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The Comedic Element in Italian Film, 2008.
An analysis of the comedic techniques of the past that are still used in the comedy of Italian films.
1,650 words (approx. 6.6 pages), 3 sources, APA, $ 53.95
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Abstract
This paper analyzes the comedy of Italian film and suggests that while it contains many elements, it relies greatly on comedic techniques of the past, as well as intelligence to guide its progression. The paper presents many examples of these techniques and shows where in the films they can be found. It also discusses the success of the use of these techniques.
From the Paper
"The Icicle Thief by Maurizio Nichetti accomplishes this task as well. Through the fast paced visions of changing locations, commercial intrusions and cinematic special effects the film presents the portrayal of multiple characters played by Nichetti. The Icicle Thief is entitled such to correlate to the Italian masterpiece The Bicycle Thief; yet, it remains connected to the latter film only through the title and through the understanding of the art of film. This understanding, however, is intellectual because Nichetti's work asks the audience to understand how artistic endeavors are often sabotaged by the commercialism that exists throughout the world. As a matter of fact, Nichetti demonstrates that the commercialism has grown so intense that audiences rarely even realize its presence in life or its impact on the filmmaking world."
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Classical Comedic Films of the 1960s, 2004.
This paper analyzes three classic films from the 1960s that have characters that rocketed the films into the halls of classic filmmaking: ?Some Like it Hot? (1959); ?The Nutty Professor? (1963); and ?The Producers? (1968).
1,140 words (approx. 4.6 pages), 3 sources, MLA, $ 39.95
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Abstract
This paper presents a critical look at three film comedies by examining the main character from each film, discussing traits, attitudes, and habits that make them less than admirable and explaining the way the characters manage to illicit sympathy from the audience. The author points out that a character?s ability to draw feelings from the audience members creates the popularity and longevity of the film itself. The paper relates that all three movies get the audience to feel sorry for the characters.
From the Paper
"In the film ?The Nutty Professor?, the protagonist plays two people that one would not usually hang around with in real life. He begins as a nerdy and boring professor named Julius Kelp. As Professor Kelp, the protagonist is boring to the nth degree, academic to a fault and not someone who gets invited to parties on weekends. He has habits that are typical of the character scientist including spouting off useless trivia when he is nervous. This character is not one that can attract the attention of male friends let alone female dating prospects. He decides to become Buddy Love with the potion he invented."
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"Romeo and Juliet": A Comedic Satire, 2004.
This is a comprehensive research essay incorporating several other resources, with full works cited included, which argues that "Romeo and Juliet" is neither a romance nor is it a tragedy, but that it is a comedic piece of literature.
2,798 words (approx. 11.2 pages), 16 sources, MLA, $ 83.95
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Abstract
Using literary critics and text-based information, this paper argues that in "Romeo and Juliet" there is a lack of tragic elements, an abundance of comedic scenes, that most critics overlook the lack of "romance" in the relationship of the protagonists, and that Shakespeare never intended 'Romeo and Juliet" to be a romance or tragedy.
From the Paper
"William Shakespeare?s Romeo & Juliet is most notably regarded as the quintessential romantic tragedy, but this view is superficial, at best. While some literary critics would argue that Romeo & Juliet is a tragedy in the classic sense, adhering to Aristotle?s principles of what a tragedy should be, other critics have concurred that the structure of Romeo & Juliet falls more into the category of comedy and / or satire. The issues which cause critics to fight over the true genre of the piece may be seemingly obscure and minute, but, under close examination, it becomes quite clear that in literature as classic as Shakespeare?s, it is in the detail that the meaning is found. James Forse contends with the Neo-Classicist critics of the Eighteenth Century who ?adjudged Romeo & Juliet as a flawed tragedy which lacked Aristotelian unity of plot and action, the character flaws essential to tragic protagonists, and a sense of the inevitability of tragic outcome? (122). Harold Wilson, on the other hand, disagrees, stating that, ?The play?s tragic theme is unified by Petrarchan notions of ?noble death?: the lover?s suicides represent the triumph of love over death? (31). Thus he attempts to defend the play?s tragic intent and nature. If a critical reader examines this work, it will be difficult for him or her to find reasons for defining themes like ?true love? and ?fateful destiny? by the tale of Romeo & Juliet as so much of the general public does today. Shakespeare?s Romeo & Juliet is neither a tragedy nor a romance, but is, rather, a comedic satire meant to be didactic in nature."
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Film: "O' Brother, Where Art Thou?", 2005.
This paper discusses elements of Homer's "Odysseus", which are found in the Coen brothers' comedic film "O' Brother, Where Art Thou?".
1,165 words (approx. 4.7 pages), 0 sources, $ 40.95
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Abstract
This paper relates that the plot of the film "O' Brother, Where Art Thou?" evolves around the protagonist Everett and his friends, escaping from a Mississippi gang and going in search of 1.4 million dollars, which Everett claims to have hidden in a valley flooded by the lake, and continues with some very bizarre incidents, characteristic of the Coen brother's work. The author points out that, although the Coen brothers did not directly base their film on Homer's "Odyssey", there are many references to it, such as the three friends stumbling across a blind prophet who predicts their future as the Homer's sirens did. The paper explains another reference: The hero of the film is trying to get back to Ithaca in Mississippi; whereas, in the classic, Odysseus is trying to get back to Ithaca in Greece.
From the Paper
"Like in the epic, the movie starts of with reference to the rural Mississippi. This, too, is just a fantasy place and not reality like most of the rest of the movie. In the movie, the three heroes on a journey home, come across a political campaign and are shoved into a radio station and are mistaken for radio stars. They also stumble upon a Klan Meeting and are on the way to Everett's wife who is going to marry another guy who does not get himself thrown into jail all the time, and fortunately, (or rather unfortunately), they happen to have seven daughters who she plans to pack off. This makes you wonder how illusionary and fable-like the film sounds."
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Italian Immigration: 1950?1970, 2006.
This well-researched paper analyzes the post-WWII rise in European immigration to America, while focusing primarily on Italy's immigrants between 1950-1970.
4,246 words (approx. 17.0 pages), 5 sources, APA, $ 112.95
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Abstract
This paper examines the factors responsible for the rise in European immigration to the U.S. after WWII. This in-depth paper focuses on the many struggles encountered by Italian immigrants to America between 1950-1970. The writer of this paper details how the segregation of the Italian immigrant community was similar to that suffered by African-Americans. The segregation of Italians was not publicly acknowledged, but existed nonetheless as a force in keeping them congregated in their own neighborhoods and denying them equal access to the U.S. economic and political systems. The negative perception of the Italian culture was further intensified by the rise of the mafia and the presence of organized crime which led to further widespread prejudice. The writer describes the 1950s as an era in which the WASP element of society was preferred even though the overt prejudice against the Irish and Roman Catholics had been reduced. This paper explores religion which was an important element in Italian life. Family and religious life formed a core to the Italian culture and their neighborhoods offered an enclave of life in the old country to newcomers. This paper also contains relevant information as to how the immigrants dealt with day-to-day life in America, from employment to education.
From the Paper
"The immigrants with the least education were those most likely to be employed in low paying jobs. Even with minimum wage legislation, it was difficult to earn a living and wives frequently were forced to work part time as seamstresses or domestic servants to supplement the family income. As the higher paying jobs moved to the suburbs, those who were poorest were least able to relocate in search of employment. In The Other America, author Michael Harrington says one of the most self-perpetuating aspects of poverty is the inability to move, physically and mentally. When considered in the physical sense, poverty itself brings about segregation that further alienates immigrants from the mainstream of society."
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The Classic Film "Singin' in the Rain", 2005.
This paper discusses the role of three genre that contribute to the success of the classic film "Singin' in the Rain".
1,840 words (approx. 7.4 pages), 3 sources, MLA, $ 59.95
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Abstract
This paper explains that the classic film "Singin' in the Rain" appeals to a broad audience because not only is it a good song and dance movie but also it contains the genre of romance and comedy. The author points out that the musical aspect of the film combines backstage and integrated styles; the fifteen song and dance routines are based on different themes throughout the film, which provides built-in unity through its structure of repetition and variation. The paper relates that the romantic aspect of the film helps to create drama in the plot, carry the plot along and create empathy for Kathy's character; the comedic aspect of the film helps bring it together productively.
From the Paper
"Another ideology of the film was dignity. Don repeats his famous line, "Dignity, always dignity" as he tells the story of how he maintained his esteem when working his way to the top. Kathy strives to maintain her dignity when she does the singing for Lina because she isn't getting credit for her vocal talent as she should be. The studio heads keep Lina from speaking in public without Kathy backing her up because they fear that if the audience hears Lina's real voice she will lose the dignity in her career. Even though Cosmo never became a huge star like Don he still maintains his cheerfulness and dignity and continues to fully support his friend."
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Italian-American Women in Literature, 2005.
This paper discusses the evolving and multifaceted roles of Italian-American women in literature through the eyes of Italian-American male and female authors.
2,110 words (approx. 8.4 pages), 9 sources, MLA, $ 66.95
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Abstract
This paper explains that stereotypes from whores to the Holy Madonna incarnation encompass the multi-faceted and contradictory roles of Italian-American women in Italian-American literature written by both Italian-American men and women. The author points out that the literature relates that social class, differences in religiosity, the American tradition and construction of success and the often contradictory ways the familial and immigrant experience, have come into conflict with the female experience in American. The paper reviews Pietro di Donato's relatively early novel "Christ in Concrete", Mario Puzo's "The Godfather", Helen Barolini's novel "Umbertina" and her collection of personal and scholarly entitled essays "Chiaroscuro" and Evidge Giunta's text "Writing With an Accent" to demonstrate that beneath these narrow stereotypes more complex and individuated roles of Italian-American women's life do emerge.
From the Paper
"These images emerge in the depicted reality of nonfiction as well as fictional life come forth, as these women are seen engaged in child rearing, showing impressive work ethics to enable their families to survive, laboring as well as suffering in the role of daughter, and as these women show their strength in their roles of mother as well as their silent compassion. Gradually, as Italian women themselves began to speak, Italian women and authors have grown fluent at showing female Italian working and middle-class sexuality as well as images of long-enduring Mediterranean fortitude, women alone in the role of a wife bent over a stove bubbling with red hot gravy and meatballs smelling of garlic and onions."
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Italian-American Women in Cinema, 2002.
A compare and contrast analysis of the role of Italian-American women and American women in cinema.
1,373 words (approx. 5.5 pages), 5 sources, MLA, $ 45.95
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Abstract
This paper discusses the role of the Italian-American women in American cinema and the functions that they fulfill within the Italian-American community and draws a comparison between Italian-American female roles and the parts played by American actresses. It examines some of the more famous Italian-American female characters in films such as cinematic masterpieces such as ?The Godfather" and ?True Love? and how they are usually portrayed as working class and victims of violence. It shows how both Italian-American and American female characters in movies are challenged by a patriarchal society. The only difference is that the American character is free to do something about it even if all odds are against her whereas the Italian-American female characters on the other hand do not possess that luxury because their cultural norms do not allow such liberties.
From the Paper
"Then there are directors such as Martin Scorsese and Francis Ford Coppola who have made powerful Mafia movies ?Goodfellas? and ?The Godfather? respectively. Even though the main theme of their movies is the havoc that the mafia wrecks in the lives of Italian-American immigrants there always exists a strong underlying theme that relates the role of the mothers, daughters and wives of these mafia members. In short the role of the ?family?. For example in a comic scene in the ?Goodfellas? Scorsese makes a connection between food and death when Tommy?s mother serves them a mouth-watering meal just after her son and his friends have returned from trying to commit murder."
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The Destructive Element, 2002.
An analysis of the concept of a destructive element in literature through a review of several literary pieces.
1,282 words (approx. 5.1 pages), 0 sources, $ 43.95
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Abstract
This paper discusses how a destructive element refers to that one trait which can destroy a person or negatively impact his life in some manner and how the element usually acts as a barrier between men and their full potential and can also seriously impede their growth. It looks at how in Joseph Conrad's novel, ?The Shadow Line? the destructive element is in the shape of immaturity, which makes the protagonist give up his job on whim and out of sheer boredom. It shows how in "The Dead" by James Joyce, we come across another kind of destructive element, which is negative in nature because the protagonist has chosen to actually submit to it by becoming its victim. Finally it examines how in E.M. Forster?s "A Passage to India", we come across a destructive element again and this time it is prejudice and an abnormal fear of ?others?. The author highlights the problems faced by the victims of prejudice and how this destructive element proves detrimental to the friendship between Indians and British and one woman?s quest to discover real India.
From the Paper
"The story, which appeared in the collection Dubliners, revolves around a party scene that takes place at the house of two old ladies who are close relatives of the protagonist, Gabriel. Gabriel?s character has a destructive element, which is conceit. He is highly conceited person and considers himself more educated than the rest. However because of this element, he suffers various setbacks and even some rude shocks, which make hi, understand that conceit had completely killed his ability to communicate with others. We notice that throughout the story, Joyce has refrained from exposing the true soul of each character with his own words; rather he helps the readers reach their own conclusions by observing the behavior, speech and thoughts of the characters. "
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The Italian Renaissance, 2005.
A summary of the Italian Renaissance and its influence on Italian society.
1,855 words (approx. 7.4 pages), 7 sources, MLA, $ 59.95
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Abstract
This examines the early stages of the Renaissance. It shows how the Black Death ironically played an important role in its development. The paper also provides an overview of famous figures during the time, including Lorenzo Medici, Dante Alighieri and Michelangelo .
From the Paper
"Thanks to benevolent people such as the Holy Roman Emperor and princes, artists were able to devote their time to art, and not have to worry about supporting themselves. This helped art flourish even more as artists could be entirely dedicated to their work. Without this support from both the clergy, and townspeople buying and supporting art and artists, the era would have failed to produce works of the caliber that it did."
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Americanization of Italians, 2006.
An assessment of cultural assimilation of Italian Americans, as demonstrated in literature and film.
1,600 words (approx. 6.4 pages), 4 sources, MLA, $ 52.95
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Abstract
This paper examines the Americanization of Italian immigrants, as seen in
the novels "All the Nations Under Heaven" by Kenneth Jackson and "The Fortunate Pilgrim" by Mario Puzo and the films "Goodfellas" and "Raging Bull", directed by Martin Scorsese. By analyzing these works, the paper attempts to demonstrate that the immigration of Italians to America caused a dramatic shift in their sense of family values and relationships. The paper explains that the Italian family was once the basis of the collective society within traditional Italian culture, but in America the family dissolved into its respective parts -- i.e. the individuals. The paper goes on to show how these individuals interacted with American ideals and morals to establish a new way of life for their progeny, the American-born Italians.
From the Paper
"Traditional Italian households centered on the family rather than the individual pieces of the family. This type of collective culturalization tended to express gratifying feelings toward the family rather than personal feelings. However, as the immigration process initiated, the family bond began to weaken in Italian culture as the male patriarchs transcended the seas, leaving behind their cherished families. "Unlike Jews, who came largely as families, and the Irish immigration, in which women were in the majority for many years, Italian newcomers were at first mostly young men who often emigrated with the intention of making enough money in America with which to return home and purchase land."(ANUH , 135-136) With the money they received from work, the Italian men would then bring their kin over The Italian males received the first taste of independence that has lingered throughout their lives and led to the dissolving family values system."
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This study will consider a number of elements of the "submissive" middle class in Japanese society as described and analyzed in Karel van Wolferen's "The Enigma of Japanese Power"., 1991.
This study discusses the elements of the "submissive" middle class in Japanese society as described and analyzed in This study will consider a number of elements of the "submissive" middle class in Japanese society as described and analyzed in Karel van
1,350 words (approx. 5.4 pages), 1 source, $ 47.95
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From the Paper
"This study will consider a number of elements of the "submissive" middle class in Japanese society as described and analyzed in Karel van Wolferen's "The Enigma of Japanese Power".
The basis of much of the power and order of Japan in the world in the late years of the 20th century is what van Wolferen calls the "submissive" nature of that society. As the author notes, "The post-war aims of the Japanese System have been entrusted mainly to the economic organizations. The System is preoccupied with industrial and commercial pursuits.. " And industrial and commercial pursuits are successful because of submissive and obedient workers, who are modeled on the "salaryman" model.
As the author writes, " . . . The term 'salaryman' connotes much more than 'office clerk' or 'white-collar worker'; it stands ... "
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The Canadian Italian Migration, 2007.
This paper describes various stages of the migration of Italians into Canada.
2,660 words (approx. 10.6 pages), 10 sources, MLA, $ 79.95
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Abstract
This paper explains that the Italian immigrants migrated in various waves of various sizes throughout the last century. The author points out that the early wave of Italian immigration, mostly crossing from the U.S., virtually ceased at the start of World War I and did not pick up again until the late 1920s. The paper relates that, during the 1920s, Italian immigration to Canada expanded so rapidly that Mussolini, the fascist dictator in Italy, attempted to halt immigration completely. The author states that, just prior to World War II, Canada began to curtail or even roll back immigration. The paper stated that, following Italy's entry into World War II, hundreds of Italian men were interned in camps while their families were left to fend for themselves. The author concludes that, continuing after WWII, the large number of Italian immigrants was largely responsible for providing Canada with the necessary labor and tax pool it required to re-establish its economic activity.
From the Paper
"The result was that by the 1960s Italian culture and heritage, sometimes with the assistance of Hollywood in America, became vogue to some degree. This period of consolidation allowed a new era of commerce where Italian markets, delis, and stores flowered across Toronto, Quebec and other regions where the Italian population was significant. One important factor during this era of consolidation was that Italian immigration virtually reached a standstill by the late 1960s. Italy had managed to substantially rebuild its post-War economy and the mass immigration out of the country ceased with the rebirth of its own robust economic growth in tandem with a healthy tourism industry."
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Elements and Principles of Art, 2008.
An analysis of the key elements of form, unity and subject within art.
1,113 words (approx. 4.5 pages), 4 sources, MLA, $ 38.95
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Abstract
This paper discusses the elements that are key components to art. It specifically focuses on the elements of art and design of form, unity and subject. The paper defines and discusses each of these elements and then discusses how different smaller components function together to create the elements of form and unity that we find within art.
From the Paper
"The principles of art would not exist without the individual elements of art. In other words, elements of art work together to create the principles of art. For instance, individual elements of art, such as forms, can appear again and again within a work of art to create the principle of repetition. The principle of repetition lends to the principle of harmony, in which unity is created by the appearance of elements over and over again. Repetition also creates the principle of movement, in which activity is displayed in an image through the manipulation of an element, such as a repeated form. Furthermore, compositional unity can be created by repeated lines, shapes, colors, or patterns. Harmony is the principle of art that is produced due to the achievement of unity in a composition. A work cannot have unity without harmony, and cannot have harmony without unity. The principles of movement and repetition are integral components to the unity and therefore the harmony of any composition."
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Mikhail Kuzmin And Italian Commedia Dell'arte, 2007.
An analysis of the life and writings of Mikhail Kuzmin and Italian commedia dell'arte.
983 words (approx. 3.9 pages), 6 sources, MLA, $ 34.95
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Abstract
This paper analyzes early twentieth-century Russian theater and cabaret. It focuses on the work of writer, poet and playwright Mikhail Kuzmin and Italian commedia dell'arte. It provides a background of Kusmin's life and focuses on the impact of his homosexuality in his writing. The paper then describes some of his works and critics' analyses of them.
Table of Contents:
Objective
Introduction
Kuzmin (writer, poet, playwright) Russia's First Openly Gay Writer
The Entire Life of the People Lived Out in the Theatre
Integration of Elements of Commedia and Reality
Summary and Conclusion
From the Paper
"The unleashed sexuality, the brewing revolution, and the overall societal shift during this period of time resulted in vivid displays of contention of the present political system at this time in Russia. Masses flooded the theaters and the theaters took to the streets as a revolutionary spirit moved in and among all in the Russian society, inciting rebellion against the status quo and in the dramatic displays in the artistic events and movement of that time period that was the driver of and to a great extent of the progression of the revolution that took place in Russian in the early twentieth century."
"Artists were given prominence among scholars and politicians however, only for a moment of time as post-Revolution thought exhibited little appreciation of those who provided such fire and energy propelling the revolution forward. The post-Revolution period witnessed the work of Kuzmin "falling out of favor with the Communists, and Leon Trotsky (1879-1940), in the work entitled: "Literature and Revolution" (1924) labeled the work of Kuzmin as "disreputable and useless." (Clayton, nd )"
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