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"The Unbearable Lightness of Being", 2008.
An analysis of the plot and characters in Milan Kundera's book, "The Unbearable Lightness of Being."
1,557 words (approx. 6.2 pages), 5 sources, MLA, $ 51.95
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Abstract
This paper discusses Milan Kundera's book, "The Unbearable Lightness of Being." It describes Kundera's characters and their relationship to how he perceived life in Soviet Czechoslovakia at the time as well as the book's core issue of existentialism and the techniques used by the narrator. In addition, the paper discusses the plot of the book and how the characters relate to it.
From the Paper
"Franz is a university professor who teaches philosophy and falls in love with Sabina, his exact opposite. Franz is a heavy character who looks for meaning in life and lives for strong emotions generated either by love or by politics. He is a combination of idealism, naivete and the inability to understand his surroundings. Unlike Tomas, he does not change; he is not a dynamic character. Only at the end of his life is he able to wonder about his choices and question his decisions. He goes to Vietnam and becomes a political activist, upholding ideals of freedom, justice and truth, thinking that Sabina would be proud of him and his mission. He is sadly mistaken, and dies a meaningless death, killed during a mugging."
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Milan Kundera's "The Unbearable Lightness of Being", 2008.
Explores Milan Kundera's "The Unbearable Lightness of Being" by analyzing the characters.
1,720 words (approx. 6.9 pages), 5 sources, MLA, $ 55.95
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Abstract
This paper explains that Mike Kundera's characters in "The Unbearable Lightness of Being" are subjected to the two major influences of the historical context of the novel and the existentialist philosophy as expressed especially by Heidegger in his "Being and Time". The author points out that the technique used in the book by the narrator to describe the mental states of his characters follows a precise format. The paper also describes each of the four major characters and to what degree they reflect the lightness of being.
Outline:
Characters Exponents of the Author's Real Life Experience
Historical Context
Communist Czechoslovakia
Prague, Czechoslovakia
Philosophical Theme; Existentialism
Character: Tomas
Free Individual
Character: Tereza
Opposite of Her Husband: Highly Idealistic
Character: Sabina
Highly Individualistic and Independent, Rebellious And Unconventional
Character: Franz
Very Passionate; Believes In Love and Politics
The Four Characters Reconstruct Milan Kundera's Life Experience
The Characters Choose Exile over Communism
From the Paper
"Sabina is Tomas' lover, an artist who rebels against the ugliness of the surrounding world, and her oppressive father through her paintings and lifestyle choices. She is the extreme instance of the lightness of being. In fact, her love affair with Tomas is based upon this very lightness of being that they share. Their affair has nothing in common with a traditional romance as they are not traditional characters. Nevertheless, she looks for heaviness, which is why she falls in love with Franz, a university professor and at the same time, the extreme instance of heaviness."
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"Art and Architecture from Renaissance Milan", 2001.
The paper discusses Evelyn Welch?s illustration of the history of art and architecture during the rule of the two dynasties, the Visconti and Sforza, in her book, "Art and Authority in Renaissance Milan."
1,560 words (approx. 6.2 pages), 0 sources, $ 51.95
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Abstract
This paper examines the tensions and arrangements between the city government and the court in Evelyn Welch?s "Art and Authority in Renaissance Milan." Images are used to legitimize the authority of the dukes as well as the details of the multitude of problems that occurred during the constructions of the monumental cathedral of Santa Maria Maggiore, the Ospedale Maggiore, and the Castello di Porta Giovia along with the grievances that the artists and architects had with the Milanese court and government.
From the Paper
"In the first chapter, Welch discusses the images that were used to claim authority in Milan. Unlike the King of France, the signori of Milan in the fourteenth and fifteenth-century could not declare their authority as God-given. The Milan rulers, from the first duke (Gian Galeazzo Visconti) to the last (Ludovico Maria Sforza), used various sources of confirmation of their position from distant papal or imperial investitures. But the most effective means of imposing authority over the Milanese citizens and residents of the surrounding countryside was to produce countless images that asserted ducal ownership of buildings, works of art, and people. Some of these images took the form of family arms, portraits, and color codes. Bridges and towers were branded with a coat of arms when absorbed under new dominions. Some signori asserted their authority with equestrian portraits. Images were represented differently in art and literature depending on the audience and the time. Art was used as a collaborator for political control (which was not uncommon). There was a constant transition in leadership. Two dynasties controlled Milan - the Visconti and the Sforza. The Viscontis, native Milanese, were based in the surrounding countryside. The Sforzas, originally mercenary soldiers, were from the Romagna and acquired their rights over Milan through a marriage to the daughter of the last Visconti duke. In art, historical armed conflict was disguised. Successive rulers changed ancestral histories. A leader that became powerful through tyranny was transformed as reverent. But regardless of even great court commissions, the images of authority were only effective if their audiences were predisposed to accept the court?s authority. There was a reciprocal relationship between the art and the audience. "
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Memphis Design Studio in Milan, Italy, 1994.
The life and architectural style and influence of the founder Ettore Sottsass, including leading figures, ideology and criticism of.
3,150 words (approx. 12.6 pages), 6 sources, $ 111.95
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From the Paper
"Introduction
The Memphis design studio in Milan was started in 1979. As with many European design studios and movements, the Memphis design group appeared to have a greater tolerance for abstract design than did American groups of the time, but in fact the European groups generally looked to American style of the 1950s for inspiration.. Ettore Sottsass was the leading figure of the Memphis design group, and much of what he embodied in that group derived from his earlier experiences as a designer. The ideas he implemented in the design group were ambitious and adventurous. The designs produced were highly successful, but for Sottsass this success was itself only a beginning. While the public clamored for more, he was already looking to the next mode of expression. The Memphis design group had a considerable..."
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The Unbearable Lightness of Being by Milan Kundera, 1996.
Analyzes novel's use of love & sex as temporary respites from characters' alienation from life & others.
2,250 words (approx. 9.0 pages), 1 source, $ 79.95
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From the Paper
"Milan Kundera, in The Unbearable Lightness of Being, offers a philosophy of love and sex which appears to be very pessimistic, but at the same time offers a shred of hope that some measure of happiness, or at least acceptance, can be won in a world in which there is no longer any unassailable truth or faith holding the individual to life. This is the meaning of the title. Without any of the religious, psychological, philosophical, political or romantic beliefs of the past to cling to, the individual must suffer "the unbearable lightness of being." He or she must look for love in a world which seems to be created precisely to keep human beings from finding the love they so desperately seek. It is not a surprise, then, to find that the physical act of sex is generally shown to be an exciting, if temporary, substitute for true love and intimacy. It is also not..."
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Plato and "The Unbearable Lightness of Being", 2009.
A look at how Plato's theme of dualism of the soul and body can be applied to an analysis of Milan Kundera's book "The Unbearable Lightness of Being".
3,128 words (approx. 12.5 pages), 5 sources, MLA, $ 91.95
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Abstract
This paper argues that Plato's theory on the dualism of the soul and body is applicable to all of the four major characters in Milan Kundera's "The Unbearable Lightness of Being". Specifically, this paper examines how the connection between the two substances takes place in the case of each character, and to what extent they are marked by this interaction.
From the Paper
"The theory of the dualism of the soul and body was tackled by ancient philosophers such as Socrates, Plato and Aristotle. In the case of The Unbearable Lightness of Being, all of the four main characters exhibit this dichotomy. However, it is Tereza who best represents Plato's theory. In her case this dualistic approach is synonymous to a split between the two parts that make up her individuality. Kundera refers to his characters being "born of a stimulating phrase or two or from a basic situation. Tereza was born of the rumbling of a stomach." (Kundera: 39). As far this duality in the case of his characters, Kundera argues that "the old duality of body and soul has become shrouded in scientific terminology, and we can laugh at it as merely an obsolete prejudice." (Kundera: 40)"
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"Unbearable Lightness of Being", 2001.
This essay explores personalities and politics in Milan Kundera's book "Unbearable Lightness of Being".
1,510 words (approx. 6.0 pages), 1 source, MLA, $ 49.95
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Abstract
This paper discusses the characters in the book "Unbearable Lightness of Being" by Milan Kundera and how Tomas?s indecisive personality leads his political decisions while Sabina has a decisive personality. The author looks at how these differences account for the different roles the characters play in the Czech revolution.
From the Paper
"Kundera?s most famous is said to be a complex book, which is set against the Russian invasion of Czechoslovakia. The story revolves around three different characters. The man torn between thought and emotion, love and lust, the woman who lives for rebellion and another woman whose body act as the amplifier for her emotions. The male protagonist is Tomas who falls in love with Teresa and they both get married. Even after marrying her he keeps on having affairs in order to give weight and meaning to his life. With that he also maintains a love- affair with Sabina."
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"The Unbearable Lightness of Being", 2008.
An analysis of the role of animals in Milan Kundera's "The Unbearable Lightness of Being".
2,328 words (approx. 9.3 pages), 1 source, MLA, $ 71.95
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Abstract
This paper discusses how in Milan Kundera's "The Unbearable Lightness of Being", the loving role of animals highlights the simple yet solid relationship between humans and their pets. It looks at how Kundera's novel is a critique of human's lack of self-control in contrast to animals who behave like humans should: caring and loyal.
From the Paper
"The dog's name, Karenin, is not a random appellation, but carries its own meaning within the novel. Tomas names the dog after Anna Karenina's husband, thus hinting at the book which Tereza was reading when she arrived at his doorstep. The female dog is given a male name because she metaphorically becomes a masculine man: "No woman could possibly have so funny a face. It's much more like Karenin. Yes, Anna's husband. That's just how I've always pictured him" (Kundera 24). By giving the dog the "husband's" name, Tomas exploits Karenin as a replacement for his lack of love for Tereza. In addition, Tomas wants "the name to be a clear indication that the dog was Tereza's;" (Kundera 24) in order to highlight that the dog's only purpose in life is to make Tereza happy. Tomas hopes Karenin will develop lesbian tendencies towards Tereza if "addressed continually by a male name" (Kundera 24) and Tereza will not mind his affairs. Tereza does not care about Tomas's relationship with other women because she has Karenin's love. In the end, Karenin replaces Tomas's void of love for Tereza by simply giving his time and attention."
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"The Unbearable Lightness of Being", 2005.
An analysis of Milan Kundera's "The Unbearable Lightness of Being" with respect to Wislawa Szymborksa's poem "Love at First Sight".
1,405 words (approx. 5.6 pages), 2 sources, MLA, $ 46.95
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Abstract
In Milan Kundera's novel "The Unbearable Lightness of Being" both Tereza and Tomas repeatedly think of the series of fortuitous events that brought them together. This paper considers the role of fortuity, chance and coincidence in their lives and discusses it in relation to Wislawa Szymborksa's poem "Love at First Sight".
From the Paper
"In both the novel and the poem, the authors want to make readers think about fortuities in terms of their own lives I believe. However one can speculate that these works are not out for solid answers, but work rather as a medium for the authors' views on this issue. In fact, it is an endless source of philosophical speculation because really, no one knows the answer. Significantly, neither of the authors brings God into their speculation but of course there are those who think everything is fated in advance. Others believe in free will but clearly in both texts the readers are being drawn into the debate. Kundera does this by often addressing the reader directly by using metafiction or asking questions. Szymborska uses rhetorical question directed to the archetypical couple. "
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Understanding Alcoholism, 2006.
This paper reviews and discusses the book "Under the Influence: A Guide to the Myths and Realities of Alcoholism" by James R. Milan.
1,140 words (approx. 4.6 pages), 1 source, APA, $ 39.95
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Abstract
This paper examines Milan's book on alcohol addiction which offers understanding through research and enables the reader to separate myth from reality. This paper explores the deep discord that exists among scientists, physicians and addiction treatment facilitators over the disease while detailing the progression of alcoholism and the effect on its victims.
From the Paper
"In the opening chapter, the author describes the deep schism that exists among scientists, physicians, and addiction treatment facilitators over the disease of alcoholism. In fact, he sadly concedes that even among many researchers and legislators in the United States, alcoholism is still regarded as a moral issue instead of a disease. In fact, the American Medical Association has recognized alcoholism as a disease since 1956."
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?Edward and God?, 2006.
A literary analysis of Milan Kundera's Edward and God" from his short story collection, "Laughable Loves".
1,740 words (approx. 7.0 pages), 3 sources, MLA, $ 56.95
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Abstract
This paper explores ways that Milan Kundera uses plot, setting, figurative language, irony, symbols and other devices, to direct the protagonist Edward in "Edward and God" toward a surprising, ironical, smile toward God in church.
From the Paper
"That charge had been based on the older brother's sleeping through Stalin's death and laughing about it in public the following day (the comical sight of the elaborately-grieving Miss Chechahkova, a fellow student and loyal Stalinist, is what had really made him laugh so long and hard). But Miss Chechahkova, being the good servant of the State she is and therefore none too amused, reported him to the department. For that, he was jettisoned from the school and forced to find an altogether new future profession. Now Miss Chechahkova, all grown up, middle-aged, lonely, and ugly, is the directress of the department that once expelled his brother, however, and could give Edward a job."
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The Enigma of the Self, 2002.
A study in variations and shared existential mysteries involving the self in Milan Kundera's "The Book of Laughter and Forgetting" and Ivo Andric's "The Bridge on the Drina".
4,115 words (approx. 16.5 pages), 2 sources, MLA, $ 110.95
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Abstract
A look at how two Slavic authors, Ivo Andric and Milan Kundera, explore the very personal mystery of self. This essay explores Kundera's "The Book of Laughter and Forgetting" and Andric's "The Bridge on the Drina" comparing similarities of theme as the two authors in their diverse styles show humans seeking self in relationship to the opposite sex. The study offers extensive comparison/ contrast of the two novels utilizing many documented quotes from both.
From the Paper
"The novels The Bridge on the Drina, by Ivo Andric and The Book of Laughter and Forgetting, by Milan Kundera are examples of the truth of this statement. Both novelists explore the enigma of self within the context of their own existential probing of self. Each of these writers also places his personal self, as well as the selves of his characters against a panoramic historical background, which just happens to be the stage setting before which he has played out his own personal drama of self."
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Hemingway?s ?Farewell to Arms?, 2004.
This paper discusses Hemingway?s ?Farewell to Arms?, a quasi-autobiographical novel, which echoes Hemingway?s life and serves as a commentary on the times and Hemingway?s character.
2,060 words (approx. 8.2 pages), 6 sources, APA, $ 64.95
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Abstract
This paper explains that ?A Farewell to Arms?, a novel of war and love, consists of two parts. The part before his surgery and convalescence at Milan, including Frederic Henry?s wounding, and the part after he returns to the front. The author points out that Hemingway uses rain as a good or bad portent in almost every part of the novel, and it serves as a metaphor on numerous occasions. The paper relates that Hemingway was an alcoholic, and alcoholism plays an important role in ?Farewell to Arms?, thus showing a slice of Ernest Hemingway?s life.
From the Paper
"Catherine Barkley, in the novel, has many suitors, including a Dr. Rinaldi, a physician assigned to Henry?s ambulance corps. Rinaldi, recognizing the extent of Henry?s feelings, backs away from his pursuit of Nurse Barkley. This way, Hemingway felt that he had complete ascendancy over Catherine?s very being. The love affair between Catherine and Frederic is not of mutual give and take. Catherine is completely giving of her body mind and soul. Frederic does not reciprocate any of this; indeed, he is constantly demanding. When he wrote the novel, Hemingway was older. He was married and divorced to his first wife Hadley. His real life wife, Pauline, was pregnant with his child and had a difficult cesarean birth around the time the novel was completed--almost a decade after World War I ended. This was the difficulty of childbirth that Hemingway forced upon the character of Hemingway attributed to his characters his feelings of that time. Catherine also combined the characteristics of both Hadley and Pauline."
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Coming of Age in Literature, 2007.
A comparison of the old generation-new generation relationships in "The Kite Runner" by Khaled Hosseini, "The Unbearable Lightness of Being" by Milan Kundera and the film "Sugar Cane Alley," written and directed by Euzhan Palcy.
1,817 words (approx. 7.3 pages), 4 sources, MLA, $ 58.95
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Abstract
This paper compares the coming of age within three works - "The Kite Runner" by Khaled Hosseini, "The Unbearable Lightness of Being" by Milan Kundera and the film "Sugar Cane Alley," written and directed by Euzhan Palcy. It analyzes the political and social structure in each of these works and describes how they affect the relationships between the younger and older characters.
From the Paper
"The shifts in lightness and heaviness in this novel are complex and at times difficult to understand, and the political element that is seen here is also more complex and in some ways more specific than what is seen in The Kite Runner or Sugar Cane Alley. In this novel, the events of what is known as the Prague Spring serve as backdrop, a time when the Soviet military occupied the city and made it known that the people of Poland were not in control of their own destinies. Tomas had once condemned the Communists and so is asked to leave the city, and he and Tereza travel to Switzerland. When they later return to Prague, it is with the knowledge that they will never be allowed to leave again."
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Novel Comparison, 2001.
"The Good Soldier" by Ford Madox Ford and "The Unbearable Lightness of Being" by Milan Kundera. Similarities, development of ideas.
1,800 words (approx. 7.2 pages), 2 sources, $ 63.95
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From the Paper
"Ford Madox Ford said "I have always had the greatest contempt for novels written with a purpose. Fiction should render, not draw, morals." Two novels that exemplify the rendering of morals of which Ford spoke are his own book The Good Soldier and Milan Kundera's The Unbearable Lightness of Being. These works possess certain similarities in that neither is told in strict chronological order, both involve quartets of irregular lovers, and both make claims about the world based on life as it is observed through the behavior of its characters in the midst of their marriages, sexual affairs, and adulteries. Each of these novels is, of course, written with a purpose. But Ford means that it is only the incompetent novelist who sets out the moral of his or her story and then proceeds to fill in the blanks. In this method the characters seem to be ordered up just..."
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