| Papers [1-15] of 100 :: [Page 1 of 7] | | Go to page : 1 2 3 4 5 6 7 —> | Search results on "CLEOPATRA HISTORICAL LITERARY QUEEN": |
|
|
Cleopatra: The Historical and Literary Queen, 2006.
A review of the literature on Cleopatra.
1,158 words (approx. 4.6 pages), 4 sources, MLA, $ 39.95
»
Click here to show/hide summary
Abstract
The paper examines the literature on Cleopatra, finding sources that disclaim the legends of her beauty. The paper discusses Plutarch's literature on Cleopatra and the images he creates of her. The writer proposes that it was her charm, rather than her beauty that captivated Mark Anthony and Julius Caesar. The paper concludes that it was her mind that made her special, as she used her wits to save Egypt and charm Rome's leaders.
From the Paper
"In fact, contemporary images of Cleopatra found on coins of the time as well as statuary, seem to suggest a woman with rather harsh, masculine features, including a long, hooked nose and a matronly face. Cleopatra, in fact, bore many of the same features as her ancestors; portraits and statues of her relatives reveal that the long, hooked nose was a family trait."
| |
|
The Queen of Queens Candle Shop, 2004.
A business plan for a candle shop in Queens NY.
2,300 words (approx. 9.2 pages), 5 sources, APA, $ 79.95
»
Click here to show/hide summary
Abstract
This paper presents a business plan for a candle shop in Queens, New York, that will cater to the needs of primarily the female and youth market, including multicultural offerings. Included are executive summary, mission statement and objectives, product and service offerings, strategies, target markets, industry background, staffing, and a Pro Forma Profit and Loss statement.
From the Paper
"The candle industry has experienced double-digit growth over the past decade with sales of fragrance and aroma candles ..."
| |
|
Marxist Literary Theories, 2002.
A look at "Marxist Literary Theories" by David Forgacs.
2,400 words (approx. 9.6 pages), 8 sources, $ 89.95
»
Click here to show/hide summary
Abstract
This paper summarizes an article entitled "Marxist Literary Theories" by David Forgacs, from a book entitled "Modern Literary Theory, A Comparative Introduction", edited by Ann Jefferson and David Robley. The article, and this paper, provide an explanation of the basic modes and underlying assumptions of Marxist literary theories.
| |
|
Literary Theory, 2002.
An overview of the different forms of literary theory
1,150 words (approx. 4.6 pages), 3 sources, $ 44.95
»
Click here to show/hide summary
Abstract
This paper is about literary theory. Literary theory in its varied forms from structuralism to post-structuralism, from feminism to post-modernism, and from psychoanalytic to liberalism, have made an array of critical evaluations about the links between language, the writer, the text and the reader.
| |
|
James Joyce's Place in Literary History, 2008.
This paper discusses James Joyce and how his works have ensured him an important place in literary history.
1,436 words (approx. 5.7 pages), 7 sources, MLA, $ 47.95
»
Click here to show/hide summary
Abstract
In this article, the writer notes that great artists become famous and immortal because of the mark they leave in this world that made a difference; a difference that proved their innovativeness and deep understanding of their arts. The writer notes that it is in breaking with traditions and conventions of his time, and formulating his own canon of literature that ensured James Joyce a place in literary history where his works will still be discussed for decades to come. The writer points out that although Joyce wrote other literary pieces like 'Finnegans Wake' and 'Chamber Music', it is 'Ulysses' that brought concrete proof that Joyce will never be dismissed from the annals of literary masterpieces. The writer discusses that he writes with a cool and masterful detachment, which allows the reader to approach Joyce with a completely open mind, sometimes liking the warm humanity, sometimes detesting the cold arrogance of the man, always having the sense that he who was often a fool in his life was always wise in his work.
From the Paper
"Dubliners depicted the stories of middle-class Irish folks living in Dublin in the early 20th century and the book exposed the feelings of nationalism and patriotism at the time when Ireland is seeking its own identity apart from British dominion. The importance of Dubliners in the annals of literature - and in Joyce's writings for that matter - is that the characters in the book served as a jump-off point for characters seen later in his other books.
"Dubliners did not give Joyce the rags-to-riches opportunity but instead it paved the way to a brighter and better literary career. A Portrait of the Artist as a Young Man was Joyce's next piece de resistance, and was published in 1916. Portrait is somewhat an autobiographical book that depicts the life of Joyce's "alter ego" in the person of Stephen Dedalus. It is an epiphany of sorts for Joyce because his main character had a religious, social and political awakening and began questioning the teachings of the Catholic Church and the idealisms of Irish culture and tradition. The rebellious nature of Dedalus and his eventual departure for Paris paralleled the life Joyce had earlier on."
| |
|
Literary Movements, 2004.
An analysis of three 19th century American literary movements.
1,840 words (approx. 7.4 pages), 9 sources, MLA, $ 63.95
»
Click here to show/hide summary
Abstract
This paper analyzes three literary movements that emerged in the U.S. during the latter part of the 19th century: naturalism, realism, and local color/regionalism. It cites the work of several authors as examples of the literary movements.
From the Paper
"The latter half of the the century was a time of enormous change in American society. Such changes include the rebuilding of the South after the Civil War, the adjustment to the end of slavery, the increasing growth of urbanism .."
| |
|
Literary Realism and Poverty, 2008.
An analysis of the literary realism in Hamlin Garland's short story 'Under the Lion's Paw" from his book, "Main Travelled Roads" and Theodore Dreiser's work, "Sister Carrie".
733 words (approx. 2.9 pages), 2 sources, MLA, $ 26.95
»
Click here to show/hide summary
Abstract
The paper examines Chapter XLV of Theodore Dreiser's "Sister Carrie" and describes the literary realism that depicts how the character of Hurstwood must survive the grim reality of poverty in the city. The paper also looks at Hamlin Garland's short story "Under The Lion's Paw" from his work "Main Travelled Roads", which uses literary realism to reveal the grim reality of farm life.
From the Paper
"The first reason why literary realism exists in the work of garland's "Under the Lion's Paw" is the way that he defines the life of farmer's, and the often brutal conditions that they must work within as poor workers of the land. The reality of the farmer's life is apparent in Mrs. Council's narrative:
""Yes, I do my own work," Mrs. Council was heard to say in the pause which followed. "I'm getting purty heavy t' be on m'laigs all day, but we can't afford t'hire (Garland, p.491)."
| |
|
Puritan and Romantic Literary Consciousness, 2004.
An analysis of Puritan and Romantic literary consciousness.
707 words (approx. 2.8 pages), 3 sources, MLA, $ 25.95
»
Click here to show/hide summary
Abstract
This paper discusses Puritan and Romantic literary consciousness and explores various literary works. The paper contends that the Romantic and American Transcendentalist ideal is clearly embodied, not only in this excerpt from Ralph Waldo Emerson's essay, "Nature," but also by the life and teaching of the instructor portrayed by Robin Williams in the film, "Dead Poet's Society."
From the Paper
"The ideals of Romanticism suggested that the human animal must mature emotionally as well as intellectually, to reach his or her own artistic potential, and the best way to do this was to do so in nature. In nature, Emerson wrote, one is filled with the innocent love of spontaneous experience, much like a child. But this childlike innocence can also catch the eye of the 'powers that be' or the orthodox leadership of opinion in a very negative, as opposed to a positive way. Because the Romantic teacher does not teach the curriculum as required, and because he integrates immediate, bodily, and visceral experience into the teaching of poetry and literature, the guru figure portrayed by Williams is symbolically cast out of the fold of the scholarly halls and into the harsh, cruel world where he is not allowed to practice his pedagogical vocation."
| |
|
Dickinson's Place in New England Literary Tradition, 2005.
A discussion on Emily Dickinson's place in the literary tradition of the New England region.
2,479 words (approx. 9.9 pages), 6 sources, MLA, $ 75.95
»
Click here to show/hide summary
Abstract
This paper looks at why it is difficult to place the writings of Emily Dickinson in a specific literary tradition and what factors make this placement difficult. The paper considers why Dickinson was so introverted, what in her life and writing should be used to connect her to a literary tradition, and to whom should the connection be drawn.
From the Paper
"Dickinson's outright rejection of everything conventional rang with the same notes as the crescendo of feminism that was building among middle class women in the 1850s. She refused to subjugate herself to the institution of marriage, she battled pressure to join the church, and she corresponded openly with notable figures of academia. It is certain that the feminist movement would have greatly appreciated, and benefited from Dickinson's voice. Her education and natural boldness made her prime feminist material. The match, however, never grew any more potent than those conveniences. Thought she sought to achieve greatness, Dickinson's reclusive nature would have prevented her from being interested in participating in movements of that nature. In fact, there is sufficient evidence to suggest that Dickinson had no particular loyalty to her sex."
| |
|
Literary Response to Computer Age, 2002.
A paper that examines the literary response to early technology and the computer age.
1,987 words (approx. 7.9 pages), 4 sources, MLA, $ 63.95
»
Click here to show/hide summary
Abstract
This paper shows how the literary response during the early days of technology and the computer was mixed. Many sources feared that communication skills and literary skills would be lost as a result of technology. The paper looks at several articles and points of view in which the writers predicted opinions which ranged from unforeseen disasters, to great successes, as a result of the technology revolution.
From the Paper
"Communication is a key element of our society and the ways that we communicate in the information age has become a challenge in the 21st century. During the early days of technology and the computer most people wondered what would encompass being ?literary ? in the information age. How would we take the old ritual of literary culture and transform that skill into the bits of data and information that characterize the information age. Tracy Kidder?s book, The Soul of a New Machine provides a glimpse into the world of early technology. Kidder provides an account of the work done by a group of Data General engineers who are creating a new innovative computer. The book chronicles the project throughout the course of a year and examines the changes that take place in the lives of the team during various phases of the project."
| |
|
Literary Relations, 2002.
An introduction to literary interpretation.
1,400 words (approx. 5.6 pages), 1 source, $ 53.95
»
Click here to show/hide summary
Abstract
A paper that presents the various literary relations that create the basis for literary interpretation.
| |
|
Literary Nationalism, 2002.
An examination of the debate over American literary nationalism which began in the early nineteenth century.
705 words (approx. 2.8 pages), 3 sources, MLA, $ 25.95
»
Click here to show/hide summary
Abstract
This essay examines the main issues that were involved in the contentious debate over American literary nationalism at the beginning of the 19th century in the United States. The English critic Sidney Smith?s biting comment ?Who reads an American book?? is discussed, in terms of how it continued, and helped perpetuate, the debate about American literary nationalism. Further, this essay outlines how Washington Irving?s tales in "The Sketch Book of Geoffrey Crayon" helped to fulfill the need for a unique, American literature that was noted by the Englishman Sidney Smith.
From the Paper
"There were several main issues that fired the contentious debate over American literary nationalism at the beginning of the 19th century, in the United States. The debate surrounded the apparent inability of American authors to produce quality literature. Certainly, America had received its political independence from Britain long before the 19th century, but in terms of art and literature, America had failed to produce works that were equal (of better) in quality to those produced in Great Britain. Certainly, and most importantly, the major point of this debate was that there was no clearly unique style of American literature. Equally important was the perception that the American literature produced was inferior in quality to that produced by British authors (Early). Interestingly, this inability to produce quality literature was reflected in the lacklustre sense of American cultural identity. In Adventures in American Literature: Classic Edition, James Early suggests that a strong sense of American cultural identity needed to be rooted in a ?significant national literature?."
| |
|
Ethnic Literary Analysis, 2007.
This paper provides an African-American and ethnic literary analysis of the Novel 'Oroonoko: or The Royal Slave' by Aphra Behn and the Essay "How it Feels to be Colored Me" by Zora Neale Hurston.
2,048 words (approx. 8.2 pages), 4 sources, MLA, $ 64.95
»
Click here to show/hide summary
Abstract
This article discusses two works containing either African or African-American themes, Aphra Behn's novel 'Oroonoko: or The Royal Slave' (1633) and Zora Neale Hurston's essay "How It Feels to be Colored Me" (1928). The writer notes that when compared against one another, they reveal considerable differences in the perspectives of their authors: In the first case, a 17th century white Englishwoman; and in the second, a late 19th and early 20th century African-American woman folklorist descended from slaves. In this essay, using African American and ethnic literary analysis of both works, the writer explores and analyzes similarities and distinctions in the ways that both authors deal with the subjects of American or African-American identity and black-white relationships, within their respective literary works.
From the Paper
"Other key characters in the novel, again drawn from an obviously white European narrative perspective, include Oroonoko's treacherous grandfather the King of the tribe, who also lusts after his grandson's love interest Imoinda, thereby reinforcing two familiar African stereotypes: overweening lust and inter-tribal rivalry and treachery, even against one's own flesh and blood. Within Aphra Behn's portrait of the African environment inhabited at first by Oroonoko and Imoinda, then, family ties are brittle, and being sold into slavery is, by implication, less heart-rending than it might be for those with stronger family ties."
| |
|
Inversion as a Literary Device in 'King Lear', 1992.
Examines the literary method used by William Shakespeare in "King Lear" to skillfully maintain the play's tragic mood throughout.
990 words (approx. 4.0 pages), 0 sources, $ 35.95
»
Click here to show/hide summary
Abstract
This paper demonstrates Shakespeare's uncanny skill in the use of inversion, as well as his deftness in the sustained use of metaphor. In addition, it illustrates the way in which these two literary devices combine to give his prose the poetic power and vivid emotional impact that enable him to create and maintain the tragic mood of the play. The paper also examines the all-encompassing effect of inversion on the play's major characters and the way in which Shakespeare uses it to advance his dramatic theme
Paper Outline:
Inversion Sets the Stage
Tragic Irony Reigns Supreme
A World Turned Upside Down
From the Paper
"In the play's opening scene, King Lear sets the mechanism of inversion in motion by dividing his kingdom between his evil daughters, Regan and Goneril, disowning his good daughter, Cordelia, and banishing his loyal servant, Kent. In so doing, he "divests" himself of those persons who represent goodness, honesty, loyalty, and nobility (Cordelia and Kent--though Kent later returns disguised as Caius) and those things which represent dignity, power, security, and prosperity (his kingdom, rule, wealth, position). At the same time, he "invests" his authority and substance in those individuals who symbolize greed, malice, insincerity, deviousness, insensitivity, disloyalty, ungratefulness, disrespect (Goneril, Regan, and Cornwall), and moral weakness (Albany)."
| |
|
Commercial and Literary Fiction, 2007.
This paper examines "A Jury of Her Peers" by Susan Glaspell and "A Municipal Report" by William Sidney Porter as literary fiction and commercial fiction, respectively.
942 words (approx. 3.8 pages), 3 sources, MLA, $ 33.95
»
Click here to show/hide summary
Abstract
The paper examines "A Municipal Report", which is an example of "commercial" fiction and "A Jury of Her Peers", which is an example of "literary" fiction. The paper outlines the character developments, plots and themes in order to underscore how "A Municipal Report" is intended as a light-hearted, diversionary romp through a Southern town, while "A Jury of Her Peers" is a troubling look at gendered stereotypes in early twentieth century America.
From the Paper
"As our course textbook indicates, commercial fiction is written primarily to make money and is designed to take us away from the world of our troubles; it is, in other words, all about giving pleasure to a reader who is seeking distraction ("Chapter One: Reading the Story," 52-53). In "A Municipal Report," the character development of the story clearly reveals the commercial features of the work. For one thing, there really is no character development to speak of. Instead, the reader is confronted with stereotypes: the vain Californians, blustery and stammering Chicagoans, appallingly slow restaurant service somehow managed with the utmost courtesy, the pompous Brit, Wentworth Caswell, and the dilapidated "Negro" nearly as old as Ham. There is also, unfortunately, an element of racism inherent in the story's depiction of the "old negro" insofar as he often finds himself unintentionally humorous - such as on the occasion when he informs the narrator that the seats "is clean" because his hack has just returned from a funeral (Porter, sec.1-6). As a last point, Azalea Adair is the quintessential polite, elegant yet sheltered and impoverished Southern belle one would expect to find in post-Civil War America (Porter, sec.9-10)."
|
|
|
