cutting edge and unique manner. The stately and overbearing monument has undergone many transformations through antiquity, often changing both shape and function. The function of the Pantheon is still a source of current debate among scholars, with arguments ranging from a temple to Augustus to an intricate sundial. While the controversy might never come to a conclusion, the exact scientific and mathematical precision of the Pantheon illustrates the intention of the building as a feat of engineering."
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Pantheon, 1995.
Discusses this Ancient Roman domed temple's purpose, construction, structure, materials and statuary.
1,575 words (approx. 6.3 pages), 5 sources, $ 55.95
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From the Paper
"The Pantheon in Rome is the most complete surviving building of ancient Rome. Since the Renaissance the great dome and its huge interior space have made an indelible impression on anyone who saw it and the structure became one of the most influential buildings in history. The dome of the Pantheon, or Rotunda as it is also called, covers a span that was never surpassed by more than a few feet until the use of steel and reinforced concrete much such expanses routine. The scope of the architect's achievement was impressive by Roman standards and remained just as impressive for many centuries. There is some debate over the precise function of the great temple. But the building was clearly the culmination of a new interest in architecture as contained space rather than as external structure. This volumetric approach was to determine the course of Roman ..."
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Pantheon, 1993.
A history, description and the role of Emperor Hadrian.
1,350 words (approx. 5.4 pages), 6 sources, $ 47.95
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From the Paper
"The Pantheon
Hadrian's Pantheon is one of the grand architectural creations of all time: original, utterly bold, many-layered in associations and meaning, the container of a kind of immanent universality..
The Pantheon was built by an unknown architect under the supervision of the Emperor Hadrian. It is the most significant representation of imperial Roman architecture of the Hadrian period. Although there have been some alterations through the years, both the exterior and the interior are preserved in nearly their original form of 18 centuries ago.. The big-span dome and the materials used reveal details of the building technology of that time. The Pantheon became an inspiration for scholars and..."
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A Secular Temple, 2002.
Examines the Pantheon in Rome as a representation of the contradictions of Roman imperial architecture.
2,025 words (approx. 8.1 pages), 5 sources, $ 75.95
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Abstract
This paper will argue that the "reading" of the Pantheon as an embodiment of Roman architectural values is problematic at best. It will be seen that while it embodies distinctive features of Roman architectural design, in many respects the Pantheon's design also seems to reflect a sense of "play" not normally associated with Roman culture. A complex of contradictions that may be said to mirror its builder, the cosmopolitan Hadrian, and his empire at its height.
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Two Roman Temples, 2002.
This paper compares two Roman temples - the Pantheon and Old St. Peter's.
2,150 words (approx. 8.6 pages), 7 sources, $ 80.95
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Abstract
As will be seen, while the two buildings were projects of Roman emperors designed to serve a spiritual purpose as well as to reflect the values of their respective communities, the buildings are radically different in design and function. It will be argued that these differences are due to both the different architectural periods in which these buildings were constructed, as well as the differences in the functions that they were intended to serve.
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The Parthenon, 2002.
How the Pantheon was built.
650 words (approx. 2.6 pages), 1 source, $ 26.95
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Abstract
Thispaper gives a view of the making of the Parthenon in Athens Greece around 447 BCE.
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Greek, Norse and Egyptian Gods, 2002.
This paper discusses the similarities and differences between the Greek, Norse and Egyptian Pantheons --- gods and goddesses.
1,160 words (approx. 4.6 pages), 4 sources, MLA, $ 39.95
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Abstract
This paper examines the ?father-creator? God, a ?trickster? God, and a ?love? Goddess of Greek, Norse and Egyptian cultures. The author believes that the ?father-creator? Gods have the most in common: Greek God, Zeus, the Norse God Odin and the Egyptian God Amen-Re. The paper introduces the ?trickster Gods?: Norse God Loki, the Egyptian God Seth, and the Greek God Prometheus. The paper also describes the ?love goddesses?: Egyptian Goddess Hathor, Greek Goddess Aphrodite and Norse Goddess Freya.
From the Paper
"The myths of these gods also referred to the sky. Both Zeus and Odin had palaces high above the mortal world, known as Mt. Olympus and Asgard. These palaces served as meeting places for the gods, and as observation decks. Zeus is often depicted as looking down from Mt. Olympus into the mortal world. Odin also gazed at mortals and gods similarly, from Hlidskialf, his throne in Asgard. Though he did not have a palace in the sky, Amen-Re was referred to as the ?Sun? god. "
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Greek Myth as History, 1979.
This paper examines myth as history as exemplified in the Greek Pantheon of the characters of Oedipus, Theseus, and Hercules stressing conflicts between myth and reality and sources and functions of myths.
3,150 words (approx. 12.6 pages), 10 sources, $ 111.95
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From the Paper
"The purpose of this research is to examine the topic "Myth as History" as exemplified in the Greek Pantheon of the characters of Oedipus, Theseus, and Hercules. The structure of this study is bi-focal. It first analyzes the concepts of myth and mythology, perhaps from an anthropological point of view. Second, it compares and contrasts the mythical and possibly historical elements in the myths surrounding the three above nominated characters of that Pantheon:
The prime function of myth is to codify, support, and validate the traditional belief and behavior . . . knowledge of the mythical past gives incentive and justification for rituals and moral action,and also guides to the correct performance of sacred acts.. ... "
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Fate in "Job" and "Oedipus Rex", 2005.
An analysis of the themes of fate and destiny as represented in the "Book of Job" and Sophocles' "Oedipus Rex".
1,244 words (approx. 5.0 pages), 0 sources, $ 42.95
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Abstract
Classical literature is filled with stories of capricious deities playing with human lives as if they were only pawns and the Greek tradition of tragedy is based upon celebrating this very aspect of the nature of the pantheon of Greek gods. This paper examines how Sophocles finds a perfect example of this celebration of fate, in the tragedy "Oedipus Rex". In comparison, it looks at how the story of Job uses the dramatic tension of a "wager" between God and Satan on the sincerity of Job's devotion to God. It shows that where Oedipus' life is bound up by fated situations and their fated outcomes, Job's story is one of choice in the midst of supernaturally imposed difficulties. While both strive to teach resignation to the will of God, they each espouse quite different attitudes in resignation.
From the Paper
"In Oedipus Rex, Sophocles presents a view of life fixed by fate. This fate, predetermined by the gods, is the sole factor in deciding human destiny. Tiresias expresses his understanding of the unchangeable fate of Oedipus, laid out by the gods, as he argues with the King about revealing the truth of all the Theban troubles. When Oedipus, frustrated by the lack of cooperation, insults Tiresias, he responds "I pity you, flinging at me the very insults / each man here will fling at you so soon."(p 628) An interesting and important aspect of this Greek notion of fate is the utter helplessness of the human players. No matter the choice made by the people involved in this tragedy, the gods have determined it and it is going to come to pass."
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Aristophanes? "Clouds", 2006.
An analysis of the interplay between philosophy, poetry and divinity in Aristophanes' play "Clouds".
936 words (approx. 3.7 pages), 1 source, MLA, $ 33.95
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Abstract
The paper considers "Clouds" as a critique of philosophy in the form of a comedy, revealing the tension between poetry and philosophy. The paper claims that different forms of subversion lie at the heart of the play about the relationship between Socrates and the Clouds, new and mysterious goddesses he has invented with his worship of reason to replace the old Olympian pantheon. The writer presents the explanation of Leo Strauss as to the Clouds' nature, and contrasts it with the writer's own theory that Aristophanes' purpose in writing "Clouds" was to demonstrate that Socrates' philosophizing, in its excess and amorality, is potentially destructive to society and humanity. In conclusion, the writer shows that Aristophanes is revealed as the representative of the Clouds among the Greeks.
From the Paper
"Generally speaking, Aristophanes' Clouds represent imitation, indeterminacy and play. They are the Gods of language; they are also the language itself. Celestial signs simultaneously revealing and concealing the heavens. Demi-gods linking the human with the divine. Tricksters that teach men of the proper measure. Now the relationship between the Clouds and Aristophanes becomes clearer: the comedian poet considers himself a representative of those daimons, meaning on the one hand that he re-presents them, reveals them, introduces them and on the other, that he is the sole ambassador of the Clouds among his people."
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MySpace: A Global Community, 2006.
A discussion regarding the website myspace.com.
1,467 words (approx. 5.9 pages), 2 sources, MLA, $ 48.95
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Abstract
This paper takes a look at myspace.com, the website that is said to be a pantheon of social interaction. According to the paper, everyone who is anyone has a myspace page. The paper reports that originally it was set up as a place for unsigned and independent bands to showcase their music, but has developed into one of the most highly populated social, professional, artistic and romantic networking hubs on the Internet.
From the Paper
"There are always concerns in online environments that you're not chatting with the person that you think you're chatting with. Well, Myspace has some strict policies that keep the creeps away. You always have the option to set your profile to private, so only the people on your friends list can view your profile. Also, during the sign-up process you are required to give your age, and this is listen on your profile as well, so if you're a young person and you see that the person who is sending you a message is older, you can simply ignore them. The sense of community on Myspace will help to keep you safe as well. People on Myspace strive to present a clear, honest picture of themselves so they can find kindred spirits to network and bond with. Seeing as this is the spirit of Myspace there seems to be no room for dishonesty or bad intentions. The connectedness of the site really appeals to a general sense of integrity that most human beings have, so it's an unspoken rule that profiles are an accurate snapshot of the real person. Lying or doing anything particularly underhanded or illegal (or just dirty) goes against all the Myspace is about (Lapinsky, 2006). "
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Heracles, Theseus, and Odysseus., 2008.
An essay describing the heroism of three characters in Greek mythology, namely Heracles, Theseus, and Odysseus.
1,173 words (approx. 4.7 pages), 3 sources, MLA, $ 40.95
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Abstract
The paper discusses the Greek heroes who were an integral part of Greek society and relates that they were held in esteem just below the gods and demi-gods of the Greek pantheon. The paper states that they were considered progeny of the gods, and as such, were favored by them as the gods and demi-gods who protected them. The paper specifically examines the nature of the heroism of three Greek heroes, Heracles, Theseus, and Odysseus.
From the Paper
"Another characteristic that ties mythological heroes together is their encounter with a femme fatale. Aside from the various monsters encountered along the quest, this femme fatale adds to the difficulties by attempting to attract the hero romantically and detract them from their quest. Odysseus had Circes and Calypso, who caused a considerable delay in his return home (Stewart, "Odysseus"). Theseus had Ariadne who cause delay in his return home when she was kidnapped (Plutarch, online version). Sometimes the femme fatale is hostile, as with Circes and Calypso. Other times the femme fatale is benevolent, as with Ariadne. Either way, the femme fatale causes the hero to stray off schedule and delay his quest."
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