| Papers [1-15] of 100 :: [Page 1 of 7] | | Go to page : 1 2 3 4 5 6 7 —> | Search results on "CHAUCER TROILUS CRISEYDE": |
|
|
Chaucer?s "Troilus and Criseyde", 2002.
This paper uses the theories of Sigmund Freud to analyze Geoffrey Chaucer?s "Troilus and Criseyde".
2,132 words (approx. 8.5 pages), 7 sources, APA, $ 66.95
»
Click here to show/hide summary
Abstract
The writer employs Freudian ideas in the textual analysis of "Troilus and Criseyde", allowing for a wealth of exploration of overt sexual imagery amid the poem's romantic elements. The paper explores the dream scenes in the poem, noting the ways in which the characters predict their tragic destinies.
From the Paper
"Criseyde is the first to have a dream that reflects Troilus's damaging need for gratification, as well as her fear of the commitment of marriage. After learning of Troilus's interest in her, she declares, "I am myn owne woman, well at ease/ . . . Shall noon housbonde seyen to me, 'checkmate!??(76). Although Criseyde is justifiably worried about the constraints that accompany a relationship, she is oblivious to the effect Troilus already has on her. Indeed, not long after her proclamation of independence, Criseyde, thinking about Troilus more and more, begins to question her steadfastness: "Sholde I now love, and put in jupartye/My sikerness, and thrallen libertee??(77). Yet, after much deliberation, when she does relinquish her resolve and devote her love to Troilus, her subconscious assails her with a terrifying dream. Lulled to sleep by a nightingale's song, Criseyde dreams..."
| |
|
Narration in Chaucer's "Troilus and Criseyde", 2004.
Shows how the narrative structure emphasizes Boethian philosophy in this work by Geoffrey Chaucer.
5,634 words (approx. 22.5 pages), 10 sources, MLA, $ 136.95
»
Click here to show/hide summary
Abstract
This paper asserts that "Troilus and Criseyde" by Geoffrey Chaucer is a treatise on Boethian philosophy more than an epic romance. The narrator is treated as a character whose purpose is to emphasize the deterioration of the poetic structure by displacing the audience, even as the hero simultaneously contends with his own emotional conflict and ultimate demise.
From the Paper
"Because Pandarus is created in Chaucer's own image (Waswo 10), he serves a pivotal role as a vehicle for Chaucerian irony in the narration scheme itself. Pandarus embodies the pacing of the narration and the emotion of the narrator himself. Both Pandarus and the narrator claim that their actions are fueled by compassion for the lovers, yet they both exhibit bizarre personal gratification in the services they perform. Some critics have even observed how the narrator ?participates with delight in Pandarus' machinations to bring the lovers together. In Books II and III, as Pandarus dashes from place to place arranging the lovers' meetings, the narration itself speeds up? (Waswo 10)."
| |
|
"Troilus and Criseyde", 2007.
An analysis of Geoffrey Chaucer's tale "Troilus and Criseyde" as a study of 14th century gender roles.
1,931 words (approx. 7.7 pages), 2 sources, MLA, $ 61.95
»
Click here to show/hide summary
Abstract
This paper discusses how although Chaucer's "Troilus and Criseyde" can be considered another classic love story, the main characters seem to break away from their expected gender roles and take on characteristics more commonly associated with the opposite sex. It looks at how indeed, both characters, Troilus and Criseyde, strike the reader as acting outside of their expected gender roles in terms of their behavior when they are under love's spell.
From the Paper
"Perhaps the best way to understand the ways in which Troilus and Criseyde differ from what is expected of them during the 14th century is to examine just what is expected of a chivalrous knight like Troilus and a fair lady like Criseyde. One thing the reader must keep in mind is that the paramount creed for a knight is that he is honorable and chivalrous in the name of God in all things he does. While this is not specific by any means to his romantic life, it might suggest that the way he handles himself be lofty and with his pride and dignity in tact. A literary source entitled "Chaucer: Sources and Backgrounds" includes an excerpt in it from Ramon Lull's "The Book of the Order of Chivalry," essentially a set of guidelines highlighting just how a knight should conduct himself. "
| |
|
"Troilus and Criseyde", 2002.
A look at Chaucer's effective use of the image of the house in "Troilus and Criseyde".
1,400 words (approx. 5.6 pages), 1 source, $ 53.95
»
Click here to show/hide summary
Abstract
This six-page undergraduate paper explores the recurrence of the image of the house in "Troilus and Criseyde". Chaucer has several purposes for this image, the main one being to situate characters in the society.
| |
|
"Troilus and Criseyde", 2005.
Examines gender in this story by Geoffrey Chaucer.
2,700 words (approx. 10.8 pages), 7 sources, $ 106.95
»
Click here to show/hide summary
Abstract
This paper discusses the way gender is used in "Troilus and Criseyde" by Geoffrey Chaucer, with reference to the way John Lydgate raises Chaucer in "Troy Book". It notes how Cressida is depicted as manipulative and self-serving, while Troilus is the victim who really loves her and who is betrayed by her when she shifts her love to the Greek Diomede and leaves Troilus to be killed.
From the Paper
"The story of Troilus and Cressida has been told from various points of view in Homer, Shakespeare, Geoffrey Chaucer, and others. Chaucer's version of Troilus and Criseyde presents the story of the siege of Troy and events surrounding it through characters who very much reflect the ideas and attitudes of his own time, with the main characters being two young people who embody the traits of the Middle Ages. These traits include ideas about gender, based on the gender stereotypes of the day, which serve as defining characteristics for the characters and which explain many of their motivations for these characters. In the Troy Book of John Lydgate, the poet offers a Chaucerian work that gives more power to ideals than to real people and that treats gender as one aspect of tradition. Karl Federn describes the views of women that prevailed in the Middle Ages and discusses their sources."
| |
|
Geoffrey Chaucer and Canterbury Tales, 2002.
This paper gives a history of the life of poet Geoffrey Chaucer whose best-known works are "The Canterbury Tales" and "Troilus and Criseyde".
1,537 words (approx. 6.1 pages), 8 sources, MLA, $ 50.95
»
Click here to show/hide summary
Abstract
The writer looks at the background that pre-dated Chaucer's writing, leading to the creation of "Troilus and Criseyde". The paper then shifts the focus to "The Canterbury Tales", taking a closer look at this work. The paper brings examples from the text to illustrate the analysis of Chaucer's writing style.
From the Paper
"The Canterbury Tales, started sometime between 1347 and 1400. This work is considered Chaucer's masterpiece. It is organized as a collection of stories told by a group of travelers on pilgrimage to the shrine of Thomas a Becket in Canterbury. The Canterbury Tales reflects the diversity of fourteenth-century English life while reflecting the full-range of medieval society with the pilgrims sharing tales that span the medieval literary spectrum. Here critics concur that Chaucer brings each character to life and creates truly memorable individuals. Within the framework of the Canterbury Tales are ten parts which appear in different order in different manuscripts. Critics believe that Chaucer's final plan for this work was never realized because he either stopped working on the piece or died before he could place the sections in sequence."
| |
|
Geoffrey Chaucer and Boethius's Fortune, 2006.
An analysis of the relationship between Geoffrey Chaucer's "The Book of the Duchess" and "Troilus and Criseyde" and Boethian philosophy and fortune.
2,212 words (approx. 8.8 pages), 3 sources, MLA, $ 68.95
»
Click here to show/hide summary
Abstract
This paper discusses Geoffrey Chaucer's "The Book of the Duchess" and "Troilus and Criseyde." It describes their two young lovers, smitten by the blows of fortune - the Black Knight and Troilus, respectively and looks at the different references to fortune in each of the texts. The paper then relates the two texts to Boethian philosophy, namely that found in Boethius' "The Consolation of Philosophy."
From the Paper
"Unlike in The Book of the Duchess, however, there are a number of individuals in Troilus and Criseyde who are responsible for the events that led both up to Troilus' affair with Criseyde, as well as the separation of the lovers and the betrayal of Troilus: without Calchas' betrayal of Troy, Criseyde wouldn't have been in the vulnerable position that preceded her affair with Troilus; without Pandarus and Troilus' elaborate scheming, deceit and manipulation of Criseyde, there would have been no affair; without Criseyde's betrayal and persistent deceit of Troilus, Troilus' pain would have been lessened, and they could have stolen away together as Criseyde kept considering to do. Here, it surely is not Fortune who is false, but Calchas, Pandarus, Troilus, and Criseyde. Therefore, one could argue that the role of Fortune, in Troilus and Criseyde, is to relieve these individuals for the moral responsibility for their actions as well as the consequences of those actions. They also seem to relieve Troilus of the responsibility to himself to continue his life actively. He seems to feel that if he has no hand in his fate or fortune, then he can just lie in bed all day, that it won't make a difference; a very distorted, although convenient, interpretation of Boethius' philosophy of Fate and Fortune."
| |
|
Chaucer?s World, 2006.
This paper explores Geoffrey Chaucer's life and writings as well as the influences that aided the author in penning his most famous novel "The Canterbury Tales."
1,399 words (approx. 5.6 pages), 6 sources, APA, $ 46.95
»
Click here to show/hide summary
Abstract
This paper examines famed author Geoffrey Chaucer's works as well as the various occupations, travels and experiences which provided the author with a keen insight into human nature which greatly influenced his writing style. This paper also reviews and discusses several of Chaucer's novels including: "The Canterbury Tales" and "Troilus and Criseyde."
From the Paper
"If Chaucer hadn't broken free of the auspicious life that he was born
to, being son of a wealthy vintner and trained to be a diplomat and civil servant, his writing of such characters, as in the Wife of Bath and The Pardoner, would not have had the life-like qualities they do. It was in his later life that Chaucer gained first-hand knowledge of the the corruption in the medieval church and the often times unscrupulous affairs in court and the high-handed ways of merchants."
|
| Term Paper # 58035 |
temporarily unavailable
|
|
|
|
"Canterbury Tales" by Geoffrey Chaucer, 2006.
A look at the general prologue of Geoffrey Chaucer's " Canterbury Tales".
1,219 words (approx. 4.9 pages), 3 sources, MLA, $ 41.95
»
Click here to show/hide summary
Abstract
In this book review, the author looks at the general prologue of Geoffrey Chaucer's "Canterbury Tales". The paper examines the masterful and clever way in which Chaucer described late Middle Age life. The author reminds us that "Canterbury Tales" is actually an unfinished work due to Chaucer's untimely death. The existing "Canterbury Tales" actually comprises only about one fourth of the intended one hundred twenty or more tales. The paper examines in detail each of the characters that Chaucer centers upon and how they are portrayed in a comical manner. The author concludes with the question of whether the issues raised in the book have changed significantly over time and if Chaucer's confidence in his assessment of his contemporaries was misplaced.
From the Paper
"The Knight, model of chivalry and courtesy, having acquitted himself well in all of the major expeditions and conflicts of the half-century preceding the pilgrimage, assumes the role of exemplar of Middle English nobility. In modesty, gentleness and adherence to truth, he is established as the vessel for those noble human traits by which the reader will measure each of the others. ("He was a knight in all things to perfection.") The Knight has glorified himself in many battles, but is prudent in his speech and manner. He is thus portrayed as being praiseworthy without being proud. These characteristics make him clearly the most admired of the pilgrims, and his tale being first sets the bar by which all others shall be judged in both their tales and their telling."
| |
|
Geoffrey Chaucer's "The Canterbury Tales", 2008.
Discusses the themes of selfishness, corruption and greed in Geoffrey Chaucer's poem, "The Canterbury Tales".
1,395 words (approx. 5.6 pages), 1 source, MLA, $ 46.95
»
Click here to show/hide summary
Abstract
This paper explains that, in his poem "The Canterbury Tales", Geoffrey Chaucer uses a combination of vivid descriptions and detailed character portraits, such as the Nun, the Monk and the Friar, to present his personal view while allowing the reader to judge these characters for themselves. The author points out that Chaucer carefully groups these pilgrims in the General Prologue according to similarities in their personalities and attitudes. The paper relates that, as these characters set out together on a journey of redemption, renewal and salvation, Chaucer focuses on their vices and ineffectiveness. The author underscores that the portraits of the Nun, the Monk, and the Friar, which contradict Christian views on greed and selfishness, reflect Chaucer's strong criticism of the church and of the institutionalization of religion.
From the Paper
"It is the Monk's obsession with gold and riches which further add to Chaucer's criticism and concern for the church as a whole. The fact that Chaucer introduces the Monk's portrait, directly after the Nun, shows how similar they are in personality and values. One way that Chaucer criticizes the Monk's greed and selfishness is by Chaucer's description of his body size. He is described to be, "a lord ful fat and good point; his eyen stepe, and rollynge in his heed, that stemed as a forneys of a leed." It is apparent that he was not living a life of fasting due to his large size."
| |
|
Chaucer's Poetry, 2005.
Discusses three poems by Geoffrey Chaucer.
1,125 words (approx. 4.5 pages), 1 source, $ 44.95
»
Click here to show/hide summary
Abstract
This paper discusses the characteristics of three of the love-vision poems of Geoffrey Chaucer, noting how Chaucer uses aspects of the courtly love tradition in "Book of the Duchess," "House of Fame," and "Parliament of Foules." The paper notes that all three poems involve dreaming in some sense, setting the visions apart from the real world to a degree and linking courtly love with dreaming.
From the Paper
"Chaucer represented the prevailing poetic conventions of his time and also reflected the major interests of his audience even as he shaped those interests around his own view of society. A tradition in poetry at the time was to celebrate courtly love, which can be defined as a form of love at a distance, a tradition that elevated women to a particular position, setting them on a pedestal as the male would serve them and admire them from afar. Often, the woman was married to another, though that is not a necessary element. Often, the male would be a knight serving his lady and protecting her from harm even though his love might not be returned."
| |
|
Chaucer's "Canterbury Tales", 2003.
This paper analyzes the character of the Parson in Chaucer's "Canterbury Tales".
1,150 words (approx. 4.6 pages), 1 source, $ 39.95
»
Click here to show/hide summary
Abstract
This paper compares the character of the Parson in Chaucer's "Canterbury Tales" to other ecclesiastical figures relating Chaucer's views on the Church. The author discusses Chaucer's portrait of the Parson as the ideal priest. The paper stresses the social commentary in the 'Prologue' to the "The Parson's Tale".
From the Paper
"Although the tales written by Geoffrey Chaucer were for entertainment, he also used them as subtle social commentary on the world he lived in. The prologue to "The Parson's Tale" is considered to be one of ..."
| |
|
Chaucer's "General Prologue", 2004.
A discussion on Geoffrey Chaucer's methods of introducing the Merchant, Clerk and Lawyer to the reader in the "General Prologue" of his "Canterbury Tales".
2,231 words (approx. 8.9 pages), 0 sources, $ 69.95
»
Click here to show/hide summary
Abstract
This paper examines how straight after he has described the three ecclesiastical figures in the "General Prologue", Chaucer goes on to describe those who work (the laborantes), the largest group in the Prologue. It shows how Chaucer generally has distaste for those emerging members of the middle-class in 14th Century England and treats the Merchant accordingly, with harsher than normal satire. It also looks at how more gentleness is applied to the assiduous Clerk and the Lawyer and how, in these portraits, Chaucer shows his finger to be on the pulse of a changing society.
From the Paper
"Neither does Chaucer approve of the Merchant's morality. He breaks the law for profit and spends the money on lavish outfits, as Chaucer tells us in line 280, "in eschaunge sheeldes selle". He dealt in French ecus, which was illegal at the time, and used the ill-gotten gains to dress expensively, rather than pay off the debts he tries so hard to hide. His choice of attire may not seem too severe a sin, but when the Merchant's appearance is compared with the Knight (Chaucer's revered chivalric ideal figure), who wears humble garments with no hint of pretension, he seems a very despicable figure. In addition to this, he ignores religious orders, as he deals with "bargaines" and "chevissaunce", both of which were dealing in money, forbidden for Christians."
| |
|
Chaucer as a Source of Creative Inspiration, 2006.
An analysis of the influence of Geoffrey Chaucer's "The Canterbury Tales" down through the years, comparing it to other works by different authors.
2,550 words (approx. 10.2 pages), 10 sources, MLA, $ 77.95
»
Click here to show/hide summary
Abstract
This paper focuses on the similarities between Geoffrey Chaucer's "The Canterbury Tales" and later works by other authors. It traces the influence of Chaucer's work down through the years and focuses on works including Edmund Spencer's "The Faerie Queene", William Shakespeare's "The Tempest", the folk tales of Brer Rabbit and Brer Fox and contemporary films such as "Shrek." The paper analyzes the language used in each of these works and compares it to Chaucer's works.
From the Paper
"It is a well known fact that writers receive inspiration from works that they have read or encountered. As the old adage goes, there is nothing new under the sun and for every piece of fiction there is a creative source. Chaucer's lengthy Canterbury Tales is no exception. It is well known that Chaucer drew on the works of Boccaccio and Petrarch for many of the tales in the work so it comes as no surprise to find traces of the Canterbury Tales in many works that have followed its publication. From Spencer's Faerie Queene to modern films like Shrek (Adamson 2001) traces of Chaucer's monumental work run throughout English literature and film."
|
|
|
