| Papers [1-15] of 64 :: [Page 1 of 5] | | Go to page : 1 2 3 4 5 —> | Search results on "CHARTRES CATHEDRAL": |
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Chartres Cathedral in France, 2008.
Looks at the famous stained glass windows of Chartres Cathedral in France.
935 words (approx. 3.7 pages), 4 sources, APA, $ 33.95
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Abstract
This paper describes the famous stained glass windows of Chartres Cathedral in France. The paper describes the cathedral's gothic style, the set of windows in the west facade, the rose windows that can be found in different parts of the cathedral, and the Blue Virgin Window in the ambulatory area. The paper also describes the guilded windows in the cathedral, noting that, more than with most cathedrals, Chartres Cathedral's windows area often marked to show the donor, and this is true of the so-called guild windows, or windows donated by the trade guilds.
From the Paper
"The South Rose is seen with five lancet windows and dates from the 1230s. The Rose Window itself shows the Glorification of Christ, with Christ blessing surrounded by Four Evangelists and angels, then the elders of the Apocalypse, then the arms of donors to the cathedral. The left lancet shows Evangelist Luke over Prophet Jeremiah. The second lancet shows Evangelist Matthew over Prophet Isaiah. The central lancet shows the Virgin and Child."
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Chartres Cathedral, 2002.
A look at Chartres Cathedral in France and its significance as a gothic cathedral.
1,150 words (approx. 4.6 pages), 8 sources, $ 44.95
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Abstract
A study of the Chartres Cathedral in France which creates a ideal depiction of the gothic form of architecture and is shown in reference to the same.
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The Labyrinths of Grace Cathedral, 2007.
This paper describes and analyzes the labyrinths at Grace Cathedral, located in San Francisco.
900 words (approx. 3.6 pages), 1 source, MLA, $ 31.95
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Abstract
This paper looks at how the outdoor labyrinth at the Grace Cathedral mimics the design of the archetypal 13th century labyrinth at the Chartres Cathedral in France. The author points out that the terrazzo in the Grace Cathedral provides a cold, hard and unyielding counterpart to the otherwise rosaceous, curvilinear, forgiving labyrinthine pattern and the open-air setting suggests nature worship, inviting visitors to contemplate spiritual truths outside of the confines of a religious building. The paper concludes that the Grace labyrinth exemplifies the interfaces between nature and art, between decoration and art and between structural and artistic forms.
From the Paper
"The space in which the Grace Cathedral labyrinth is contained is expansive yet it is also contained within a definite boundary. On the property of the Church, the labyrinth is nevertheless accessible at all hours of the day. Open hours mirror the open setting and open air. Because the labyrinth is on terrazzo, it feels distinctly man-made. It doesn't feel natural at all; it has no connection with the feeling of running through the woods or hiking. Having to remain in the lines and only go forward is one of the labyrinth's paradoxes: it is curvilinear and seemingly loose but it is also tight and restrictive."
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The Royal Portal, 2005.
A design analysis of the jamb statues of the west portal at the Chartres Cathedral.
920 words (approx. 3.7 pages), 1 source, APA, $ 31.95
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Abstract
This paper presents a design analysis of the jamb statues of the west portal at the Chartres Cathedral, also known as the Royal Portal. Stylistic shifts and differences due to rebuilding are discussed. The paper also highlights the unity of design of the jamb statues.
From the Paper
"The West Portal of the Chartres Cathedral at Notre Dame is often referred to as the Royal Portal in reference most likely to the Virginas the Queen of Heaven..."
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Architecture and Sculpture, 2007.
A comparison of function and construction of Michelangelo's sculpture of "David" and the architecture of Chartres' "Cathedral."
1,061 words (approx. 4.2 pages), 3 sources, MLA, $ 37.95
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Abstract
This paper compares two famous works of art - one sculpture and one of architecture. It examines Michelangelo's sculpture of "David" and the architecture of Chartres' "Cathedral." It compares their structure, materials, function, how they were constructed, the type of structure, their purpose and the length of time it took to construct them. The paper also compares them with regard to proportion and their similarities in characteristics of visual and design elements.
From the Paper
"As to function, they provoke the same sentiment: awe. The "David" looks down briefly upon the viewer and one's eyes wander to his hands or arm or slingshot and one marvels at the holiness of God. The same may be said of the cathedral. When one stands in the entrance and views the enormity of the vault, the lights and color of the stained glass windows, and how constructed (Spiro 335), one wants to remain in the atmosphere, All the parts work together to bring about a sensation of holiness and awe. The central nave is in the shape of a cross, with the top of the cross at the altar and the two arms stretched out on either side. The cathedral was assembled from millions of stones, which were then laid, or installed on the site where it was needed. The "David" material (a large piece of marble and a slingshot in his hand,) is simply a single piece of marble."
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The Notre Dame Cathedral, 2002.
An examination of the architecture of the Notre Dame Cathedral in Paris, France.
2,856 words (approx. 11.4 pages), 11 sources, MLA, $ 84.95
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Abstract
This paper looks at how the Notre Dame Cathedral includes a number of unique elements in Gothic architecture as well as being characteristic of Gothic cathedral architecture in other ways. It discusses how it contains massive sculptures and huge windows with designs suggesting different theological and iconographic references. It analyzes how these iconographic representations demonstrate shifts in the way human being related to the Church and to God at the time the cathedral was built.
Outline
Introduction
Gothic Art and Notre Dame
Windows
Portals
Conclusion
From the Paper
"One of the ornamental types found in Notre Dame is the rayonnant style, or the radiant style, which dominated the second half of the thirteenth century. Among the most prominent examples of this style are the two great rose windows in the north and south transept faHades of Notre Dame. The huge north rose window is the work of the master builder Jean de Chelles, and it is a masterpiece of architectural ingenuity. Nearly the entire mass of wall opens up into stained glass, and this is held in place by an intricate armature of stone tracery that practically has the tensile strength of steel. The Gothic passion for light is seen in a most daring and successful effort to subtract all superfluous material bulk just short of destabilizing the structure and to transform the hard substance into insubstantial, luminous color. This vast and complex structure of stone-set glass has maintained its structural integrity and equilibrium against the disintegrative forces of nature and time for seven hundred years, showing the genius of the builder."
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The Duomo Cathedral, 2007.
An overview of the history and architecture of the Duomo Cathedral in Florence.
1,995 words (approx. 8.0 pages), 1 source, MLA, $ 63.95
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Abstract
One of the most distinguishing aspects of Florence's skyline, the dome of the cathedral (Duomo), Santa Maria del Fiore, is a paragon of Renaissance architecture. The result of years of hard work, which was filled with more that six centuries of often-tragic history, the building was originally designed by Amolfo di Cambio in 1294. This paper examines the Duomo Cathedral, by considering its architectural structure, form, and style, while also giving some reflection to popular trends and beliefs during the cathedral's construction, and the ways in which these changed and shaped its architectural form.
Outline:
Introduction
Historical Timescale
Conclusion
From the Paper
" Although the cathedral is basic architectural design was created by Amolfo di Cambio, who was also the designer of the church of Santa Croce and the Palazzo Vecchio, and the internationally famous and symbolic cupola crafted by Renaissance genius Filippo Brunelleschi (1377 - 1446), its final finishing work was not completed until the late 19th century. However, throughout the six hundred period between the cathedral's beginnings and its completion, numerous structural and decorative works took place that have tremendously enriched the history of this incredible monument. "
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Cathedral of Notre Dame de Paris, 2002.
Examining the history of the Cathedral of Notre Dame de Paris and what impact Victor Hugo's book "The Hunchback of Notre Dame" had on its revival.
951 words (approx. 3.8 pages), 2 sources, MLA, $ 33.95
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Abstract
This paper looks at the impressive 700 year history of the famous Cathedral of Notre Dame in Paris. It examines the origins of its construction and how architectural tastes have changed over time, influencing different improvements made to the building. It links this history to the novel written by Hugo known as "The Hunchback of Notre Dame" and how through his novel, the Cathedral became famous again. It shows that through this fame, the Cathedral was given a face-lift.
From the Paper
"More than seven hundred years old, the Cathedral of Notre Dame de Paris exemplifies Gothic architecture. Those who visit it cannot fail to be awed at the magnificent structure, which bears her history proudly, now restored to her former grandeur. Many millions of people in the last century have never set foot in its soaring halls, yet they feel that they know it, because they have read Victor Hugo?s monumental novel, Notre Dame de Paris, or The Hunchback of Notre Dame. The Cathedral inspired Hugo to write his moving book, but the book in turn provided an incentive for the Cathedral to be restored from the ravages of the past. The histories of building and book are intertwined."
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St. Etienne Cathedral in Bourges, 2005.
Gothic church architecture and the St. Etienne Cathedral in Bourges, France.
1,125 words (approx. 4.5 pages), 4 sources, $ 44.95
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Abstract
The paper is on the history and design of St. Etienne Cathedral in Bourges, France, which is a good example of gothic church architecture. The constuction of the cathedral is examined and the paper discusses typical French Gothic style.
From the Paper
"St. Etienne Cathedral in Bourges, France is a good example of gothic church architecture. This edifice, along with Cathedral Chartres, is the first cathedral of the high-Gothic era and was the starting point for the typical French Gothic style. Construction on the cathedral began in 1195, and the choir was completed in 1214, the nave between 1225-1250, and the west facade sometime in the 1270's. The north tower fell in 1505 and was rebuilt in 1542 ("Cathedral, Bourges No. 1" paras. 1-2). The plan of the cathedral is simple and was derived from the plan for Notre-Dame de Paris. At least, the exterior is so derived, while the interior is quite different from that more famous cathedral. The basic structure involves double-sided aisles, and it is double ambulatory and has no transept. The volume of the nave is the same as the cathedral at Chartres, with a width of 15 meters and a height of 37.."
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Saint Peter's Cathedral, 2002.
A history of Saint Peter's Cathedral in the Vatican.
1,018 words (approx. 4.1 pages), 5 sources, MLA, $ 36.95
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Abstract
This paper discusses Saint Peter's Cathedral, situated in the Vatican, Italy. Saint Peter's Cathedral, also known as the Basilica of Saint Peter, stands in what was once the Circus of Nero in Rome, where Saint Peter was crucified in 61 A.D. In around 200 A.D., an altar was constructed at the site and Saint Peter's body was buried beneath it. It examines its architecture and history, the way it was, the way it has changed over time and the way it is today. It looks at how it serves as the home church for the Pope and is a glowing testament to the art and architecture of the Renaissance, one of the most influential periods in world culture.
From the Paper
"Saint Peter's contributed to the art world in many ways. Artists were in great demand to paint the many walls and ceilings, and contribute to art works to be placed in the cathedral, so many artists were kept busy in Italy during the time, thereby increasing the awareness and employment in the arts. There are also many mosaics is the church, so a wide variety of artisans were kept busy for decades decorating the massive structure. Art flourished during the Renaissance, and Saint Peter's kept artisans busy, and helped them develop new methods for their crafts, as Michelangelo did when he created the iron beam system to support the massive concrete dome (Editors)."
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"Cathedral", 2004.
An analysis of the story, "Cathedral", by Raymond Carver.
952 words (approx. 3.8 pages), 1 source, MLA, $ 33.95
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Abstract
This paper briefly examines "Cathedral" by Raymond Carver, which is a short story that depicts the blindness of a man in his society and the role that a blind man had played in his life.
From the Paper
"In the first part of the story, the reader can feel that the narrator harbors negative traits against other people. This was apparent when a blind man, named Robert and an old friend of his wife, came over to their house. The narrator was not so enthusiastic about Robert visiting them. First, because he does not know him, and second because he doesn?t like blind people. He has an unpleasant impression about being blind."
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"Cathedral", 2002.
An analysis of "Cathedral" by Raymond Carver.
1,150 words (approx. 4.6 pages), 5 sources, $ 44.95
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Abstract
This paper will discuss the story "The Cathedral" by Raymond Carver and uncover the themes that are related to the story. By realizing the literary means that he sues to convey this tale, we can see how the development of characters, the use of themes, and its structure can be determined.
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The Canterbury Cathedral, 2002.
An analysis of the stained glass windows of the Canterbury Cathedral of England.
2,400 words (approx. 9.6 pages), 7 sources, $ 89.95
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Abstract
This paper is a critique on the stained glass windows of the Canterbury Cathedral of England providing an in-depth analysis of the Beckett windows, the Royal windows and the windows of the North Choir Aisles.
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Literary Analysis of ?Entropy? and ?Cathedral?, 2006.
The writer of this paper presents a literary analysis, from a personal point a view, of both Thomas Pynchon's "Entropy" and Raymond Carver's "Cathedral."
983 words (approx. 3.9 pages), 0 sources, $ 34.95
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Abstract
The writer of this paper discusses the valuable experiences that were obtained by finding the deep literary meanings in both "Entropy" and "Cathedral," that the authors were striving to reveal. The writer explains why the plot of both these short stories are secondary in importance to the subtext. The writer also details the personal significances of each work of writing, such as the scientific theory of entropy, which is clearly illustrated by the author, Thomas Pynchon.
From the Paper
"The things I learned in each story were personally significant to me, as well. I was not aware of the scientific theory of entropy before I read Pynchon's story, which illustrated the concept perfectly. And, in "Cathedral," the thought of what it would be like to describe something I take for granted to a person whom has never seen anything also affected me, and led me to new levels of thinking. Gaining these levels of thinking can only be considered valuable. Finally, the whole experience of responding to "Entropy" and "Cathedral" was valuable because it will better prepare me for future literary readings. Looking back at the questions asked, I can direct those questions toward future readings and hopefully get similar results. The responses taught me new ways of thinking about stories, which will carry over to all future readings."
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"Interior of Cathedral at Aachen", 2004.
An analysis of the "Interior of Cathedral at Aachen" by Hendrick van Steenwijk.
1,204 words (approx. 4.8 pages), 4 sources, MLA, $ 41.95
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Abstract
Description of ?Interior of Cathedral at Aachen?, done in 1573 by Hendrick van Steenwijk. The writer also describes his own personal appreciation for this particular piece, as well as the artist's works in general. Finally, the paper offers some background information on the artist.
From the Paper
"The title of the oil painting "Interior of Cathedral at Aachen" 1573 by the Flemish Hendrick van Steenwijk (c.1550-1603) might originally strike in the reader?s mind with the image and impression of a high-reaching cathedral that shocks the eye. A viewer expecting such a work, however, will find him or herself quite disappointed. Upon first glance of this work hanging in the Rhode Island School of Design Museum of Providence, Rhode Island, a viewer is immediately struck by the painting?s conveyed sense of smallness and interiority. Rather than reaching out to the heavens, the painting takes place and evolves in its perspective through the use and succession of a series of curves and half-circles. The circular, cloistering sense is further confirmed by the shadows that play upon the depicted corridor of the cathedral."
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