| Papers [1-15] of 100 :: [Page 1 of 7] | | Go to page : 1 2 3 4 5 6 7 —> | Search results on "COMEDY MIDSUMMER NIGHT DREAM": |
|
|
Comedy in "A Midsummer Night's Dream", 2006.
An analysis of William Shakespeare's use of comedy in his play "A Midsummer Night's Dream".
1,487 words (approx. 5.9 pages), 1 source, MLA, $ 49.95
»
Click here to show/hide summary
Abstract
This report looks at Shakespeare's play "A Midsummer Night's Dream" from the perspective of how the author uses comedy in the play to achieve plot and character development. It primarily looks at Shakespeare's ironic references but also considers more serious themes in the play. For example, when Shakespeare refers to the players as asses in the work, this highlights the ridiculousness and humorous aspects of the scene. The paper concentrates on such scenes, around the general theory that Shakespeare used comedy to further some contrast to the serious scenes in the play.
From the Paper
"In the first scene of Shakespeare's A Midsummer Night's
Dream, the character Helena, after the other characters have gone offstage, continues to speak to the audience about her conception of love. She seems to contradict herself, first saying that love is born of the mind and then stating its blindness and irrationality. This
is showing some humor already in that there is a willful contradiction for the audience. More seriously, her idea of love is one that is mixed up in power and revenge, and these themes come into play later on in the work, when Oberon and Titania have their own schemes of power and revenge in the forest."
| |
|
Courts in "A Midsummer Night's Dream", 2002.
Examines the courts of the humans and the fairies in William Shakespeare's comedy, "A Midsummer Night's Dream".
650 words (approx. 2.6 pages), 1 source, $ 26.95
»
Click here to show/hide summary
Abstract
The courts in Shakespeare's comedy are perceived to represent chaos and order, where the need to draw unity from these structures forces the humans to undergo chaos and the fairy kingdom to experience order. The result of this mixture of qualities strengthens the relationships of the characters from their respective kingdoms.
| |
|
Shakespeare's "A Midsummer Night's Dream", 1972.
This paper analyzes the Eyes as a focal point as a unifying factor of in Shakespeare's comedy-fantasy "A Midsummer Night's Dream" and discusses the idea of appearance and reality.
2,250 words (approx. 9.0 pages), 1 source, $ 79.95
»
Click here to show/hide summary
From the Paper
"A Mid-Summer Night's Dream deals with magic potions, fairy spirits, and unbelievably strange happenings that could take place only in dreams. In such an unreal, fantastic world as that of the play it seems somewhat ironic that the eyes should become a focal point and one of the unifying factors in the play, for in the world of this comedy seeing can hardly be believing. Yet, the eyes do serve to draw the play together, for they are used to express that the eyes can often be deceived; one can be led to believe a fantasy. Thus, the play deals with the idea of appearance versus reality, that things are not always what they seem to be. What seems real to one person may not be so to another And conversely, that which one person considers purely fantastic may be quite real to another."
| |
|
Transformations in "A Midsummer Night's Dream", 2002.
This paper examines the recurring changes of the moon and the transformation of the characters in "A Midsummer Night's Dream".
1,465 words (approx. 5.9 pages), 4 sources, $ 48.95
»
Click here to show/hide summary
Abstract
This paper analyzes one of William Shakespeare?s most celebrated comedic plays, "A Midsummer Night?s Dream". The author examines how the throughout the play the characters attempt to find a way to understand the mechanism of love in a rational way and experience self-alterations that they believe to be a dream in the end. The paper also looks at how the recurring reference to the ever-changing moon parallels the transformation of the characters in "A Midsummer Night?s Dream".
From the Paper:
"A Midsummer Night?s Dream" brilliantly expresses the profound human uncertainty about love. Dream world and reality merge undetectably so that the characters are not sure themselves in which sphere they move, nor whether what they have experienced has been imagination or truth. What seems to be a fantasy or a dream for the characters in "A Midsummer Night?s Dream" is actually reality. However, the dreamlike atmosphere of the play accentuates the fact that the lovers appear to be quite removed from any criteria applicable to reality."
| |
|
William Shakespeare's "A Midsummer Night's Dream", 2006.
This paper analyzes the use of comedy in William Shakespeare's "A Midsummer Night's Dream" as presented in the play-within-a-play, 'The Most Lamentable Comedy and Most Cruel Death of Pyramus and Thisby', in Act V.
1,495 words (approx. 6.0 pages), 3 sources, MLA, $ 49.95
»
Click here to show/hide summary
Abstract
This paper describes William Shakespeare's "A Midsummer Night's Dream as preposterous, and arsy-versy. The author points out that, by using the rude mechanicals, Shakespeare seems to be arguing that arsy-versy can turn even the most lamentable tragedy into a roaring comedy. The paper relates that an example of arsy-versy of one of the rude mechanicals is called Snug the Joiner, whose rhetoric is so slow and disjointed that he asks for his lines written in advance. The author also then discusses Titania as an example of preposterousnous, explaining that she is the fairy goddess who falls deeply in love with Bottom despite his having an ass for a head of which he is unaware. The paper concludes that the backwards reaction to the events of the play-within-the-play points to Shakespeare's message that people are insensitive to their own follies and yet are very perceptive of the same follies found in others.
From the Paper
"As the play begins, the preposterousness of the presentation is immediately shown in the prologue, which the rude mechanicals took great care to write so as not to offend the court. Peter Quince's delivery of the prologue presents a message opposite from the intended one. "If we offend, it is with our good will," he says, unfortunately telling the court that his intent is to offend. "All for your delight," he later says, "we are not here". The players then continue to present their play in a rather backwards manner; by making it crystal clear to the court that what they see in front of them isn't real."
| |
|
"A Midsummer Night's Dream", 2002.
An examination of the themes of magic and imagination in Shakespeare's play "A Midsummer Night's Dream".
1,900 words (approx. 7.6 pages), 5 sources, $ 71.95
»
Click here to show/hide summary
Abstract
Specifically, this paper presents a thesis that magic and imagination drive the events of the story in "A Midsummer Night's Dream" more than in any other Shakespearean play, thus making "A Midsummer Night's Dream" Shakespeare's only play of pure fantasy.
| |
|
"A Midsummer Night's Dream", 2004.
An analysis of "A Midsummer Night's Dream".
1,125 words (approx. 4.5 pages), 3 sources, MLA, $ 39.95
»
Click here to show/hide summary
Abstract
This paper presents an analysis of William Shakespeare's comedy, "A Midsummer Night's Dream", that rejects critical analysis that views the play as evidence of male dominance over women in the era depicted.
From the Paper
"A Midsummer Night's Dream is a play that revolves around love sex and marriage. The plot revolves around two sets of lovers Hermia and Lysander and Helena and Demetrius whose complicated romantic relations are made more complex by their arrival in the fairyland woods. Here the King and Queen of the Fairies Oberon and Titania rule and are involved in a battle themselves over the custody of a young changeling boy in Titania's care. A majority of critics contend that the play reflects certain characteristics ..."
| |
|
"Midsummer Night's Dream", 2005.
A discussion on the main themes in Shakespeare's "Midsummer Night's Dream".
920 words (approx. 3.7 pages), 3 sources, MLA, $ 31.95
»
Click here to show/hide summary
Abstract
This paper discusses the whirling relationships between the four lovers in Shakespeare's comedy "Midsummer Night's Dream". It illustrates the theme of rash love's delusions versus mature, realistic love. The author explores the impact of midsummer madness on behavior.
From the Paper
"In Shakespeare's, "Midsummer's Night Dream" the pivotal word is dream-in the sense of illusion and irrational behavior. The enchanting comedy seems like a romp of intoxicated imagination in which deluded lovers end up in ..."
| |
|
Shakespeare's "A Midsummer's Night Dream", 2007.
This paper compares and contrasts Shakespear's original version of "A Midsummer's Night Dream" with the film version.
990 words (approx. 4.0 pages), 2 sources, MLA, $ 35.95
»
Click here to show/hide summary
Abstract
The paper discusses how both the film and the original version of William Shakespeare's romantic comedy "A Midsummer's Night Dream" use the same words to tell a tale of temporarily thwarted young love. Yet, there are many differences the paper illustrates. The paper explains that because the film uses visual images to illustrate the words of the Shakespearean play and makes use of selective cutting to emphasize certain scenes over others, the film offers a more selective view of dreams and dreaming as opposed to the play that is viewed in its complete and uncut form.
From the Paper
"The nature of cinema allows the director of "A Midsummer's Night Dream" to make the fairies, such as Titania, Oberon, and Puck seem much more fantastical in contrast to the earth-bound mortals. The fairies float; strange, beautiful lights surround them. Yet in this rendition, they lose some of the earthier, humorous, and more interesting mortal qualities in contrast to the warring fairy characters in the play."
| |
|
"A Midsummer Night?s Dream" by William Shakespeare, 2002.
An examination of the dream theme of Shakespeare's "A Midsummer Night?s Dream".
920 words (approx. 3.7 pages), 0 sources, MLA, $ 32.95
»
Click here to show/hide summary
Abstract
Dreaming and what happens during the period of slumber are two important themes that emerge from the Shakespearean comedy ?A Midsummer Night?s Dream?. This paper discusses the difference between actual dreams and the surreal situation in order to grasp the meaning and significance of ?dreaming? in the play.
From the Paper
"A Midsummer Night?s dream, as the name suggest, is full of instances of fantasy and illusion which makes it on the one hand, a beautiful magical tale while on the other a comic story where surrealism outweighs every other force. While many would think that love is the dominant theme of the play, the playwright it appears had another theme in mind when he created this story. Shakespeare has given dreams a more dominant role to play in the plot because it is during the period of slumber that magical things happen to the characters, which completely change the course of the play."
| |
|
"A Midsummer Night?s Dream", 2004.
A review of William Shakespeare's "A Midsummer Night's Dream".
1,070 words (approx. 4.3 pages), 0 sources, $ 37.95
»
Click here to show/hide summary
Abstract
This paper discusses the play, "A Midsummer Night's Dream" by William Shakespeare. The paper examines how the play employs the same parallels that exist in reality within the make-believe world of the enchanted forest. The paper explains how the placement of a play within a play superimposes life's small episodes within the larger framework of reality. While the play is a comedy about life, the paper contends that it also alludes to the absurdity of resolving conflict.
From the Paper
"The two sets of lovers that enter the forest leave the reality of Athens for the magic of the fairyland. Unbeknownst to them, it is the magic of the fairies that sorts out their tangled relationships while they sleep. In the real world of Athens, the harsh reality is that Hermia must either wed the man her father wishes her to, live the life of a cloistered celibate, or be put to death. The acquiescence of Theseus and his persuasion of Hermia's father to permit the wedding between Hermia and Lysander, allow the returning lovers and Demetrius and Helena to remain partners. The four lovers are changed from an uncertain future in Athens to a life together after spending the night in the forest. This is a fairy-tale story from many viewpoints. It is the fairies that have worked their magic on the couples making the outcome viable. The pairing that results is the best for all involved. Although it appears Demetrius remains under the spell of the love juice even after they return to the city, the other individuals are now guided by their own passions, and any misguided love has been redirected to the appropriate partner."
| |
|
"A Midsummer Night's Dream", 2005.
An analysis of the meaning of the title of William Shakespeare's "A Midsummer Night's Dream".
690 words (approx. 2.8 pages), 2 sources, MLA, $ 23.95
»
Click here to show/hide summary
Abstract
The purpose of this paper is to understand what Shakespeare meant by the title "A Midsummer Night's Dream" following the clues in key speeches. It also looks at the theme of the title, midsummer madness and supernatural elements.
From the Paper
"The themes embodied in Shakespeare's comedy A Midsummer Night's Dream recall the line that questions whether all that we see or seem is merely a dream within a dream. Unlike his other plays the title of Shakespeare's fantastic..."
| |
|
The Play Midsummer Nights Dream" Verses the Film Version, 2000.
A comparison between Shakespeare's play "Midsummer Night's Dream" and Elijah Moshinsky's film adaptation.
750 words (approx. 3.0 pages), 3 sources, $ 26.95
»
Click here to show/hide summary
Abstract
This paper discusses "Midsummer Night's Dream" as the author believes Shakespeare intended the play to be - as a delightful, fun frolic, and contrasts it to Moshinsky's film version which emphasizes the darker elements of the script and loses much of the comic elements of the story.
From the Paper
"This sentence would be a perfect introduction to Elijah Moshinsky?s film adaptation of Shakespeare?s ?Midsummer Night?s Dream?, since it is not delightful, but instead stresses the tragic elements of the play. Shakespeare?s language, rich of colourful images, creates a flower-scent and magical atmosphere. ?The descriptions breathe a sweetness like odours thrown from beds of flowers.? Though Moshinsky adapts Shakespeare?s original text, the language loses nevertheless a part of its imaginative power. He focuses rather on the tragic elements of the play and renders it thus more serious and less bland."
"?We do not come, as minding to content you, our true intent is. All for your delight, we are not here. That you should here repent you, the actors are at hand; and, by their show you shall know all, that you are like to know (p.57).?
This sentence would be a perfect introduction to Elijah Moshinsky?s film adaptation of Shakespeare?s ?Midsummer Night?s Dream?, since it is not delightful, but instead stresses the tragic elements of the play.
Shakespeare?s language, rich of colourful images, creates a flower-scent and magical atmosphere. ?The descriptions breathe a sweetness like odours thrown from beds of flowers.? Though Moshinsky adapts Shakespeare?s original text, the language loses nevertheless a part of its imaginative power. He focuses rather on the tragic elements of the play and renders it thus more serious and less bland."
| |
|
Change in "A Midsummer Night's Dream", 2005.
An analysis of the various changes that occur in William Shakespeare's "A Midsummer Night's Dream".
690 words (approx. 2.8 pages), 0 sources, MLA, $ 23.95
»
Click here to show/hide summary
Abstract
This paper discusses the various changes in "A Midsummer Night's Dream" including the differences between the spirit and the real world, the fortunes of love and real people becoming actors.
From the Paper
"Few authors have understood the fundamental role of change in both nature and human life as the great William Shakespeare who in years of life left a body of literature unrivalled in human history for its beauty, wisdom .."
| |
|
Fantasy in "A Midsummer Night's Dream", 2002.
Examines the way Shakespeare uses the concepts of mystics and fantasy in his play "A Midsummer Night's Dream".
806 words (approx. 3.2 pages), 1 source, MLA, $ 28.95
»
Click here to show/hide summary
Abstract
This paper briefly discusses how the fantasy in "A Midsummer Night's Dream" involves magic and a belief in fairies and sprites. It explains that the first of several conflicts of opposites in the play is between reality and fantasy, between the reality of life in the city and fantastic nature of life in the woods.
From the Paper
"In A Midsummer Night's Dream, one reason for the fantasy element is to create a dramatic stage on which to test human constancy and human worth. Lysander states that "the course of true love never did run smooth" (I.i.134), and this represents a theme that runs through many of Shakespeare's plays and indeed through much of world literature. The statement itself embodies several ideas. First, it assumes that there is such a thing as true love and that it is a conception based on the idea that two people are literally meant for each other. Second, it states that these two people, though meant for each other, may have to endure a good deal before they can actually achieve the love that is their destiny. In terms of A Midsummer Night's Dream, this statement helps characterize Lysander in a way that makes it evident the objections raised to the young man by Egeus are wrong and that Lysander is not one to feign love at all as Egeus believes he is doing. Lysander does indeed love Hermia as she loves him."
|
|
|
